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         <description><![CDATA[<div>"There may be trouble ahead”: Re-reading Cavell on the Film-Musical </div>]]></description>
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         <description><![CDATA[<div>A Star Reborn: Performance as Diegesis in George Cukor’s <em>A Star is born</em></div>]]></description>
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         <description><![CDATA[<div>The musical moment in three silent films by Jacques Feyder: narrative vector or emotional catalyst? </div>]]></description>
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         <description><![CDATA[<div>The Missing Link: Musical Numbers in Austrian Silent Cinema between Operetta and the Film Musical </div>]]></description>
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         <description><![CDATA[<div>Concepts of Choreography: Musical Moments in René Clair’s <em>À nous la libert</em>é  (1931) </div>]]></description>
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         <title>Nils Grosch - C</title>
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         <description><![CDATA[<div>Pleasure and Obscenity in <em>Hairspray</em> (1988; 2007) </div>]]></description>
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         <description><![CDATA[<div>“Embarrassing yet euphoric”: Shame, Performance and the Musical Moment in <em>Toni Erdmann</em>(2016)</div>]]></description>
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         <description><![CDATA[<div>Post-Walkman Cinema: Music as Ontological Interface in Contemporary Cinema </div>]]></description>
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         <description><![CDATA[<div>Mediating Romance in Cinema’s Musical Moments </div>]]></description>
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         <title>Gillian Anderson</title>
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         <description><![CDATA[<div>Special Issue<br><br></div>]]></description>
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         <pubDate>2018-06-26 14:03:16 UTC</pubDate>
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         <title>Hannah Lewis</title>
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         <description><![CDATA[<div>Special Issue<br>Negotiating the Theatrical, the Cinematic, and a French National Style in the Early <em>Operette Filmée&nbsp;</em></div>]]></description>
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         <description><![CDATA[<div>The musical moment as sexual utopia in <em>Duke of Burgundy</em></div>]]></description>
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         <title>Veronika Bochynek - C</title>
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         <description><![CDATA[<div>Choreographed improvisation? An approach to tap dance improvisation on screen </div>]]></description>
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         <pubDate>2018-06-27 07:31:01 UTC</pubDate>
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         <description><![CDATA[<div>Ingmar Bergman’s Musical Moments</div>]]></description>
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         <description><![CDATA[<div>Pride, Shame and Queer Musical<br>Performativity in American Horror Story</div>]]></description>
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         <description><![CDATA[<div>Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 </div>]]></description>
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         <title>Keywords: </title>
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         <title>Keywords:</title>
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         <description><![CDATA[<div>Rezeptionsästhetik, fandom, multimedia, mashup culture</div>]]></description>
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         <pubDate>2018-07-09 20:06:29 UTC</pubDate>
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         <title>Keywords:</title>
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         <description><![CDATA[<div>Musik als dramaturgisches<br>/narratives Gestaltungsmittel<br>affect, emotion, narration</div>]]></description>
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         <pubDate>2018-07-16 14:49:25 UTC</pubDate>
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