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      <title>fashion illustration timeline  by Elisha Julca</title>
      <link>https://padlet.com/50018501/z5w62wzdqt24ihy3</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2021-03-09 12:47:22 UTC</pubDate>
      <lastBuildDate>2026-01-15 01:45:52 UTC</lastBuildDate>
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      <item>
         <title>René Gruau </title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287236025</link>
         <description><![CDATA[<div>1947-1987<br>medium used: pen or brush</div>]]></description>
         <enclosure url="https://www.illustrationhistory.org/essays/fashion-illustration-from-the-16th-century-to-now" />
         <pubDate>2021-03-09 13:02:17 UTC</pubDate>
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      <item>
         <title>René Bouché</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287462282</link>
         <description><![CDATA[<div>1950<br>With the economic recession that followed the Stock Market Crash of 1929, the United States fashion industry grew less dependent on Paris for fashion. American garment manufacturing made great strides during the interwar years, improving large-scale production methods and standardizing sizing.  With the outbreak of World War II, these skills assumed a new importance as women struggled to maintain some level of fashionability in the face of severe supply shortages and restrictions.</div>]]></description>
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         <pubDate>2021-03-09 13:47:52 UTC</pubDate>
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         <title>Erté</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287486420</link>
         <description><![CDATA[<div>1983 <br>By the 1950s, fashion editors were investing more of their budgets for editorial spreads of photography. The subsequent promotion of the fashion photographer to celebrity meant that illustrators had to be content with working on articles for lingerie and accessories, or in advertising campaigns.<br><br></div><div><br><br></div>]]></description>
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         <pubDate>2021-03-09 13:52:00 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287486420</guid>
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      <item>
         <title>Jean-Philippe Delhomme</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287492069</link>
         <description><![CDATA[<div>1993-1996<br>During the second half of the twentieth century, fashion illustration struggled to survive, until it underwent a renaissance in the 1980s. A new generation of artists was given an outlet in magazines such as <em>La Mode en peinture</em> (1982), Conde Nast’s <em>Vanity</em> (1981), and <em>Visionaire</em> (1991). Credit for this revival is attributed to advertising campaigns, notably Barney’s New York’s 1993-1996 advertising campaign with witty illustrations by <strong>Jean-Philippe Delhomme</strong> (b.1959).<br><br></div><div><br><br></div>]]></description>
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         <pubDate>2021-03-09 13:52:59 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287492069</guid>
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      <item>
         <title> Jason Brooks</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287502136</link>
         <description><![CDATA[<div> 2013<br>This period, which saw the emergence of computer design programs Adobe Photoshop and Illustrator, also witnessed a revitalization of traditional art-based forms of fashion illustration. New York’s Parsons School of Design and FIT began offering illustration as a dedicated element of their fashion curriculum. “Traditional” hand-worked illustration has continued to enjoy a revival, with fashion illustrators often looking back to the masters of the past for stylistic inspiration. Fashion illustration that is grounded in classic methods has managed to survive alongside those created by more modern processes.<br><br></div><div><br><br></div>]]></description>
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         <pubDate>2021-03-09 13:54:43 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287502136</guid>
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      <item>
         <title>Civil War in China</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287599057</link>
         <description><![CDATA[<div><strong>1946</strong></div>]]></description>
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         <pubDate>2021-03-09 14:10:32 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287599057</guid>
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      <item>
         <title>Abraham Bosse</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287688403</link>
         <description><![CDATA[<div>1629<br>medium used: <br>Seventeenth-century artists <strong>Jacques Callot</strong> (1592-1635) and <strong>Abraham Bosse</strong> (1602-1676) both used modern engraving techniques to produce realistic details of the clothes and costumes of their times.</div>]]></description>
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         <pubDate>2021-03-09 14:24:32 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287688403</guid>
      </item>
      <item>
         <title>Jacques Callot</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287706934</link>
         <description><![CDATA[<div>1620<br>etching<br>his series of watercolor fashion drawings under Napoleon I was engraved by <strong>Georges-Jacques Gatine</strong> (1773-1824)</div>]]></description>
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         <pubDate>2021-03-09 14:27:26 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287706934</guid>
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      <item>
         <title>Georges-Jacques Gatine</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287871091</link>
         <description><![CDATA[<div>1815<br>hand-colored prints were replaced by full-color printing.</div>]]></description>
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         <pubDate>2021-03-09 14:52:26 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287871091</guid>
      </item>
      <item>
         <title>Florensa de Closménil</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287888831</link>
         <description><![CDATA[<div>1846<br><strong>Charles Dana Gibson</strong>'s (1867-1944) scratchy renderings of the modern American woman, with upswept hair and shirt-waist, defined a type as well as provided a humorous, sometimes satirical, commentary on contemporary American life.</div>]]></description>
         <enclosure url="http://www.myvintagegeneration.com/wordpress/wp-content/uploads/2010/09/IMG_0041.jpg" />
         <pubDate>2021-03-09 14:55:17 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287888831</guid>
      </item>
      <item>
         <title>George Barbier</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287901205</link>
         <description><![CDATA[<div> 1924-1925<br>From 1910 until the outbreak of World War II, the cover of <em>Vogue</em> always featured an illustration. <em>Vogue</em>’s early covers displayed artwork created by American illustrators <strong>Helen Dryden</strong> (1882-1972), <strong>George Wolf Plank</strong> (1883-1965), <strong>Georges Lepape </strong>(1887-1971), and <strong>F.X. Leyendecker</strong> (1876-1924). Following the First World War, they were joined by European artists including <strong>Eduardo Benito</strong> (1891-1981), <strong>Charles Martin</strong> (1884-1934), <strong>Pierre Brissaud</strong> (1884-1964), and <strong>Andre Marty</strong> (1882-1974).</div>]]></description>
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         <pubDate>2021-03-09 14:57:20 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1287901205</guid>
      </item>
      <item>
         <title>F.X Leyendecker</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288180488</link>
         <description><![CDATA[<div>1911<br>From 1910 until the outbreak of World War II, the cover of <em>Vogue</em> always featured an illustration. <em>Vogue</em>’s early covers displayed artwork created by American illustrators <strong>Helen Dryden</strong> (1882-1972), <strong>George Wolf Plank</strong> (1883-1965), <strong>Georges Lepape </strong>(1887-1971), and <strong>F.X. Leyendecker</strong> (1876-1924). Following the First World War, they were joined by European artists including <strong>Eduardo Benito</strong> (1891-1981), <strong>Charles Martin</strong> (1884-1934), <strong>Pierre Brissaud</strong> (1884-1964), and <strong>Andre Marty</strong> (1882-1974).</div>]]></description>
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         <pubDate>2021-03-09 15:40:51 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288180488</guid>
      </item>
      <item>
         <title>world war ii</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288189603</link>
         <description><![CDATA[<div>1 September 1939 – 2 September 1945</div>]]></description>
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         <pubDate>2021-03-09 15:42:18 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288189603</guid>
      </item>
      <item>
         <title>stock market crash </title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288199407</link>
         <description><![CDATA[<div>1929</div>]]></description>
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         <pubDate>2021-03-09 15:43:55 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288199407</guid>
      </item>
      <item>
         <title>Paul Iribe</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288279091</link>
         <description><![CDATA[<div>1912-1925<br>Each edition contained up to ten color <em>pochoir</em> plates and several croquis design sketches.<br><br>Iribe was one several fashion illustrators who contributed to the celebrated publication that also included work by such greats as <strong>Charles Martin</strong> (1848-1934), <strong>Eduardo Garcia Benito</strong> (1892-1953) <strong>George Barbier</strong> (1882-1932) <strong>Georges Lepape</strong> (1887-1971) and <strong>Umberto Brunelleschi</strong> (1879-1949). </div>]]></description>
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         <pubDate>2021-03-09 15:56:44 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288279091</guid>
      </item>
      <item>
         <title>Alfredo Bouret</title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288310310</link>
         <description><![CDATA[<div>1960<br><strong>Antonio Lopez</strong> (1943-1987) was the only artist regularly featured in the pages of <em>Vogue</em> during this time, having started his career at <em>Women’s Wear Daily.</em></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1003142329/e97c8f3fe3dd1539e815f9024b66008a/image.jpeg" />
         <pubDate>2021-03-09 16:01:42 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1288310310</guid>
      </item>
      <item>
         <title>death of princess Diana </title>
         <author>50018501</author>
         <link>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1292400542</link>
         <description><![CDATA[<div>1997</div>]]></description>
         <enclosure url="https://www.eveningexpress.co.uk/wp-content/uploads/sites/10/2017/08/Diana-1997-08-31-page-03.jpg" />
         <pubDate>2021-03-10 11:58:03 UTC</pubDate>
         <guid>https://padlet.com/50018501/z5w62wzdqt24ihy3/wish/1292400542</guid>
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