<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>The Bacchae by </title>
      <link>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7</link>
      <description>Metatheatre in ancient tragedy</description>
      <language>en-us</language>
      <pubDate>2021-06-03 21:34:37 UTC</pubDate>
      <lastBuildDate>2025-12-06 13:21:02 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title>-Bacchae: Female Followers of Dionysus</title>
         <author>batolakkos13</author>
         <link>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583756344</link>
         <description><![CDATA[<div>- Written by Euripides in 405 B.C.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-06-03 21:41:33 UTC</pubDate>
         <guid>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583756344</guid>
      </item>
      <item>
         <title>Metatheatrical elements  in the play:</title>
         <author>batolakkos13</author>
         <link>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583760179</link>
         <description><![CDATA[<div><strong><em>The Bacchae</em></strong><strong> is distinctive in that the chorus is integrated into the plot and the god is not a distant presence, but a character in the play, indeed, the protagonist.</strong><br><br><strong>1) Role-playing within the role.</strong> Dionysus as a stranger.<br>&nbsp; &nbsp; &nbsp; &nbsp;--&gt; Double inversion <br><strong>2)The cross-dressing of Pentheus.</strong><br>&nbsp; &nbsp; &nbsp; &nbsp; --&gt; Feeling of dissociation with oneself that the actor <br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;takes on in playing a role.<br>&nbsp; &nbsp; &nbsp; &nbsp; --&gt; Dissociation with the reality that the audience experiences <br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;in watching a play.<br><br><strong>3)the chorus itself and the announcement of the entrance of the chorus.</strong><br><strong>4)The self-referential mask</strong>.<br>&nbsp; &nbsp; &nbsp;&nbsp;<br>                     &nbsp;Duality inherent in the nature of the theatre<br><br>&nbsp; &nbsp; &nbsp; &nbsp;              &nbsp;Certain self-awareness not found in other plays<br>&nbsp;<br><br></div>]]></description>
         <pubDate>2021-06-03 21:44:25 UTC</pubDate>
         <guid>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583760179</guid>
      </item>
      <item>
         <title></title>
         <author>batolakkos13</author>
         <link>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583860166</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.writework.com/uploads/11/113749/english-pentheus-jonathan-klein-torn-pieces-holy-baccahe-bac.jpg" />
         <pubDate>2021-06-03 23:05:38 UTC</pubDate>
         <guid>https://padlet.com/batolakkos13/zfdblpvpbjinlsj7/wish/1583860166</guid>
      </item>
   </channel>
</rss>
