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      <title>Cuenca del río Otún by </title>
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      <description>Me interesa analizar los cuerpos de agua que puedo encontrar en este territorio a través del concepto de forma propuesto Levine</description>
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      <pubDate>2024-04-09 00:09:54 UTC</pubDate>
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         <title>Agua de rio</title>
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         <description><![CDATA[<p>¿Qué formas se hacen en el río?</p>]]></description>
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         <title>Agua de rio</title>
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         <title>Agua de rio</title>
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         <title>El río como sujeto de derechos</title>
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         <pubDate>2024-04-09 01:02:42 UTC</pubDate>
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         <pubDate>2024-04-09 01:04:16 UTC</pubDate>
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         <title>¿Dónde queda el Rio Otún?</title>
         <author>georginamontoya</author>
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         <pubDate>2024-04-09 01:04:44 UTC</pubDate>
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         <title>El rio como ficción</title>
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         <pubDate>2024-04-09 01:08:09 UTC</pubDate>
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         <title>Agua de rio</title>
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         <description><![CDATA[<p>¿Qué formas se hacen en el río?</p>]]></description>
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         <pubDate>2024-04-09 01:09:45 UTC</pubDate>
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         <title>Agua de rio</title>
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         <description><![CDATA[<p>¿Qué formas se hacen en el río?</p>]]></description>
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         <pubDate>2024-04-09 01:09:58 UTC</pubDate>
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         <description><![CDATA[<p>El rio no es solo una linea - el rio es un dibujo</p>]]></description>
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         <pubDate>2024-04-09 01:10:40 UTC</pubDate>
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         <title>Rio escultor de piedras</title>
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         <pubDate>2024-04-09 01:17:52 UTC</pubDate>
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         <description><![CDATA[<p>En el territorio del Paisaje Cultural Cafetero (patrimonio de la humanidad) se encuentra el Río Otún, renombrado como río escultor de piedras por el compositor Luis Carlos González en un verso del bambuco titulado Pereira. A partir del verso, se produjo un nuevo bambuco que reivindica la autonomía del raudal como sujeto creador y señala su presencia cerca al centro de Pereira. La obra se presenta como deriva creativa del río; evidencia su valor patrimonial así como las condiciones de este y sus vecinos, y cuestiona la responsabilidad de las entidades públicas, privadas y de los ciudadanos.</p>]]></description>
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         <title>Investigación</title>
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         <pubDate>2024-04-09 01:20:56 UTC</pubDate>
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         <title>¿cómo suena este río?</title>
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         <pubDate>2024-04-09 01:26:54 UTC</pubDate>
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         <title>Agua de rio</title>
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         <description><![CDATA[<p>¿Qué formas se hacen en el río?</p>]]></description>
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         <title>Agua de rio</title>
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         <description><![CDATA[<p>¿Qué formas se hacen en el río?</p>]]></description>
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         <title>Plan de ordenación y manejo de la cuenca hidrográfica del Río Otún</title>
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         <title></title>
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         <description><![CDATA[<p>1. Las formas que se le dan a los cuerpos de agua.</p><p>2. Las prácticas que permiten dar o descubrir estas formas.</p><p>3. Lo que estas formas facilitan o permiten ("afford").</p><p>4. Aquello que ustedes consideren que queda excluido de estas formas, lo que deforma y desborda.</p>]]></description>
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         <title>MAURICIO RIVERA HENAO</title>
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         <title>Freddy Clavijo</title>
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         <title>Cantos de la montaña y radiofonía cafeteras</title>
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