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      <title>La matière, les matériaux et la matérialité de l’œuvre : Propriétés de la matière et des matériaux, leur transformation by A. Bonnet - Arts plastiques</title>
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      <description>Agrégation </description>
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      <pubDate>2020-09-25 16:06:09 UTC</pubDate>
      <lastBuildDate>2025-10-02 16:41:47 UTC</lastBuildDate>
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         <title>Renaissance / œuvre inachevée</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/803932713</link>
         <description><![CDATA[<div>Michel-Ange, <em>Pietà Rondanini</em>, sculpture en marbre, v. 1564, Cstello Sforzesco, Milan. </div>]]></description>
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         <pubDate>2020-10-05 17:02:43 UTC</pubDate>
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         <title>Art oriental / monochrome / objet utilitaire/décoratif</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/803998818</link>
         <description><![CDATA[<div>Hasegawa Tohaku, <em>Fôrêt de pins</em>, encre sur papier, plusieurs panneaux qui conforment un paravent, fin du XVIe siècle, Tokyo National Museum. </div>]]></description>
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         <pubDate>2020-10-05 17:16:45 UTC</pubDate>
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         <title>Gravure impressionniste / effets de texture / fugacité / processus</title>
         <author>elenalima1</author>
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         <description><![CDATA[<div>Mary Cassatt, <em>La Visiteuse (Scène d'intérieur)</em>, vernis mou, aquatinte, pointe sèche et eau-forte, 3e état sur 5,  v. 1880, Bibliothèque Nationale de France</div>]]></description>
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         <pubDate>2020-10-05 17:24:32 UTC</pubDate>
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         <title>Nourriture / éphémère / interprétation</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/804113644</link>
         <description><![CDATA[<div>Vik Muniz, <em>Medusa Marinara</em>, photographie, 8,9 x 11,4 cm, 1997, Metropolitan Museum of Art, New York. </div>]]></description>
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         <pubDate>2020-10-05 17:41:19 UTC</pubDate>
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         <title>Art engagé / photographie comme trace</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/804173305</link>
         <description><![CDATA[<div>Vik Muniz, <em>Valentine, The Fastest, </em>de la série <em>The Sugar Children, </em>1996.<br>Gelatin-silver print. Courtesy Wooster Gardens, New York.</div>]]></description>
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         <pubDate>2020-10-05 17:54:01 UTC</pubDate>
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         <title>Effets de texture / Variations dans la matière / Taille directe. </title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822228831</link>
         <description><![CDATA[<div>Jacob Epstein, Jacob et l'ange, 1940. Albâtre. 214 x 110 x 92 cm. Liverpool, Tate Liverpool. </div>]]></description>
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         <pubDate>2020-10-12 16:50:48 UTC</pubDate>
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         <title>Travail in situ / Vivant / Lumière</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822240063</link>
         <description><![CDATA[<div>Jan Fabre, revêtement du plafond de la salle des Glaces du Palais Royal de Bruxelles avec 1,4 million de carapaces de scarabées, inauguré en 2002. </div>]]></description>
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         <pubDate>2020-10-12 16:54:10 UTC</pubDate>
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         <title>Oeuvre évolutive / Installation</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822299414</link>
         <description><![CDATA[<div>Gerda Steiner et Jorg Lenzlinger, <em>The conference</em>, 2010, Installation.</div>]]></description>
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         <pubDate>2020-10-12 17:11:31 UTC</pubDate>
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         <title>Danse et arts plastiques / immersion</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822304970</link>
         <description><![CDATA[<div>Christian Rizzo, <em>Une maison</em>, 2019. Création chorégraphique pour 13 interprètes</div>]]></description>
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         <pubDate>2020-10-12 17:13:09 UTC</pubDate>
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         <title>Art Vidéo /L&#39;image en mouvement/ Transformation de la matière</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822306101</link>
         <description><![CDATA[<div>Sam Taylor-Wood, <em>Still Life</em>, 2001, Vidéo.</div>]]></description>
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         <pubDate>2020-10-12 17:13:28 UTC</pubDate>
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         <title>Dématérialisation de l&#39;image</title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/822307144</link>
         <description><![CDATA[<div>Thomas Ruff, <em>jpeg ny 02</em>, 2004, photographie, Chromogenic print. </div>]]></description>
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         <pubDate>2020-10-12 17:13:48 UTC</pubDate>
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         <title>L&#39;informel. La matière et la forme.</title>
         <author>elenalima1</author>
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         <description><![CDATA[<div>Extrait de l'ouvrage <em>Histoire matérielle et immatérielle de l'art moderne et contemporain,</em> de Florence de Mèredieu. </div>]]></description>
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         <pubDate>2020-11-29 15:12:21 UTC</pubDate>
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         <title>L&#39;œuvre d&#39;art à l&#39;aune de sa matérialité. </title>
         <author>elenalima1</author>
         <link>https://padlet.com/bonnet_ap/xrnxuwbcwnymf3rn/wish/968851822</link>
         <description><![CDATA[<div>Article extrait du art press 479 </div>]]></description>
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         <pubDate>2020-11-29 15:29:07 UTC</pubDate>
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