“For a moment nothing more was said. And then they suddenly smiled at each other.” (Golding  111).

Tone:  Happy

“Once, following his father from Chatham to Devonport, they had lived in a cottage on the edge of the moors. In the succession of houses that Ralph had known, this one stood out with particular clarity because after that house he had been sent away to school. Mummy had still been with them and Daddy had come home every day. Wild ponies came to the stone wall at the bottom of the garden, and it had snowed. Just behind the cottage there was a sort of shed and you could mark the first flake that lay down without melting and watch the whole ground turn white. You could go indoors when you were cold and look out of the window, past the bright copper kettle and the plate with the little blue men.” (Golding 112).

1. Conch = power, authority

“Conch! Conch!" shouted Jack. "We don't need the conch any more. We know who ought to say things. What good did Simon do speaking, or Bill, or Walter? It's time some people knew they've got to keep quiet and leave deciding things to the rest of us” (Golding 286).

Jack feels like the conch is useless. Since the conch symbolises power and authority, it shows that Jack wants to abolish the power that Ralph has.
2. Fire = The hope that the boys will be rescued and their connection to civilization

“Hasn't anyone got any sense? We've got to relight that fire. You never thought of that, Jack, did you? Or don't any of you want to be rescued” (Golding 287)?

Ralph is speaking in this quote. Ralph wants to be rescued more than anything. Being rescued is his main priority. He believes that the signal fire is the only way for them to be rescued, so he wants it lit at all times.

Internal Conflict: Struggle within a character: one side vs the other
3. “I suppose," said Ralph, "if we keep on by the sea this way, we'll come out below the burnt bit and then we can climb the mountain” (Golding 328).

Ralph has an internal conflict with himself. He doesn’t know if he should stick with his gut, or follow Jack.

External Conflict: Struggle between different people or nature

4.  “I don't mind going," said Jack hotly. "I'll go when we get there. Won't you? Would you rather go back to the shelters and tell Piggy?"

Now it was Ralph's turn to flush but he spoke despairingly, out of the new understanding that Piggy had given him.

"Why do you hate me?"

The boys stirred uneasily, as though something indecent had been said. The silence lengthened.

Ralph, still hot and hurt, turned away first” (Golding 335).

Ralph and Jack have always had a struggle for the power. Although they sometimes get along and understand each other, Jack wants to be the leader of the group.

“The sun had swung over the vertical and the afternoon heat was closing in on the island.” (Golding 109) 

“Down here, almost on a level with the sea, you could follow with your eye the ceaseless, building passage of the deep sea waves. They were miles wide, apparently not breakers or the banked ridges of shallow water.” (Golding 110) 

“They came to a gully that split the narrow foreshore like a defense.” (Golding 116) 

Direct Characterization - Direct characterization is how an author tells his or her reader about a character. 

 “Simon shook his head violently till the coarse black hair flew backwards and forward across his face” (Golding 111).

This is a great example of imagery because it uses the senses of, smell, touch, sound, and sight. It is very descriptive when it describes the wet rock and the cliffs because it gives the readers a sense of what it smells like. Which is salty, humid air. For touch and sound, you can almost feel and hear the waves crashing on the wet rock and the crack where the water was gurgling. Also, the author used so much descriptive words that you can almost clearly see what the scene might picture, boys climbing/hiking the salty wet cliffs at sunset.

“Once, following his father from Chatham to Devonport, they had lived in a college at the edge of the moors,” (Golding 228).

Internal Conflict- struggle within a character i.e. man vs. self 
“Now that his physical voice was silent the inner voices of reason, and other voices too, made themselves heard,” (Golding 248). 

a. “You’ll get back to where you came from” (Golding 111).


Imagery- A way of illustrating through vivid and detailed actions and words.

      a.  “Ralph could hear a tiny chattering noise coming from somewhere-perhaps his own mouth. He bound himself together with his will, fused his fear and loathing into hatred, and stood up” (Golding 114).

“Wave after wave, Ralph followed the rise and fall until something of the remoteness of the sea numbed his brain” (Golding 110).

Tone- the general attitude, mood or character of a place, setting, piece of writing, situation, etc.:

“Ralph looked them over. They were dirty, not with the spectacular of boys who have fallen into mud or been brought down hard on a rainy day” (Golding 110).

“For a moment nothing more was said. And then they suddenly smiled at each other” (Golding 111).

''The filmy enchantments of mirage could not endure the cold ocean water and the horizon was hard, clipped blue. Ralph wandered down the rocks. Down here, almost on a level with the sea, you could follow with your eye the ceaseless, bulging passage of the deep see waves.'' (Goulding, 110)

Simile- Comparing two things using ''like'' or ''as''

''plaster down the seaweed like shining hair'' (Goulding, 110).

“Mummy had still been with them and Daddy had come home every day” (Golding 104).

Personification
To give an un-living object human characteristics
 
“The tears leapt from his eyes" (Golding 80).

External Conflict - when a character struggles with the environment
“ ‘I’m going up the mountain.’ The words came from Jack viciously, as though they were a curse. He looked at Ralph, his thin body tensed, his spear held as if he threatened him” (Golding 119).

“We’ll go and look” (Golding 122).

2. Internal Conflict- psychological struggle within the mind of a literary or dramatic character, the resolution of which creates the plot's suspense

“For the first time since he had known Jack, Ralph could feel him hesitate” (Golding 122).

“The maze of the darkness sorted into near and far, and at the high point of the sky the cloudlets were warmed with color” (Golding 99). CH 7

Foreshadowing - when the story hints at future events

“You’ll get back to where you came from” Simon nodded as he spoke” (Golding 111). CH 7

"He did that with his tusks. I couldn't get my spear down i time." Attention focused on Jack" (Golding 114).

“The sun had swung over the vertical and the afternoon heat was closing in on the island” (Golding 109).

Simile- A comparison between 2 things using like or as

“The wind pressed his grey shirt against his chest so that he noticed- in this new mood of comprehension- how he fold were like stiff like cardboard” (Golding 76).

Foreshadowing- Definition- A hint that indicates something in the future.

“You’ll get back to where you came from” (Golding 111).

Explanation- This quote foreshadows the events that might come in the book that they will get back to where they came from.

The internal conflict here is that the boys on the island are having trouble keeping up hope for rescue and survival. When looking at the vastness of the ocean, they feel as if a ship will never pass them by.

Indirect Characterization- traits of a character shown, not told by the author

"You'll get back all right. I think so, anyway.' Some of the strain had gone from Ralph's body"(Golding, 109).
This shows how hopeful and optimistic that Simon is and how he keeps everyone's hopes up, Ralph's included.

Example 1: “He would like to have a pair of scissors and cut this hair-cut it right back to half an inch” (Golding 109).

External Conflict-struggle between a literary or dramatic character and an outside force such as nature or another character

Example 1: “All at once, Robert was screaming and struggling with the strength of frenzy. Jack had him by the hair and was brandishing his knife. Behind him was Roger, fighting to get close”  (Golding 114).

(Ralph has a flashback of his home)

Flashback- a scene set before the time of the story
“Once, following his father from Chatham to Devonport, they had lived in a cottage on the edge of the moors” (Golding 112).

“A flurry of wind made the palms talk and the noise seemed very loud now that the darkness and silence made it so noticeable” (Golding 89-90). 

Flashback- Scene from earlier in the story

“ Once following his father from Chatham to Devonport, they had lived in a cottage in the edge of the moors” (Golding 112).