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      <title>Part two Assesment by Pamela Garzon [Student OVHS]</title>
      <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l</link>
      <description>Pamela,Devon,Kurtis,Matt</description>
      <language>en-us</language>
      <pubDate>2018-11-08 16:23:40 UTC</pubDate>
      <lastBuildDate>2018-11-14 17:13:44 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Passage #1</title>
         <author>dbvu100</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302824275</link>
         <description><![CDATA[<div>"But for the moment they could not extricate themselves from the crowd. The trucks were still filing past, the people still insatiably gaping. At the start there had been a few boos and hisses, but it came only from the Party members among the crowd, and had soon stopped. The prevailing emotion was simply curiosity. Foreigners, whether from Eurasia or from Eastasia, were a kind of strange animal. One literally never saw them except in the guise of prisoners, and even as prisoners one never got more than a momentary glimpse of them. Nor did one know what became of them, apart from the few who were hanged as war-criminals: the others simply vanished, presumably into forced-labour camps. The round Mogol faces had given way to faces of a more European type, dirty, bearded and exhausted. From over scrubby cheekbones eyes looked into Winston’s, sometimes with strange intensity, and flashed away again. The convoy was drawing to an end. In the last truck he could see an aged man, his face a mass of grizzled hair, standing upright with wrists crossed in front of him, as though he were used to having them bound together."<br><br><strong>The Veil: </strong>Prisoners and traitors of Big Brother Regime.<br><br><strong>Type of Satire: Juvenalian<br></strong>The description that the narrator uses in order to describe how people are looking at the captives being transported are ignorant and insensitive. Saying that "the prevailing emotion was simply curiosity" and that one saw the prisoners for "no more than a momentary glimpse," reveals that the environment surrounding the prisoners lacks emotion and knowledge of the party's abuse and poor treatments towards other humans. Furthermore, the narrator describes the prisoners as "a kind of strange animal," which reveals a lack of sympathy or care towards their reason of arrest and punishment. Overall, revealing that the citizens' thoughts follow the regime's ideas without question or opposition to their beliefs.<br><br><strong>Tools of Satire: Exaggeration<br></strong>The "guise of prisoners" being compared to "a kind of strange animal," illustrates that the citizens of Oceania lack knowledge of both other countries beings and the reason of their prisoners detainment in extreme amounts. This depicts that the people of Oceania are very ignorant when it comes reasons and doings of the Big Brother Regime, thus meaning they all just go with the government says with no concern.<br><br><strong>The Target:<br></strong>The target is the well-being of the citizens of Stalin's USSR. In a way, Stalin controlled his people by brain-washing and exposing them to propaganda of their nation's great power and knowledge; which led to the lack of defiance and thought against the regime. Thus, causing citizens to only believe that what the government says goes, and is correct.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-10 05:41:47 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302824275</guid>
      </item>
      <item>
         <title>Passage #1</title>
         <author>kdvu104</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302825310</link>
         <description><![CDATA[<div>"<em>Them</em>, it appeared, meant the party, and above all the Inner Party, about whom she talked with an open jeering hatred which made Winston feel uneasy, although he knew that they were safe here if they could be safe anywhere. A thing that astonished him about her was the coarseness of her language. Party members were supposed not to swear, aloud, at any rate. Julia, however, seemed unable to mention the Party, and especially the Inner Party, without using the kind of words that you saw chalked up in dripping alleyways. He did not dislike it. It was merely one symptom of her revolt against the Party and all its ways, and somehow it seemed natural and healthy, like the sneeze of a horse that smells bad hay. They had left the clearing and were wandering again through the chequered shade, with their arms round each other’s waists whenever it was wide enough to walk two abreast. He noticed how much softer her waist seemed to feel now that the sash was gone. They did not speak above a whisper."<br><br><strong>The Veil: </strong>Julia's Feelings Towards the Party.<br><br><strong>Type of Satire: Juvenalian: </strong>The narrator describe the feeling of hatred that Julia possesses. The way he italicized "Them" as a reader, I read it as if it was said with disgust.  It was also said, "she talked with an open jeering hatred" also showing the bitterness and vibe of the book. It is all said with confidence because of where they are, hidden away in a forest with no eyes or ears to report her.<br><br><strong>Tools of Satire</strong>: <strong>Juxtaposition<br></strong>The juxtaposition in this passage was when it says, "she talked with an open jeering hatred" and when it also says, "They did not speak above a whisper." These two juxtaposed with each other because it first seems like she is so confident in her hate and it would see as if she saying with loudly and almost proudly. Then a few lines down you have them walking out of where they were hiding and they are speaking at the level of whispers. The two contrast with one line seeming quite ambitious, loud, and confident and the other line obviously showing that they are still timid and scared.<br><br><strong>The Target:<br></strong>The target was to show the side of rebellious civilians. Although during the times there would have been many, they all kept quiet in public. The civilians only had confidence in private place and their homes, if even. At the time they actually had kids reporting their parents so the homes weren't safe. People could talk all they wanted but when they emerged they played along with everyone else keeping their comments to a meer whisper.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-10 06:11:18 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302825310</guid>
      </item>
      <item>
         <title>Passage #2</title>
         <author>dbvu100</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302825837</link>
         <description><![CDATA[<div>"In the ramifications of party doctrine she had not the faintest interest. Whenever he began to talk of the principles of Ingsoc, doublethink, the mutability of the past, and the denial of objective reality, and to use Newspeak words, she became bored and confused and said that she never paid any attention to that kind of thing. One knew that it was all rubbish, so why let oneself be worried by it? She knew when to cheer and when to boo, and that was all one needed. If he persisted in talking of such subjects, she had a disconcerting habit of falling asleep. She was one of those people who can go to sleep at any hour and in any position. Talking to her, he realized how easy it was to present an appearance of orthodoxy while having no grasp whatever of what orthodoxy meant. In a way, the world-view of the Party imposed itself most successfully on people incapable of understanding it. They could be made to accept the most flagrant violations of reality, because they never fully grasped the enormity of what was demanded of them, and were not sufficiently interested in public events to notice what was happening. By lack of understanding they remained sane. They simply swallowed everything, and what they swallowed did them no harm, because it left no residue behind, just as a grain of corn will pass undigested through the body of a bird."<br><br><strong>The Veil: </strong>Citizen's thoughts towards Big Brother Regime's ideas.<br><br><strong>Type of Satire: Juvenalian<br></strong>The narrator describes Winston's idea of the party's commands with harsh and opposing emotions. Winston described the ideas of the Big Brother Regime as "denial of objective reality" that is "rubbish," and this illegal thought of Winston's represents how against the party's ideas he is. Committing a capital crime, depiction of the party in an offensive way, is something that no one would think of doing, but his opposing views are so prevalent that he can't help but think them.<br><br><strong>Tools of Satire: Connotation<br></strong>The repetition of the use of the word "one" in the quote, "One knew that it was all rubbish, so why let oneself be worried by it? She knew when to cheer and when to boo, and that was all one needed," illustrates that there's a development of the concept of there being an important individual that's not Big Brother, and the repetition of it causes it to be even relevant and important to the story line.<br><br><strong>The Target: <br></strong>The target of the passage are the people of Stalin's USSR Regime. This illustration of citizens beginning to realize a different ideal that conflicts with that of the ruling party is a sign of deviation from the full control of citizens' minds that the party originally held. Overall, it may be seen as a huge step against the party and in the direction of a new ideal of the era.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-10 06:31:03 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302825837</guid>
      </item>
      <item>
         <title>Passage #2</title>
         <author>kdvu104</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302828602</link>
         <description><![CDATA[<div>"The new tune which was to be the theme-song of Hate Week (the Hate Song, it was called) had already been composed and was being endlessly plugged on the telescreens. It had a savage, barking rhythm which could not exactly be called music, but resembled the beating of a drum. Roared out by hundreds of voices to the tramp of marching feet, it was terrifying. The proles had taken a fancy to it, and in the midnight streets it competed with the still-popular ‘It was only a hopeless fancy’. The Parsons children played it at all hours of the night and day, unbearably, on a comb and a piece of toilet paper. Winston’s evenings were fuller than ever. Squads of volunteers, organized by Parsons, were preparing the street for Hate Week, stitching banners, painting posters, erecting flagstaffs on the roofs, and perilously slinging wires across the street for the reception of streamers. Parsons boasted that Victory Mansions alone would display four hundred metres of bunting. He was in his native element and as happy as a lark. The heat and the manual work had even given him a pretext for reverting to shorts and an open shirt in the evenings. He was everywhere at once, pushing, pulling, sawing, hammering, improvising, jollying everyone along with comradely exhortations and giving 188 1984 out from every fold of his body what seemed an inexhaustible supply of acrid-smelling sweat."<br><br><strong>The Veil: </strong>The Planning of Hate Week<br><br><strong>Types of Satire: Juvenalian<br></strong>The narrator describes vibe when getting ready for the two minute hate. Which in many ways sounds like how we set up christmas. You have loud "music" going through the streets. You have people hanging banners, streamers, posters, etc. It very much sounds like a scene you would see in a movie in which kids and adults are outside a joyfully setting up things for christmas.<br><br><strong>Tools of Satire: Paradox<br></strong>The paradox has to do with the book and in real life. The book is celebrating a holiday which seems to bring joy to everyone. It seems very "festive" with loud music playing from the telescreen. The kids are running up and down playing their own christmas music. Adults are setting up for what seems like a highly celebrated holiday. Now in real life it's similar to christmas. Loud christmas music playing in the streets on radios, tvs, phones, etc. You have people setting up fake snow, christmas trees, decorating with ornaments, etc. They are similar in ways but contradict each other in what the holiday is celebrated for. Christmas is much more joyful and loving compared to the Two Minutes Hate which is all about hate.<br><br><strong>The Target:<br></strong>The target was to make it seem like christmas. Christmas is very like it, so it seems like Orwell was taking christmas and twisting it to do the opposite. He took a highly celebrated holiday and kept it that way but then twisted what it stood for and made it into something it was totally not. Christmas is all about spreading love vs Two Minutes Hate which is all about spreading hate.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-10 07:28:40 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/302828602</guid>
      </item>
      <item>
         <title></title>
         <author>mmaloney100</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303559659</link>
         <description><![CDATA[<div><strong>Passage #1:</strong> “The alteration of the past is necessary for two reasons,<br>one of which is subsidiary and, so to speak, precautionary.<br>The subsidiary reason is that the Party member, like<br>the proletarian, tolerates present-day conditions partly because<br>he has no standards of comparison. He must be cut<br>off from the past, just as he must be cut off from foreign<br>countries, because it is necessary for him to believe that<br>he is better off than his ancestors and that the average level<br>of material comfort is constantly rising. But by far the<br>more important reason for the readjustment of the past is<br>the need to safeguard the infallibility of the Party.”<br><br><strong>The Veil: </strong>The subject of this passage’s satire is aimed at this new way of thinking and how the government operates in 1984. <br><br><strong>Type of Satire: Juvenalian</strong>: The tone of this passage is direct and mocking. The satire used in this passage can be described as juvenalian because Orwell creates a tone of slight disagreement in the passage. Orwell uses the words, “He must be cut off from the past.” This phrase creates a visual image for the reader using the words, “cut off” to create one’s memory literally being cut off and removed from the past.<br><br><strong>Tools of Satire: </strong>Orwell uses allusion to allow the reader to draw similarities to how the government can use “facts” to make one believe that gaining knowledge of the past or learning history should be limited. Orwell also creates a parody of the government of 1984 altering history to show how outrageous it is. It is common knowledge that it is a necessity to learn from the past in order to not repeat the past. <br><br><strong>The Target: </strong>The target of Orwell’s juvenalian satire is to educate the citizens of the united states to vote wisely and to monerate what decisions the government makes. This is aimed at future governments, so that we watch carefully what they do and restrict. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-13 03:40:11 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303559659</guid>
      </item>
      <item>
         <title>Passage #</title>
         <author>mmaloney100</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303559693</link>
         <description><![CDATA[<div>Passage #2: “The primary aim of modern warfare (in accordance<br>with the principles of DOUBLETHINK, this aim is simultaneously<br>recognized and not recognized by the directing<br>brains of the Inner Party) is to use up the products of the<br>machine without raising the general standard of living.<br>Ever since the end of the nineteenth century, the problem of<br>what to do with the surplus of consumption goods has been<br>latent in industrial society. At present, when few human beings<br>even have enough to eat, this problem is obviously not<br>urgent, and it might not have become so, even if no artificial<br>processes of destruction had been at work.”<br><br>The Veil: The subject of this passage’s satire is aimed at what we define words as in society. <br><br>Type of Satire: Juvenalian: The satire used in this passage can be described as juvenalian because Orwell defines the word “modern warfare” in the text. Orwell uses the words, “to use up the products of the machine without raising the general standard of living.” This phrase creates a description for what the phrase modern warfare is in 1984. Instead, today we think of an actual war with fighting, destruction, and death. However, in 1984, modern warfare can be defined as a social event or a way of thinking. <br><br>Tools of Satire: Orwell uses paradox by creating a different definition of what modern warfare is. Orwell also creates a paradox by drawing conclusions of what modern warfare is in 1984. The paradox is that there isn’t actually any warfar or fighting in his definition. <br><br>The Target: The target of Orwell’s juvenalian satire is to society and how we define warfare and how we function and make choices as a society. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-13 03:40:28 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303559693</guid>
      </item>
      <item>
         <title>Passage #1</title>
         <author>pmgarzon100</author>
         <link>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303982396</link>
         <description><![CDATA[<div>“If you want to keep a secret, you must also hide it from yourself.” <br>― George Orwell 1984<br>The Veil:The fear of being caught and prosecuted due to certain thoughts of hate towards big brother.<br><strong>Type of Satire:Juvenalian</strong><br>The description that the author and the text give out is fear and awareness. In chapter 4 Winston is in jail due to his negative thoughts about big brother.Winston is aware of why he is there and is expecting his death soon," The tradition -- the unspoken tradition somehow you knew it, though you never heard it said -- was that they shot you from behind; always in the back of the head, without warning, as you walked down a corridor from cell to cell."<br><strong>Tools of Satire:Connotation<br></strong>After Winston was captured and put in jail he was aware of the reason and what would happen to him.O'brien asks "Tell me, Winston -- and remember, no lies: you know that I am always able to detect a lie -- tell me, what are your true feelings towards Big Brother?" As he is waiting to be shot in the back of the head due to his hate towards big brother he finally admits it and says it out loud to O'brien.<br>'I hate him.' <br><strong>The target:</strong><br>The target is Winston accepting the fact that he is coming close to his death and allowing himself to be truthful of his own thoughts and beliefs even though they are wrong and illegal. <br>-------------------------------------------------------<br><strong>Passage #2</strong><br>"Until they become conscious they will never rebel,and until after they rebelled they cannot become conscious." <br><strong>The Veil:</strong><br>Citizens commitment to the status quo even when the status quo is abusive<br><strong>Type of Satire:Juvenalian</strong><br>The tone of this passage is very direct and desperate.In this passage Winston feels as if the only solution to the repressive Party that is a dictatorship is for its people to rise up against it and the only solution is to rebel and people will soon start to see that they are being repressed.<br><strong>Tools of Satire:Allusion<br></strong>Orwell uses allusion to allow the reader to view the described events of a repressed government by giving detail into Winston's life and experiences throughout the book.An example of this is when Orwell incorporates the element of mind control that prevents people from rebelling and acting out against the party.<br><strong>The Target: <br></strong>The target of the passage is to show a solution to the repressive Party that controls what people think,feel,and their views on rebelling because no one is able to conceive the idea of rebelling because that is not what the Party wants people to think about.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-13 19:24:37 UTC</pubDate>
         <guid>https://padlet.com/pmgarzon100/xtxa8lbz0j1l/wish/303982396</guid>
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