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      <title>Narrative lines of movement across the city by Giada Peterle</title>
      <link>https://padlet.com/giadapeterle/narrativelinesofmovement</link>
      <description>A shared online notebook on representations of mobilities</description>
      <language>en-us</language>
      <pubDate>2020-12-14 08:27:50 UTC</pubDate>
      <lastBuildDate>2023-02-28 22:27:52 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Cosmopolis | Post-car futures in literary automobilities</title>
         <author>giadapeterle</author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1015255542</link>
         <description><![CDATA[<div>The novel "Cosmopolis" by American the writer Don DeLillo was published in 2003. It became a movie by David Cronenberg in 2012. Through retracing a one-day car journey of the protagonist Eric Packer in New York, the novel narrativises the experience of automobility discussing a series of topics: automathisation, auto-mobility and privatisation of movement in public space, detachment from the urban environment, virtual spaces and mobilities. The white limousine by Eric Packer represents a symbol of late capitalism and the prediction of a 'post-car world'. </div><blockquote>He stood in the street. There was nothing to do [...]. There was nowhere he wanted to go, nothing to think about, no one waiting. How could he take a step in any direction if all directions were the same?</blockquote><div><strong><sub>Image: book cover of the italian edition</sub></strong></div>]]></description>
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         <pubDate>2020-12-14 09:14:55 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1015255542</guid>
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         <title>The sound of automobilities | Death Cab for Cutie</title>
         <author>giadapeterle</author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1015954502</link>
         <description><![CDATA[<div>In the North-American culture automobility covers a symbolic value often connected to a sense of freedom. Cars are far more than transport means, and represent a means for self-affirmation, a symbolic access to adulthood, and the possibility of liberation from the chains of social constraints. In its music the American alternative rock band <strong>Death Cab for Cutie</strong> often comes back to these cultural values, telling automobilities from the perspective of both the passenger and the driver, like many other musicians.<br><br><strong>Passenger seat</strong> | Transatlanticism | 2003: </div><blockquote>I roll the window down<br>And then begin to breathe in<br>The darkest country road<br>And the strong scent of evergreen<br>From the passenger seat as<br>You are driving me home<br>Then looking upwards<br>I strain my eyes and try<br>To tell the difference between<br>Shooting stars and satellites<br>From the passenger seat as<br>You are driving me home<br>Do they collide?<br>I ask and you smile.<br>With my feet on the dash,<br>The world doesn't matter.</blockquote><div><br><strong>When we drive</strong> | Thank you for today | :<br><br></div><blockquote>When we drive (x2)<br>You and I were born in motion<br>Never in one place for too long a time<br>And now it's the only way we know to survive<br>I like the way your hair tangles<br>The way your sun tan's only on one side<br>We always keep the windows open wide<br>When we drive (x4)<br>Climb into the back seat and close your eyes<br>I've got the wheel<br>Dream of all the places only we will find</blockquote>]]></description>
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         <pubDate>2020-12-14 14:14:42 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1015954502</guid>
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         <title>Drawing automobile dynamism and speed </title>
         <author>giadapeterle</author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1016112946</link>
         <description><![CDATA[<div>The avant-garde used to represent objects like the car or the airplane to emphasise the sense of speed, the advancement of technology, and thus glorify modern progress. The industrial city was often co-protagonist of this sense of 'moving forward' through motion that was celebrated in Italy by the futurists. <br>See for example: <br><br></div><blockquote>Luigi Russolo, <strong>Dinamismo di un'automobile</strong>, 1913</blockquote><div><br></div><blockquote>Tullio Crali, <strong>Le forze della curva</strong>, 1930</blockquote>]]></description>
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         <pubDate>2020-12-14 14:47:30 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1016112946</guid>
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         <title>On the road | The Beat generation and the American landscapes of movement</title>
         <author>giadapeterle</author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1016208773</link>
         <description><![CDATA[<div>The novel <strong><em>On the road</em></strong> by <strong>Jack Kerouac</strong> represents the connection between the Beat generation and the 'landscapes of movement'. Published in 1957, it represents a milestone of the American culture after the second world war. <br>The novel portrays the USA from 1947 to 1950, and starts from the adventures and journeys (often hitchhiking) across the country of Kerouac himself. It is the voice of a generation and  has become a movie by Walter Salles in 2012. Here's the trailer that will help you enter the mood of the narration through a series of 'mobile framings' representing cars, car-only environments, roads, and landscapes as seen from the car-windows.</div>]]></description>
         <enclosure url="https://youtu.be/su75_mcryO4" />
         <pubDate>2020-12-14 15:06:55 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1016208773</guid>
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         <title>Let&#39;s keep going | Thelma and Louise </title>
         <author>giadapeterle</author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1019534233</link>
         <description><![CDATA[<div>The American movie <em>Thelma and Louise</em> was directed by Ridley Scott (1991) and became a masterpiece of feminist art.<br>Indeed, it represents a road trip embarked by two women whose struggle for self-affirmation and freedom brings to dramatic consequences. In the epic final scene the two women 'keep on going', and prefer to leap into the void with their car rather than give up their freedom.</div>]]></description>
         <enclosure url="https://youtu.be/66CP-pq7Cx0" />
         <pubDate>2020-12-15 11:30:06 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1019534233</guid>
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         <title>Life of Pi</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030783755</link>
         <description><![CDATA[<div>This novel, written by Yann Martel in 2001, is an interesting example of dealing with the concept of "mobility" in an implicit way. By describing the struggle of the protagonist, Pi, the author makes us reflect about which different meanings a long journey (MOBILITY!) can get. Pi, indeed, living on a boat with a tiger for more than 200 days raises questions about the nature of reality and how it is perceived. </div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Life_of_Pi" />
         <pubDate>2020-12-18 10:11:35 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030783755</guid>
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         <title>Folding Beijing-depicting the opposite of mobility-RRH</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030785977</link>
         <description><![CDATA[<div>It is an award winning <a href="https://en.wikipedia.org/wiki/Science_fiction">science fiction</a> novelette by Hao Jingfang.<br>The plot is set up in the future, when Beijing was physically divided into three sections occupied by three different classes with out any overlap. Lao Dao, a waste processing worker of the third class, accepted a task to pass on a message from a student from second class  to a girl from the first class. Without any permission to travel, Lao Dao has to risk his life in oder to travel. <br><br>The physical division of the space represents the social immobility people faced nowadays. Mobility, in this case, Lao Dao's travel, is a metaphor of struggles  made to have even a glimpse of people from other social strata.<br><br></div>]]></description>
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         <pubDate>2020-12-18 10:12:51 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030785977</guid>
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         <title>Mobility as a Heroic and Holy Adventure: Holy Diver</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030787363</link>
         <description><![CDATA[<div>From the chivalry stories  to contemporary fantasy series, male protagonists are depicted as launching on an adventure, a mission during which they are transformed and matured physically and mentally. Following this tradition, famous American heavy metal band, Dio recorded their song "Holy Diver" which depicts its protagonist taking the road and going after freedom. Of course, again, there is a strong and positive connection between automobiles, highways, and masculinity. In addition, the song has a second symbolic meaning which marks the development of heavy metal culture in the United States. In a way, the song enhances the connection between mobility and masculinity as well as completing the mission of maturing heavy metal culture.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=EhGEGIBGLu8" />
         <pubDate>2020-12-18 10:13:44 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030787363</guid>
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         <title>On the road again</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030787432</link>
         <description><![CDATA[<div>In this song, the meaning of getting "on the road" so on the move, is a synonym to freedom, exploration, adventure and generally liberation of the body and mind. Mobility in this case is a choice and not a compulsion, and it gets a liberating meaning.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=dBN86y30Ufc" />
         <pubDate>2020-12-18 10:13:47 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030787432</guid>
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         <title>Around the World in Eighty Days</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030788109</link>
         <description><![CDATA[<div>Written by <a href="https://en.wikipedia.org/wiki/Jules_Verne">Jules Verne</a><br>It represents a sudden long journey for a man living in solitude. The troubles man encounter in the path of his journey and how he deal with them. it shows both fun of traveling and troubles of it.</div>]]></description>
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         <pubDate>2020-12-18 10:14:13 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030788109</guid>
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         <title>Forrest Gump</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030789081</link>
         <description><![CDATA[<div>In this movie we see Forrest Gump growth (both physical growing and character growing) which can represent us the mobility of human in time. <br>And then Forrest Gump start running and being in different places.<br>I think these movements cause the growth of Forrest character. as he learnt from others and environments and his adventures.</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Forrest_Gump" />
         <pubDate>2020-12-18 10:14:54 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030789081</guid>
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         <title>Blow | Colombian 🤬 in US through airplanes</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030789907</link>
         <description><![CDATA[<div>Blow (2001) is a biographical film about the <strong>🤬 smuggler</strong> <a href="https://en.wikipedia.org/wiki/George_Jung">George Jung</a>, part of the Medellin Cartel and linked to Pablo Escobar. <br>The film starts with George as a kid in the US East coast and his decision to<strong> move to the West</strong> as a young man to seek his fortune (California as a dream, a <em>topos</em>).<br>After starting with dealing weed, he found a way to import drugs (🤬 was emerging in US market) from Colombia with airplanes. In this case the <strong>airplane</strong> has a strong symbolic meaning of <strong>freedom</strong> and barrier-crossing. The <strong>air route</strong> between US and South American is a central element of many films.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=6n71j-ZV_JI" />
         <pubDate>2020-12-18 10:15:24 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030789907</guid>
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         <title>Green Book</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030791254</link>
         <description><![CDATA[<div>The film is based on a road trip between a black customer and a white driver across South America. The "Green Book" is a guide book lists places where local blacks can eat and sleep, because many hotels and restaurants are restricted to whites only. Two people of completely different identities, different classes, and even prejudices towards each other. The friendship they established during this perilous but interesting journey not only crosses the racial barriers, but also explains how we should truly face ourselves in life.</div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Green_Book_(film)" />
         <pubDate>2020-12-18 10:16:01 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030791254</guid>
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         <title>Easy Rider #travel #motorcycles #freedom</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030791656</link>
         <description><![CDATA[<div>Probably the best movie ever (1969) to describe what mobility really means, especially highlighting its strong relation with the notion of "freedom". <br>With P. Fonda, D.Hooper, and J. Nicholson. </div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Easy_Rider" />
         <pubDate>2020-12-18 10:16:17 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030791656</guid>
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         <title>America - Simon &amp; Garfunkel</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030792653</link>
         <description><![CDATA[<div>Lyrics: "Let us be lovers, we'll marry our fortunes together<br>I've got some real estate here in my bag"<br>So we bought a pack of cigarettes and Mrs. Wagner pies<br>And walked off to look for America"Kathy", I said as we boarded a Greyhound in Pittsburgh<br>"Michigan seems like a dream to me now"<br>It took me four days to hitchhike from Saginaw<br>I've gone to look for AmericaLaughing on the bus<br>Playing games with the faces<br>She said the man in the gabardine suit was a spy<br>I said "Be careful, his bowtie is really a camera""Toss me a cigarette, I think there's one in my raincoat"<br>"We smoked the last one an hour ago"<br>So I looked at the scenery, she read her magazine<br>And the moon rose over an open field "Kathy, I'm lost", I said, though I knew she was sleeping<br>I'm empty and aching and I don't know why<br>Counting the cars on the New Jersey Turnpike<br>They've all come to look for America<br>All come to look for America<br>All come to look for America<br><br>Analysis: Mobility is examined in this song in many ways. Simon &amp; Garfunkel are two American artists representative of Folk music during the 60s and 70s in the United States, a time in which the culture was focused on expanding perspectives and "freedom" of self. The lyrics depict a story of a couple taking a road trip across the United States. Simon &amp; Garfunkel use many different types of transportation, to depict the variety of mobile vehicles at the time. They mention: Greyhound (bus company), hitchhike, bus, walking, and cars. These words evocate a feeling of possibility, giving listeners a reminder that there are multiple methods of transport in which we can be mobile. Time is also used frequently: dream, four days, an hour ago, the moon rose, counting. All of these "time stamps" give listeners an opportunity to understand how mobility exists through time and how it transports us to the future. Also, places are mentioned frequently so as to demonstrate the lengths that mobility provides. We have "real estate" which evokes an image of land/ownership, an important pillar of "Americanness". We also have Pittsburgh, Michigan, Saginaw, and the New Jersey Turnpike. These places give us a finite location in which we can imagine individuals moving to and from. </div>]]></description>
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         <pubDate>2020-12-18 10:16:56 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030792653</guid>
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         <title>Ithaka- C.P. Cavafy</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030795017</link>
         <description><![CDATA[<h1>Ithaka</h1><div>BY <a href="https://www.poetryfoundation.org/poets/c-p-cavafy">C. P. CAVAFY</a></div><div>TRANSLATED BY EDMUND KEELEY</div><div>As you set out for Ithaka</div><div>hope your road is a long one,</div><div>full of adventure, full of discovery.</div><div>Laistrygonians, Cyclops,</div><div>angry Poseidon—don’t be afraid of them:</div><div>you’ll never find things like that on your way</div><div>as long as you keep your thoughts raised high,</div><div>as long as a rare excitement</div><div>stirs your spirit and your body.</div><div>Laistrygonians, Cyclops,</div><div>wild Poseidon—you won’t encounter them</div><div>unless you bring them along inside your soul,</div><div>unless your soul sets them up in front of you.</div><div><br></div><div>Hope your road is a long one.</div><div>May there be many summer mornings when,</div><div>with what pleasure, what joy,</div><div>you enter harbors you’re seeing for the first time;</div><div>may you stop at Phoenician trading stations</div><div>to buy fine things,</div><div>mother of pearl and coral, amber and ebony,</div><div>sensual perfume of every kind—</div><div>as many sensual perfumes as you can;</div><div>and may you visit many Egyptian cities</div><div>to learn and go on learning from their scholars.</div><div><br></div><div>Keep Ithaka always in your mind.</div><div>Arriving there is what you’re destined for.</div><div>But don’t hurry the journey at all.</div><div>Better if it lasts for years,</div><div>so you’re old by the time you reach the island,</div><div>wealthy with all you’ve gained on the way,</div><div>not expecting Ithaka to make you rich.</div><div><br></div><div>Ithaka gave you the marvelous journey.</div><div>Without her you wouldn't have set out.</div><div>She has nothing left to give you now.</div><div><br></div><div>And if you find her poor, Ithaka won’t have fooled you.</div><div><strong>Wise as you will have become, so full of experience,</strong></div><div><strong>you’ll have understood by then what these Ithakas mean.</strong></div><div><br>* This poem is a representation of mobility, used as a metaphor for the "journey of life". In other words, the poem could be summarised in the quote "the journey, not the destination matters". Mobility is represented as a necessary and important factor in someone's life, as a synonym of adventure and as a liberating but also enriching experience that everyone should try. Because what is important is not the destination itself, but the experience of mobility.</div><div><br></div>]]></description>
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         <pubDate>2020-12-18 10:18:30 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030795017</guid>
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         <title>I Tagli - by Lucio Fontana #art #movement #disrupture</title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030796536</link>
         <description><![CDATA[<div>This set of artworks produced by Lucio Fontana between 1958 and 1968 can be related to an apparently distant concept like "mobility". These artworks, indeed, represent a deep form of disruption, creating a sudden change of perspective (both mental and physical), like all forms of movements.</div>]]></description>
         <enclosure url="https://www.fondazioneluciofontana.it/index.php/i-tagli" />
         <pubDate>2020-12-18 10:19:30 UTC</pubDate>
         <guid>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030796536</guid>
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         <title>The Ateneum in Helsinki: </title>
         <author></author>
         <link>https://padlet.com/giadapeterle/narrativelinesofmovement/wish/1030814074</link>
         <description><![CDATA[<div>This new exhibition uses iconic artworks to combine them with modern subjects and different themes. Beautiful examples of how iconic works of art can be adapted to the present and reflect modern issues can be seen at the exhibition. This issues are mainly race, class or gender. It is a very different way of conveying today's current problems, which many of them can be examined the aspect of mobility, through art and getting attention. Here we can see the permanence and effects of art even if time and its problems change. This can be a good example to apply to examine the mobility and dynamism of this art.<br>https://www.bbc.com/culture/article/20200624-what-makes-an-iconic-work-of-art</div>]]></description>
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         <pubDate>2020-12-18 10:31:01 UTC</pubDate>
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