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      <title>Kingsdale Pitchfork by Mr Hutchinson</title>
      <link>https://padlet.com/ahn1/pitchfork</link>
      <description>Digitise your review and throw in a link!                              </description>
      <language>en-us</language>
      <pubDate>2017-12-15 21:15:46 UTC</pubDate>
      <lastBuildDate>2019-04-23 09:56:03 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Scatman - 2 1/2 Stars</title>
         <author>ahn1</author>
         <link>https://padlet.com/ahn1/pitchfork/wish/335391354</link>
         <description><![CDATA[<div>Although I don't urge you to seek clarification on urban dictionary, 'scat' is what jazz types are doing when they vocally jam out with a whole lot of ski-dop-a-do-whap-diddlies while a saxophone pootles in the background. With that in mind, welcome to Scatman John's <em>Scatman,</em> the mid-90s scat-dance sensation and one-hit-wonder that, once heard, can't be unheard.<br><br>The song is basically high speed scat jibberish, a shouted chorus ("I'm a scatman!") and some verse interludes of optimistic and socially positive rapping, all of which is set over bubbly dance synth so clean and digital it actually makes you feel dirty. Because that's the paradox with this song. It came out in 1995 -- two years after the death of Kurt Cobain and the end of grunge -- and it's like the music industry hyper corrected itself, filling the jagged hole of authentic misery with obscene plastic nightmares like this -- stuff so light that it's actually dark, like the insincerity of people who work at Disney World and have to smile all day regardless of their illness or divorce. <br><br>Part of me imagines this song played on repeat by sadistic prison guards, the prisoners themselves awash in perpetual florescent lights and trying to claw their own eardrums out. Stop the horror! Stop the horror!<br><br>Yet another part of me also knows I'm being way too cynical about the song.  Because here's the thing: when it was first released I was nine years old. And back then, well, I actually had a copy of the tape. The thing was played at birthday parties where little kids drank too many sugary drinks and danced like the little morons they were. That <em>we </em>were. And frankly that was the core audience. Children. Children who didn't need misery in their lives and were too young and unspoiled to be pretentious. Back then we even sang along.<br><br>And let's be honest, what's really so bad about all that?<br><br>  </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=Hy8kmNEo1i8" />
         <pubDate>2019-02-26 14:57:41 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/335391354</guid>
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      <item>
         <title>Waka Waka- Shakira
</title>
         <author>lucydonald13</author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336021044</link>
         <description><![CDATA[<div>The song Waka Waka (this time for Africa) is the official 2010 FIFA world cup song hosted in South Africa. The  song peaked at number one record in the charts in number countries, and in America it peaked at 38. In one country it was the top of the charts for 3 years.<br><br>The song starts with a trumpet being blown to start the football penalty shoot. They use African chants to make it more traditional as well as adding in traditional dances. The music video adds in children and  famous football players like Lionel Messi and Christiano Ronaldo.<br><br>The song compares soldiers on a battlefield and encourage the football players to fight for their goal or the win. Also its says to believe in yourself. Also the word soldiers are you because they normally sang songs like this they also sing it youth groups and scouts around Africa. <br><br>The beat of waka waka is calypso but is a mix of traditional African beats.<br><br><br>This song is very well known and is hard not to love.<br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=pRpeEdMmmQ0" />
         <pubDate>2019-02-27 17:19:56 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336021044</guid>
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         <title>CON CALMA  3.5/5 stars</title>
         <author>ruby_agonafir</author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336058998</link>
         <description><![CDATA[<div>The equivalent to this song is dancing on a Spanish beach where there is a load of people serving energy drinks and every time you drink one it makes you want to dance even more.</div><div>Just the first few seconds make you feel like you are in a dance video and you feel like you could do any dance move.</div><div>It's also one of those songs that no one knows what its saying but you still love it, then its get stuck in your head and when you’re trying to sing the song its just a bunch of gibberish.</div><div>Daddy Yankee is just making a new version of the song called ‘Informer’ by the artist Snow (1992), which was an international hit so I think what Yankee is trying to do is to redo that and make his song international hit.</div>]]></description>
         <enclosure url="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=6&amp;ved=2ahUKEwjhnPerwdzgAhV1s3EKHTwVD9kQtwIwBXoECAgQAQ&amp;url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DDiItGE3eAyQ&amp;usg=AOvVaw1pLUoqdLUsLSoJDv_CBMhu" />
         <pubDate>2019-02-27 18:17:00 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336058998</guid>
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         <title>Mayflowers...

It&#39;s one of those songs you hear in the background of a skatepark overrun by posers, not too explicit but decent enough to listen to. It&#39;s a dirty crucible of sixties jazz, 21st century rap and some electro-funk DJing to mix it all together. In other words it&#39;s like a mix of history and genres; it starts off with a recording of an ancient jazz/blues song called April Showers. Then the hiphop beat kicks in giving it some strength. Once that’s all going the rapper spits some parent-friendly bars, overall sounding quite agreeable for what it is. You could also picture it as a song being played out of a window from a double story Victorian house behind Dulwich Park. Personally, I find it an interesting combination of different genres…             
</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336068254</link>
         <description><![CDATA[<div>see what y'all think bout it </div>]]></description>
         <enclosure url="https://youtu.be/nmlj1-x9tmI" />
         <pubDate>2019-02-27 18:30:24 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336068254</guid>
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      <item>
         <title>Left To Right</title>
         <author>wavaruby</author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336084272</link>
         <description><![CDATA[<div>Left To Right</div><div> </div><div>If you’ve never listened to Left To Right, you probably haven’t felt free flowing through space towards the moon. The song starts with a cooling but up-beat acoustic guitar supported by synth music. Once the lyrics begin the song takes you to a crowded club while feeling like there was no one else there. The chorus has a more calming beat and takes you back to empty space.</div><div> </div><div>Left To Right was made and produced by Marteen from the album NOTHANKYOU. The song was released in 2018 and its genre was pop.</div><div> </div><div>Marteen Estevez is an R&amp;B singer and songwriter. He has opened for acts like Kehlani, Fifth Harmony and Dua Lipa. Record producer, J.R. Rotem, discovered Marteen and has helped produce many of his songs.</div><div>Born: 6 April 2001 (17). He is from America.</div><div> </div><div>SONGS ---NOTHANKYOU album</div><div>--Left To Right</div><div>--Siriracha</div><div>--We Cool</div><div>--Two Days</div><div>--This Sh*t Sux</div><div>--NOTHANKYOU</div><div>--Never Be Stopped<br><br>https://music.youtube.com/watch?v=wdRzgxL7GOg&amp;list=RDAMVMwdRzgxL7GOg</div>]]></description>
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         <pubDate>2019-02-27 18:51:47 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336084272</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336128808</link>
         <description><![CDATA[<div>Happy Pharell Williams ~<br><br>The song is so happy it’s actually annoying. Everything in it is over the top; it’s like happiness dialed all the way to 99. The only thing missing is a unicorn. <br><br>The song is so happy that it makes you want you punch all your friends in the face just to drag the mood back to neutral.<br><br>This positivity explosion uses the word “happy” a total of 43 times, and the word “happiness” another 12 times. That adds up to 55 -- 10.5% of the song. <br><br>Many people say that Emo music is depressing and not a good influence on children's attitudes towards life. However, I think that this artificial hyper-happiness is much worse. And it gets even more dreadful each time.<br>The song is fake like teachers on parents evening. Real life is not happy at all; it is flawed and exhausting. Real life is all grey shadows, dark clouds, and screams from within.<br><br>The song is alright the first time, but after that it is draining. Don’t believe me, watch it for yourself :)<br><a href="https://youtu.be/y6Sxv-sUYtM">https://youtu.be/y6Sxv-sUYtM</a><br><br><br><br><br></div>]]></description>
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         <pubDate>2019-02-27 19:59:43 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336128808</guid>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336149820</link>
         <description><![CDATA[<div>Guardian angel-By Cass <br><br>Listening to X is always a weirdly awkward experience. I mean, the guy beat his pregnant girlfriend. He does make some pretty good music though. This is one of his great songs.<br><br>The song starts with Onfroy’s older song (Jocelyn Flores) played backwards and distorted enough so to make it just recognisable. This depressing arrangement of keys continues all the way through the even more depressing song as the background music. After 20 seconds or so, X’s soft monotone voice begins to sing, ‘Don’t take my heart,’ over it.<br><br>He then begins his usual routine of rapping how love causes nothing but pain and about his mental health problems.<br><br>After this little spurt of rap, he returns to his sad monotone voice, repeating, ‘Don’t take my heart’.<br><br>This song is the kind of thing you listen to after breaking up with your girlfriend of two weeks to sob your little heart out and feel really really sorry for yourself. I mean, don’t get me wrong: it’s a great song. The amount of emotion in his voice is incredibly real and genuine. It’s the kind of song you could listen to on repeat for hours on end and feel a new way every time it finishes. It hits you. Fills you with not a sadness as such, but just a weird flatness.<br><br>Not many songs can connect to your emotions like that. But Onfroy gets me every time.</div>]]></description>
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         <pubDate>2019-02-27 20:44:55 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336149820</guid>
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         <title>Forest-by Twenty One Pilots</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336160197</link>
         <description><![CDATA[<div>Forest: Twenty One Pilots.<br><br></div><div>                As a song first released on their second album, Regional At Best, and later as a bonus on the third alum, Vessel, Twenty One Pilots’ Forest is a fan favourite with old members of the skeleton clique. With its somewhat upbeat rhythm but with morbidly dark lyrics, it’s no wonder that it’s requested at many TOP concerts.<br><br></div><div>                With a piano melody playing constantly throughout the song played by lead singer Tyler Joseph and the drum best by Josh Dun, many people assume that Forest is a rare happy song. But these people clearly fell victim to the duo’s use of misleading piano melodies (such tricks have been used in Glowing Eyes, Kitchen Sink and Not Today) and did not pay attention to the actual lyrics because , trust me on this, the lyrics explain  losing control and depression.<br><br></div><div>                  As I just mentioned, Forest tells the tale of someone who suffers from anxiety and depression. These themes are shown in lines such as, ‘I don’t want to be heard, but I want to be listened to.’ And, ‘Does it bother anyone else that someone else has your name?’ These lyrics in particular show that the person, most likely Tyler, is unsure what to do. They want to tell people how they feel, but at the same time they feel like they can’t. He also stresses that there are other people just like him and they most likely are doing better than him. Even though most people remember these lines and the chorus for being rather dark, I think that the second and third verses are much more morbid.<br><br></div><div>                As I said before, the second verse gets so much darker with lyrics such as, ‘My brain has given up, white flags are hoisted.’ As well as, ‘I took some food for thought, it might be poisoned.’ The first line implies that he has given up fighting the depression and surrendered to it. He also might be starting to get paranoid with the feeling that everything is trying to 🤬 him. But these lyrics are nothing compared to the rap verse.<br><br></div><div>                Often people forget about the rap, but in my personal opinion it’s the darkest part of the song: It’s about the main character burning to death while completely unaware of it. The lyrics that really show this is, ‘the situation is becoming dire, my tree house is on fire and for some reason I smell gas on my hands.’ This shows that the character has completely lost control which leads him to be unaware as he burned to death. The other one is, ‘I don’t understand why everything I adore takes a different form when I squint my eyes. Have you ever done that? When you squint your eyes and your eyelashes make it look a little not right and when just enough light comes from just the right side and you find you’re not who you’re supposed to be?’ This could be interpreted as the person in the song realising that a lot of the thing they thought of or saw were ever real.<br><br></div><div>                Personally, this song is perfect for teenagers going through their post-emo-angst phase but it’s also good for any weekly breakdown you might have. It’s dark, misleading and one of Twenty One Pilots’ most defining songs for the duo. <br><br></div><div>                I would rate it 8.4/10 this is because after a while it can be rather tedious and not as good as other songs from RAB or Self-Titled.<br><br></div>]]></description>
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         <pubDate>2019-02-27 21:12:42 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336160197</guid>
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         <title>No scrub by TLC</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336203350</link>
         <description><![CDATA[<div>One of the biggest records ( and one of my personal favourites) of 1999 was, simply, a complaint about inadequate men. Three young women in their early twenties named Lisa “left eye” Lopes, “Chilli” and “ T-bot” influenced many female artists and singers. According to the Financial Times, "It sold 677,000 copies in the UK, peaking at No 3," meaning that more than one in every 100 people in the country bought it. This song was viral everywhere. The term “scrub” means a person ( usually male ) who is too lazy to earn money, so they cling on to their victims and suck out their cash until they have no interest in them, and the cycle repeats. <br><br>The song No Scrubs is an instrumentally Spanish-flavoured  feminist haven, and every time I hear it I imagine being surrounded women who have power, by women who know what is best for them -- and <em>that </em>is what inspires me. The group <strong>TLC </strong> were the perfect trio to deliver it, a girl group who did not need to shout slogans about “girl power”, but who seemed genuinely perfectly willing to challenge men they didn’t care for. <br><br></div><div><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=sZhR4wT4sl8" />
         <pubDate>2019-02-28 00:09:35 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336203350</guid>
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         <title>Here&#39;s To Never Growing Up - Avril Lavigne</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/336560332</link>
         <description><![CDATA[<div>Based around kids not wanting to grow up , this song is arguably one of the most popular hits to have come out in 2013. 'Here's To Never Growing Up' is a pop rock song that almost celebrates always being young at heart.The song has reached a total of 174 million views on youtube , and it gives off very happy and cheerful vibes. Almost makes you feel like life is just perfect for a couple minutes. Only for us to realise that in reality life is filled with misery and sadness as soon as the song ends. As a teenager it makes us realise that our first world problems don't matter as much as we think they do , and that we should just live our teenage years cheerful and carefree.  <br><br>A pretty good and catchy song in my opinon :]<br><br>https://www.youtube.com/watch?v=sXd2WxoOP5g</div>]]></description>
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         <pubDate>2019-02-28 18:28:05 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/336560332</guid>
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         <title>The Middle- Zedd, Maren Morris and Grey</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/337660544</link>
         <description><![CDATA[<div><br><br></div><div><br></div><div>The Middle could be classed as one of the <strong>worst </strong>songs as it literally has a clock ticking in the background all throughout the song. What’s even worse is three DJs are behind the song (?) and they could only come up with a clock ticking in the background. In the video they have flashing lights, what is that supposed to do with clocks? What does clocks have to do with the point of this song. There’s not even a clock in the video, only red, white and black flashing lights with adults and kids dancing beside the singer. The guys on the sides are pointless. Its not like you can hear what they are playing or singing plus the singer’s voice is being “harmonised” by a creepy, nightmarish voice.<br><br></div><div>The song only has the chorus repeated three times in the song and only two small actual verses. Also, the background of the video doesn’t make sense, why are there buildings in the background? At the start of the video, the singer entered the lift, the setting looked like it was in a hotel, but then when the lift started going up, and began to transition, the lift began to move sideways in a shaky way. This song is really disgusting and distressing. Its also sad how kids made covers and music videos to it. Sadly, it was number 1 spot on the Billboard Mainstream Top 40 Chart.<br><br></div><div> <br><br></div><div>By Ruby Kavanagh<br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=M3mJkSqZbX4" />
         <pubDate>2019-03-04 20:22:50 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/337660544</guid>
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         <title></title>
         <author>Jahnicia</author>
         <link>https://padlet.com/ahn1/pitchfork/wish/337675196</link>
         <description><![CDATA[<div>Beyoncé Who runs the world (girls) <br><br>The song is about women empowerment. In the video it shows war between men and women. War is known as conflict, in this case it’s caused because of inequality as men are seen as more superior compared to women. <br><br>Beyoncé’s appearance is portrayed feminine, but has masculine personality trait as she causes destruction and continuously and confidently says “Girls we run this mother”. This indicates her opinion the females run the world and how much power they have, To be honest who could argue with that? They do produce the future generations and without that humans would probably be extinct (this is done with a little help from men though).<br><br>In the song she repeats “My persuasion can build a nation, endless power with our love we can devour. You’ll do anything for me.” This shows that women could also run the world and build a whole nation with their persuasion. She also says a female’s love could devour making a man do anything for them.<br><br>In conclusion, the song’s moral is how women can do just as much, if not more than men using the example that girls run the world. This shows that men are not to be ranked higher with more power giving more ability.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=sQlzdGDnY-s" />
         <pubDate>2019-03-04 21:00:12 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/337675196</guid>
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         <title>The girl you lost- Sia- 7/10</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/337684823</link>
         <description><![CDATA[<div>The girl you lost is a pop song released in 2008 by the well-known artist Sia. As it was published before her fame and in one of her first albums ‘some girls have real problems’ it is not widely known.<br>When you first listen to this up beat pop song you will just think that it is like any other song in that genre that you would of heard on the radio at the time and because Sia doesn’t enunciate very clearly when she sings you wouldn’t have a second thought on the lyrics but if you look closely you will see that they actually have a much darker meaning.<br>As you read through the lyrics you will start to see that the girl who is singing is talking about her friend who she describes as ‘always a meltdown’. She then goes on to talk about how she is fed up of only looking after her friend, who is clearly incapable of caring for herself, and wants to get a life of her own.  She states ‘I can’t survive with you by my side…while I’m running your life’. <br>Later she goes on to say that ‘there is someone inside that she would like to introduce’ this suggests that people have never seen the real her and that she has never put herself first and now she is ready to go that.<br>The full title of the song is the girl you lost to cocane, one of the reasons I only gave the song a 7/10 is because the title and the song don’t really go together and it leaves you thinking but I guess some people would find this a good thing.<br><br></div>]]></description>
         <enclosure url="https://www.bing.com/videos/search?q=sia+the+girl+you+lost+lyrics&amp;&amp;view=detail&amp;mid=40AD6A24A8805A4F517440AD6A24A8805A4F5174&amp;&amp;FORM=VRDGAR" />
         <pubDate>2019-03-04 21:23:02 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/337684823</guid>
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         <title>Hangman~ Santan Dave</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/337704222</link>
         <description><![CDATA[<div>From a british born rapper that is never afraid to tackle real life issues, this song is no different. This song addresses the gang violence and knife crime. From the first deep note, you get a sense of a dark mood, which is carried out throughout the whole song. While really thinking about the lyrics and what they mean, a shiver runs though your body, paralyzing any other emotion until you feel numb. Towards the end of the song, you come to the realisation that London has changed, and this is what it has turned into. The visuals represent the song so perfectly, portraying the dark streets and gangs in clusters. His message towards the whole song is that London (especially south) is not how it has been displayed as in farytales, but more of a nightmare.<br><br>HAS ONE SWEAR WORD!!!!!!<br><br></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=KAS8zQt6Wik" />
         <pubDate>2019-03-04 22:29:52 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/337704222</guid>
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         <title>Cotton-eye Joe</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/337792373</link>
         <description><![CDATA[<div>The song that never stops. The fast pace beat and that tumour inducing tune is deafening, but in a painfully good way. The song immerses you into a radicalised western tune within a matter of seconds and then assaults you with "Ay - ay - ay - ay..." pulsing in the background. Along with those modernised yells they rebelliously play country on a violin. This barrage of likeable misery is only then turned up a notch by by simply adding them together which is certainly a sound for sore ears concocting a pleasant h*ll. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=mOYZaiDZ7BM" />
         <pubDate>2019-03-05 07:23:28 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/337792373</guid>
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         <title>Cater 2 U</title>
         <author></author>
         <link>https://padlet.com/ahn1/pitchfork/wish/338050927</link>
         <description><![CDATA[<div>This is a song by American girl group Destiny's Child, in their fourth ever album. The song was by Beyonce , Michelle Williams and Kelly Rowlands. The song is talking about a woman's desire to cater to the male love interests of her life, "Cater 2 U" contain<strong>s</strong> synthesizes in its instrumentation. A lawsuit was filed by Rickey Allen in 2006, claimed the group only recorded a cover of the song which was originally his.<br><br>The chorus is a really catchy  since the lyrics are basically  the same thing like they do repeat ,' Let me cater to you ,Cause baby this is your day', etc. <br><br>The group is an r and b group so most of thier songs are all about love and men, but is also the most loved r and b group in the 2000. Cater 2 U is 11 in the US Hot R and B /Hip-Hop<a href="https://en.wikipedia.org/wiki/Hot_R%26B/Hip-Hop_Songs"> </a>Songs (Billboard).<br><br>I would rate this song about 8/10.This song is one of my favorite r and b song, so you all should listen.</div>]]></description>
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         <pubDate>2019-03-05 18:12:46 UTC</pubDate>
         <guid>https://padlet.com/ahn1/pitchfork/wish/338050927</guid>
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