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      <item>
         <title></title>
         <author>pbrun001_2</author>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-03-09 01:31:13 UTC</pubDate>
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      <item>
         <title>WEEK FOUR</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086714739</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-09 18:46:11 UTC</pubDate>
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      <item>
         <title>WEEKS FIVE AND SIX</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086716382</link>
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         <pubDate>2022-03-09 18:47:00 UTC</pubDate>
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      <item>
         <title>ARTIST INSPIRATION MOOD BOARD</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086731077</link>
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         <pubDate>2022-03-09 18:55:16 UTC</pubDate>
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      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
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         <pubDate>2022-03-09 18:56:31 UTC</pubDate>
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      <item>
         <title>TEST STRIP</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086733755</link>
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         <pubDate>2022-03-09 18:56:42 UTC</pubDate>
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      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086735233</link>
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         <pubDate>2022-03-09 18:57:31 UTC</pubDate>
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      <item>
         <title>TEST STRIP</title>
         <author>pbrun001_2</author>
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         <pubDate>2022-03-09 18:57:48 UTC</pubDate>
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      <item>
         <title>PRINT</title>
         <author>pbrun001_2</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-03-09 18:58:04 UTC</pubDate>
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      <item>
         <title>PRINT TEST STRIPS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086736869</link>
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         <pubDate>2022-03-09 18:58:26 UTC</pubDate>
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      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086739765</link>
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         <pubDate>2022-03-09 19:00:02 UTC</pubDate>
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      <item>
         <title>PRINTS</title>
         <author>pbrun001_2</author>
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         <pubDate>2022-03-09 19:01:00 UTC</pubDate>
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      <item>
         <title>TEST STRIPS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086757143</link>
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         <pubDate>2022-03-09 19:10:23 UTC</pubDate>
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      <item>
         <title>PRINT TEST STRIPS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086764390</link>
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         <pubDate>2022-03-09 19:14:34 UTC</pubDate>
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      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086769470</link>
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         <pubDate>2022-03-09 19:17:27 UTC</pubDate>
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      <item>
         <title>TEST STRIP</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086770702</link>
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      <item>
         <title>PRINT</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086771223</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-09 19:18:24 UTC</pubDate>
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      <item>
         <title>ARTIST INSPIRATION MOOD BOARD</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086772333</link>
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      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086772963</link>
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      <item>
         <title>ARTIST INSPIRATION MOOD BOARD</title>
         <author>pbrun001_2</author>
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      <item>
         <title>WEEK SEVEN</title>
         <author>pbrun001_2</author>
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         <pubDate>2022-03-09 19:20:14 UTC</pubDate>
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      <item>
         <title>WEEK EIGHT</title>
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         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086775952</link>
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      </item>
      <item>
         <title>END OF PAGE</title>
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      <item>
         <title>CONTACT SHEETS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2086777758</link>
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      <item>
         <title>TEST STRIPS</title>
         <author>pbrun001_2</author>
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         <title></title>
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      <item>
         <title>PRINT TEST STRIPS</title>
         <author>pbrun001_2</author>
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         <title>TEST STRIP</title>
         <author>pbrun001_2</author>
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         <title></title>
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         <pubDate>2022-03-14 19:33:55 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2094554489</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-14 19:34:14 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2094554489</guid>
      </item>
      <item>
         <title>PRINTS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2094558007</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-03-14 19:36:24 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130395609</link>
         <description><![CDATA[<div><sub>Photo 1: x<br>Photo 2: x<br>Photo 3: x<br>Photo 4: x<br>Photo 5: 1/60 f.4<br>Photo 6: 1/60 f.2.8<br>Photo 7: 1/60 f.3.3<br>Photo 8: 1/60 f.3.3<br>Photo 9: 1/60 f.2.8<br>Photo 10: 1/60 f.2.8<br>Photo 11: 1/60 f.2.8<br>Photo 12: 1/60 f.2.4<br>Photo 13: 1/60 f.1.7<br>Photo 14: 1/60 f.2.8<br>Photo 15: 1/60 f.4<br>Photo 16: x<br>Photo 17: x<br>Photo 18: 1/60 f.2.4<br>Photo 19: 1/60 f.6.7<br>Photo 20: 1/60 f.9.5<br>Photo 21: 1/60 f.4<br>Photo 22: 1/60 f.9.5<br>Photo 23: 1/60 f.2.8<br>Photo 24: 1/60 f.2.8</sub></div>]]></description>
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         <pubDate>2022-04-05 10:23:49 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130411021</link>
         <description><![CDATA[<div><sub>Photo 1: x<br>Photo 2: 1/250 f.22<br>Photo 3: 1/125 f.22<br>Photo 4: 1/125 f.16<br>Photo 5: First Frame: 1/1000 f.11 Second frame: 1/1000 f.2.8<br>Photo 6: 1/125 f.16<br>Photo 7: 1/1000 f.4<br>Photo 8: 1/500 f.8<br>Photo 9: 1/250 f.16<br>Photo 10: 1/1000 f.5.6<br>Photo 11: 1/500 f.11 (800 iso on light meter and for however many previous)<br>Photo 12: 1/125 f.8<br>Photo 13: 1/125 f.5.6<br>Photo 14: x<br>Photo 15: x<br>Photo 16: 1/1000 f.2.8<br>Photo 17: 1/60 f.16<br>Photo 18/19: 1/1000 f.4</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-05 10:38:28 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130411021</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130427340</link>
         <description><![CDATA[<div><sub>Photo 1/2:&nbsp;<br>First frame: 1/60 f.3.8&nbsp;<br>Second frame: 1/60 f.3.8<br><br>Photo 3/4:&nbsp;<br>First frame: 1/15 f.6.7&nbsp;<br>Second frame: 1/60 f.3.8<br><br>Photo 5/6:&nbsp;<br>First frame: 1/60 f.4.5&nbsp;<br>Second frame: 1/60 f.4.5<br><br>Photo 7:&nbsp;<br>First frame: 1/60 f/3.8 (Vaseline)&nbsp;<br>Second frame: 1/30 f.3.8 (Vaseline)</sub></div>]]></description>
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         <pubDate>2022-04-05 10:53:41 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130427340</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2130453352</link>
         <description><![CDATA[<div><sub>Photo 5: 1/15 f.22 (Bounced flash)&nbsp;<br>Photo 6: 1/4 f.22 (Bounced flash)<br>Photo 7: x<br>Photo 8: 1/1 f.22 (Bounced flash)<br>Photo 9 : 1/60 f.22<br>Photo 23: 1/30 f.22<br>Photo 24: x<br>Photo 25: x<br>Photo 10: 1/30 f.22&nbsp;<br>Photo 11: 1/60 f.22&nbsp;<br>Photo 12: 1/30 f.22<br>Photo 13: 1/8 f.22&nbsp;<br>Photo 14: 1/15 f.22 (Bounced flash)<br>Photo 22: 1/2 f.22<br>Photo 21: 1/30 f.22<br>Photo 20: 1/30 f.22<br>Photo 15: 1/60 f.22<br>Photo 16: 1/2 f.22&nbsp;<br>Photo 17: 1/30 f.22<br>Photo 18: 1/8 f.22<br>Photo 19: 1/8 f/22</sub></div>]]></description>
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         <pubDate>2022-04-05 11:17:22 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171340977</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 12:36:31 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171657215</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 15:46:18 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171661390</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 15:48:51 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171668121</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 15:52:57 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171673830</link>
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         <pubDate>2022-05-05 15:56:28 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171680007</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:00:14 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171683713</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:02:46 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171689846</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:06:48 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171689846</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171701183</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:14:39 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171701183</guid>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171703836</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:16:31 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171703836</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171709954</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:20:41 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171709954</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171725653</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/ff54fd24d0ab8307c4062b549538220c/IMG_0039.HEIC" />
         <pubDate>2022-05-05 16:31:30 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171725653</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171743505</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:43:35 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171743505</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171747105</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 16:45:50 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171775021</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 17:04:28 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171775021</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171825092</link>
         <description><![CDATA[<div><sub>There are a few images that I think are very successful. I really like 13, 14, 15, 19, 21. I think compositionally and technically they came out well. It is quite hard to pick a favourite, but I find myself particularly drawn to 21. The objective, straight-on viewpoint alongside the overcast lighting and simple environment really draws the eye to the bike and could encourage the viewer to question the narrative here due to the lack of environmental context. In that sense, when 21 is by itself, it might suggest a melancholy loneliness. However, when sequenced next to the other images I’ve taken, it feels as though there is a strong narrative of abandonment or a sense of a departed presence, it suggests a more eerie undertone.&nbsp;</sub></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 17:35:40 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171825092</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171828489</link>
         <description><![CDATA[<div><sub>After a technical photography refresher, we were given the Canon K1000 35mm camera and a roll of film to shoot over the lunch break. Although it was a short shoot, I really enjoyed taking these photos. I found it very relaxing and freeing to just walk and take photos of anything that caught my eye without any prior planning. I wandered around the university campus and tried to explore areas that I hadn’t been to before to find more interesting subject matter. As a guide for this shoot, I tried to incorporate some of the compositional styles I could remember from the previous year and experimented with leading lines, centring, balancing, altering viewpoints, close cropping, sensory, intrigue and reflections in my images. During the shooting process, I struggled trying to focus my photos as I am used to operating a Pentax ME Super with a split circle focus screen. In certain lighting or with heavily shadowed subject matter, it was hard to see if the cross-microprism focus screen on the K1000 was course or clear. That being said, I think I adjusted to this camera fairly quickly as most of my images have been focused correctly and I am pleased with how they turned out.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 17:37:55 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171828489</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171829842</link>
         <description><![CDATA[<div><sub>As mentioned before, I’m quite happy with how this shoot turned out. I like how the images present a ghostly but strangely peaceful depiction of a previous human presence. I like that they may leave the viewer feeling unsettled but also perhaps intrigued to understand more about this environment. I really enjoy this style of photography and capturing lived outdoor spaces in this way feels like an extension of portraiture, which is a style I am most passionate about. I think next time I try this type of photography, I would like to have an idea of a narrative before taking photos, or perhaps be slightly more deliberate with the photos I take by considering how they could be later sequenced to produce a story.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 17:38:51 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171829842</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171830419</link>
         <description><![CDATA[<div><sub>Additionally, I also think photograph 11 could be successful if it had a closer crop. I took it because I really liked the staining and texture on the wall, to me the image is quite abstract and reminiscent of an art print. It could be very interesting to develop this as a series and photograph stains or marks that are perceived to be ugly, but objectively photographing them and staging them as art prints to create a juxtaposition on the original subject matter.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 17:39:14 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171830419</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171831312</link>
         <description><![CDATA[<div><sub>On the other hand, I think there are two photos which could be successful if framed slightly differently. At a first glance, image 7 is a photograph of a shed, but on closer inspection the primary focus is on the couple in the reflection of the window. I like the idea of this photo; it is an interesting and different way to capture people and the reflective element of this image makes the viewer feel almost voyeuristic. However, I feel as though the composition of the window within the frame isn’t visually pleasing and if I were to do this again, I would utilise the window frame itself to act as framing for the couple. I would also prefer the couple to take more of a presence within the image, the focus is meant to be on them but they are visually quite hard to see. This might lend itself to the voyeuristic quality this image connotes, as the viewer has to really focus on the image to see characteristics of the couple, however personally I think it would be more successful to have more visual information about this couple.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 17:39:49 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171831312</guid>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171836826</link>
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         <pubDate>2022-05-05 17:43:27 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171836826</guid>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171837421</link>
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         <pubDate>2022-05-05 17:43:50 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171837831</link>
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         <pubDate>2022-05-05 17:44:06 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171849188</link>
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         <pubDate>2022-05-05 17:51:37 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171878498</link>
         <description><![CDATA[<div><sub>For this shoot, we were given the brief of a ‘Self-Portrait’ but without physically shooting ourselves. I was excited to do this after the practice shoot because it allowed me to develop on the ideas I had. I decided to create different sequences of categorised images inspired by Taryn Simon, a photographer I looked at last year, and how she displays her photographs. I planned my images before I took them and, as a self-portrait of myself, I wanted to produce a series of five sets of four photographs. The first displaying my presence e.g a photo of my dining table during the card game Cambio, my friend dancing in the top that I made, my bed and a photograph of my chest of drawers with personal items. The second showing my desk in its different stages of uses, e.g. one after I’ve tidied, one after I’ve done university work, one after getting ready for a party and one after doing the crossword over FaceTime with my mum. The third being flat lays of my belongings e.g. my jewellery, my bag, my bullet journal and my sewing equipment. The fourth being photographs of my closest friends, I wanted them to be laughing to display the most authentic expression of my relationship with them. For the fifth and final sequence, I wanted to capture local buildings that I have fond memories of.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 18:11:28 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171882180</link>
         <description><![CDATA[<div><sub>Additionally, this week we learnt how to make a print in the dark room. It took a while for me to get my head around the timings and the equipment, but I think this will improve as I make more prints in the future. I think I struggled with the process because I have only ever used Photoshop to process digital images, so working with film in a dark room was very different to what I am used to. When editing my digital photographs, I make a lot of very small changes to the contrast and exposure and keep tweaking until I am happy with the final product. However, this is a lot more instantaneous than the developing process in the dark room. I found it hard adjusting to the longer times between altering the contrast and exposure and then seeing the results from these changes, and then trying to work out what changes need to be made to get the image closer to how I’d like it to look. For this image, I tried out different exposures and contrasts and decided to go for a relatively low contrast, softer exposure. I’m not sure I’m completely happy with the finished image, but I think it will take a few attempts at printing with different settings to see what kind of exposure I like.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 18:14:13 UTC</pubDate>
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      </item>
      <item>
         <title>DARK ROOM: PRINT MAKING</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171884101</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 18:15:31 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171885068</link>
         <description><![CDATA[<div><sub>Overall, I am very pleased with this shoot. I like the concept for this task and I think my photo ideas respond well to the brief. That being said, I do think technical execution for these images could be improved because I think that is the main element that has led to a few of them being unsuccessful. Going forward, I want to spend more time considering my camera settings alongside the scene that I am shooting to ensure a more suitable combination of shutter speed, aperture and ISO.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 18:16:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171886562</link>
         <description><![CDATA[<div><sub>If I were to do this again though, I would further plan my candid portraiture photos, I think they came out the most unsuccessful of the entire shoot. Photos 3 and 4 were taken outside using the light of a streetlamp, but they came out very dark. I think with this low lighting condition, the ISO of my film should have been 800 or 1600, so I would like to try this again in the future but with a higher film speed to see how the outcome differs. Additionally, photos 15, 23 and 24 are quite blurred, in regard to both the shutter speed and focus. I think these would have come out better if I had used a faster shutter speed, so the camera could freeze their candid movements, and a smaller aperture, so there would be a deeper depth of field and a larger plane of focus to accommodate for the movement from my model to ensure they were in focus.&nbsp;</sub></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 18:17:19 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171887288</link>
         <description><![CDATA[<div><sub>I feel as though these different categories provide a good reflection of myself, who I am and what is important to me. I tried to also utilise different styles of photography such as documentary, stylised still life, candid portraiture and also an aspect of street photography. I wanted to not only experiment with these different styles to see which I preferred and could develop on in future shoots, but also to keep visual interest throughout the series and act as a further reflection of my personal, photographic aesthetic.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 18:17:49 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171887288</guid>
      </item>
      <item>
         <title>CAMERA SETTINGS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171893497</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 18:22:00 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171928763</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 18:46:40 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171938474</link>
         <description><![CDATA[<div><sub>On the other hand, I think the most successful sequence was of my desk and during the group crit, my classmates also agreed with this. I like the composition within the images and although there is some environmental context, the shallow depth of field encourages the viewer to focus on the desk itself. I wanted to position this sequence in a row to encourage the viewer to look at each photo one after another to emphasise a sense of narrative. I wanted these images to convey a passing of time and thereby suggest an echo of my presence. I think they achieved this, however I do wish that I’d had a tripod to take these images so there would be composition continuity between every photograph. Instead, I used a pen on the floor as a marker of where to stand and held my camera close to my chest to try and emulate a tripod as best I could. Although the images composition came out fairly similar, I feel as though a tripod would have given these images a greater visual impact because the viewer would only recognise the differences between the desk, as opposed to differences in composition.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 18:54:11 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171938818</link>
         <description><![CDATA[<div><sub>Furthermore, I am not so happy with the photographs of the buildings. The camera itself was a little broken and wouldn’t focus on the infinity setting, so as I was taking the photos I noticed that none of them were sharp. At that point I didn’t put a massive effort into the composition because I knew they wouldn’t be successful photos. Looking back, I wish I had taken more time with them just to see how the framing would turn out even if the focus was incorrect.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 18:54:28 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171945097</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 18:59:13 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171945445</link>
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         <pubDate>2022-05-05 18:59:30 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171945937</link>
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         <pubDate>2022-05-05 18:59:55 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171949475</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:02:50 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171950138</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:03:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171960214</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:12:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171964210</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:15:41 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171964210</guid>
      </item>
      <item>
         <title>SELF-PORTRAIT SEQUENCE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171982825</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 19:32:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171982825</guid>
      </item>
      <item>
         <title>PRACTICE SHOOT SEQUENCE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2171983938</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 19:33:23 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172008540</link>
         <description><![CDATA[<div><sub>This week I think I must have loaded the film into the K1000 incorrectly because my negatives showed up blank. I was really disappointed when I found out none of the photos came out because I was particularly excited about this shoot. I took inspiration from George Muncey (whose work I will discuss in a later week) and took portrait photos of my two friends in a very simplistic and editorial style. I want to revisit and reshoot this in the upcoming weeks because I felt really engaged with this shoot. This technical error, although very disheartening, will make me a lot more careful and attentive when I next load film to ensure this doesn’t happen again.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 19:55:47 UTC</pubDate>
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      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172008709</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:55:57 UTC</pubDate>
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      </item>
      <item>
         <title>WHAT IS DOCUMENTARY?</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172009420</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 19:56:41 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172009660</link>
         <description><![CDATA[<div><sub>During class we explored and examined documentary photography. As I understand it documentary photography is reflective of real life, it captures the truth through an objective lens. It seeks to not only show us the world and society, but it can also encourage us to question and challenge the ideas intertwined in our reality. It is commonly used in reporting, but it also works to highlight aspects of ordinary life that might usually be overlooked. There are strong associations between documentary photography and grainy, black and white visual language due to photography first being used as a method to record and document. This has meant that black and white photographs connote a sense of truthfulness, and it will be interesting to see how these associations could impact or change the way the black and white photos I take for this module could be interpreted. During the lecture it was also discussed that the line between documentary photography and art photography is becoming blurred and that through different styles, editing, compositions and equipment, images could fit into either category. Documentary photography can extend beyond Henri Cartier-Bresson’s notion of ‘the decisive moment’, where the photographer’s eye, the camera and a real-world scene align at the exact right time and are captured spontaneously. Documentary photography can still document without being spontaneous and of the moment, it can be staged, colourful and constructed.</sub></div>]]></description>
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         <pubDate>2022-05-05 19:56:54 UTC</pubDate>
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      <item>
         <title>IMAGE ANALYSIS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172010575</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 19:57:49 UTC</pubDate>
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      <item>
         <title>Binky and Tony Forever - Deana Lawson (2009)</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172015584</link>
         <description><![CDATA[<div><sub>During the lecture, Deana Lawson’s casual documentary portraits really caught my eye. Lawson’s work uses different photographic visual language to display identity, intimacy, love, community and different personal and social histories, particularly in black culture, through the use of her models and environment. Her photographs are very gentle and are often set in a personal environment, but through composition and her subjects positioning, they also suggest feelings of liberation and power. I was specifically drawn to her image titled “Binky and Tony Forever”. I recognised the photograph from the album artwork of “Freetown Sound”, an album made by one of my favourite artists Blood Orange.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>This album is a personal reflection on the artist’s experiences, and he wrote on Instagram “my album is for everyone told they're not black enough, too black, too queer, not queer the right way, the under appreciated” and collaborated with a range of female artists who may also have been under appreciated. In an interview with Entertainment Weekly, he said&nbsp;</sub></div><div><sub>“I think women are so powerful. Not just in the fact that I genuinely prefer female voices—that is a big part of it—but there’s also a particular power that women can put across that men just can’t”, and I think this resonates perfectly with the message Lawson presents in this photograph.</sub></div><div><sub>&nbsp;</sub></div><div><sub>This image depicts a young man and women softly hugging in a bedroom. They are positioned in the centre of the frame, however I find that the main focus is towards the women and her relationship with the male subject rather than a balance between the two. She has direct contact with the camera, which gives her a powerful agency and suggests that this is her space, and it centres around her love. This is further strengthened by their poses, she is stood and visually taller than him within the frame, whereas he is seated with his face half covered by her arm. This could highlight his vulnerability and suggest that herself and her love is supporting him. That being said, the soft nature of their embrace makes their relationship seem tender and equal, it insinuates that although this is framed from her perspective, they do respect and gather comfort from one another. Lawson’s aim with this photo was to capture physical intimacy and I think she has achieved this very well, not only with the couple’s body language, but also with her choice of environment.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>She has photographed the subjects in a bedroom with a deep depth of field so that every detail within the image is in focus. While this provides the viewer with context and an insight into the couple’s life and identities, it also suggests that the environment is as equally important as the subjects in her display of intimacy. The windows suggest that the photo has been taken at night, but Lawson has used warm, diffused lighting which feels very homely and natural. This is also reflected in the image’s colour scheme; it has warm and orange tones throughout making this image feel very inviting and nostalgic. This warm imagery, however, has been juxtaposed with Lawson’s technical use of a large format camera. This equipment alongside the staged nature of the subjects, makes the set up of this image feel quite formal and slightly confrontational. It is as though the viewer is made to feel like a spectator of this intimacy, that they are viewing a personal moment in a very personal space. I think this is what is most effective about this image, although it has been staged and curated, there is still a truthful sense of connection between the two subjects due to their body language and visual aesthetics.</sub></div><div><sub>&nbsp;</sub></div><div><sub>I find it particularly interesting how this image was originally produced as a photographic form of documentation but has been re-contextualised as an artistic piece for an album. Considering how a photograph’s physical context can change its meaning and connotations could be useful for later in my project when selecting photos for my brief. It will encourage me to think about how the meanings of my images might alter when sequenced alongside other photos and how this might change further when placed within the context of a final series to be exhibited on a wall.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 20:02:51 UTC</pubDate>
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      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172016890</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:04:14 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172017107</link>
         <description><![CDATA[<div><sup>I do like documentary photography, particularly when its focus is on mundane everyday life and has qualities of street photography. I like its objective nature and how it gives particular aspects of life the opportunity to be observed for extended periods of time, when in everyday life they may not be given a second glance. I think I would like to experiment with this style of photography in the future, however at the moment I think my personal photographic style and interest is more aligned to stylistic forms of portraiture. So instead of a complete focus on documentary photography, I might try to incorporate its objective, visual qualities within my own portraiture and photography as a way to develop my work whist sticking to my personal style. One visual element I would like to experiment with would be flash. To me, it connotes further notions of truth and authenticity because of its history with evidence capturing and the way it seems to ‘freeze’ a moment, I think it could be an interesting way to transform the visual language of my images.</sup></div>]]></description>
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         <pubDate>2022-05-05 20:04:28 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172017401</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:04:46 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172017401</guid>
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      <item>
         <title>WHAT IS ART?</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172020764</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:08:14 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172020983</link>
         <description><![CDATA[<div><sub>In another lecture we also looked at art photography. Unlike documentary, this style doesn’t seek to capture the world as it exists, instead it works to create new meanings separate and different from the content captured within the photograph. It explores what photography is capable of and the potential an image has to construct meaning within itself. There was a discussion of a few key words which really align with the nature of art photography, these being transcend, transcendence and transcendental. They all suggest notions of going beyond and experiencing something further than the physical level, the ordinary or conceptual sphere. Additionally, when examining different styles of art photography, the lecture focused closely on the chapters in Charlotte Cotton’s book “The Photograph as Contemporary Art”. For each chapter I selected a few photographs that really stood out to me.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:08:26 UTC</pubDate>
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      <item>
         <title>CHAPTER ONE: IF THIS IS ART</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172021282</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:08:45 UTC</pubDate>
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      <item>
         <title>CHAPTER TWO: ONE UPON A TIME</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172021664</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:09:09 UTC</pubDate>
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      <item>
         <title>CHAPTER THREE: DEADPAN</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172021841</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:09:19 UTC</pubDate>
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      <item>
         <title>CHAPTER FOUR: SOMETHING AND NOTHING</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172022090</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:09:31 UTC</pubDate>
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      <item>
         <title>CHAPTER FIVE: INTIMATE LIFE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172022268</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:09:41 UTC</pubDate>
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      <item>
         <title>CHAPTER SIX: MOMENTS IN HISTORY</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172022447</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:09:54 UTC</pubDate>
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      <item>
         <title>CHAPTER SEVEN: REVIVED AND REMADE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172022752</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:10:08 UTC</pubDate>
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      <item>
         <title>IMAGE ANALYSIS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172022938</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:10:20 UTC</pubDate>
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      <item>
         <title>My Ghost - Adam Fuss (2000)</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172023190</link>
         <description><![CDATA[<div><sub>In the chapter titled ‘Revived and Remade’ in Cotton’s book, this image particularly caught my eye. It was produced by Adam Fuss, a photographer born in London in 1961. This photograph is part of a series titled ‘My Ghost’ and it explores personal feelings of silent grief and loss. This collection of images express the traces of a loved one who is no longer physically present in a person’s life, but they still live on as an emotional and physical presence. Fuss created this series using an archaic photographic method, the daguerreotype. Developed in the 19th Century, this process doesn’t use negatives to create an image, instead “the photographic image is etched by light-sensitive chemicals onto a silver-coated plate, the areas where the light most strongly hits the plate becoming frosted”. Each image is therefore unique and can only be copied, not recreated. I think Fuss using this method to capture his series really emphasises the intended message of his work. Using an old photographic technique encourages a sense of nostalgia and memory. Furthermore, the very specific nature of the daguerreotype process is very reflective of how a memory is unique and cannot be recreated, especially with someone who is no longer present, instead they can only be relived through the mental replaying and copying of that memory. I really like how he put thought into his choice of photographic equipment and utilised its qualities as a way to aid his projects meaning. It is very effective and has inspired me to consider and carefully select my choice of equipment and techniques in future shoots as a way to aid the creation of meaning in my own work.</sub></div><div><sub>&nbsp;</sub></div><div><sub>What really draws me to this image is how abstract it is, although you can still see that the subject is a person, their face is obscured and their body is blurred. Their lack of identity really causes the viewer to look closer at this photograph to understand who the subject could be and what the context is. Before researching this series, the visual qualities of this photo really reminded me of a medical x-ray or the inverted photo effect on Photoshop. To me, these visual prompts suggest that this person feels ghostly and exposed, similar to how an x-ray displays the body in a way that isn’t seen in normal life, it shows the inner physical self and reveals the skeletal structure which is only seen after death. The inverted aspect of this may also infer that this subject’s feelings have overwhelmed their body and self, they are no longer contained within, they have been inverted and are all-consuming. This is further emphasised by the colour palette, this photo contains different shades of blue with white accents and for me, blue has associations with sorrow. Although this image doesn’t feel eerie or have immediate signs of struggle, which could also be through the calming connotations I also have with the colour blue, this person does seem oddly trapped within themselves. This is accentuated through the photograph’s composition; the subject has been centred within the frame with space surrounding their upper body. This empty space provides no context to the environment and makes the image feel more isolating and lonely. To me, the combination of the discussed visual aspects within this image indicates strong themes of detachment and loss.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>I think Fuss visually expressed his concept very well because, as mentioned, the analysis above was deduced before researching this series. I really felt feelings of loss looking at this image. I think it’s a very powerful photograph and I would really like to see a series in this style but focusing on multiple subjects and their experiences with similar emotions. It could also be interesting to see how altering the visual language of this image, such as changing the colour palette or having a close crop, could change its connotations and therefore impact a person’s understanding of the photograph.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 20:10:36 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172023496</link>
         <description><![CDATA[<div><sub>This chapter focuses on images that challenge the traditional stereotype of photography. Instead of photography being a photographer searching for an exceptional moment to capture, similar to ‘the decisive moment’ discussed in the documentary photography lecture, this explores the idea that photographers stage an exceptional moment specifically to be captured. It is strategic and performative and was developed from the documentary photos capturing the conceptual art performances of the 1960s and 1970s. Unlike documentary, where the performances are the artwork and the photos are just a by-product of the event, this form of photography constructs performances with the intention of them being photographed, making the photos themselves the artwork.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:10:54 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172023737</link>
         <description><![CDATA[<div><sub>Once upon a time explores storytelling, specifically looking at ‘tableau’ photography which has been defined as a narrative being condensed into a single image. It is visually reminiscent of the Western figurative paintings of the 18th and 19th Century in the way that it utilises the paintings’ combination and composition of characters, props or gestures to construct a story. For this reason, ‘tableau’ photography can also be referred to as staged or constructive photography due to this intentional placement of subjects within the frame.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:11:11 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172023999</link>
         <description><![CDATA[<div><sub>Deadpan is a type of art photography that relies on the visual aesthetics of an image. This style of photography is very objective, detached and flat. It lacks emotion and subjective qualities and photographers achieve this through visual style, equipment, composition and framing. The photos appear neutral and hold a particular importance in displaying the perspective of subject as opposed to the photographers.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:11:27 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172024157</link>
         <description><![CDATA[<div><sub>This chapter concentrates on photography that captures nonhuman subjects that can often be overlooked, ignored or not deemed a credible visual subject. It is more observational and works to infuse these subjects with meaning through the act of photographing them. These subjects are presented as they are and maintain their qualities within the image, however their meaning and nature is elevated by being captured and transformed into a photographic art form. This style of photography suggests that everything is potential subject matter, and it also highlights the power that photography has through its ability to give significance to subjects that could be considered insignificant.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:11:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172024338</link>
         <description><![CDATA[<div><sub>Intimate life explores human intimacy through emotional and personal relationships. This style can be reminiscent of vernacular photography and can either be very casual or considered in style. However, through sequencing techniques and capturing moments of life that are unexpected or that people wouldn’t normally capture, this style transforms the vernacular photo and provides the images with the potential to deal with wider issues.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:11:51 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172024565</link>
         <description><![CDATA[<div><sub>This chapter focuses on how forms of documentary photography can be used within art. It discusses a counter-photojournalistic approach, which refers to ‘aftermath photography’. This is where photographers capture the after-effects of a social or ecological disaster as a way to display the repercussions of social and political disruptions within a photographic form. It also examines documentary photography within editorial magazines, newspapers and galleries and further looks at how unconventional visual language or the alteration of a photograph’s context may expand or challenge traditional assumptions on what makes a documentary image.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:12:06 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172024737</link>
         <description><![CDATA[<div><sub>This chapter discusses a style of art photography that engages and utilises the viewers existing memories and knowledge of imagery. It falls under the category of meta-photography because these photos either remake or mimic styles used in within other images. These can be vernacular, commercial, paintings, film stills or surveillance and scientific photography. By focusing on these visuals, this photography triggers the viewers associations and emotions to create meaning and can therefore encourage the viewer to be reflective of themselves and the world.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 20:12:17 UTC</pubDate>
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      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172025297</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:12:53 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172025639</link>
         <description><![CDATA[<div><sup>I feel more connected to art photography than I do to documentary, and I like the many forms and styles that it has. From the book, the chapters I find most inspiring are Deadpan, Intimate Life and Something and Nothing. I find the objective nature of the deadpan photos really effective, and this style combined with portraiture is something I find visually appealing and I would like to incorporate it into my own work. It reminds me a lot of Joshua Cowan’s</sup><strong><sup> </sup></strong><sup>work, a photographer who I have been a fan of and taken inspiration from for years.&nbsp;</sup></div>]]></description>
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         <pubDate>2022-05-05 20:13:18 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172026547</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:14:19 UTC</pubDate>
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         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172027032</link>
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         <pubDate>2022-05-05 20:14:52 UTC</pubDate>
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         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172027481</link>
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         <pubDate>2022-05-05 20:15:17 UTC</pubDate>
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         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172027570</link>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172027587</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 20:15:25 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172055417</link>
         <description><![CDATA[<div><sub>Furthermore, the work of John Lehrs presented in the lecture for this chapter really caught my eye. Both his projects, ‘The Island Position’ and ‘Low Relief’ really appealed to me visually and aesthetically. I love the colours and composition of the urban environments in ‘The Island Position’ and I found his technique and style when capturing city surfaces in ‘Low Relief’ really intriguing due to their abstract nature. Much like how Adam Fuss’ ‘My Ghost’ photograph is so abstract it almost seems computer generated, ‘Low Relief’ looks like it could have been produced through layering multiple images in Photoshop. In my previous photography work, I have been very experimental with editing in Photoshop. I like to layer, manipulate, distort and montage my photographs and I find it particularly inspiring that Fuss and Lehrs have achieved similar effects, but during the shooting process rather than afterwards. I assumed that because this module was focused on film photography with no editing, I wouldn’t be able to do any experimental editing. It never occurred to me that some of the digital editing techniques I enjoy could be attempted whilst taking the photo, so I am now very excited to plan and formulate how I can achieve my experimental editing in real-time.</sub></div>]]></description>
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         <pubDate>2022-05-05 20:46:43 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172055838</link>
         <description><![CDATA[<div><sup>Additionally, I love Nan Golding’s</sup><strong><sup> </sup></strong><sup>work, shown both in the lecture and in Intimate Life. I love the way she captures relationships and intimacy between people, the photographs feel incredibly raw and real and I think her use of flash is really effective. Finally, when looking back at my previous shoots, I feel as though my ‘self-portrait’ shoot could be reflective of the style discussed in Something and Nothing. I think my photographic direction is similar in the way that I captured objects and environments that may be overlooked by other people but mean something to me and my sense of self.&nbsp;</sup></div>]]></description>
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         <pubDate>2022-05-05 20:47:14 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172153389</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 22:59:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172155492</link>
         <description><![CDATA[<div><sub>This week I was given the Mamiya 645 for my shoot and I was really excited to try it out as&nbsp; I have never used a medium format camera before. That being said, I was really struggling to come up with a concept or shoot ideas as none of my friends were free for another portraiture shoot. Instead, I thought I might try a more documentative approach and capture an essence of my local area by photographing anything that caught my eye whilst on a walk. I was hoping this would allow me to get to grips with the camera and also give me further inspiration as the shoot went on, but I didn’t connect to this idea and nothing seemed to jump out as visually interesting. I also struggled with the camera at certain points. I wanted to capture the dappled lighting on a house when the sunlight was strong, but the time it took to take an external meter reading, input the settings into the camera and get the correct composition due to the flipped image when looking through the viewfinder, the sunlight had already disappeared. I found this quite frustrating and think that in the future I won’t use this camera for shoots where I want to take spontaneous photography.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-05 23:03:02 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172156202</link>
         <description><![CDATA[<div><sub>Instead of this documentary idea, I decided to attempt architectural photography in Canary Wharf. I haven’t tried this style properly before, but I do find the modern, minimal aesthetic of this sub-genre particularly pleasing. I thought this style might be easier to achieve with this camera’s reflected view because I could take my time and use the angled lines of the buildings as a guide within the viewfinder. I still found it quite difficult, particularly when trying to take portrait images because everything was flipped upside down, so that reason I only took landscape photos. I also realised part way through that my light meter had slipped and the ISO was set to 800 rather than 400. I think this is why some of my images have different levels of exposure and this mistake will definitely make me a lot more careful when I use the light meter again in the future. Alongside these images, I wanted to photograph the professionals working in Canary Wharf in a deadpan style taking inspiration from the previously mentioned Joshua Cowan and Mette Tronvoll. I wanted to produce a series of paired images showcasing ‘the person vs the environment’ to express the character of this business district, but I was quite nervous to do so because I have never asked a stranger if I could take their photo. However, I didn’t end up taking any portraits because I was approached by a security guard and who told me I couldn’t take photos around that area, so I left soon after. I wasn’t aware that some areas of London might not allow the use of cameras, so I will be sure to research this before a shoot next time.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:04:15 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172156202</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172156754</link>
         <description><![CDATA[<div><sub>I was also really excited by the double exposure feature on this camera and wanted to experiment with this. I photographed foliage (5), taking the first frame out of focus with a close crop and the second frame in focus from further away. I’m happy with how this came out, both exposures are evident and it makes the subject matter slightly less recognisable at first glance. I also tried a double exposure with foliage overlayed with a clean, modern building to produce a juxtaposition between the two frames (17). However, this one didn’t work as effectively as the previous double exposure because the details of the foliage are barely visible. Overall, I really like the double exposure feature, the visual characteristics generated by this technique are similar to the effects produced by the layering tool in Photoshop. I would like to develop my skillset in this method during future shoots because I think it’s a perfect tool to achieve the real-time editing that I discussed before. I would just need to research this technique and how best to approach it and plan out my images and ideas before shooting to ensure all my photographs come out successfully.&nbsp;</sub></div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:05:15 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172156754</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172157346</link>
         <description><![CDATA[<div><sub>I still wanted to get a portrait shot with this camera to see how it photographs people so I would know if it would be worth considering as an option for future portraiture shoots. I got a very quick photo of my friend (19) and although I do love the quality of the image, I think I find its flipped view too difficult when capturing people.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:06:12 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172157346</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172158098</link>
         <description><![CDATA[<div><sub>Looking over the images in this shoot, I wouldn’t say it is my favourite and I think that’s because I lacked direction and even when I found inspiration it didn’t go as planned. That being said, I do think some of the images have turned out well. My favourite is 12, the image I printed, due to composition. The combination of rounded and straight leading lines and varying building heights create a sense of rhythm within the image. It seems almost 3D due to the perspective, and this is only emphasised by the direct sunlight producing depth through the highlights and shadows. Although I like the outcome of the architectural photos, I didn’t find myself passionate towards this style off photography and it helped me realise that I want to focus completely on portraiture for the remainder of my project.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:07:24 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172158098</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172159369</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 23:09:14 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172159446</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 23:09:20 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172160266</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 23:10:33 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172160266</guid>
      </item>
      <item>
         <title>WEEK THREE - RESHOOT</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172162152</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:13:43 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172162152</guid>
      </item>
      <item>
         <title>George Muncey</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172165246</link>
         <description><![CDATA[<div><sub>For this shoot I took inspiration from a selection of images, but my main influence was the British photographer, George Muncey. His photos are positioned on the right of my mood board and the majority of his work explores his relationship to the United Kingdom through landscapes and portraiture. He uses mostly medium and large format in his photography and I think this relates well to his concept. His use of traditional photographic equipment makes his work feel more authentic and sentimental, echoing the feelings and connection you have towards the place you are from and how this can build a sense of identity.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>The photos I have chosen all show the subject at the centre of the frame and the majority have a closer crop with a shallow depth of field. These techniques ensure the focus is on the model and I feel as though the combination of these elements allow the viewer to feel connected and closer to the subject. Furthermore, these images have a somewhat objective quality to them. Muncey uses neutral, diffused lighting and situates most of his photos within a studio environment. His models have a casual but staged posture and his camera position changes between face on or being at a slightly low angle. Although his images seem objective through these elements, they hold a sense of subjectivity and his portraiture feels very personal. I feel as though the neutral aspects of these photos encourages the viewer to examine smaller details within the frame to gain an understanding of what is being communicated. The shallow depth of field and lack of environment guides the audience to formulate a narrative from subtle facial expressions and body language instead of external factors. This, in turn, forms a stronger emotional connection between the viewer and subject due to the close exploration into the photograph’s visual elements.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>From the photos I selected from his portfolio, three are self-portraits and the black and white photo at the bottom is of a stranger, but I would like to know how many of the other subjects are strangers. I wonder this because every model seems so comfortable and relaxed, there seems to be a sense of closeness between the subject and photographer and I think this really elevates his work. I intend to photograph my friends for this shoot because I would really like to achieve an intimate and tender relationship between my subjects as he has done in his portraiture. I think it will really help the viewer to relate emotionally to my photographs because they will be able to sense and relate to this intimacy.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>Overall, I am very inspired by the clean, crisp, editorial aesthetic of his portraiture. I think I want to use similar technical and compositional elements in my shoot because they produce really effective visual language. Additionally, I love that he can capture the emotion and identity of a person without needing the background to provide context. Even when he does use an outdoor environment as the setting for his portraiture, I like that he juxtaposes the natural flora with a pose that feels unusually fixed for a setting so gentle. However, I also included other photographer’s work within this mood board because I want to incorporate more editorial poses within my shoot. I want to experiment with objective and editorial qualities to see which style I resonate with the most so I can develop my personal, photographic style.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:18:44 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172165246</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172168297</link>
         <description><![CDATA[<div><sub>I used the k1000 and the 50mm lens for this shoot. I wanted to use this lens, as opposed to a 35mm, to emphasise a sense of intimacy between my subjects through its smaller field of view. Additionally, after using the Mamiya 645, I thought the K1000 would be more suitable for this shoot. I needed a camera that I could manoeuvre, frame and capture in portrait orientation easily and I found these aspects of the medium format particularly challenging. That being said, after looking at the final images, I feel as though the dimensions of the medium format image might have been more effective for some of the more objective portraits. I think that images 2, 3, 4, 5, 15, 16 seem to be lacking something. I’m not sure if it’s because they are situated alongside more interestingly posed photos in the contact sheet, or if it’s my framing, or if it’s the dimensions of the film, but there is something about them that I don’t love. Perhaps if they were cropped or sequenced with other images they might be more effective.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:23:33 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172168297</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172170276</link>
         <description><![CDATA[<div><sup>This was the reshoot of the portraiture shoot I attempted in week two. I didn’t have a full concept developed for this shoot, only an aesthetic direction inspired by my mood board. I wanted to experiment with a portraiture style that interests me to see if this was a type of photography I wanted to continue with in the future. Although I am very happy with the outcome, I do wonder if a predetermined conceptual direction would have made these images even more effective because my models would have had more than a visual concept to respond to. That being said, I do think my models engaged with my aesthetic vision perfectly and they had a great dynamic, not only with each other but with the camera as well. It is for this reason that I wanted to use the same models for my reshoot to ensure I recreated this energy, despite it being very difficult finding another date and time that they were both free.</sup></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:26:32 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172170276</guid>
      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172170550</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:26:58 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172170550</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172172278</link>
         <description><![CDATA[<div><sub>Much like Muncey’s work, I wanted to have a simple and objective background for this shoot because I wanted the focus to be on my models. However, I shot this over the weekend and didn’t have access to a studio so I used my living room as the background. Luckily it has plain white walls, simple wooden floors and large windows that let in soft, diffused sunlight. I also took three photos on my terrace where harsh light shone through a window and cast shadows onto my wall to see how this might alter the effect of the image. &nbsp; On the original shoot I also managed to capture some pictures outside in a natural environment, but this shoot was going so well I didn’t manage to get around to this. I actually wish I’d had another roll of film so I could have re-taken these photos as well as more photos of my models together. There is a particular tenderness in three photos of them posing with each other that I love, but for me, there isn’t a standout image and I think altering my framing could have changed this.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:29:46 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172172278</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172172514</link>
         <description><![CDATA[<div><sub>For this reshoot, I did find it challenging remembering the specific poses my models did before. On the last shoot, I remember looking through the view finder and thinking ‘this is going to be a great photo’ but I couldn’t remember the composition of the image or my models positioning which was quite frustrating. However, I took the same approach as last time and I either directed their positioning or asked my models to look at my mood board and take inspiration from poses that connected to them. I wanted them to have a certain level of agency in these photographs and it was important to me that they felt confident and comfortable in front of the camera so this would further translate in the final images. To aid with this, I also took inspiration from Muncey and played music throughout the shoot and counted down as I took the photo so they wouldn’t be caught off guard. I think this worked out really well and the final images do express a relaxed and casual quality.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:30:09 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172172514</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172179861</link>
         <description><![CDATA[<div><sub>Overall, I’m very happy with this shoot, I think the images turned out great despite the technical mishap on the first attempt. My two favourite images are 11 and 21, I think their composition is very effective and they both feel quite editorial in style. I’m really proud of these two photographs and this has made me feel a lot more confident shooting portraiture and I know this is something I want to focus my project on now.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:41:18 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172179861</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172180074</link>
         <description><![CDATA[<div><sub>There are a selection of images that I think work well together as pairs. I selected them based on how they visually looked next to each other, but after reflecting on them, I think coupling up these images adds new and different narrative to each set, elevating the original stand-alone photos. For example, ‘set A’ could infer an acceptance of loss. In the first photo model 1 is holding and supporting herself, but she seems comfortably assured with this. However, the second photo could suggest that perhaps previously she had someone else to support and hold her, someone she shared a close relationship with. The fact that model 1 doesn’t acknowledge model 2’s presence makes it feel as though this image represents a memory, especially as model 2 isn’t in the first photo. However, model 2’s eye contact and her positioning behind model 1, makes it known to the viewer that she is still present, even if just emotionally at the back of model 1’s mind. It suggests the narrative that although model one is at peace without this person and is comfortable supporting herself, she still has the memory and feels the presence of them.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-05 23:41:39 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172180074</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172183614</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-05 23:46:41 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-05 23:46:50 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-05 23:47:08 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172184084</link>
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         <pubDate>2022-05-05 23:47:21 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172184193</link>
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         <pubDate>2022-05-05 23:47:30 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172195530</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 00:03:39 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172204355</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 00:15:20 UTC</pubDate>
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      <item>
         <title>BULLET JOURNAL MIND MAP</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172208066</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 00:19:43 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172208355</link>
         <description><![CDATA[<div><sub>This week I felt like I’d hit a mental block on what to shoot. As previously mentioned, I knew I wanted to photograph people, but I was really struggling to come up with a concept for my project and shoots. I felt quite lost and didn’t know where to start, so I decided to try concept led development as a way to figure out what I wanted to communicate in my photography. This is an approach where you write down any thoughts, ideas or interests and then create connections or link them to related media content as a way to generate a theme. I therefore drew up a mind map in my journal and wrote down things that are interesting and important to me to see if I could make any connections between them. I liked my ideas, but I couldn’t think of a way to link them so I decided to let the ideas sink in for a few days.</sub></div>]]></description>
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         <pubDate>2022-05-06 00:20:01 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172208717</link>
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         <pubDate>2022-05-06 00:20:23 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172221989</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 00:36:41 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 00:45:40 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <author>pbrun001_2</author>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 00:45:43 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172230039</link>
         <description><![CDATA[<div><sub>Over these two weeks, I still felt like I was in a mental block with my work. I couldn’t create any connections between my mind map ideas, so instead of using written prompts to formulate concept ideas, I decided to look for visual prompts on Instagram and photography websites. I started screenshotting any images that caught my eye and I saved them into a folder on my laptop. From there, I grouped visually similar images and arranged them on different slides on a PowerPoint to create various mood boards. After this, I compared and connected these images to the ideas on my mind map to come up with new shoot ideas. This process was a lot more successful than just using my mind map and I think it’s because I am more of a visual person and respond better to physical images.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>I created a new mind map to demonstrate new concept and shoot ideas. I also colour coordinated my different ideas to the corresponding photographic mood boards.</sub></div>]]></description>
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         <pubDate>2022-05-06 00:46:30 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172230834</link>
         <description><![CDATA[<div><sub>Most of my mood boards have a main focus on technical photographic techniques, for example: flash, double exposure, lighting and motion blur. Another mood board expresses ideas around distorted photography and the real-time experimental editing I have discussed previously, such as the clear material in front of the subject. The others are more aesthetically driven such as: water, ethereal and the boards with posing inspiration. I am very interested in distorted imagery and so a lot of these shoot ideas overlap in terms of technical approaches. I thought it would be interesting to see how a combination of these approaches and qualities might transform each shoot further.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 00:47:29 UTC</pubDate>
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      <item>
         <title>MIND MAP AND MOOD BOARD INSPIRATION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172231386</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 00:48:13 UTC</pubDate>
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      </item>
      <item>
         <title>Jake Wangner</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172475557</link>
         <description><![CDATA[<div><sub>I was particularly inspired to do double exposure after seeing Jake Wangner’s work on Instagram. His photography explores multiple exposure, colour, lighting and long exposure to create visually dynamic and abstract portraiture on film. I really like the photo he captured for an album titled ‘fire in the deep end’. He used a Mamiya RB67 and utilised the camera’s double exposure function to create this photo. I like his use of coloured lights and I think it’s a really effective way to emphasise a contrast and highlight the details between the two frames. Additionally, I love that he has specifically chosen these colours to compliment the theme in the album title, red could be symbolic of fire and the light blue could represent water. When photographing his model, he also used a fan and made sure his model was relaxed to make it seem as though she was floating in water. Furthermore, in this final image there are visible traces of dust which haven’t been removed from the negative during exposure. I’m unsure whether this is deliberate, but I think it adds to the underwater quality he is trying to emulate because it looks like things are floating within the image much like small debris floats in water. His attention to detail and forward planning really elevates this image and this is something I want to bring to my future shoots.</sub></div><div><sub>&nbsp;</sub></div><div><sub>I also find the composition of this photograph very captivating. I was immediately drawn to the model’s eye, which has been positioned at the centre of the frame, and from there I followed round the shapes of her face and body to build the rest of the image. Her direct eye contact is very hypnotic and forms an emotional connection to the viewer, but the shadows concealing the rest of her face add an element of mystery and may make the viewer unsure of who they are connecting to. This may encourage the viewer to take a closer look and study the rest of the image to understand what is being displayed. His use of lighting to hide and reveal specific elements of this image is not only an effective way to build intrigue, but it also gives the image depth. The light and dark areas make it seem as though there is a foreground, middle-ground and background, which is only further emphasised by the model’s hands which are both reaching towards and away from the camera.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>As mentioned, Wangner took this photo with the brief of creating an image for an album’s artwork, and this could actually be an effective alternative method for concept development. Considering that I have recently been struggling to come up with a theme for my work, if I am ever stuck in the future it could be an interesting to produce a shoot in response to an album I enjoy as a way to generate a new concept for my work.</sub></div>]]></description>
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         <pubDate>2022-05-06 06:32:48 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172483301</link>
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         <pubDate>2022-05-06 06:41:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172484044</link>
         <description><![CDATA[<div><sub>For this shoot I created a new mood board by selecting a range of photos from the mood boards created in weeks five and six. I didn’t think I’d have time to achieve every shoot idea from my previous mind map, so I decided to combine aspects from a few of them. I wanted to use the double exposure setting to capture portraiture and flowers with a dreamy, soft and blurred effect. I therefore chose images from the following boards: double exposure, ethereal, motion blur and posing inspiration.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-06 06:42:01 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172489081</link>
         <description><![CDATA[<div><sub>Photo 9: x<br><br>Photo 10/11:&nbsp;<br>First frame: 1/15 f.8&nbsp;<br>Second frame: 1/60 f.3.8<br><br>Photo 12/13:&nbsp;<br>First frame: 1/60 f.3.8&nbsp;<br>Second frame: 1/60 f.3.8<br><br>Photo 14/15: 1/30 f.5.6<br><br>Photo 16/17:&nbsp;<br>First frame: 1/60 f.3.8&nbsp;<br>Second frame: 1/60 f/3.8<br><br>Photo 18: 1/60 f.3.8</sub></div>]]></description>
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         <pubDate>2022-05-06 06:48:17 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172492222</link>
         <description><![CDATA[<div><sub>Overall, I am really pleased with the outcome of this shoot and I think most of the images are very successful (apart from photo 9 which was a mistake). I think my favourite is 16, not only because I think the composition works nicely, but because both frames are equally prominent in the double exposure. I also think 1/2, 3/4, 5/6 and 7 have an effective double exposure and appear really visually interesting. However, I’m slightly disappointed with 12/13 because I feel as though it’s hard to identify one of the frames. The first is a close-up portrait and the second is of the same model on her bed with her head back. I do wish the second photo was more prominent because I really like this image and it’s a shame it’s hard to detect.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-06 06:51:30 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172492959</link>
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         <pubDate>2022-05-06 06:52:28 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172493348</link>
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         <pubDate>2022-05-06 06:52:56 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172494225</link>
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         <pubDate>2022-05-06 06:54:02 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172495597</link>
         <description><![CDATA[<div><sub>Before taking this shoot, I researched how to take effective double exposures on YouTube and watched multiple videos to ensure that all my images would come out successfully unlike last time. I came across two videos which were especially helpful, not only because they included the RB67, but one of these videos was also made by my artist inspiration Jake Wangner. One aspect that was brought up in both videos was paying attention to the light and dark areas within the images. As the name suggests, double exposure exposes the same frame of film twice and wherever there are shadows within the first image, it will be as though these areas were never exposed, therefore meaning lighter areas of the second image will show significantly through these dark spaces. After finding this out, I was concerned that my light and dark areas might not be contrasted enough to achieve effective double exposures because I wasn’t going to be using a studio setting with access to powerful lighting equipment. However, after looking at the final images, I don’t think this was a massive issue and I actually think the softer double exposures work well considering I wanted to achieve a more ethereal and dreamy concept.</sub></div>]]></description>
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         <pubDate>2022-05-06 06:54:57 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172495903</link>
         <description><![CDATA[<div><sub>For this shoot I chose to use the Mamiya RB67, coincidently the same camera that my artist inspiration used, because I liked that you could rotate the back to take landscape or portrait photographs easily. This was the reason I chose this medium format camera over the Mamiya 645 because I needed a double exposure setting, but I knew I wanted to take exclusively portrait photographs and it would be really difficult to do so with the 645.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 06:55:19 UTC</pubDate>
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      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172496002</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 06:55:25 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172499997</link>
         <description><![CDATA[<div><sub>Before the shoot, I asked my model to wear clothes that she felt comfortable in, but after the second photo, I asked her to change into a dainty, flowy dress to compliment the soft and innocent connotations relating to flowers. Additionally, in keeping with this theme, I used natural, diffused lighting and photographed her against a plain, white background to emphasise an angelic quality. It is for this reason I also decided not to use a tripod, I wanted to make sure that my photographs didn’t seem rigid or fixed. I experimented with different camera settings to take focused, moving or out of focus photos of the flowers to see how these would come out in the double exposures. Additionally, I altered both the positioning of my camera and the composition of my model within the frame to ensure that there was enough visual interest in the final images. I didn’t want to feel as though the photos where my model had neutral poses were lacking something like in shoot three and I think doing so made my images a lot more successful. For photo 7 I tried a technique I had seen on TikTok where someone had applied Vaseline to their lens filter to create a soft focus, blurred effect on their photos. To ensure I didn’t damage the lens, I carefully put clingfilm over the front of the camera and placed a small amount of Vaseline onto that. I wanted to emphasise the soft and dreamy theme, however I don’t think it was effective for this shoot because the double exposure does a good job of achieving this on its own. When looking at final image, it doesn’t look much different to the others.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:00:16 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172505908</link>
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         <pubDate>2022-05-06 07:07:00 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172507008</link>
         <description><![CDATA[<div><sub>The only thing I found challenging with this shoot was trying to remember the composition of the first frame when taking the second. I am so used to taking a photo then moving on, that sometimes I forgot to memorise where the dark elements of the first photo were so I could ensure the light areas of the second photo were in the same place. Due to this, I made sure to note the camera settings down so if any of the images didn’t come out correctly, I could work out where I went wrong.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:08:22 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172507008</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172507383</link>
         <description><![CDATA[<div><sub>This shoot was more aesthetically driven, however by observing the final images and taking a process led development approach, I think they could display a further narrative. It could be said that flowers symbolise purity, joy, lasting beauty and a happy life and I feel as though this shoot could represent a young woman’s struggle with these aspects of womanhood. They could depict her attempting to come to terms with her sense of self, despite the pressures, beauty ideals and feminine expectations to remain innocent, young and gentle.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:08:51 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172507383</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172507540</link>
         <description><![CDATA[<div><sub>I think if I were to try double exposure again, I would like to try shooting in a studio and using a lighting set up similar to Wangner. It could be beneficial to see how strong studio lights could alter the technical outcome of my images and perhaps even make a few of them more successful. Additionally, if I were to retake these exact photos under studio conditions, it would be interesting to see how a change to visual language could affect the narrative and meaning of this shoot. Perhaps the strong lighting could give my model a greater sense of authority and power within the images, it may seem like less of a struggle and more like she’s taking back control.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:09:04 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172511309</link>
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         <pubDate>2022-05-06 07:13:16 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172511491</link>
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         <pubDate>2022-05-06 07:13:30 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172514532</link>
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         <pubDate>2022-05-06 07:17:15 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172514743</link>
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         <pubDate>2022-05-06 07:17:32 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172514928</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:17:47 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172515116</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:18:01 UTC</pubDate>
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      </item>
      <item>
         <title>CAMERA SETTINGS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172520318</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:23:45 UTC</pubDate>
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      <item>
         <title>CAMERA SETTINGS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172520821</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:24:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172520821</guid>
      </item>
      <item>
         <title>WEEK NINE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172522659</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:26:23 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172522659</guid>
      </item>
      <item>
         <title>WEEK ELEVEN</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172522851</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:26:38 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172530737</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:35:38 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172530766</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:35:40 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172530767</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:35:40 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172530767</guid>
      </item>
      <item>
         <title>SHOOT MOOD BOARDS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172531149</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:36:06 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172531149</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172531922</link>
         <description><![CDATA[<div><sup>Furthermore, Muncey’s spray painted acetate sparked the rest of my ideas on the clear material in front of the subject mind map and encouraged me to think of other ways I could refashion or modify acetate to change the visual language of my photographs and suggest ideas of dissociation. In A-level photography I physically wrote on my images after printing them out and I loved the outcome of this, so I thought writing on acetate would be an alternative, real-time method to achieve a similar effect. I liked the idea of either drawing faces to depict the out of body feeling that can occur during dissociation or writing thoughts and emotions. This is why I also wanted to try experiment with strong, focused beams of light and utilise the shutter speed to blur my model’s faces. I think the visual effect produced by this technique responds well to my theme and I like that these photographs have a sense of movement and almost feel disorientating to look at.</sup></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:36:59 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172531922</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172532471</link>
         <description><![CDATA[<div><sub>Similar to last week, I knew I didn’t have time to do separate shoots for all of my ideas, so I tried to combine multiple ideas into this weeks mood board. I pulled images from the previous mood boards focusing on clear material in front of the subject, lighting, and motion blur. After creating my initial shoot mood board, I broke this down further and created a few other mood boards to categorise my inspiration photos to make it easier during the shoot.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:37:37 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172532471</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172533849</link>
         <description><![CDATA[<div><sub>I used multiple different photographers for inspiration due to the various ideas I had, but the photographer that initially inspired my manipulated photographic ideas was the previously mentioned George Muncey. I knew I wanted an aspect of this shoot to have a distorted quality and remembered I watched a video of his where he took a self-portrait with a spray-painted acetate sheet in-between himself and the camera as a way to obscure his face. I really like these photographs, I think his technique is really effective and they feel oddly nostalgic and vintage. The texture of the spray paint makes these images feel really old and slightly damaged, this is only emphasised by his neutral expression similar to the posing seen in old photographs. Additionally, these images feel slightly displaced, it’s as though there’s a disconnect or a barrier between the subject and the world, something doesn’t feel quite right. My emotional response to these images made me want to try recreate this myself, but I wanted to produce images that depicted my own personal feelings of dissociation.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:39:10 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172533849</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172534153</link>
         <description><![CDATA[<div><sub>For this shoot, I knew I was going to be in the studio so I also wanted to include some photos experimenting with different lighting techniques to develop my skillet with studio lights. When choosing inspiration photos, I saw the silhouette images and wanted to try attempt this strong lighting style with a film camera because I had never tried this before. One of my friends practices ballet dancing in her free time and, although it doesn’t link to my dissociation concept, I thought it would be really beautiful to capture her dancing while using this lighting technique. Ballet is such a precise and delicate dancing style, and I thought the strong, silhouetted lighting would highlight the elegant form and gestures of my model with a theatrical and dramatic effect.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 07:39:31 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172534153</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172542562</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 07:48:52 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172542562</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172562950</link>
         <description><![CDATA[<div><sub>Overall, I think these images do respond well to my concept of dissociation and the photographs I like the most are 7, 8 and 11, but I don’t think this aspect of my shoot was particularly outstanding. I think I would be happier with them if I had spent more time focusing on their composition. If I were to consider another concept, it could be interesting to capture range of anonymous, individual portraits through the spray-painted acetate and ask these subjects to write a secret or a confession on the front acetate sheet. I would ensure each written message follows a specific theme so that my shoot could explore human emotions or untold truths.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:09:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172562950</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172563162</link>
         <description><![CDATA[<div><sub>These photos were extremely rushed and I had to take them quickly because we were running out of studio time, so I’m not massively happy with the composition or framing of most of them. I’m also slightly disappointed with the motion blurred images (14, 15, 16, 17 and 19), I should have made the shutter speed slower because I wanted them to be a lot blurrier. However, there are three that I think are my favourite from the entire shoot, 12, 18 and 25. I think the composition and posing in these are well executed and I think 12 and 18 could work really nicely sequenced together. I think the anonymity from the silhouette encourages the viewer to read emotion through the body language and this emphasises the element of ballet that conveys emotion through movement as opposed to speech.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:09:32 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172563750</link>
         <description><![CDATA[<div><sub>As mentioned, this shoot was done in the studio and it was my first time working in this setting. To ensure I knew what I was doing, I referred to last year’s lighting notes and also researched lighting set ups on google beforehand. Although I was prepared, I didn’t realise how difficult and time consuming it would be to set up and adjust the lights and equipment. I recognised very quickly that I was too ambitious with the quantity of photographic ideas I wanted to achieve within a two-hour time frame, and so I decided to drop two of my ideas. I chose to leave out the strong lighting and motion blur because the lights in the studio couldn’t achieve the rounded, small, focused beams of light I had envisioned and I thought I could attempt a motion blurred effect when photographing the ballet silhouette.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:10:09 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172563750</guid>
      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172564499</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:11:02 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172568631</link>
         <description><![CDATA[<div><sub>I chose to use the k1000 because, before I dropped two ideas, I thought it would be beneficial to have 24 exposures to allow for my various shoot ideas. Furthermore, I thought its portability would be ideal when creating blurred photos with a long shutter speed. I began with the acetate photos and used a white backdrop to ensure my models and acetate designs would be prominent in the final image. As shown in the photo, I used a background light and a diffused key light and hung my various acetate sheets between my model and camera. I used white spray paint on one sheet and hand drew a face on the other. Additionally, I set up a tripod stand to make sure my camera was stable and the acetate was safely within the frame. However, some of the clips holding the acetate still appeared in shot, so I would need to be a little more vigilant if I were to reshoot this because I feel as though it does take away from the effectiveness of the photos. Furthermore, I wished I’d asked my models to bring a black and a white top because I feel as though the black clothes really contrast against the spray paint, and the white clothes made the face drawing a lot more visible.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:15:49 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172572682</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 08:20:18 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172573495</link>
         <description><![CDATA[<div><sub>During the shoot, I experimented with layering both sheets of acetate over each other (6) and using both models in one frame (10). I don’t love the composition of these images and I think this is because I didn’t spend time thinking them through due to the time restraint. That being said, I do think this idea has potential and it would be really interesting to develop this and layer several sheets of acetate with different designs, or perhaps combine this with double exposure while photographing two people.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 08:21:19 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 08:22:57 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 08:23:01 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172578056</link>
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         <pubDate>2022-05-06 08:25:49 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172578163</link>
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         <pubDate>2022-05-06 08:25:54 UTC</pubDate>
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         <title></title>
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         <pubDate>2022-05-06 08:26:04 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<div><sub>As for the second half of my shoot, which was the silhouette of my model performing ballet positions, I am much happier with how a few of these images turned out. I used a lighting set up similar to the diagram and I tried to get a soft, circular background light as best I could. Additionally, I used an external light meter so I could control the settings and make sure the exposure focal point was on the white background rather than my model, ensuring a silhouette effect. After pointing my light meter at the background, I also moved my desired aperture down a stop to accommodate for the bright studio lights. I was very worried that these photos wouldn’t come out properly because I had never attempted dramatic lighting like this on film, however, after using a long exposure time and a high contrast during the developing process, I think they turned out really well.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-06 08:27:25 UTC</pubDate>
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         <title></title>
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         <description><![CDATA[<div><sub>Originally, I wanted to capture a full body shot of my model with a completely white background, however during the shoot I realised this wouldn’t be possible with the 50mm lens I was using due to the studio being too small. I decided to switch to my 35mm lens so the larger field of view would allow for a full body shot, but this wide angle then meant that the studio itself was in the frame. I didn’t have enough time to try solve this issue any further, so I decided to take the photos regardless. Although I didn’t like this initially and I was quite disappointed with the result, I now think that the background suggests an interesting visual. Much like the nature of ballet being a performance piece, the revealing of the studio emphasises the creative and theatrical quality behind this dancing style.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-06 08:27:45 UTC</pubDate>
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      <item>
         <title>LIGHTING SET UP</title>
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         <pubDate>2022-05-06 08:29:21 UTC</pubDate>
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      <item>
         <title>PRINT TEST STRIPS</title>
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         <pubDate>2022-05-06 08:29:28 UTC</pubDate>
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         <pubDate>2022-05-06 08:54:32 UTC</pubDate>
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         <title></title>
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         <pubDate>2022-05-06 08:54:38 UTC</pubDate>
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         <title></title>
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         <title></title>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 08:55:08 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 09:06:07 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 09:20:15 UTC</pubDate>
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      <item>
         <title>WEEK TEN </title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172634275</link>
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         <pubDate>2022-05-06 09:21:19 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 09:22:42 UTC</pubDate>
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         <title></title>
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         <title></title>
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         <title></title>
         <author>pbrun001_2</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 09:23:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172650902</link>
         <description><![CDATA[<div><sub>I eventually managed to narrow down my two final sequence ideas to D, which featured multiple models, and G, which focused solely on one model. Trying to choose between these two options was challenging because they both expressed a different perspective to my concept. Using multiple models could represent how dissociation might make you feel as though you aren’t connected to a singular sense of self, or it could perhaps display a narrative of different people’s experiences of dissociation. On the other hand, focusing on a singular model could feel more personal because it could follow the journey of one person and their experiences of dissociation. In the end, I decided to pick D because I feel as though using different models in each photograph might subtly mirror the disorientating aspect of dissociation due to the subjects not being consistent throughout. </sub></div>]]></description>
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         <pubDate>2022-05-06 09:40:54 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172651301</link>
         <description><![CDATA[<div><sub>This week I reflected on the photographs from all my previous shoots alongside the specifications for the brief. I found it quite challenging to relate my images to the five different brief requirements, so I had some help and feedback regarding which images could work as a sequence.&nbsp;</sub></div>]]></description>
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         <pubDate>2022-05-06 09:41:13 UTC</pubDate>
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      <item>
         <title>REFLECTION</title>
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         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172652257</link>
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         <pubDate>2022-05-06 09:42:08 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172653254</link>
         <description><![CDATA[<div><sub>Sequence A was my first alignment of photographs and this was a great starting off point to help me think about what kind of narrative I wanted my series to suggest. I created a mind map with concepts that were not only important and interesting to me, but also worked with the images I had already sequenced. After a lot of deliberating, I decided to select the concept of mental health, specifically continuing with the theme of dissociation. During weeks four, five and six when I was finding it hard to formulate a concept, I was also struggling with my mental health and feelings of dissociation. Being in this situation reminded me of a YouTube video I watched years ago by the filmmaker Bertie Gilbert called ‘why feeling sad can ultimately be a good thing’. In the video he discusses how he was feeling quite sad and instead of allowing it to consume him, he decided to make a film about how he was feeling. He said that by expressing his emotions, he started to feel better and discussed how he put all the negative energy he was experiencing into making something good, and it inspired me to do the same. I thought it would be really valuable to harness my difficult, personal experiences and transform them into a photographic art piece.</sub></div>]]></description>
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         <pubDate>2022-05-06 09:43:24 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 09:55:11 UTC</pubDate>
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      <item>
         <title>MIND MAP</title>
         <author>pbrun001_2</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 09:56:11 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172665758</link>
         <description><![CDATA[<div><sub>Once I had decided on this concept, I then thought of how I could retake the photographs in sequence A to better strengthen my theme and brief requirements. This process also involved me selecting other images from my shoots and developing six new sequencing options for the final brief (B-G). There were a few image options that remained constant throughout, these were the photographs for brief two, three and five because I thought these responded most successfully to their corresponding briefs. Brief one alternated between two options, but I really struggled narrowing down brief four. I really wanted to use a photograph with the spray-painted acetate because I felt that it effectively mirrored my feelings of dissociation. However, it was between this and the double exposure image, and in the end I felt as though the double exposure of the same person encapsulated these feelings more successfully.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 09:58:41 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172665758</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172667304</link>
         <description><![CDATA[<div><sub>I was also trying to work out how/if I could incorporate the surrounding images into my final sequence because they are some of my favourite photos from my portfolio. However, after considering all my images and sequence options, I had to sadly leave them out because they weren’t best reflective of my concept or the brief requirements.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:00:07 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172667304</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172672353</link>
         <description><![CDATA[<div><sub>Additionally, I was trying to think of ways that my concept and sequence could connect to my viewers other than just visually, and I considered the idea of having a song play alongside. I couldn’t find a perfect song, but I feel as though the first 40 seconds of ‘Morning Brew’ by Robert Schwartzman is the style of music I would use to accompany my project. I think the repetitive, overlaying sounds would really help the viewer to understand the emotions within these images.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:06:18 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172672353</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172672825</link>
         <description><![CDATA[<div><sub>(Everything that is highlighted in purple are my final ideas and decisions)</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:06:54 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172672825</guid>
      </item>
      <item>
         <title>BRIEF RESHOOT</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172675753</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:10:51 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172675753</guid>
      </item>
      <item>
         <title>BRIEF FOUR B SHOOT</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172676226</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:11:21 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172676226</guid>
      </item>
      <item>
         <title>CAMERA SETTINGS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172677445</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:12:56 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172677445</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679004</link>
         <description><![CDATA[<div><sub>After completing all the shoots needed for my final brief, I spent this week developing my six images on glossy fibre paper using the developing chemicals. I chose glossy paper because I knew my images were quite flat in tone and I thought this might provide a little extra dimension. I did struggle trying to make the images all look visually the same in terms of exposure and contrast, but in the end I think I managed to achieve a consistent tone throughout.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:14:44 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679004</guid>
      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679146</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:14:57 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679146</guid>
      </item>
      <item>
         <title>FINAL BRIEF</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679411</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:15:17 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679411</guid>
      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679550</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:15:29 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172679550</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172682892</link>
         <description><![CDATA[<div><sub>Overall, I think this was a successful reshoot, despite a few minor details that I wasn’t happy with, I think I achieved every development and change that was needed in order to improve the original photographs. I think the visual language in each image expresses my concept effectively and reshooting in the studio really elevated the detached quality within each photograph.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:19:52 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172682892</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172686880</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/6c381d5dd286a5d19dbdca3fa42fde16/basic_high_key.jpeg" />
         <pubDate>2022-05-06 10:24:40 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172686880</guid>
      </item>
      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687290</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:25:10 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687290</guid>
      </item>
      <item>
         <title>TEST STRIP</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687381</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:25:15 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687381</guid>
      </item>
      <item>
         <title>LIGHTING SET UP</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687555</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:25:28 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172687555</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172694949</link>
         <description><![CDATA[<div><sub>When working out what I had to reshoot, I wanted my final sequence to be uniform so realised I had to reshoot brief one, two, three and five on a medium format to match brief four. I chose to do this instead of reshooting all of them on a 35mm camera because not only did I want my images to have a higher resolution, but to me, a 35mm camera suggests feelings of nostalgia due to their accessibility. I didn’t want my images to feel ‘familiar’, like looking through a family photo album, I wanted them to feel slightly distant or more performative to mirror the emotions in the images.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:34:20 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172694949</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695263</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/adbb97583c3a28a028ec907e6da402c7/reshoot_2_copy.jpg" />
         <pubDate>2022-05-06 10:34:45 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695263</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695264</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:34:45 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695264</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695265</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/00bee19bbadf5253bac2051fa910b1a6/reshoot_2.jpg" />
         <pubDate>2022-05-06 10:34:45 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172695265</guid>
      </item>
      <item>
         <title>REFLECTION</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172698418</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:38:33 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172698418</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172698918</link>
         <description><![CDATA[<div><sub>I think this shoot went really well; it was very straightforward because I went into it knowing exactly which images I needed to take. I used the Mamiya RB67 again so I could maintain continuity with brief four and also because this camera is easier to operate when taking portrait orientated photographs. Additionally, I used a tripod to make sure the framing on my photographs was perfect and I hoped that having the camera stable would ensure I could be very careful when focusing my images.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:39:15 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172698918</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699411</link>
         <description><![CDATA[<div><sub>For the silhouette photos, I used the same set-up and techniques as last time because the outcome was very effective. I used a wide-angle lens on the RB67 and the same lighting set up. I attempted to get the same diffused, circular light on the white backdrop, however, this time I really struggled to accomplish this and I’m slightly disappointed with the angular lighting shape in the photos. That being said, I love the final images and I’m very proud of them. I asked my model to perform three different poses, one matching the image selected for brief five, one where she’s lying face down, and another where she is doing a bow inspired ballet position and its very hard to pick a favourite. I think both visually and technically they are very successful and the composition and framing of them is a massive improvement from the previous shoot.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:39:56 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699411</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699983</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/d59291eabbccd6d6ce2cfdb704363aa9/5_6.jpg" />
         <pubDate>2022-05-06 10:40:42 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699983</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699984</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/48a4595db5033e5401c2b5f61956f5b1/3_4.jpg" />
         <pubDate>2022-05-06 10:40:42 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699984</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699985</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/7a7fdf87e6b06beab68c016375d9edf5/1_2.jpg" />
         <pubDate>2022-05-06 10:40:42 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172699985</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172704584</link>
         <description><![CDATA[<div><sub>As for the rest of my shoot, I used a lighting set up with two large, diffused background lights and two smaller, diffused key lights as shown in the diagram. Additionally, I changed back to the original lens because I think it captured portraits beautifully and I didn’t need the larger field of view. The objective full body shot (7) was the easiest and quickest to take because I wanted it to be identical to the photo I chose for brief one. I’m also really pleased with how this image turned out, the background is seamless and that was exactly what I was trying to achieve because I wanted the photo to be completely void of context.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:46:12 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172704584</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172704842</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/778140925/e71e21cdd11959c38aa30e31918eb863/7.jpg" />
         <pubDate>2022-05-06 10:46:32 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172704842</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172706464</link>
         <description><![CDATA[<div><sub>Moving on to the three reshoots of the acetate with a face drawn on, I asked my model to wear white this time to ensure the drawing would be prominent and not blend into any dark areas. I was very aware of the clips holding up the acetate when executing my framing. I was careful and implemented a closer crop to ensure these wouldn’t appear within the photo like last time. I did find this shoot idea a little more difficult than last time and I struggled to draw the face. I think the pressure of knowing this was going to be my final image was affecting me, so I’m not completely satisfied with how the drawing came out. When it came to shooting, I knew I wanted my model looking up towards the face, but I wasn’t sure which kind of pose would be most effective. In the end I decided to capture three photos with my model in slightly different positions so I would have options after developing them.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:48:33 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172706464</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707081</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:49:09 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707081</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707194</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:49:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707194</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707335</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:49:23 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172707335</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708258</link>
         <description><![CDATA[<div><sup>Finally, I reshot the image for brief two but I was quite sad to do so because I love the angle and model positioning in the original. However, it was shot on a 35mm camera rather than the medium format, and the model is the same as brief five and I needed each photo to have a different subject. During the shoot, I tried to get the same low angle as before but I think only a slightly low angle worked better for this context. Similar to the acetate photos, I captured three different poses so I would have multiple choices to pick from, but I think image 18 is my favourite. In this image, my model’s body language looks a lot more relaxed than the others and I feel as though it reflects the detached and dazed feelings that occur in dissociation.&nbsp;</sup></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:50:36 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708258</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708684</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:51:10 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708684</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708819</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:51:17 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708819</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708894</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 10:51:24 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172708894</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172712745</link>
         <description><![CDATA[<div><sub>I think my favourite image from the shoot is 18 and I was considering using it in my final brief. However, it is one of the extremely overexposed photos and as a result the image is incredibly grainy and this might not have looked good when enlarged onto a bigger piece of paper. That being said, if this photo is considered outside of the context of the brief and on its own, I feel as though the grain may add to its photographic language. To me, this image feels quite disturbing and eerie due to the juxtaposition of the cosy and safe bedroom environment against the rigid and odd body language of my model. Something about this feels very out of place and haunting, as though it’s capturing the ghost-like presence of the person who used to live in this room. I think the grain further emphasises this because it works to obscure my model and its characteristics remind me of when a ghost is caught on camera in a movie and it causes static and disruptions on the recordings. Additionally, the combination of the grainy, faded, black and white visual elements make this image feel like an old documentary photograph, particularly with the long distance between the subject and camera. It feels as though the photographer wasn’t meant to be in this space and captured this image quickly as a means to document the haunting events. The flash further accentuates this and makes this photograph seem spontaneously authentic and chilling.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 10:56:03 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720517</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720649</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:38 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720650</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:38 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720651</link>
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         <pubDate>2022-05-06 11:05:38 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720766</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:47 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720767</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:47 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720768</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:47 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720769</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:05:47 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172720769</guid>
      </item>
      <item>
         <title>CONTACT SHEET</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172722635</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:08:27 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172722635</guid>
      </item>
      <item>
         <title>TEST STRIPS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172723671</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:09:39 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172723671</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172724158</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:10:17 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172724158</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172727006</link>
         <description><![CDATA[<div><sub>I didn’t have a photographic inspiration for this shoot because I had a clear idea of what I needed to photograph. I needed to capture an image for brief 4B which had a different photographic language to the double exposure image I had selected for 4A. I planned on asking on my model to perform the same two poses from the double exposure image, but I wanted to capture them from a lot further away and in a different setting. I chose to photograph my model in her bedroom to provide environmental context that my double exposure photo didn’t, I wanted these images to have a more personal and emotional quality. This is also why I decided to use the k1000 35mm camera as opposed to the RB67, I wanted to connect to the viewers’ nostalgic and familiar associations with this kind of photographic format. Additionally, throughout the project I have wanted to experiment with using a flash and, although it was quite risky to attempt this without having tried it before, I thought this would be the perfect opportunity to develop my skillset with this technique. I thought it would add an intrusive element to the image because of the associations with paparazzi photos capturing celebrities off-guard and in their free time.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:13:52 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172727006</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172727335</link>
         <description><![CDATA[<div><sub>I used the external Metz 45 CL-4 series flash, but I did struggle figuring out the correct settings. The distance between me and my model for most of the images wasn’t greater than two and a half meters, and I think I misread the distance guide and was reading from ‘feet’. This meant I had my aperture on f.22 to have what I thought was the correct exposure because I thought it was three meters for f.22. Due to my confusion with the settings, I took the same photo multiple times with different shutter speeds and noted down the settings to ensure I would have at least one with the correct exposure. Additionally, I was under the impression that the flash would freeze any movement regardless of shutter speed. Therefore, a lot of my images with a shutter speed of 1/15 or slower are really blurred because I wasn’t holding my camera completely steady which is something to consider next time. Furthermore, I also experimented using a 35mm wide angle lens, but all of these images turned out to be really overexposed even when on the same settings as the 50mm lens and so it took me a long time to develop them in the dark room.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:14:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172727335</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172728587</link>
         <description><![CDATA[<div><sub>Overall, I’m glad I experimented with an external flash, but I think I want to explore this technique again in the future because I’m quite disappointed with a lot of the photographs. I think most of them are a lot lower quality or not as flashed as I would have liked them so I would want to improve on this another time. After looking at all the photos, I think the most effective ones were done on the settings 1/30 f.22 or 1/60 f.22, so I will probably use one of these as my final image for the brief.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:15:39 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172728587</guid>
      </item>
      <item>
         <title>PRINT TEST STRIPS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172729106</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:16:22 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172729106</guid>
      </item>
      <item>
         <title>PRINT</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172729163</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:16:27 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172729163</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172735605</link>
         <description><![CDATA[<div><sub>During the small class exhibition/crit we had on the final day, I was intrigued to see how my classmates would understand and interpret my project. I was really pleased because I received very positive feedback. People liked the photos and said they could truly feel the emotion in the images despite my models having fairly objective facial expressions. Their feedback and observations were really valuable to me because they pointed out things I hadn’t noticed before. One of my peers suggested how brief two looks quite puppet-like, as if the model is being controlled by something or someone off screen. She also pointed out how the crossing of the arms was echoed in brief five where the model’s legs are crossed. She commented that the model is physically out of the spotlight and doesn’t need to perform anymore and that she looks defeated and exhausted from being controlled. I found this really interesting because I hadn’t noticed the puppet symbolism or the body language being echoed. Furthermore, her interpretation indicates another element of dissociation where you can feel like an object and not in control of your own body because your physical body doesn’t feel like your own. After hearing this, I felt like I had achieved my goal of creating an emotional connection and understanding with the viewer because of the way she had recognised an aspect of dissociation that I hadn’t intentionally expressed in my work.</sub></div><div><sub>&nbsp;</sub></div><div><sub>Earlier on in the module I read John Bergers ‘Ways of Seeing’ and he discussed how different contexts in which an image is situated (2008, p.19) or even changing what comes before or after an image could change the images message entirely (2008, p.29). This made me consider how my class’s interpretation of my final project could have changed if I had presented it to them on a screen instead of in person, or if I had sequenced these photos differently. It would be interesting to explore this in future to see if my concept could be understood differently with these small alterations.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:24:10 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172735605</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172745411</link>
         <description><![CDATA[<div><sub>I chose this portrait for brief one because its main focus is on its objective quality which has been constructed through visual elements and technical devices. When I think of a portrait photo, my first thoughts and expectations are of a subjective, close up shot which reveals a personal and emotional insight into that person’s character. I wanted this portrait to represent the personal and emotional experience of my dissociation, but I wanted to communicate this through a deadpan and objective style to enhance and mirror the isolating, empty and detached feelings that occur in a dissociative state.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:36:07 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172745411</guid>
      </item>
      <item>
         <title>BRIEF ONE: PRODUCE A PORTRAIT FOCUSING ON ONE MAIN QUALITY</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747100</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:37:55 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747100</guid>
      </item>
      <item>
         <title>BRIEF TWO: PRODUCE A PHOTOGRAPH IN WHICH THE MAIN FOCUS IS OUTSIDE OF THE FRAME</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747367</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:38:16 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747367</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747491</link>
         <description><![CDATA[<div><sub>I chose this image for brief two because it is the only photo that doesn’t display the identity of the subject. She is completely anonymous and so the viewer is unable to gain an understanding or information through her facial expressions, unlike the other photographs. Instead, the viewer is encouraged to look off to the left, in the direction of the model’s head, and construct what is beyond the frame to read and respond to this image. I wanted this portrait to symbolise the unnatural disconnect you feel from your body and how it can sometimes feel as though you are watching yourself from the outside. In this sense, there is a focus on the viewer as being ‘outside of the frame’, as they take the place of the person looking down on themselves.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:38:26 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747491</guid>
      </item>
      <item>
         <title>BRIEF THREE: DISPLACE THE MEANING OF THE PHOTOGRAPH BY ALTERING AN ELEMENT WITHIN THE FRAME, OR BY CHANGING THE CONTEXT OF THE IMAGE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747762</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:38:45 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747762</guid>
      </item>
      <item>
         <title>BRIEF FOUR: CREATE A TRANSFORMATION IN A SERIES OF 2 PHOTOGRAPHS BY SHIFTING THE REFERENCES TO PHOTOGRAPHIC LANGUAGE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747937</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:38:58 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172747937</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748187</link>
         <description><![CDATA[<div><sub>I picked this photograph for brief three because of the way an arguably traditional portrait has been altered through the incorporation of a hand-drawn face on an acetate sheet. This element transforms the meaning of this image, which would otherwise display a model looking up into an empty space with no context of her surroundings or her emotions. Instead, I wanted this hand-drawn face to express the way you can feel detached from not only your sense of self, but the world around you. I wanted to juxtapose my real-life model’s face against the hand-drawn face to further represent the way the world and a person’s sense of self can sometimes feel unreal.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:39:14 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748187</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748463</link>
         <description><![CDATA[<div><sub>I selected the left image for brief four A because I feel that it is a true representation of my photographic style. I wanted the soft, double exposure to express the foggy and confusing nature of dissociation, with the two frames reflecting the divide between the inner and outer self. Each displays two different postures. One is a naturally posed, close-up shot, representing the seemingly normal, outer, physical self. Whereas the other displays an unusual, odd posture to mirror the detached feelings of the inner, emotional self.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:39:29 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748463</guid>
      </item>
      <item>
         <title>BRIEF FIVE: PRODUCE AN IMAGE THAT CREATES A NARRATIVE TRANSFORMATION WITHIN YOUR SEQUENCE OF PHOTOGRAPHS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748644</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:39:41 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748644</guid>
      </item>
      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748924</link>
         <description><![CDATA[<div><sub>I chose this photograph for brief five because the change of environmental context transforms the narrative of my sequence. The previous four images have been captured against a plain white backdrop and therefore assumed to be a studio setting. It provides no spacial context and so it could be inferred that you are within these subject’s minds. The last image exposes this environment and the viewer is finally shown a space that is reflective of reality. I wanted the studio reveal to symbolise how dissociation can make you feel as though you are living in a fake and curated world. I wanted it to not only reflect the aspect of performativity that occurs from trying to exist in a world that feels detached from reality, further signified through my model’s ballet costume, but also how draining this experience can be. I feel as though the concluding narrative could be interpreted in two ways, either the dissociation has passed and the subject has grounded herself and she no longer has to perform, or she has given up and is exhausted from experiencing the continual feelings.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:40:01 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172748924</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172754562</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:46:24 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172754562</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172754564</link>
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         <pubDate>2022-05-06 11:46:24 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172754565</link>
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         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172754566</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:46:24 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172755592</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:47:28 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172758456</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:50:29 UTC</pubDate>
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         <title></title>
         <author>pbrun001_2</author>
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         <pubDate>2022-05-06 11:50:29 UTC</pubDate>
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      </item>
      <item>
         <title>FINAL SEQUENCE ANALYSIS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172761068</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:53:25 UTC</pubDate>
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      <item>
         <title>PHYSICAL SEQUENCE DISPLAY</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172761927</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 11:54:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172767603</link>
         <description><![CDATA[<div><sub>I then changed my photographic language and produced the right image for brief four B. I situated my model in her own room and photographed her from further away using a 35mm camera and an external flash. The feelings of safety that are associated with a bedroom environment are juxtaposed against her closed off body language. This is further heightened by the use of flash which makes looking at this image feel very intrusive, as if the viewer is not welcome in her space. This combination of visual language makes the subject appear defensive and suggests that she doesn’t want the viewer to pry. This strikes a distinct contrast to the double exposure image which feels so much more vulnerable and expressive, and where the subject's hand is physically reaching out to the viewer to form a connection.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 11:59:58 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172770606</link>
         <description><![CDATA[<div><sub>For a large amount of this module I was really struggling to find a concept that I connected with, but I am really glad I decided to express my own experiences with dissociation for the final brief. I feel like the personal connection I had to this concept is reflected through the images and I’m hoping this will emotionally translate to the viewers as well.</sub></div><div><sub>&nbsp;</sub></div><div><sub>I chose these models in particular because I thought they would be able to aid in this viewer connection. All the people pictured are close friends of mine and I wanted this closeness to be expressed through their body language and sense of comfort in the hopes that the viewer would pick up on this closeness and gain a greater understanding of my message.&nbsp;</sub></div><div><sub>&nbsp;</sub></div><div><sub>Visually, aside from brief four B, I wanted to keep the tones in all the photos fairly flat. I wanted this to represent the emotionless and two-dimensional feeling that occurs during dissociation. Furthermore, this is why I selected the studio as the setting for these images, I wanted to highlight the fake and detached nature of this experience. Through these visual codes, technical approaches and the posture of my subjects, I wanted to create a narrative and a visual of the feelings and experiences I have during a dissociative episode.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 12:02:51 UTC</pubDate>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172771241</link>
         <description><![CDATA[<div><sub>Overall, I’m really proud and happy with my final brief photos, mostly because I managed to communicate the message behind my photographs, which was a personal goal of mine. Although I didn’t get to use some of my favourite images from this module, I think I made the right decision when choosing these final photographs. Additionally, throughout this module I was also trying to understand my own visual style, and I wasn’t sure if I had found mine yet. It wasn’t until I saw everyone’s photography up on the wall that I realised my unique, photographic style because everyone’s work was so distinctly their own.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 12:03:28 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172771241</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172782353</link>
         <description><![CDATA[<div><sub>On the other hand, some shoots didn’t have a specific theme so I thought it might be valuable to try a process led development approach. This is where you engage in the method of taking photos, reflect on the final images and generate a theme in response to this process. I am inspired by the ethereal, water, motion blur and lighting mood boards but I don’t want to force a concept on to them, so I feel as though a process led development might be more effective for these.</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 12:14:28 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172782353</guid>
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      <item>
         <title></title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172782741</link>
         <description><![CDATA[<div><sub>I had a few ideas on themes for some of these mood boards. I thought both the clear material in front of the subject and double exposure could link to themes of identity and someone’s perception of themselves, or alternatively, tie in with mental health and dissociation. With the flash shoot, I was thinking about exploring a person’s connection to their own body and how someone can feel out of control or not within their body. I wanted to portray these distressing feelings through uncomfortable, weird poses and using an external flash.&nbsp;</sub></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 12:14:52 UTC</pubDate>
         <guid>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172782741</guid>
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      <item>
         <title>SEQUENCE IDEAS</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172789170</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2022-05-06 12:21:02 UTC</pubDate>
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      <item>
         <title>INITIAL BRIEF SEQUENCE</title>
         <author>pbrun001_2</author>
         <link>https://padlet.com/pbrun001_2/wt7p9epp6wq1rh66/wish/2172791714</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-06 12:23:07 UTC</pubDate>
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