Erin Becwar by Erin Becwar

april

erinbecwar — 2014-10-22 01:48:12 UTC

bruised

erinbecwar — 2014-10-22 01:50:32 UTC

river landscape

erinbecwar — 2014-10-22 01:52:10 UTC

november self-portrait

erinbecwar — 2014-10-22 01:52:40 UTC

eraser

erinbecwar — 2014-10-23 01:19:07 UTC

breadth

erinbecwar — 2014-11-24 02:24:01 UTC

blue wave

erinbecwar — 2014-11-24 02:29:41 UTC

billy idol as wolverine

erinbecwar — 2014-12-12 01:38:56 UTC

organic

erinbecwar — 2014-12-12 01:39:42 UTC

glasses

erinbecwar — 2014-12-16 02:36:48 UTC

Looking For Alaska

erinbecwar — 2015-03-18 11:26:02 UTC

A Clockwork Orange

erinbecwar — 2015-03-18 11:26:30 UTC

It's Kind Of A Funny Story

erinbecwar — 2015-03-18 11:27:01 UTC

This Side of Paradise

erinbecwar — 2015-03-18 11:29:17 UTC

Into The Wild

erinbecwar — 2015-03-19 00:38:49 UTC

The Catcher In The Rye

erinbecwar — 2015-03-19 00:42:46 UTC

Of Mice And Men

erinbecwar — 2015-03-19 00:43:40 UTC

concentration- writing at bottom

erinbecwar — 2015-03-19 00:49:16 UTC

To Kill A Mockingbird

erinbecwar — 2015-03-19 00:56:59 UTC

I need to redo the jacket part, I'm just gonna cut it out & do it again on another paper

Pink Wave

erinbecwar — 2015-03-19 01:06:48 UTC

self portrait

erinbecwar — 2015-03-19 01:08:57 UTC

erinbecwar — 2015-03-19 01:13:01 UTC

concentration paragraph

erinbecwar — 2015-03-19 20:58:38 UTC

It could be said that film versions of books give readers a clear interpretation of a work's characters. However, it could also be said that a director's representation of a character can ruin what the reader's imagination has created on it's own. My concentration pieces illustrate book characters that come from the page and from the mind-- not from the screen. The repeated use of circles, flowing lines, bubbles, and other such things portray a more whimsical version of a book character than what may be shown in a film.

The Great Gatsby

erinbecwar — 2015-03-19 21:07:27 UTC

Cyrano De Bergerac

erinbecwar — 2015-03-19 21:08:19 UTC