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      <title>ENGL ED 117 by </title>
      <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln</link>
      <description>Made with ♥</description>
      <language>en-us</language>
      <pubDate>2022-06-03 10:18:56 UTC</pubDate>
      <lastBuildDate>2025-09-29 22:35:35 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>ALLEGORICAL</title>
         <author></author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210092938</link>
         <description><![CDATA[<div><strong>I. Definition:</strong><br>A.) To <strong>posit a one-to-one correspondence between mythical “clothing” and the ideas being so clothed</strong>.<br>B.) This approach tends to limit the meaning of a myth, whereas that meaning may in reality be multiple, operating on several levels.<br><br><strong>II. Example: </strong><br>A.) An allegorical interpretation would be that given by an ancient commentator for the <em>Iliad</em>, book 20, verse 67.&nbsp;<br>a.) Allegorically as an opposition between elements—dry&nbsp; against wet, hot against cold, light against heavy.<br>b.) Apollo, Helios, and Hephaestus represent fire.<br>c.) Poseidon represents river.<br>d.) Scamander represent water.&nbsp;<br><br></div>]]></description>
         <enclosure url="https://lithub.com/why-are-we-so-resistant-to-the-idea-of-a-modern-myth/" />
         <pubDate>2022-06-03 11:32:06 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210092938</guid>
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      <item>
         <title>BAGAYAO, Floyd</title>
         <author>bagayaofloyd</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210293447</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-06-03 15:06:04 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210293447</guid>
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      <item>
         <title>GENERALIZATION ACTIVITY:</title>
         <author>bagayaofloyd</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210296656</link>
         <description><![CDATA[<div><strong><br>GENERALIZATION ACTIVITY:<br></strong><br></div><div>1. For this activity, you are going to <strong>OUTLINE</strong> a<strong>ll the important concepts and discussions</strong> you have taken from the Britannica article you have read previously. You will work in groups to complete this activity. See your groupings on the PEOPLE PANEL on the left corner of your CANVAS.</div><div><br>2. To comply with this homework, you have to prepare a <strong>PADLET link</strong>, which will be used several times throughout this course. So make sure to organize properly your Padlet wall. Expect to submit some of your group's activities through PADLET.<br><br></div><div>3. Be systematic in all your group activities so every member would be aware of his/her tasks. I will be assigning a leader for this group for faster execution of the tasks.<br><br></div><div>4. For the leader who will be assigned for this activity, please do the following:</div><div>a. Make a GC for your group</div><div>b. Assign to every member who will be outlining the concepts and discussions.</div><div>c. Assign someone to prepare the PADLET.</div><div>d. Initiate the planning of this activity.<br><br></div><div>5. For the PADLET, the following are suggested and expected to be done by each group:</div><div>a. Please use a GRID or SHELF format type of PADLET</div><div>b. Make use of Headings to clearly understand your notes.</div><div>c. Be Creative in your presentation but make sure that the content of your notetaking equally stands out from how you aesthetically arranged your padlet.</div><div>d. All members should be added to the PADLET. Every member should give their emails to the main administrator of the padlet so when a member answers his/her assigned task;&nbsp; the names of the member appear on the padlet. Please see attached pics to be guided further.<br><br></div>]]></description>
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         <pubDate>2022-06-03 15:09:30 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2210296656</guid>
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      <item>
         <title>DESCRIPTION</title>
         <author>irisptery8</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290994101</link>
         <description><![CDATA[<div>1. Myths deal with the:<br>Origin of the world<br>End of the world<br>A paradisiacal state<br>Description of what people can never “see for themselves”<br><br>2. Descriptions of myths provide educational value.&nbsp;<br><br>3. Before preindustrial societies, mythical descriptions provide a philosophical system of inquiry as an important available model of instruction. </div>]]></description>
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         <pubDate>2022-09-11 07:14:28 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290994101</guid>
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      <item>
         <title>HEALING, RENEWAL, and INSPIRATION</title>
         <author>irisptery8</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290994488</link>
         <description><![CDATA[<div>Creation Myths play a serious role in renewal, inspiration, and healing of the sick.&nbsp;<br>How:<br>A. In some cultures, particular works are recited or sung to a person whose life is in jeopardy.&nbsp;<br>B. Healing can also be done thru the recitation of cosmology. C. Myth is used as a magical incantation.&nbsp;<br>D. Mythical themes and imagery are used in the artistic endeavor for self-expression.&nbsp;<br>E. Mythical themes become an aesthetic inspiration for western painting, sculpture, and literature.<br><br>Examples of these practices are:&nbsp;<br><br>1. Navajo Healing Chant&nbsp;<br>- The Navajo believe in the use of different chants to restore balance, health, and equilibrium. They are also recited when a person's world or life is in danger. (Click on the video for reference)<br>2. Icelandic Poets Mead Song<br>- The "Mead Song" from Old Norse mythology is sung said to  celebrate the origins of their own art and, hence, renewing it</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=x1uJidwo77s" />
         <pubDate>2022-09-11 07:15:16 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290994488</guid>
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      <item>
         <title>ROMANTIC</title>
         <author>bagayaofloyd</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290997921</link>
         <description><![CDATA[<div>I. Definition: <br>A.)&nbsp; The Romantic movement had profound implications for the &nbsp; study of myth.<br>B.) Roman antiquity and contemporary folktales—were regarded by the Romantics as repositories of experience<br><br>II. Example: <br>A.) “Auszug aus einem Briefwechsel über Ossian und die Lieder alter Völker” (1773; “Extract from a Correspondence on Ossian and the Songs of Ancient Peoples”).<br>a.)Herder believed that the more “savage,” that is, the more “alive” and “freedom-loving” a people (<em>ein Volk</em>) was, the <br>more alive and free its songs would be.<br>b.) Herder exalted the <em>Kultur des Volkes</em> (“culture of the people”)</div>]]></description>
         <enclosure url="https://thefirstage.org/wiki/morpheus/" />
         <pubDate>2022-09-11 07:27:26 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2290997921</guid>
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      <item>
         <title>COMPARATIVE</title>
         <author>bagayaofloyd</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291001022</link>
         <description><![CDATA[<div><strong>I. DEFINITION:</strong><br>A.)&nbsp; A systematic comparison of myths and mythic themes drawn from a wide variety of cultures.<strong><br>B.) </strong>The prevalence of the comparative approach has meant that since the 19th century<br>C.) Specialized studies have made generalizations about more than one tradition or at the very least have had to take comparative works by others into account.<br><br>Reminder:&nbsp;<br>For there to be any philosophical inquiry into the nature and function of myth at all, there must exist a body of data about myths across a range of societies. Such data would not exist without a comparative approach.</div>]]></description>
         <enclosure url="https://owlcation.com/humanities/Different-Approaches-to-Analyzing-Mythology" />
         <pubDate>2022-09-11 07:37:33 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291001022</guid>
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      <item>
         <title>DEFINITIONS OF MYTH </title>
         <author>irisptery8</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291026868</link>
         <description><![CDATA[<div>1. Myth comes from the Greek word "mythos"- which means word or, more significantly, story.&nbsp;<br><br>2. A myth is a story but it's a special kind of story that can have two primary characteristics: significance and staying power.&nbsp;<br>a. Significance - The stories have subject matter that is about something important like how the world works or how things came to be.&nbsp;<br>b. Staying power - These stories have survived for centuries and even a millennia. This means that these stories have a functional importance to people who hear and tell them.<br><br><br><br></div>]]></description>
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         <pubDate>2022-09-11 08:53:19 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291026868</guid>
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      <item>
         <title>SAGAS and EPICS</title>
         <author>Abby_18</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291033797</link>
         <description><![CDATA[<div>I. DEFINITION<br>A.) Saga is often generalized and loose to refer to any extended narrative re-creation of historical events.<br>B.) Epic composed in poetry<br><br>II. RELATION<br>A.) Myth: set in a semidivine world<br>&nbsp; &nbsp; Saga:&nbsp; more realistic and more firmly grounded in a specific historical setting.<br>&nbsp;Epic: characteristically incorporate mythical events and persons.<br>B.) Both saga and epic compose of narrative forms look back to an age of heroic endeavor.<br><br>III. EXAMPLES<br>A.) in the ancient world - <em>the Iliad and Odyssey of Homer</em><br>B.) <em>Mahabharata<br></em>C<em>.) Epic of Gilgamesh</em></div>]]></description>
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         <pubDate>2022-09-11 09:12:21 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291033797</guid>
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      <item>
         <title>FABLES</title>
         <author>ChesneyJadeJado</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291035874</link>
         <description><![CDATA[<div>-The word <strong><em>fable</em></strong> derives from the Latin word <strong>fabula</strong>, which originally meant about the same as the Greek <strong>mythos</strong>.&nbsp;<br><br></div><div>-it means a fictitious or untrue story.&nbsp;<br><br></div><div>- features personified animals or natural objects as characters.&nbsp;<br><br></div><div>-fables almost always end with an explicit moral message.<br><br></div><div>Ex: The Hare and the Tortoise<br><br></div><div>&nbsp;<br><br></div>]]></description>
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         <pubDate>2022-09-11 09:18:00 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291035874</guid>
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      <item>
         <title>FAIRY TALES</title>
         <author>ChesneyJadeJado</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291037448</link>
         <description><![CDATA[<div>-if taken literally, should refer only to stories about <strong>fairies</strong>, a class of supernatural and sometimes malevolent beings—often believed to be of diminutive size<br><br></div><div>-In a broader perspective it is normally used to refer to a much wider class of narrative, namely, stories directed above all at an audience of children about an individual, almost always young, who confronts strange or magical events.<br><br></div><div>Ex: Jack and the Beanstalk, Cinderella<br><br></div>]]></description>
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         <pubDate>2022-09-11 09:22:26 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291037448</guid>
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      <item>
         <title>FOLKTALES</title>
         <author>ChesneyJadeJado</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291037860</link>
         <description><![CDATA[<div><strong>-</strong>folktale has its roots in the late 18th century<br><br></div><div>*Stith Thompson<br><br></div><div>-Regarded Myth as one type of folktale.<br><br></div><div>-according to this approach, the characteristic of myth is that its narratives deal with sacred events that happened “<strong>in the beginning.”<br></strong><br></div><div>*Geoffrey S. Kirk<br><br></div><div>-Says the term folktale denotes stories that reflect simple social situations and play on ordinary fears and desires.<br><br></div><div>Ex: The Pied Piper, Marchen(“Tales”)<br><br></div>]]></description>
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         <pubDate>2022-09-11 09:23:28 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291037860</guid>
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      <item>
         <title>LEGENDS</title>
         <author>Abby_18</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291038937</link>
         <description><![CDATA[<div>I. DEFINITION<br>A.) Usually characterizes a traditional tale thought to have a historical basis.<br><br>II. RELATION<br>A.) Myth: refers to the supernatural and the sacred<br>&nbsp; &nbsp; &nbsp; Legend: grounded in historical facts<br>B.) In other cases, boundaries between legends and myths are fluid, and that different writers employ them in quite different ways.<br><br>III. EXAMPLES<br>A.) legends of King Arthur or Robin Hood</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/1418289693/f957801ffe451a1822f2ac0af3656b1f/image.png" />
         <pubDate>2022-09-11 09:25:53 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291038937</guid>
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      <item>
         <title>PARABLES</title>
         <author>Abby_18</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291041540</link>
         <description><![CDATA[<div>I.DEFINITION<br>A.) Parable or Illustrative tale is a narrative that has explicit purpose the illustration of a doctrine or standard of conduct.<br><br>II.RELATION<br>A.) The term myth is not normally applied to parables.<br><br>III.EXAMPLES<br>A.) <em>New Testament</em><br>B.)<em> Sufism</em> ( Islamic mysticism)<br>C.) <em>Rabbinic</em> ( Jewish biblical interpretive)<br>D.) <em>Zen Buddhism</em>&nbsp;</div>]]></description>
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         <pubDate>2022-09-11 09:32:53 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291041540</guid>
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      <item>
         <title>ETIOLOGICAL TALES</title>
         <author>Abby_18</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291043695</link>
         <description><![CDATA[<div>I. DEFINITION<br>A.) Explains the origin of a custom, state of affairs, or natural feature in the human divine world.<br><br>II. RELATION<br>A.) Often seems to be added to a mythical narrative as an afterthought.&nbsp;<br>B.) Etiology is not the distinctive characteristic of myth.<br><br>III. EXAMPLES<br>A.) Hindu narrative ascribing the blue neck of the god Shiva to a poison he drank in primordial times.</div>]]></description>
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         <pubDate>2022-09-11 09:39:01 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291043695</guid>
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      <item>
         <title>JUSTIFICATION OR VALIDATION</title>
         <author>licayolorena</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291046902</link>
         <description><![CDATA[<div>-Many myths explain ritual and cultic customs.</div><div>-The myth can be said to validate life itself together with the cultic celebration.<br><br><strong>*Comparable myths</strong></div><div>-told in a number of societies where the main means of food production is the cultivation of root crops</div><div>-the myths reflect the fact that tubers must be cut up and buried in the earth for propagation to take place.</div><div><strong>Ritual sacrifices</strong></div><div>- typical of traditional peasant cultures.</div><div><strong>3 Mythical Themes</strong></div><div>1.&nbsp; &nbsp; &nbsp; &nbsp;<em>Necessity of death</em> (e.g., grain dies and is buried, only to yield a subsequent harvest)</div><div>2.&nbsp; &nbsp; &nbsp; &nbsp;<em>Society's cyclic renewal of itself </em>(e.g., New Year's celebration)</div><div><em>3.</em>&nbsp; &nbsp; &nbsp; &nbsp;<em>Significance of women and sexuality</em></div><div>&nbsp;</div><div><strong>Cosmogony</strong>(origin of cosmos)</div><div>-subject of the central mythology<br><br></div><div>* Many ceremonies that each society has developed as a symbol of what is necessary to its well-being.</div><div>Examples:</div><div>-<strong>Enthronements of kings</strong> wherein some traditions are associated with a creation or re-creation of the world.&nbsp;</div><div>-<strong>The creation epic “Enuma Elish”</strong> which was read each New Year at Babylon, to celebrate the progress of the cosmos from initial anarchy to government by the kingship of Marduk.<br><br></div><div>*Ruling families in ancient civilizations frequently justified their position by invoking myths.</div><div>Examples:</div><div>&nbsp;-Known from imperial China</div><div>-Pharaonic Egypt&nbsp;</div><div>-The Hittite empire</div><div>-Polynesia&nbsp;</div><div>-The Inca empire</div><div>- India<br><br><strong><em>Georges Dumézil</em></strong></div><div>-a French historian of ancient religion who was the pioneer in suggesting that the priestly, warrior, and producing classes in ancient Indo-European societies regarded themselves as having been ordained to particular tasks by virtue of their mythological origins.<br><br></div><div><strong><em>Marriage and funerary customs</em></strong>- a very known cultural tradition that exist in some mythological foundation.</div>]]></description>
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         <pubDate>2022-09-11 09:47:11 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291046902</guid>
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      <item>
         <title>EXPLANATION</title>
         <author>licayolorena</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291049359</link>
         <description><![CDATA[<div>-The most obvious function of myths is the explanation of facts, whether natural or cultural.&nbsp;</div><div>-The function of explanation and the narrative form go together, since the imaginative power of the myth lends credibility to the explanation and crystallizes it into a memorable and enduring form.</div><div>-A&nbsp; myth functions as an explanation, but the narrative form distinguishes it from a straightforward answer to an intellectual question about causes.</div><div>Example:</div><div><strong>One North American Indian (Abenaki) myth</strong>-explains the origin of corn (maize).&nbsp;</div>]]></description>
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         <pubDate>2022-09-11 09:54:11 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291049359</guid>
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      <item>
         <title>FOLKLORIC</title>
         <author>marietadamayan</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291088089</link>
         <description><![CDATA[<div>I. Definition:<br>A.) The collection and classification of mythological themes.&nbsp;<br>B.)&nbsp; Considers the traditional beliefs, myths, tales, and practices of a people.<br><br>II. Examples:<br>A.) Collection of Marchen - Deutsche Sagen ("German Legends")- tales that were purported to record actual events and that were ostensibly set in a specific place and period, as opposed to the once-upon-a-time-in the forest" setting characteristics of Marchen.<br><br>B.) Classification of Folk Literature - "Motif-Index of Folk Literature" by Stith Thompson </div>]]></description>
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         <pubDate>2022-09-11 11:36:40 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291088089</guid>
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      <item>
         <title>FUNCTIONALIST</title>
         <author>marietadamayan</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291102547</link>
         <description><![CDATA[<div>I. Definition: <br>A.) Serves as an interpretation of myth as integrated with other aspects of society and as supporting existing social relationships.<br><br>II. Example:<br>A.) <strong><em>Essai sur le don </em></strong><strong>(The Gift) -</strong> referred to a system of gift giving to be found in traditional and preindustrial societies.</div>]]></description>
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         <pubDate>2022-09-11 12:11:29 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291102547</guid>
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      <item>
         <title>STRUCTURALIST</title>
         <author>marietadamayan</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291126602</link>
         <description><![CDATA[<div>I. Definition:<br>A.) This approach is based on the analogy of myth to language.&nbsp;<br><br>II. Goal: Structuralist analysis aims at uncovering what it sees as the logic of myth.&nbsp;<br><br>a.) Logic are terms related to items of the everyday world in which the “primitive” culture exists that is usually based on empirical categories or empirical objects.<br><br>b.) Claude Levi-Strauss emphasized the same presence of logical patterns called " primitive mentality" which was characterized by the inability to make distinctions, be a sense of "mystic participation" .</div>]]></description>
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         <pubDate>2022-09-11 13:05:39 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291126602</guid>
      </item>
      <item>
         <title>FORMALIST</title>
         <author>marietadamayan</author>
         <link>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291145719</link>
         <description><![CDATA[<div>Definition:<br>Refers to recurring patterns and themes<br><br>Examples of the types of action isolated by Vladimir Propp:<br>a.) “An interdiction is addressed to the hero”; <br>b.) “The interdiction is violated”; <br>c.) “The false hero or villain is exposed”; and<br>d.) “The hero is married and ascends the throne.”<br><br><strong>Development of Propp's Approach<br></strong>Walter Burkert detected certain recurrent patterns to cultural "programs of action".<br><br>Example: Burkert's Structure and History in Greek Mythology and Ritual (1979)<br>a.) Greek myths have a recurring patterns called <strong>"the girl's tragedy"</strong> - this pattern reflects a basic biologic sequence or “program of action”; puberty, defloration, pregnancy, delivery. <br>b.) Myths about the <strong>driving out of the scapegoat</strong> - the persistence of these patterns, according to Burkert, by the fact that they are grounded in basic human needs—above all, the need to survive.</div>]]></description>
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         <pubDate>2022-09-11 13:41:14 UTC</pubDate>
         <guid>https://padlet.com/bagayaofloyd/xos1qfn4e2fa5aln/wish/2291145719</guid>
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