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      <title>Feminist (&amp;) Queer Film by Sasha Ihnatovich</title>
      <link>https://padlet.com/sashaihnatovich/feminist_queer_film</link>
      <description>Made with a curious mind</description>
      <language>en-us</language>
      <pubDate>2022-02-14 16:22:34 UTC</pubDate>
      <lastBuildDate>2022-02-15 18:12:26 UTC</lastBuildDate>
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         <title>Fictional films, made by women and feature female protagonists</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2046642728</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www2.bfi.org.uk/news-opinion/news-bfi/lists/10-great-feminist-films" />
         <pubDate>2022-02-14 16:28:36 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2046642728</guid>
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      <item>
         <title>Fireworks by Kenneth Anger (1947)</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048170482</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://vimeo.com/425202939" />
         <pubDate>2022-02-15 09:26:49 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048170482</guid>
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      <item>
         <title>Chantal Akerman obituary</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048172670</link>
         <description><![CDATA[<div>&nbsp;Radical film-maker and artist who was a pioneer of modern feminist cinema&nbsp;</div>]]></description>
         <enclosure url="https://www.theguardian.com/film/2015/oct/08/chantal-akerman" />
         <pubDate>2022-02-15 09:27:55 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048172670</guid>
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      <item>
         <title>In the Film World, Who Speaks When She Speaks?</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048183582</link>
         <description><![CDATA[<div>At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking.</div>]]></description>
         <enclosure url="https://www.frieze.com/article/film-world-who-speaks-when-she-speaks" />
         <pubDate>2022-02-15 09:34:40 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048183582</guid>
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      <item>
         <title>New collection of video art and documentary by Julia Lesage</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048271655</link>
         <description><![CDATA[<h1>&nbsp;The tapes in this collection represent a unique combination of documentary, video art, and advocacy.&nbsp;</h1><div><br></div>]]></description>
         <enclosure url="https://mediaburn.org/blog/new-collection-of-video-art-and-documentary-by-julia-lesage/" />
         <pubDate>2022-02-15 10:30:01 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048271655</guid>
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      <item>
         <title>Essays by Julia Lesage</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048292942</link>
         <description><![CDATA[<div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/CHRISTA.HTML">Experimental Feminist Autobiographical Video: Camille Billops' and James Hatch's FINDING CHRISTA</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/HERSHMAN.HTML">Experimental Feminist Autobiographical Video: Lynn Hershman's ELECTRONIC DIARIES</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/MYPRACTICE.HTML">My Videomaking Practice in IN PLAIN ENGLISH</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/COURSE.HTML">Teaching about Latin American Women through Documentary Film and Video</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/RAPETHREAT.HTML">Rape Threat Scene in Narrative Cinema</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/brokenblossoms.html">Artful Racism and Artful Rape in BROKEN BLOSSOMS</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/HEGEMONIC.HTML">The Hegemonic Female Fantasy in AN UNMARRIED WOMAN and CRAIG'S WIFE</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/RULESOFGAME.HTML"><em>S/Z</em>&nbsp;and RULES OF THE GAME</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/ChristianCoalitionTraining.html">Christian Coalition Leadership Training</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/MemOfUnderdevt.html">MEMORIES OF UNDERDEVELOPMENT</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/OneWayOrAnother.html">ONE WAY OR ANOTHER: Dialectical, Revolutionary, Feminist</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/PandorasBox.html">Innocence, Seduction, and Ruin: PANDORA'S BOX and PRETTY POISON</a></div><div><a href="https://pages.uoregon.edu/jlesage/Juliafolder/womensRage.html">Women's Rage</a></div><div><em>&nbsp;</em></div>]]></description>
         <enclosure url="https://pages.uoregon.edu/jlesage/Juliafolder/INDEX4.HTML" />
         <pubDate>2022-02-15 10:45:32 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048292942</guid>
      </item>
      <item>
         <title>Virtual screenings/discussions</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048296376</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://mediaburn.org/events/virtual-talks-with-video-activists/2-25-21-virtual-talks-with-video-activists-julia-lesage/" />
         <pubDate>2022-02-15 10:47:46 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048296376</guid>
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         <title>Filmmaker Mary Dore chronicles the events, the movers and the shakers of the feminist movement from 1966 to 1971.</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048316337</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=e-n829QzZ58" />
         <pubDate>2022-02-15 11:00:48 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048316337</guid>
      </item>
      <item>
         <title>Visual Pleasure and Narrative Cinema by Laura Mulvey</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048357019</link>
         <description><![CDATA[<div>Using Freud's thoughts, Mulvey insists on the idea that the images, characters, plots and stories, and dialogues in films are inadvertently built on the ideals of patriarchies, both within and beyond sexual contexts.&nbsp;</div>]]></description>
         <enclosure url="https://ia802801.us.archive.org/4/items/visual-pleasure-and-narrative-cinema/Laura-mulvey-visual-pleasure-and-narrative-cinema.pdf" />
         <pubDate>2022-02-15 11:29:22 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048357019</guid>
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      <item>
         <title>Feminist Film Manifestos IV @ International Women’s Film Festival at the CCCB</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048362376</link>
         <description><![CDATA[<div>&nbsp;Humour and sarcasm are strategies that feminist cinematic narrative has incorporated to shape the disrepute linked to traditional devices of audiovisual representation. The set of films making up this programme show the efficacy and transcendence of this transgression.&nbsp;</div>]]></description>
         <enclosure url="https://www.cccb.org/en/activities/file/feminist-film-manifestos-iv/229611" />
         <pubDate>2022-02-15 11:33:16 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048362376</guid>
      </item>
      <item>
         <title>ЗОЛАТА !!! Queer Cinematic Interpretation</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048370589</link>
         <description><![CDATA[<div><em>A list of links to openly accessible online studies, or performances, of queer ‘reading’.</em></div>]]></description>
         <enclosure url="https://reframe.sussex.ac.uk/gqc/resources/queer-cinematic-interpretation/" />
         <pubDate>2022-02-15 11:39:26 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048370589</guid>
      </item>
      <item>
         <title>Essay on Jeanne Dielman</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048408007</link>
         <description><![CDATA[<div>&nbsp;Is it enough for a film to be about a woman occupying a feminine space with an all female crew to reach feminist-hood?&nbsp;</div>]]></description>
         <enclosure url="http://www.thecinessential.com/jeanne-dielman/feminism" />
         <pubDate>2022-02-15 12:07:07 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048408007</guid>
      </item>
      <item>
         <title>Зборнік тэкстаў &quot;Гендер и трансгрессия в визуальных искусствах&quot;</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048478895</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.academia.edu/22341538/%D0%93%D0%B5%D0%BD%D0%B4%D0%B5%D1%80_%D0%B8_%D1%82%D1%80%D0%B0%D0%BD%D1%81%D0%B3%D1%80%D0%B5%D1%81%D1%81%D0%B8%D1%8F_%D0%B2_%D0%B2%D0%B8%D0%B7%D1%83%D0%B0%D0%BB%D1%8C%D0%BD%D1%8B%D1%85_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%B0%D1%85_%D0%92%D0%B8%D0%BB%D1%8C%D0%BD%D1%8E%D1%81_%D0%B8%D0%B7%D0%B4%D0%B0%D1%82%D0%B5%D0%BB%D1%8C%D1%81%D1%82%D0%B2%D0%BE_%D0%95%D0%93%D0%A3_2007_Gender_and_Transgression_in_Visual_Arts_ed_Almira_Ousmanova_Vilnius_EHU_Moscow_Variant_2007_" />
         <pubDate>2022-02-15 12:55:24 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048478895</guid>
      </item>
      <item>
         <title>Зборнік тэкстаў &quot;Би-текстуальность и кинематограф&quot;</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048482750</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.academia.edu/4549649/%D0%91%D0%B8_%D1%82%D0%B5%D0%BA%D1%81%D1%82%D1%83%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D1%81%D1%82%D1%8C_%D0%B8_%D0%BA%D0%B8%D0%BD%D0%B5%D0%BC%D0%B0%D1%82%D0%BE%D0%B3%D1%80%D0%B0%D1%84_%D0%BF%D0%BE%D0%B4_%D1%80%D0%B5%D0%B4_%D0%90%D0%BB%D1%8C%D0%BC%D0%B8%D1%80%D1%8B_%D0%A3%D1%81%D0%BC%D0%B0%D0%BD%D0%BE%D0%B2%D0%BE%D0%B9_%D0%9C%D0%B8%D0%BD%D1%81%D0%BA_%D0%9F%D1%80%D0%BE%D0%BF%D0%B8%D0%BB%D0%B5%D0%B8_2003_Bi_Textuality_and_Cinema_" />
         <pubDate>2022-02-15 12:57:42 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048482750</guid>
      </item>
      <item>
         <title>Усманова Альмира «Женщины и искусство: Политики репрезентации»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048486771</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.academia.edu/37065758/%D0%A3%D1%81%D0%BC%D0%B0%D0%BD%D0%BE%D0%B2%D0%B0_%D0%90%D0%BB%D1%8C%D0%BC%D0%B8%D1%80%D0%B0_%D0%96%D0%B5%D0%BD%D1%89%D0%B8%D0%BD%D1%8B_%D0%B8_%D0%B8%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE_%D0%9F%D0%BE%D0%BB%D0%B8%D1%82%D0%B8%D0%BA%D0%B8_%D1%80%D0%B5%D0%BF%D1%80%D0%B5%D0%B7%D0%B5%D0%BD%D1%82%D0%B0%D1%86%D0%B8%D0%B8_%D0%93%D0%B5%D0%BD%D0%B4%D0%B5%D1%80%D0%BD%D1%8B%D0%B5_%D0%B8%D1%81%D1%81%D0%BB%D0%B5%D0%B4%D0%BE%D0%B2%D0%B0%D0%BD%D0%B8%D1%8F_%D0%A3%D1%87_%D0%BF%D0%BE%D1%81%D0%BE%D0%B1%D0%B8%D0%B5_%D0%A5%D0%A6%D0%93%D0%98_%D0%A1%D0%9F%D0%B1_%D0%90%D0%BB%D0%B5%D1%82%D0%B5%D0%B9%D1%8F_2001_%D0%A1%D1%81_465_492" />
         <pubDate>2022-02-15 13:00:01 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048486771</guid>
      </item>
      <item>
         <title>Усманова Альмира «Этика антивуайеристского взгляда: Энди Уорхол в истории крупного плана»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048487968</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.academia.edu/34472028/%D0%A3%D1%81%D0%BC%D0%B0%D0%BD%D0%BE%D0%B2%D0%B0_%D0%90%D0%BB%D1%8C%D0%BC%D0%B8%D1%80%D0%B0_%D0%AD%D1%82%D0%B8%D0%BA%D0%B0_%D0%B0%D0%BD%D1%82%D0%B8%D0%B2%D1%83%D0%B0%D0%B9%D0%B5%D1%80%D0%B8%D1%81%D1%82%D1%81%D0%BA%D0%BE%D0%B3%D0%BE_%D0%B2%D0%B7%D0%B3%D0%BB%D1%8F%D0%B4%D0%B0_%D0%AD%D0%BD%D0%B4%D0%B8_%D0%A3%D0%BE%D1%80%D1%85%D0%BE%D0%BB_%D0%B2_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D0%B8_%D0%BA%D1%80%D1%83%D0%BF%D0%BD%D0%BE%D0%B3%D0%BE_%D0%BF%D0%BB%D0%B0%D0%BD%D0%B0_%D0%91%D0%B8_%D1%82%D0%B5%D0%BA%D1%81%D1%82%D1%83%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D1%81%D1%82%D1%8C_%D0%B8_%D0%BA%D0%B8%D0%BD%D0%B5%D0%BC%D0%B0%D1%82%D0%BE%D0%B3%D1%80%D0%B0%D1%84_%D0%BF%D0%BE%D0%B4_%D1%80%D0%B5%D0%B4_%D0%90_%D0%A3%D1%81%D0%BC%D0%B0%D0%BD%D0%BE%D0%B2%D0%BE%D0%B9_%D0%9C%D0%B8%D0%BD%D1%81%D0%BA_%D0%95%D0%93%D0%A3_%D0%9F%D1%80%D0%BE%D0%BF%D0%B8%D0%BB%D0%B5%D0%B8_2003_%D0%A1%D0%A1_124_157" />
         <pubDate>2022-02-15 13:00:38 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048487968</guid>
      </item>
      <item>
         <title>Visual (as)Violence /(Визуальное (как) насилие</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048490835</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.academia.edu/4553157/Visual_as_Violence_%D0%92%D0%B8%D0%B7%D1%83%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B5_%D0%BA%D0%B0%D0%BA_%D0%BD%D0%B0%D1%81%D0%B8%D0%BB%D0%B8%D0%B5_%D0%BF%D0%BE%D0%B4_%D1%80%D0%B5%D0%B4_%D0%90%D0%BB%D1%8C%D0%BC%D0%B8%D1%80%D1%8B_%D0%A3%D1%81%D0%BC%D0%B0%D0%BD%D0%BE%D0%B2%D0%BE%D0%B9_%D0%92%D0%B8%D0%BB%D1%8C%D0%BD%D1%8E%D1%81_%D0%95%D0%93%D0%A3_2007" />
         <pubDate>2022-02-15 13:02:12 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048490835</guid>
      </item>
      <item>
         <title>Квир-кино 2021: куда приводят радужные мечты</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048522452</link>
         <description><![CDATA[<div>&nbsp;Константин Кропоткин специально для «Искусства кино» с «радужными итогами» года.&nbsp;</div>]]></description>
         <enclosure url="https://kinoart.ru/texts/queer-2021" />
         <pubDate>2022-02-15 13:18:26 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048522452</guid>
      </item>
      <item>
         <title>(Не)видимые фильмы из жизни и секса: Барбара Хаммер — пионерка радикального лесбийского кино</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048531085</link>
         <description><![CDATA[<div>Барбара Хаммер — важная фигура квир-кино и американского авангарда&nbsp;</div>]]></description>
         <enclosure url="https://kinoart.ru/texts/nevidimye-filmy-iz-zhizni-i-seksa-barbara-hammer-pionerka-radikalnogo-lesbiyskogo-kino" />
         <pubDate>2022-02-15 13:22:37 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048531085</guid>
      </item>
      <item>
         <title>Российское квир-кино: ростки и уклончивость</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048536826</link>
         <description><![CDATA[<div>&nbsp;Знакомая российская уклончивость, модернизированная ЛГБТ-старость, новые представления о чуждости и новая же доступность квир-кино. Как пандемия сказалась на «радужной» части мирового кинопроцесса? Отчасти радужным образом, что удивительно, — утверждает Константин Кропоткин.&nbsp;</div>]]></description>
         <enclosure url="https://kinoart.ru/texts/vse-tsveta-kvira-lgbtk-na-ekrane-v-god-karantina" />
         <pubDate>2022-02-15 13:25:30 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048536826</guid>
      </item>
      <item>
         <title>Telegram блог пра квір-кіно па-руску /// некоммерческий просветительский проект о квир-культуре Константина Кропоткина</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048553636</link>
         <description><![CDATA[<div>Квир-книги и квир-фильмы, – забытые и совсем новые, культовые и проходные, русские и те, которым стоило бы заговорить по-русски.&nbsp;</div>]]></description>
         <enclosure url="https://t.me/gaybooksfilms" />
         <pubDate>2022-02-15 13:33:34 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048553636</guid>
      </item>
      <item>
         <title>ПРОИЗВОДСТВО ГЕНДЕРНОЙ СУБЪЕКТИВНОСТИ СОВЕТСКИМ ДЕТСКИМ КИНЕМАТОГРАФОМ 1920-х НАЧАЛА 1950-х гг (в журнале Перекрестки)</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048627098</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docplayer.com/60772882-Perekryostki-zhurnal-issledovaniy-vostochnoevropeyskogo-pogranichya-1-2-2016.html" />
         <pubDate>2022-02-15 14:06:29 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048627098</guid>
      </item>
      <item>
         <title>Особый путь российского квир кино: Фильмы вопреки</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048813415</link>
         <description><![CDATA[<div>Онлайн-встреча в рамках XIV ЛГБТ-фестиваля «Бок о бок». В дискуссии принимают участие: Антон Яруш (сценарист), Сева Галкин (режиссёр, продюсер), Катя Седлярова (режиссёр), Денис Ляхов (режиссёр), Анастасия Шалая (режиссёр). Модератор Анна Филиппова (журналист, продюсер, редактор).</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=K7IR6UBIhV8" />
         <pubDate>2022-02-15 15:19:23 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048813415</guid>
      </item>
      <item>
         <title>8 любимых квир-фильмов кинодистрибьютора Стаси Коротковой</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048826255</link>
         <description><![CDATA[<div>В этом выпуске дистрибьютор кино Стася Короткова составляет персональную историю ЛГБТ-фильмов разных лет, от эксцентричного карнавала «Шоу ужасов Рокки Хоррора» до последней работы Дерека Джармена.&nbsp;</div>]]></description>
         <enclosure url="https://www.wonderzine.com/wonderzine/entertainment/videoteka/230948-videoteque-stasya-korotkova" />
         <pubDate>2022-02-15 15:24:27 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048826255</guid>
      </item>
      <item>
         <title>&quot;Мой личный штат Айдахо&quot; и &quot;Эротическая симфония&quot;</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048840579</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.kvir.ru/articles/kino-weekend-moy-lichnyy.html" />
         <pubDate>2022-02-15 15:30:22 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048840579</guid>
      </item>
      <item>
         <title>&quot;Квир-экран&quot;, проект о квир-мотивах в дореволюционном, советском и российском кино</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048845635</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.colta.ru/articles/she/27852-stasya-korotkova-blog-kvir-ekran-identichnosti" />
         <pubDate>2022-02-15 15:32:31 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048845635</guid>
      </item>
      <item>
         <title></title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048864338</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://curious.ru/story/queer_cinema/0" />
         <pubDate>2022-02-15 15:40:15 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048864338</guid>
      </item>
      <item>
         <title>(Не)магчымае квір-кіно</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048869893</link>
         <description><![CDATA[<div>Адкрытае да множнасці інтэрпрэтацый, квір-кіно мае не толькі патэнцыял, але і «рэальны» інструментар, каб пера-ўявіць новы сацыяльны парадак.&nbsp;</div>]]></description>
         <enclosure url="https://makeout.by/2016/09/08/nemagchymae-kvr-kno.html" />
         <pubDate>2022-02-15 15:42:37 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048869893</guid>
      </item>
      <item>
         <title>&quot;Я раблю мастацтва на падставе сваёй ідэнтычнасці, і гэта мая зброя&quot; - Ліліяна Піскорская</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048894912</link>
         <description><![CDATA[<div>На сустрэчы ў Мінску мастачка Ліліяна Піскорская расказала пра «Негетэранарматыўнае, лесбійскае і квір-мастацтва ў Польшчы». Мерапрыемства прайшло ў лютым у межах Лабараторыі фемінісцкага (і) квір-кіно MAKEOUT.&nbsp;</div>]]></description>
         <enclosure url="https://makeout.by/2017/06/09/liliana-piskorska.html" />
         <pubDate>2022-02-15 15:53:08 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048894912</guid>
      </item>
      <item>
         <title>Основательницы ЛГБТ-фестиваля «Бок о Бок» о квир-кино</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048917117</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://gays-ua.com/world/osnovatelnicy-lgbt-festivalya-bok-o-bok-o-kvir-kino" />
         <pubDate>2022-02-15 16:02:16 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048917117</guid>
      </item>
      <item>
         <title>Українське квір-кіно</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048919863</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://politkrytyka.org/2020/10/06/ukrayinske-kvir-kino-bezkoshtovno/" />
         <pubDate>2022-02-15 16:03:20 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048919863</guid>
      </item>
      <item>
         <title>1995: New Queer Cinema Breaks Through, Almodóvar Storms Hollywood</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048928259</link>
         <description><![CDATA[<div>&nbsp;In the early 1990s, directors Gregg Araki (<em>The Living End</em>), Tom Kalin (<em>Swoon</em>) and producer Christine Vachon (<em>Poison</em>) were on the front lines of an indie subgenre that would change the face of queer movies in America. Here, they discuss what drove the movement, what it yielded, and what comes next.&nbsp;</div>]]></description>
         <enclosure url="https://www.out.com/entertainment/2017/9/14/1995-new-queer-cinema-breaks-through" />
         <pubDate>2022-02-15 16:06:51 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048928259</guid>
      </item>
      <item>
         <title>Карен Шаинян</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048933918</link>
         <description><![CDATA[<div><a href="https://www.youtube.com/playlist?list=PLgNBPM5oMiVrX2AqrQOMsjgZX7Fnwbc7Q">Квирография. Документальный сериал о жизни ЛГБТК-людей за пределами Москвы и Петербурга</a></div>]]></description>
         <enclosure url="https://www.youtube.com/channel/UCKIiotHeAU8JK5YLspo1-9w" />
         <pubDate>2022-02-15 16:09:13 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048933918</guid>
      </item>
      <item>
         <title>Карен Шаинян — о русском квир-сообществе и сложностях новой этики</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048937884</link>
         <description><![CDATA[<div>&nbsp;В интервью The Village Карен Шаинян рассказал о том, как любой активизм важен для перемен и борьбы с одиночеством, о слепых зонах новой этики и о том, почему Екатеринбург — город победившего активизма.&nbsp;</div>]]></description>
         <enclosure url="https://www.the-village.ru/people/interview/karen-shainyan" />
         <pubDate>2022-02-15 16:10:46 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048937884</guid>
      </item>
      <item>
         <title>Рецензия на фильм “who said there will be a walk in time” Марии Годованной</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048945410</link>
         <description><![CDATA[<div>Квир-кино — это кино о квир-субъектах? Или это кино, которое квир-субъекты создают? Или же это кино, которое пытается поставить под вопрос киноязык с его все еще нормирующей гетеропатриархатной структурой и институциализацией?&nbsp;</div>]]></description>
         <enclosure url="https://syg.ma/@sygma/anastasiia-volokhova-povsiednievnyi-kvir" />
         <pubDate>2022-02-15 16:13:43 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048945410</guid>
      </item>
      <item>
         <title>Дерек Джармен</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048957373</link>
         <description><![CDATA[<div><em>Интервью было взято японскими музыкантами Акико Хада и Риеко Фуджи в квартире Дерека на Чаринг-Кросс-роуд, 8 апреля 1981 года. К тому времени режиссер снял картины "Себастьян" (1976), «Юбилей» (1978), «Буря» (1979) и «В тени солнца» (1980)</em></div>]]></description>
         <enclosure url="https://syg.ma/@sshshln/zhivopis-i-khoum-vidieo-pank-i-novaia-romantika-erotizm-i-shiekspir" />
         <pubDate>2022-02-15 16:18:18 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048957373</guid>
      </item>
      <item>
         <title>Барбара Хаммер — квир-икона феминистского кино</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048961062</link>
         <description><![CDATA[<div>Работа Барбары примечательна не только тем, что она стала первопроходцем в радикальной репрезентации, но и тем, что ее работы будут тем источником, к которому мы можем обращаться для расширения возможностей наших тел и сообществ даже во времена хрупкости и боли&nbsp;</div>]]></description>
         <enclosure url="https://syg.ma/@fem-talks/barbara-khammier-kvir-ikona-fieministskogho-kino" />
         <pubDate>2022-02-15 16:19:45 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048961062</guid>
      </item>
      <item>
         <title>Как создавать ЛГБТК+ фильмы в Казахстане в интервью режиссерки Асель Аушакимовой.</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048988519</link>
         <description><![CDATA[<div>Самым большим проектом в карьере Асель стал фильм «Welcome to the USA» о квир-девушке. Он показывался в нескольких городах Казахстана и, по мнению режиссерки, прокат оказался неудачным, в том числе из-за работы дистрибьютора.<br>Размещение статьи разрешено при указании гиперссылки на источник: <a href="https://the-steppe.com/lyudi/izvini-kvir-my-ne-snimaem-kak-sozdavat-lgbtk-filmy-v-kazahstane">https://the-steppe.com/lyudi/izvini-kvir-my-ne-snimaem-kak-sozdavat-lgbtk-filmy-v-kazahstane</a></div>]]></description>
         <enclosure url="https://the-steppe.com/lyudi/izvini-kvir-my-ne-snimaem-kak-sozdavat-lgbtk-filmy-v-kazahstane" />
         <pubDate>2022-02-15 16:31:15 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048988519</guid>
      </item>
      <item>
         <title>Б. Руби Рич: «О „Броненосце“ можно говорить как о квир-кино»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048997060</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://seance.ru/articles/b-ruby-rich/" />
         <pubDate>2022-02-15 16:35:00 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2048997060</guid>
      </item>
      <item>
         <title>Джеймс Бидгуд: фотограф и визионер</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049023236</link>
         <description><![CDATA[<div>Бидгуд, пионер квир-кино, в 1960-х придумал, как сейчас понятно, основные положения квир-эстетики — и снимают «под него» до сих пор.</div>]]></description>
         <enclosure url="https://theblueprint.ru/culture/art/dzejms-bigud" />
         <pubDate>2022-02-15 16:45:28 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049023236</guid>
      </item>
      <item>
         <title>Квир-фильмы о любви</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049027381</link>
         <description><![CDATA[<div>Шеф-редактор The Blueprint Ольга Страховская и журналист Дмитрий Барченков рассказывают о пяти ярких фигурах квир-кинематографа и их визуально впечатляющих картинах-манифестах.</div>]]></description>
         <enclosure url="https://theblueprint.ru/culture/cinema/queer-filmi-o-lubvi" />
         <pubDate>2022-02-15 16:47:15 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049027381</guid>
      </item>
      <item>
         <title>Стиль в фильме: «Мой личный штат Айдахо»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049031927</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://theblueprint.ru/culture/cinema/idaho" />
         <pubDate>2022-02-15 16:49:10 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049031927</guid>
      </item>
      <item>
         <title>Классика авангардного квир-кино 1970-х — «Билет в один конец» Ульрике Оттингер</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049052246</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://theblueprint.ru/culture/cinema/ulrike-ottinger-nemetskoye-kino" />
         <pubDate>2022-02-15 16:57:21 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049052246</guid>
      </item>
      <item>
         <title>веб-сериал «Я иду искать»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049080579</link>
         <description><![CDATA[<div>Российский веб-сериал «Я иду искать» — о любви двух молодых мужчин, столкнувшихся с непредвиденными чувствами друг к другу.&nbsp;</div>]]></description>
         <enclosure url="https://theblueprint.ru/culture/cinema/ya-idu-iskat" />
         <pubDate>2022-02-15 17:09:07 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049080579</guid>
      </item>
      <item>
         <title>«We’re here! We’re queer! Get used to it»</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049089801</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://knife.media/ruby-rich/" />
         <pubDate>2022-02-15 17:12:56 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049089801</guid>
      </item>
      <item>
         <title>Арт-активизм в России</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049094713</link>
         <description><![CDATA[<div><a href="https://www.youtube.com/channel/UCry6KdT0qVxoh2WiVaPDGxA">Кинофестиваль Бок о Бок</a></div><div><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=jurKb4qlM0o" />
         <pubDate>2022-02-15 17:15:02 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049094713</guid>
      </item>
      <item>
         <title></title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049119906</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://theoryandpractice.ru/posts/16962-koshmary-darkweb-i-syr-iz-volos-kak-poznakomitsya-s-video-artom-ne-vykhodya-iz-doma" />
         <pubDate>2022-02-15 17:25:42 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049119906</guid>
      </item>
      <item>
         <title></title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049125470</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=RYwiJDuUQ9g&amp;t=5s" />
         <pubDate>2022-02-15 17:28:05 UTC</pubDate>
         <guid>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049125470</guid>
      </item>
      <item>
         <title></title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049151300</link>
         <description><![CDATA[<div>Участники новой дискуссии цикла «Новая этика, стигма и неравенство» обсудят феномен репрезентации в современных культурных и социальных процессах. Может ли репрезентация обеднять и искажать представление о разных социальных группах или человеке или же, наоборот, скрывать лакуны и выставлять кого-либо в выгодном свете? Какие есть механизмы стереотипизации?</div>]]></description>
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         <pubDate>2022-02-15 17:39:54 UTC</pubDate>
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         <title>Проект &quot;Бок о Бок&quot; представляет квир-кино Африки, рассказывая о шести наиболее ярких африканских фильмах 2010-х годов</title>
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         <title>Ma Vie En Rose (My Life In Pink) Trailer 1997Director: Alain Berliner</title>
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         <pubDate>2022-02-15 18:02:19 UTC</pubDate>
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         <title>BREAKFAST ON PLUTO</title>
         <author>sashaihnatovich</author>
         <link>https://padlet.com/sashaihnatovich/feminist_queer_film/wish/2049206242</link>
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         <pubDate>2022-02-15 18:04:28 UTC</pubDate>
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         <title>The Adventures of Priscilla, Queen of the Desert (1994)</title>
         <author>sashaihnatovich</author>
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         <pubDate>2022-02-15 18:05:44 UTC</pubDate>
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         <title>Thelma (2017, Joahim Trier)</title>
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         <pubDate>2022-02-15 18:08:47 UTC</pubDate>
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