https://padlet.com/vacri_2018/ynd7yrju2m4l Made with ♥ en-us 2017-09-30 15:57:02 UTC 2026-03-12 19:28:51 UTC hello@padlet.com https://padlet-assets.s3.amazonaws.com/icons/Templeball.png vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192686341 In Who's Afraid of Virginia Woolf, Edward Albee shows that no matter how hard people try, the truth about their lives will leak out past their disillusions.]]> 2017-09-30 15:58:32 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192686341 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192687465 George and Martha have created their own little illusion to distract them from the disaster of their marriage and personal lives. This fantasy world that they live in can only be so strong and hold for so long, as they discover at the end of the play.]]> 2017-09-30 16:13:44 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192687465 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192773399 The characters in the play often argue with one another to protect their version of the reality they want to live in, such as when Nick argues with George against the truth he married his wife for her money. He won't allow himself to come to grips with the person he really is, he wants to be the clean cut and good husband he pictures himself as. He does not want to come to grips with the person he really is, later admitting the only reason he came to George and Martha's house was to get closer to Martha.]]> 2017-10-01 15:42:28 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192773399 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192774905 Perhaps the best, and most shocking, example of this theme comes with the revelation that the child of George and Martha is completely fabricated. They had done so in order to give them something in their lives that would keep them from separating from each other. Although they show great hatred for each other in the play, they also have a deep love and know that they cannot live without the other. No matter how much they fight or what they say, they know that their "son" will keep them together at the end of the day. However, they are both adults, and will have to accept the reality of their lives and live with it.]]> 2017-10-01 15:53:42 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/192774905 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/193234798 At the end of the play, this is a lesson George realizes they both must face, and decides to "kill" their son for good. This horrifies Martha, who is afraid of living without the illusion to protect them. To her this is not just the death of their fabricated child, but of the last thing that holds their marriage together when it is at its worst. ]]> 2017-10-02 23:43:00 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/193234798 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/193235924 With their "son" now dead, George and Martha must face the reality of themselves and their marriage. Both express this sentiment in the play's closing, George asks Martha "Who's afraid of Virginia Woolf? (256)", to which she replies "I am George...I am" (256). Taking the song "Who's afraid of the big bad wolf", George replaces it with author Virginia Woolf. Here he takes something fake and replaces something real, to which Martha is afraid of. Reality has caught up to them and they must face the music. ]]> 2017-10-02 23:53:53 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/193235924 vacri_2018 https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/195398099 2017-10-09 22:26:24 UTC https://padlet.com/vacri_2018/ynd7yrju2m4l/wish/195398099