Exit Through the Gift Shop is a documentary about  a man named Thierry Guetta. He went everywhere with a video camera to capture everything that he could film and spent most of his time traveling with street artists and filming their processes; meanwhile, his family would be back home in Los Angeles wondering when he would be home. People let him videotape them because he said that it was for a documentary, however, he was actually just collecting his life in magnetic tape. Eventually Banksy, whom he had known for about a year, requested if he could make these tapes into a documentary after Banksy's latest stunt. He did and what was produced, Banksy stated that "... it was never I've seen like it [before]".

The name of the movie was called "Life Remote Control: The Movie". It starts off with two title cards that make hard slapping sounds to introduce the title of the movie and then transitions to static. Afterwards images come onto the screen in a rapid succession that is too fast for the viewer to digest the visual information in time and used horror music with it. The film showed how Thierry was not only a bad film maker, but also did everything at the last minute and wanted to do everything his way. This proven when Banksy unintentionally makes him look through multitudes of tapes in order to put a documentary together that he never planned on making. The sporadic pacing of the film also shows that Thierry is wanting to going someplace else. He explained that he " never wanted to held down in one place". 

He traveled from the United States to France and the United Kingdom so he could go out having adventures almost every night. His character trait of procrastination is more evident later on in the movie, when he open's up his first art gallery under the name 'Mr. Brainwash'. He spend more time looking at the cameras then doing the actual work. The movie continued on with suddenly zooming in and out, speeding up the footage randomly, and having very short clips in between. The whole movie showed Thierry's psyche as being a man that always had ideas and wanted to experience the world no matter the cost. Banksy sums it up by saying that Thierry was "someone with mental problems who had a camera". 

The Crow (1994), directed by Alex Proyas, is about a man that comes back from the dead to seek revenge on those that killed him and his wife a year ago on Halloween Eve. When I watched this movie for the first time last night, that only expectation I had for this movie was that it was going to be a great action movie from the 1990s that would the first rocker I would ever see. My favorite scene of this film was when Eric Dravo (Brendan Lee) fought with Tin Tin (Lawrence Mason), who was one of the killers. It was clearly belonged to Eric as the midnight sky, lonely alleyway, and the fire in the barrel all represent the cold blackness he feel towards the killers with a heat determination to personally execute each one. 

It is a cliche that serves the setup very well as everyone already what it meant, which allowed more for the fight. These are in it for blood as Dravo (Lee) is an avenging demon while Tin Tin (Mason) is a psychotic serial killer that acts like a ninja. This absurd combination allows viewers to suspend their beliefs of reality to enough the fight more. It seems to be inspired by old fighting scenes from karate movies as it includes punch noises and over the top choreography. The scene is fast paced and is matched in tone with the music to cause the viewer to be on the end of his or her seat. This shows how people just love to see conflict because of how exciting and amusing it can be. This is also evident in the dialogue.

Tin Tin (Mason) states that he murders because "it's fun [and] easy" and Dravo (Lee) is "gonna learn all about it". This creates more tension between the two as Tin Tin (Mason) arrogantly thinks he will get the upper hand. People are invested in it more now because it looks like the chaotic, dark side with triumph over the structured. moral light side. However, Dravo (Lee)  gains the upper hand at the last moment and mocks Tin Tin (Lee) when he misses Dravo twice with his throwing knives by telling to "try harder[,] try again". He proceeds to kill Tin Tin (Mason) with his own knife.

In conclusion, Proyas creates a movie that explores and manipulates how drama can be so dark to see how far people would find it interesting. He shows that as long as the two opposing characters are relatable and each represents a different perspective, people more often than not prefer the chaotic nature of life rather than the structured nature of human nature.