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      <title>Research on Nail  by Jeeyoung Lee</title>
      <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq</link>
      <description>Material Culture : An Object Case Studies Portfolio by Jeeyoung Lee - Autumn Term 2020  </description>
      <language>en-us</language>
      <pubDate>2020-10-28 11:19:49 UTC</pubDate>
      <lastBuildDate>2023-07-02 07:38:15 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>My First Thought about this Task</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/869156513</link>
         <description><![CDATA[<div><br>I have been using daily objects as medium for my artworks. I understood it was termed as "found object" and used one of general mediums in art after Marcel Duchamp's <em>Fountain, </em>1917.<br><br>This task, that I should choose one of mundane and interest less objects and think about it for ten weeks, was the opposite approach of mine: I have tried to find objects that match with what I want to express.<br><br>It is hard to say what is being done first always between the idea what I want to deliver and finding objects, but I haven't thought about an object without any purposes. <br><br>Thus, this unfamiliar way of seeing outside my old habit would allow me to navigate excluded objects from my narrow domain of interests and to build a power to trace hidden meanings behind the objects.<br><br>What I have to do is seeing nails without preconception, without me. Babies doesn't know the function and meaning that was given to the each object. Thus they don't have fixed ideas and separate things as dirty and clean, so can put anything in their mouths.<br><br>This also can be linked with the viewpoint of allegoryker from Walter Benjamin. I.e., the image of history is even as ruins and an allegoryker finds new meanings of objects from there and deleting a former meanings that was given to it before.<br><br>This can be developed with an issue such as having interests in excluded things of museum archiving domain in Week 2: Objects as ambassadors or in Week 8: Museums.<a href="https://learn.gold.ac.uk/course/view.php?id=18018#section-9"><br></a><br>"There is no archive without a place of consignation, without a technique of repetition, and without a certain exteriority. No Archive without outside"</div><div><br></div><div><em>Jacques </em>Derrida <br><em>Archive Fever, </em>1995</div><div><br>Also, the ideas on secular spaces as a repository of creating new meanings from Boris Groys.<br><br><em>On the New,</em> 2014<br><br></div>]]></description>
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         <pubDate>2020-10-28 11:27:57 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/869156513</guid>
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         <title>From the Perspective of National Biography : Metal Stakes from Japanese Colonial Time in Korea</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/869206512</link>
         <description><![CDATA[<div><br>I was thought by public education that says the Japanese government drove big metal nails: stakes into land's acupuncture point. However, Japan still denies this.<br> <br>Northeast Asian countries (including Japan, Korea and China) were deeply rely on to the theory of divination based on topography. When not only normal people build their houses, but also when royal families build palaces and set up the capital, geomancy was the fundamental factor that have to be considered. Since Japan has the strong cult of nature, the assertion that the Japanese Government drove a lot of stakes into the land to cut the spirit of Korea seems having a point.<br><br>Some people argues that those stakes were driven to measure land by the Korean Government and it sounds possible. However, how can we explain that the stakes on the tombs of  <br>an army for national independence? How dare the Korean Goverment do such behavior to measure land? It sounds contentious.<br><br>Currently, there has been metal stakes terror not only in Korea, but also on several comport women statues that has been erected around the world looks irrelevant to it.<br> <br>The Japanese Government of Shinzo Abe Attempted to exclude of some past events that can harm Japan's national biography on student’s text books. Some Japanese people have criticized it like "There will be no-one to believe unstained and flawless history"</div><div><br>This reminds me of questions in Week 3: the social life of things.<br><br></div><div><strong>What to be absence and presence in national Biography is related with the matter of legitimacy and mythification. <br><br>Who creates National Biography? Who holds the power?</strong></div>]]></description>
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         <pubDate>2020-10-28 11:55:17 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/869206512</guid>
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         <title>Is the object universal? : Do we all experience the same world?</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/870147245</link>
         <description><![CDATA[<div>How can be varied the way to conceive nails in every culture?<br><br>I cannot think the way to use nails out of box.<br>Artworks that entangles with nails that represent diverse societies might be helpful to get some inspirations.<br><br>Nail has materiality but it can make us understand intangible heritages as well. <br><br><br></div>]]></description>
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         <pubDate>2020-10-28 15:43:02 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/870147245</guid>
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         <title>For Want of a Nail, Benjamin Franklin, 1758</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872093677</link>
         <description><![CDATA[<div><br>For want of a nail the shoe was lost.</div><div>For want of a shoe the horse was lost.</div><div>For want of a horse the rider was lost.</div><div>For want of a rider the battle was lost.</div><div>For want of a battle the kingdom was lost.</div><div>And all for the want of a horseshoe nail.<br><br>"For Want of a Nail" is a proverb, having numerous variations over several centuries, reminding that seemingly unimportant acts or omissions can have grave and unforeseen consequences.</div><div><br></div>]]></description>
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         <pubDate>2020-10-29 04:14:41 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872093677</guid>
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         <title>Function and Week 11: iconoclasm: Jesus</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872094560</link>
         <description><![CDATA[<div><br>The most general way to use nails is hanging and fastening even a human body like Jesus Christ.<br><br><strong>Is it contribute to commodify humans?</strong><br><br>"where they crucified him, and with him two others, on either side one, and Jesus in the midst"<br><br>Juan 19.18</div>]]></description>
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         <pubDate>2020-10-29 04:15:38 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872094560</guid>
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         <title>Nail terrors in Korea</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872394777</link>
         <description><![CDATA[<div>Scratching someone's car surfaces or making someone to have a flat tire with nails out of malice.</div>]]></description>
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         <pubDate>2020-10-29 08:16:28 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872394777</guid>
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         <title>Utilitarian Properties</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872396467</link>
         <description><![CDATA[<div>Mass reproduction of nails: Week 4: Heritage Industry<br><br>* Sterilization and deindividuation?<br><br>* Homogenization?<br><br>* Standardization?<br><br>* Authenticity? <br><br>* Getting rid of aura? <br><br>Under the Japanese colonial rule there was an ordinary censorship to divide Korean (Chosun-in) and Japanese. For example, if someone's accent sounds awkward Japanese people used to ask" You must be Korean, right?. Sometimes people from Okinawa had to be asked the same question.<br>Japanese civil militia groups killed Korean people by asking questions. <br><br>Like this, deindividuation, homogenization, and standardization was used as a political method by using fears against death: Maybe we can find a link between Thanatopolitics (from Michel Foucault) or Necropolitics (from Achille Mbembe).<br><br>After the division in 1945 of Korea, there has been a purge of communists and  anti-communism education. This resulted in legitimizing tool for the Korean government to kill  innocent citizens irrelevant to Socialist ideology by simply stigmatizing them as "Commie".<br><br></div>]]></description>
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         <pubDate>2020-10-29 08:17:38 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/872396467</guid>
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         <title>Artworks about Borders </title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/890716322</link>
         <description><![CDATA[<div><strong><em>Leaking Lines</em></strong>, 2019 <br>by Reena Saini Kallat<br><br>charcoal, gouache, graphite, <strong>nails</strong>, electric wires on laser cut and embossed Arches paper<br><br>http://www.burgercollection.org/welcome/artists/artist/contact1480.Kallat-Reena+Saini.html</div>]]></description>
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         <pubDate>2020-11-04 16:42:12 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/890716322</guid>
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         <title>Artwork about Anti-Communism in Korea</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/907032858</link>
         <description><![CDATA[<div>Artist : Chto Delat <br><br>Their name, Chto Delat means "What to be done?" in English.<br><br>In an exhibition at Korean national Museum of Modern and Contemporary Art(MMCA), they hung Korean magazines that promote anti-communism with big nails and questioned:  Should  Communism ideology be thrown away?<br><br></div>]]></description>
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         <pubDate>2020-11-10 04:33:20 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/907032858</guid>
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         <title>A Spiritual Power that can be infused in nails</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/907039665</link>
         <description><![CDATA[<div>Power Figure (Nkisi N’kondi)<br><br>A <em>nkisi nkondi</em> is a specific type of power figure in which the spirit was activated by hammering a nail into the figure. At the request of a victim of theft, for instance, a nail would be driven into the wooden figure, and the <em>nkisi-nkondi</em> would punish the thief. A <em>nkisi-nkondi</em> also worked as a deterrent. Important agreements could be sealed in front of the figure, which would then punish all future violators. The mirror of the abdominal box and the whites of these figures’ eyes refer to the ability of the ritual specialist to pass between the worlds of the living and the dead through the watery intermediary divide.<br><br>https://artgallery.yale.edu/collections/objects/84444</div>]]></description>
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         <pubDate>2020-11-10 04:36:43 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/907039665</guid>
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         <title>Nail Motif Cartier Jewelry</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/958973733</link>
         <description><![CDATA[<div>From the perspective of consumption and identity in Week 5: consumption and identity, we shop for Ideological version of Self.<br><br>Nail is regarded as one of raw materials and it has masculine, strong, and tough images. This can create interesting image that can play well with the luxury fine jewelry brand image like Cartier.<br>We can attain multi layered images: masculine yet sensitive fine, and luxurious to make attractive ourselves by owning this jewelry. <br><br>https://www.instagram.com/p/CJ4BjnsDb3L/?utm_source=ig_web_copy_link</div>]]></description>
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         <pubDate>2020-11-25 07:38:05 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/958973733</guid>
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         <title>Violent properties</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/958990216</link>
         <description><![CDATA[<div>https://www.bbc.com/news/world-asia-india-53089037</div>]]></description>
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         <pubDate>2020-11-25 07:45:03 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/958990216</guid>
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         <title>Landscape as Resistance in Week 7: landscape</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/959001341</link>
         <description><![CDATA[<div>Nail Houses in China reminds me of one artwork of one artist, but it is a shame that I cannot think of his/her name. The artist showed the artwork that represent a nail houses a place of resistance. <br><br>In Week 3: the social life of things, we learnt that space is so controlled, so you cannot express yourself in public. We can see the ironic situation here that the nail house express itself so strongly in public albeit that controlling power is working around it.<br><br>In Korea, it is hard to find these kinds of examples of nail houses. Apartment complex building of big construction companies is the majority aim of removals, so there has been a lot of forced removals with the help of corrupt Korean government.<br><br></div>]]></description>
         <enclosure url="https://www.theguardian.com/cities/gallery/2014/apr/15/china-nail-houses-in-pictures-property-development" />
         <pubDate>2020-11-25 07:49:56 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/959001341</guid>
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         <title>Using nails as a painting medium</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1085723472</link>
         <description><![CDATA[<div><br>I cannot find any reasons why he uses nails to create Korean Traditional Landscape paintings, but it seems like he uses nails as one of painting mediums. <br><br><br>Artist: Inki Hwang <br><br><em>On an Autumn Day Rising Full Moon</em>,1997<br><br>acrylic and Korean ink on Korean paper, nails</div>]]></description>
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         <pubDate>2021-01-14 04:10:04 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1085723472</guid>
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         <title>An artwork about the stories behind the Landscape</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1087116095</link>
         <description><![CDATA[<div><br>Artist: Yoan Capote<br><br></div><div><em>Isla (Negro y Blanco), </em>2015</div><div><br>Oil, <strong>nails</strong> and fishhooks on linen panel on plywood</div><div>104 x 157 x 8 cm</div><div><em><br>"The sea is an obsession for any island population…<br>When I was a child, I looked to the horizon and would imagine the world beyond. The sea represents the seductiveness of these dreams, but at the same time danger and isolation.</em><br><em>The Iron Curtain, a concept from the Cold War that I read about for the first time during history classes when I was student, was my inspiration behind this series of seascape paintings.</em><br><em>I wanted to use thousands of fishhooks to create a surface that would be almost tangible to the viewer upon their approach; this would become the tactile experience of standing in front of a metal fence. The fishhook itself is an ancient tool that has kept its design for centuries and which is also symbolic of seduction and entrapment.</em><br><em>For Cubans the seascape imposes a political and ideological limit that has been dividing families, ideas and feelings for several generations; it is a mental wall between the present and the future that affects the collective conscience like a permanent fascination"    Y.C.</em></div>]]></description>
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         <pubDate>2021-01-14 13:47:26 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1087116095</guid>
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         <title>Authenticity, consumption and identity, and  Iconoclasm</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1087199464</link>
         <description><![CDATA[<div>If someone destroyed these nails or relics it would have been regarded as a same moral sphere destruction of people.<br><br>The materiality of sacred objects are significant for some people not only as a historical artifact but also as a presence of god.As we can see on one of Week 5's readings : <em>Of gifts and grandchildren: American Holy Land souvenirs</em><strong> </strong>by Hillary Kaell</div>]]></description>
         <enclosure url="https://www.dailymail.co.uk/sciencetech/article-9079801/Nail-Christs-crucifixion-inside-box-inscribed-Jesus-King-Czech-monastery.html" />
         <pubDate>2021-01-14 14:05:32 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1087199464</guid>
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         <title>From small things to the entire body: Week 9: Architecture and homes</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1094153750</link>
         <description><![CDATA[<div>Five houses for the poor that were built by a group of volunteers from 'Habitat for Humanity' in Florida were survived after hurricane in 19's. <br>Some people thought that the contradiction; the most houses of the rich swept away but only those five houses remained was made by God's blessing.<br><br>But one Korean architect<br>saw this matter would have been related with the depth of nails on construction materials on the walls. <br>Compared to the rich's houses that workers used fine electric tools, those five houses were built solely by volunteers' hand.<br>This could have been made the difference in depth of nails on the joining parts. The fine devices could have driven unnecessarily deep and this made the entire house's strength weaker.<br><br></div>]]></description>
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         <pubDate>2021-01-16 17:17:04 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1094153750</guid>
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         <title>What would a feminist say about your object?</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1095674299</link>
         <description><![CDATA[<div><br>Apparently, nails can be compared to the phallic symbol.<br><br>Compare to the human body, nails' strong and firm materiality is similar to bones, fingers or erected male genital parts. Nails definitely cannot be used as a metaphor for soft materials like flesh, muscles or organs.<br><br>I think female bodies are opened like the <a href="https://en.wikipedia.org/wiki/Klein_bottle">Klein's bottle</a>. However, nails have solid concrete forms and there are no inner spaces.<br><br>Nails can make wounds, cuts and holes on the softer materials such as woods and concrete. Nails can be used as an effective tool for violence. They can harm people as well.</div>]]></description>
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         <pubDate>2021-01-17 15:51:47 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1095674299</guid>
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         <title>Erasing preconceptions</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1095854208</link>
         <description><![CDATA[<div>If we recognized and used nails without fixed ideas, we would have created something new like this artist that I quote here. I don't want to judge or critique what he produced. The only important work for me now is removing limited notions of mine on nails with the help of his ideas. <br><br>“You'd think that you would sort of choke off your options and potential, the more you keep excavating a single item, but I find it's the opposite–it explodes. There are so many amazing tangents that I haven't had time to take; so many great insights that are buried years back, so <mark>it's ever expanding, this mundane object</mark>. I'm quite happy saying now that I will only work with nails.”<br><br>https://mymodernmet.com/john-bisbee-nail-sculptures/</div>]]></description>
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         <pubDate>2021-01-17 17:23:45 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1095854208</guid>
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         <title>Passive properties</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1096833911</link>
         <description><![CDATA[<div>However, nails can do nothing without outside forces. For example, someone's intention to drive in a nail with a hammer.<br><br>Nails are subject to be drove into unfamiliar objects. Maybe it can happen reluctantly. Thus, the violent properties of nails should be questioned. It is one of fixed ideas of people that inscribed in nails.</div>]]></description>
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         <pubDate>2021-01-18 06:35:17 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1096833911</guid>
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         <title>Je me constituant object (Frantz Fanon), From Peau Noire, Masques Blancs, 1952</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1109391048</link>
         <description><![CDATA[<div>I'd like to link this expression from Fanon to the passive state of nails. His experience that named as "Nigro" on the street all of a sudden was 'the external stimuli that pierced him who was passing by (Domiyama Ichiro)'. <br><br>"The other fixer me through gesture, attitude or gaze. Like figment tint and fix a preparation. I raged and demanded for an explanation. Anything was useless. I was falling apart (Fanon, 1952)" <br><br>The violent situation for Fanon that the word stop, can be the perpetuate situation for nail it should be passive and impotent.</div>]]></description>
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         <pubDate>2021-01-21 10:18:11 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1109391048</guid>
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         <title>The Order of Things: Classification of Nails</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110864317</link>
         <description><![CDATA[<div><br>In Wikipedia, nails are classified as fastener<br><br></div>]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Nail_(fastener)" />
         <pubDate>2021-01-21 16:46:55 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110864317</guid>
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      <item>
         <title>Artwork as Propaganda - Nail Men</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110888074</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://en.wikipedia.org/wiki/Nail_Men" />
         <pubDate>2021-01-21 16:51:24 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110888074</guid>
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      <item>
         <title>Don Alfredo explained to Dr Martyn Wemyss</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110941466</link>
         <description><![CDATA[<div>     “Everyone then, everyone lived in harmony. Everyone worked together, everyone helped each other. It was Minka – mutual help between brothers – if I have worked in somebody’s house, they will come and work in mine. If a man dies, and the woman can’t work, the community helped her and her children. Everyone ate equally. Before, there were no crimes, none. There were only three laws then. AmaSua, Ama Pia, Ama Llulla – Do not be a thief, do not be a liar, do not be lazy. Now, there are hundreds of laws, thousands! Because now there is crime, robbery, murder. The Spanish brought this. The people had never seen anyone steal. They had never seen anyone kill. The priests arrived with the name of god, and forced the people to lie, to kill, to burn people. They brought the neoliberal republican system to the communities and divided them. They brought the Chicote, it is not from us. It’s difficult to leave these traditions behind after 529 years of colonialism.”</div>]]></description>
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         <pubDate>2021-01-21 17:00:54 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110941466</guid>
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      <item>
         <title>Critical Pedagogy on   patriarchal Society</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110964635</link>
         <description><![CDATA[<div>Korean society that produces fear didn't allow us to generate tolerance. <br><br>Korean society is hiper homogenized by the Korean race and confucianism. This society that reinforces the authority of father, but what we do to miss him after he passes away?<br><br></div><div>We hurry to throw away his stuff and of course we are not going to eat apples around his grave. We would tell our children not to eat them as well.<br><br>However, Malaggan(in Week 7: landscape) consume what their ancestors bodies produces through the decaying process in the back yard, and doing so, they remember the deceased and express their affection to them.<br><br>Fears and preconceptions that inscribed and infused in our bodies are disciplined by the logic of power. If someone tries to educate their children by using fears and preserve their authority, we need to point out it.</div><div><br></div>]]></description>
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         <pubDate>2021-01-21 17:04:49 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110964635</guid>
      </item>
      <item>
         <title>An Etymological Approach to Nation </title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110970516</link>
         <description><![CDATA[<div>An etymological approach to "nation" via Chinese Characters "國家"<br>that means "nation" but eace letter means "nation" and "house" respectively  allows us to use metaphor like below.</div><div><br></div><div>The obsession on the national biography or security of nation looks like the patriarchal father's effort to preserve his family against the outside danger that can harm his status. </div><div><br>This can be legitimized as paternal love but this is resemble to the dictatorship.</div><div><br></div><div>https://www.youtube.com/watch?v=4YAYGi8rQag&amp;feature=youtu.be</div><div><br></div><div>From this video, we can see the meaning of Martin Heiddeger's dwelling: guard a precious thing with a fence so that it can grow freely and intactly. Of course he might not expected the situation of monopoly.</div><div><br></div><div>Like this vulnerable yet precious flower to be shared with others, communal sensitive care should be required based on trust.<br><br>Q. Should the others who wants to monopolize the flower be excluded from our society? How can we let him understand the concept of "sharing" and "common"? What will be the role of society let him understand it?<br><br></div><div>We might can find an answer from Bolivia. Inka empire had strict regime but people helped each other and lived well before the Spanish colonial rule. <br><br>If our father built a strong and rigid fence to exploit the others to accumulate wealth for us, then we'll be happy with it?</div><div><br></div><div>This is the metaphor of time that the colonialism has been using a method to build the national wealth and is has been legitimizing.</div><div><br></div><div><br></div><div>Q. How can it be possible<br>without a fence: border to share things not to accumulate natoinal wealth?</div><div><br></div><div>I'd like to take a look a communal archive of Museo Reina Sofia in Spain as a reference for this. </div><div><br></div><div>https://www.museoreinasofia.es/en/museum/mission-statement</div><div><br></div><div>Q. How can we examine the mind of nation? Self reflection of nation can be possible? Who is the subject that holds the power to decide?</div><div><br></div><div>Repatriation claim in France can be a reference for this.<br><br>https://www.theguardian.com/world/2014/nov/03/france-museums-restitution-colonial-objects</div><div><br></div><div>When, one of North Korean Defactors got the South Korean passport and she said that the first page of it : "The Minister of Foreign Affairs of the Republic of Korea hereby requests all those whom it may concern to permit the bearer, a national of the Republic of Korea, to pass freely without delay or hindrance and, in case of need, <strong>to afford him(her) every possible assistance and protection</strong>" overwhelmed her. This shows one side of nation that can protect unsafe people.<br><br></div><div>However, why we need nation? Can we choose nation by ourselves?</div><div><br></div><div>The form of family(house) or nation is<br>the one we can express our affection, concerns and empathy to the others. Is it possible not to include or exclude and let people live peacefully?</div><div><br></div><div>This also bring an event in 1990s in Japan. In Nagasaki, during the construction of Peace Park, that commemorates the city's atomic bomb destruction, discovered a prison where Korean and Chinese slave-laborers had died during the Second World War.<br>Citizens wanted to include this contrasting events to the museum, but conservative groups ignored it and it turned into a car park (<em>Rocks and Hard Places, </em>p.87). </div><div><br></div><div>Nobody wants personal or familial biography's mystification, but for whom this should be done?<br><br>This decision of the goverment makes citizen<br>not to proud and unhappy. </div><div><br></div>]]></description>
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         <pubDate>2021-01-21 17:05:51 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1110970516</guid>
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         <title>Landscape of Forced Removal in Korea</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112521397</link>
         <description><![CDATA[<div>A village unit mass destruction is being done in Korea to improve scenery and housing. It has been one of daily landscapes in big cities.</div>]]></description>
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         <pubDate>2021-01-22 00:43:55 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112521397</guid>
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      <item>
         <title>Yongsan Evacuees (Cholgeomin) Tragedy</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112546203</link>
         <description><![CDATA[<div>For evacuees, cheaper option to get the right of residence at the new apartment is available, but actually there are only few people who can live in, because they cannot afford the apartment. Majority of them have to find somewhere else to move, but their land price is usually very low, so it is not enough to find right places for living in cities. Thus, there has been several people to commit suicide.<br><br>Even worse, in those redevelopment areas, illegal state of occupancy were seen and they cannot have any right. Since those areas were home for poor people.<br><br>These five people in the photograph were driven to the rooftop and then died by arson in 2009. (One book <em>Politics of the roof, </em>2014<em> </em>was published based on this tragedy and as well as other demonstration cases in Korea against the  governmental authority that forces our lives to the roof)<br><br>Citizens who observed the Evacuee suppression process by police pointed out that the governmental power was not for the nation. It was abusing governmental authority and crackdown.<br><br></div>]]></description>
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         <pubDate>2021-01-22 01:00:20 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112546203</guid>
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      <item>
         <title>Artwork about Reckless Development in Korea</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112548178</link>
         <description><![CDATA[<div>Apartment complex became a general cityscape in Korea after around 2000.<br><br>Artist: Jaemin Cha<br><br><em>Fog and Smoke</em>, 2013<br><br>Single channel video installation, HD video 20minutes<br><br>https://jeamincha.info/works/fog-and-smoke</div>]]></description>
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         <pubDate>2021-01-22 01:01:31 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112548178</guid>
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      <item>
         <title>Forced Removals</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112573394</link>
         <description><![CDATA[<div>Forced Displacement is still going on in Korea.<br><br>These evacuees in Sangdo village built a container watchtower and used fire-bottles, bricks and golf balls to resist.<br><br>The Korean government learnt a lesson from the above Yongsan tragic incident, so they didn't use the same method. The district officer gave compensations and a right or residence for a rental housing to evacuees and then went in agreement after one and a half years resistance.<br><br></div>]]></description>
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         <pubDate>2021-01-22 01:17:47 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112573394</guid>
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      <item>
         <title>As a reference to understand their work above</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112857873</link>
         <description><![CDATA[<div><br></div><h1>Artist : Chto Delat</h1><h1><em>Partisan Songspiel,</em> 2009</h1><div>Video, 29:27 minutes<br><br>This brilliant work present social issues in contemporary Belgrade.<br><br></div><div><a href="https://chtodelat.org/b8-films/pp2/partisan-songspiel-a-belgrade-story-5/">Partisan Songspiel. A Belgrade Story /from Songspiel Triptych/</a><br><br></div>]]></description>
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         <pubDate>2021-01-22 05:06:16 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1112857873</guid>
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      <item>
         <title>Border Thinking?</title>
         <author>goldssaraki</author>
         <link>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1113675474</link>
         <description><![CDATA[<h1>Walter D. Mignolo</h1>]]></description>
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         <pubDate>2021-01-22 11:49:20 UTC</pubDate>
         <guid>https://padlet.com/goldssaraki/x1ohoqs5wpvkbuiq/wish/1113675474</guid>
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