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      <title>Death and the King&#39;s Horseman by Audrey Lee</title>
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      <description>Discussion on Characters</description>
      <language>en-us</language>
      <pubDate>2018-08-01 00:15:25 UTC</pubDate>
      <lastBuildDate>2025-06-20 16:54:37 UTC</lastBuildDate>
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         <title>Jane Pilking</title>
         <author></author>
         <link>https://padlet.com/kcaudrey16/w8txzu6rwqgq/wish/271606157</link>
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         <pubDate>2018-08-01 00:18:24 UTC</pubDate>
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         <title>Olunde</title>
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         <link>https://padlet.com/kcaudrey16/w8txzu6rwqgq/wish/271606447</link>
         <description><![CDATA[<div>• Eldest son of Elesin - inheritor of the power and duties of the King's Horseman<br><br>• First impression of him is in a Europeon suit - more contact with the white colonals - study medicine<br><br>• Despite the influence he still remembers traditional customs - like all younger generation ( girls and education) - " No one can undertake what he does tonight without the deepest protection the mind can concieve"<br><br>• Understands both white &amp; Yuruba culture, but understanding does not reflect favourably on the whites - "You have no respect for what you do not understand" - "You believe that everything which appears to make sense was learnt from you" - "What would you give name to that?"&nbsp;<br>Unlike the whites who critisize blindly/without understanding<br><br>• Responsible son/Yuruban - carries out the ritual suicide after his father failed to do so<br><br>• Understand the ills of both societies and attempts to heal the sickness brought about by his father's failure by going on life instead</div>]]></description>
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         <pubDate>2018-08-01 00:20:38 UTC</pubDate>
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         <title>JOSEPH</title>
         <author></author>
         <link>https://padlet.com/kcaudrey16/w8txzu6rwqgq/wish/271606448</link>
         <description><![CDATA[<div><br>- HOUSEBOY</div><div>- CHRISTIAN CONVERT&nbsp;<br>-“MIX ME UP”-THE DRUMMING RESONATED WITH THE NATIVE ROOTS IN HIM. (PARALLEL WITH OLUNDE)</div><div><br>SUMMARISES THE MAIN INCIDENT<br>ONLY APPEARS IN SCENE 2<br>- TO SHOW THAT A PERSON THAT LEAVES THE CULTURE BECOMES A SLAVE, A “BOY”.&nbsp;<br>EVEN AFTER HE TAKES THE SIDE OF THE COLONIALS HE IS NOT MUCH RESPECTED THAN BEFORE.<br>RESPECTS NATIVE CUSTOM EVEN AFTER CONVERSION (CONTRAST WITH PILKINGS)</div>]]></description>
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         <pubDate>2018-08-01 00:20:38 UTC</pubDate>
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         <title>AMUSA</title>
         <author></author>
         <link>https://padlet.com/kcaudrey16/w8txzu6rwqgq/wish/271606604</link>
         <description><![CDATA[<div><br>- SERGEANT<br>- REFUSED TO SPEAK TO THE PILKINGS IN EGUNGUN SUIT&nbsp;<br>&nbsp; “I NO FIT”<br>- “IS LIKE TALKING AGAINST GOVERNMENT TO PERSON IN THE UNIFORM OF POLICE”<br>- RESPECTS THE YORUBA CULTURE ALTHOUGH IS A MUSLIM<br><br>SCENE 3<br>“MANAGES TO PRESERVE SOME DIGNITY THROUGHOUT”<br>- RESPONSIBLE MAN, ALSO ECHOES THE THEME OF DUTY&nbsp; &nbsp; “PERFORMANCE OF MY DUTY”<br>SIGNIFICANCE OF AMUSA<br>ELEVATES WOMEN’S POSITION IN THE MARKETPLACE<br>ALLOWS THE PORTRAYAL OF REBELLION OF THE YORUBA PEOPLE AGAINST THE COLONIALS</div>]]></description>
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         <pubDate>2018-08-01 00:22:00 UTC</pubDate>
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         <title></title>
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         <link>https://padlet.com/kcaudrey16/w8txzu6rwqgq/wish/271607204</link>
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         <pubDate>2018-08-01 00:28:01 UTC</pubDate>
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         <title></title>
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         <pubDate>2018-08-01 00:28:09 UTC</pubDate>
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