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      <title>WR152 Research Essay Storyboard by Amithi Tadigadapa</title>
      <link>https://padlet.com/amithit/ycvkc9txndr3t52l</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-03-06 03:37:13 UTC</pubDate>
      <lastBuildDate>2024-03-06 03:45:58 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Context</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907365994</link>
         <description><![CDATA[<p><br/></p><ul><li><p>Tale of Thumbelina by Hans Christian Andersen was written about a small girl who is born from a flower, just the size of someone’s thumb</p></li><li><p>Using the 1835 version translated by Jean Hersholt</p></li><li><p>Depicts Thumbelina’s journey with many woodland creatures with her eventual marriage to a fairy prince</p></li><li><p>Introduce exhibit and argument sources: Lieberman, Rowe, and Borst.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:39:16 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907365994</guid>
      </item>
      <item>
         <title>Problem</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907366527</link>
         <description><![CDATA[<ul><li><p>&nbsp;How does Thumbelina’s abduction and marriage to multiple animals throughout the story contribute to her lack of agency and her passivity?</p></li><li><p>What does marriage mean in terms of control over her life by others/patriarchal structures?</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:39:42 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907366527</guid>
      </item>
      <item>
         <title>Overall claim</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907366940</link>
         <description><![CDATA[<p>Overall claim: Thumbelina is depicted as an antifeminist character because of her characterization as passive and helpless, as well as acts of marriage which continue to place her under patriarchal control/enchantment.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:40:03 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907366940</guid>
      </item>
      <item>
         <title>Sources:</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907369188</link>
         <description><![CDATA[<ul><li><p>Source: “Straightening Agentic Women: The ‘Willful’ Princess in Contemporary Fairy-Tale Picturebooks.” - Rosalyn Borst</p></li><li><p>Source: “Willful Subjects” - Sara Ahmed</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:41:55 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907369188</guid>
      </item>
      <item>
         <title>Notes/ideas -</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907369890</link>
         <description><![CDATA[<ul><li><p>Thumbelina is a passive character, things happen <em>to </em>her in the story, not because of her</p><ul><li><p>A main part of her character is how her appearance lends itself to her being saved.&nbsp;</p></li><li><p>Ex: crying such that the readers feel pity when she is captured, using the word “poor” multiple times to make Thumbelina seem meek.</p></li><li><p>She isn’t willful and doesn’t have the desire to break away and stand up for herself like how Borst and Ahmed describe</p></li></ul></li><li><p>What is the consequence of willfulness?</p><ul><li><p>If Thumbelina doesn’t obey what her, essentially, captors tell her, then she will be forced to the elements and left helpless.</p></li><li><p>Discuss the field mouse’s threats as an example</p></li></ul></li><li><p><strong>Subtopic 1: Retellings -</strong></p><ul><li><p>In the poem <em>Thumbelina Moves On</em> we see a version of Thumbelina where she is independent and willful and is no longer accepting the fates that she is given. She pushes back against what other’s are saying. This depicts a version of a willful Thumbelina that isn’t present in the original/source.</p></li></ul></li></ul>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Thumbelina_(1994_film)" />
         <pubDate>2024-03-06 03:42:34 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907369890</guid>
      </item>
      <item>
         <title>Ideas/outline</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907370930</link>
         <description><![CDATA[<ul><li><p>Other animals are always trying to marry Thumbelina off because of how beautiful they think she is and how she’d make the “perfect bride”.</p></li><li><p>Examples of this are: the mother toad trying to force Thumbelina into marrying her toad son, the mayfly’s trying to marry her, and the mole.&nbsp;</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:43:30 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907370930</guid>
      </item>
      <item>
         <title>Sources + quote</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907371113</link>
         <description><![CDATA[<ul><li><p>Karen E. Rowe’s <em>Feminism in Fairy Tales</em> discusses marriage in a number of stories, similar to Thumbelina. She talks about how marriage continues a pattern of removing control from the protagonist and subjecting them to a life of domesticity.</p><ul><li><p>“festive nuptials signify the heroine’s conformity to the socially dictated roles of wife and mother” (Rowe, 250)</p></li><li><p>Marriage as a form of enchantment</p></li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:43:40 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907371113</guid>
      </item>
      <item>
         <title>Idea/outline</title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907371693</link>
         <description><![CDATA[<ul><li><p>Thumbelina could be viewed as someone who despite her situation, was kind and compassionate towards others and survived based on her morality, showing resilience.</p></li><li><p>Antifeminist counter argument → Thumbelina uses her resources and kindness to get help to try and save her from dire situations</p></li><li><p>Examples: surviving in the cold by building herself a shelter, helping and saving the swallow even when she wasn’t supposed to.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:44:13 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907371693</guid>
      </item>
      <item>
         <title>Outline - </title>
         <author>amithit</author>
         <link>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907374167</link>
         <description><![CDATA[<ul><li><p>Thumbelina’s story shows a common trope of female protagonists being bystanders to their own story.</p><ul><li><p>This idea is dangerous as it insinuates that women’s roles and nature should be passive/submissive</p></li><li><p>Recognizing the elements that make Thumbelina’s story problematic like the aspect of marriage, is important to better understanding and revealing truths about similar stories in the field of fairytales.</p></li></ul></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2024-03-06 03:46:10 UTC</pubDate>
         <guid>https://padlet.com/amithit/ycvkc9txndr3t52l/wish/2907374167</guid>
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