MUSX-124 Notebook by Josh Fordelon https://padlet.com/joshinix/zo9rq6x70xm0bgc5 en-us 2023-11-02 06:35:13 UTC 2023-11-02 08:34:32 UTC hello@padlet.com Different Double Microphone Pairings joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773385006 Stereo Recording/techniques

  • Stereo recording is a common approach for capturing live performances

  • Over time, stereo recording techniques have evolved, along with equipment

  • Various methods enhance or focus on the stereo field.

  • Four specific techniques will be discussed with brief explanations

X/Y Stereo Setup

  • X/Y is a widespread stereo pattern for recording.

  • Two microphones are crisscrossed at an angle between 90 and 130 degrees

  • The aim is to eliminate phasing issues by aligning the microphones

  • Sound variations create the stereo image.

  • Mic choice with matching pickup patterns is crucial.

  • X/Y is mono-compatible, works at different distances, but lacks wide stereo image

: Spaced Pair Stereo Setup

  • Spaced Pair involves two microphones pointed forward in parallel

  • The distance between mics can vary, often 3x the source distance

  • Mono mixing may be tricky due to phasing issues.

  • Spaced Pair provides a wide stereo image that can be adjusted

  • Baffling between mics helps prevent overlap

ORTF Stereo Setup

  • ORTF was developed by Radio France in the 1960s.

  • Capsules are aimed with a 110-degree angle and spaced 17cm apart

  • Mimics human ear positioning

  • Phasing issues are less likely due to close spacing

  • ORTF is mono-compatible and provides a wide stereo image

NOS Stereo Setup

  • NOS is similar to ORTF with greater mic distance and a 90-degree angle

  • Offers a realistic stereo effect with mono compatibility.

  • Suitable for recording an acoustic piano

  • Mic capsules should be close and matched

  • The C02 pencil condensers with DMA2 stand adapter work well for NOS

]]> 2023-11-02 06:41:43 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773385006 DAW joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773387421
Microphone to Computer Interface

  • Microphones convert acoustic sound into an analog signal

  • Analog signals can be further amplified or digitized for use with computers

  • An audio interface converts analog to digital and vice versa, enabling mic-computer interaction

  • Configuring settings can enhance recording efficiency

  • Digital Audio Workstations (DAWs) offer features like a metronome, count off, tempo, and time signatures

]]> 2023-11-02 06:43:56 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773387421 Electric/Signal Levels joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773395000

  • Electric instruments rely on electrical amplification to increase their sound output.

  • The primary reason for using amplifiers is to boost the instrument's volume, especially when some instruments are naturally quieter, necessitating a microphone pickup and amplifier.

  • Amplifiers not only enhance volume but also influence the instrument's sonic characteristics, resulting in numerous configuration possibilities.

  • When recording electric instruments, you can either capture the amplified sound from the connected amplifier or directly interface with your recording setup.

  • Signal levels differ, with microphones generating mic-level signals, instruments producing instrument-level signals, and professional audio equipment operating at line level.

  • Lower-output signals may require pre-amplification to reach an optimal level, which is sometimes facilitated by built-in pre-amps in recording interfaces.

    • ]]>     2023-11-02 06:50:14 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773395000     Polar Patterns joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773398900 Areas around the microphone where sound is detected

    Cardioid (Heart Shaped) Figure Eight



    ]]>     2023-11-02 06:53:56 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773398900     John Glyns Method - Ambient Drums, retro rock drums joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773400251

  • Use a S kick drum microphone with a cardioid polar pattern.

  • Position the kick drum microphone 3-4 inches from the kick drum.

  • Employ two ribbon microphones with a bi-directional polar pattern for other aspects of the drum kit.

  • Place one ribbon microphone above the snare drum to capture the entire drum kit.

  • Position the second ribbon microphone off to the side, overlooking the floor tom and hi-hat.

  • Maintain a distance of 40-60 inches between both ribbon microphones and the snare drum. (Triangle Sha[e)

    • ]]>     2023-11-02 06:54:59 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773400251     EQ/Mixing joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773501018 2023-11-02 08:31:22 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773501018 Compressor joshinix https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773503935 Once sound passes a certain threshhold, will eliminate the frequency at a set ratio


    increased attack = more harsh compressing, more sound mitigation



    ]]>     2023-11-02 08:34:32 UTC https://padlet.com/joshinix/zo9rq6x70xm0bgc5/wish/2773503935