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      <title>Year 9 Drama Workbook by Gaynor Borlase</title>
      <link>https://padlet.com/gborlase89/zazemc4ylpqd</link>
      <description>Reflective questions for drama each week</description>
      <language>en-us</language>
      <pubDate>2019-01-26 06:50:53 UTC</pubDate>
      <lastBuildDate>2019-01-26 06:59:50 UTC</lastBuildDate>
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         <title>Week 1</title>
         <author>gborlase89</author>
         <link>https://padlet.com/gborlase89/zazemc4ylpqd/wish/324549937</link>
         <description><![CDATA[<div>1. What was one thing that you found challenging about creating physical humour? What are some techniques you could use in future to overcome this? <br><br>2. What are some modern examples that you can think of that demonstrate physical humour? Expand on how you think this is achieved and why it is entertaining to watch. <br><br>3. Why do you think that physical humour is called "Slapstick"? Where might this name have come from? </div>]]></description>
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         <pubDate>2019-01-26 06:52:21 UTC</pubDate>
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         <title>Week 2 </title>
         <author>gborlase89</author>
         <link>https://padlet.com/gborlase89/zazemc4ylpqd/wish/324550089</link>
         <description><![CDATA[<div>1. What are the main components of melodrama performance? <br><br>2. What are some of the techniques used in slapstick performance? What one do you think you could use really well in a performance? <br><br>3. Were there any filming techniques that you saw today that you would like to use in your performance? What were they and why do you think they worked well? </div>]]></description>
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         <pubDate>2019-01-26 06:56:37 UTC</pubDate>
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