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      <title>In your opinion: Are you in favor of artifacts being returned to their countries of origin, regardless of the political/social climate. Or are you against and you feel they should remain in a museum. by Melanie Osborn</title>
      <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw</link>
      <description>If you think artifacts should be returned to their country of origin, post your response in the &quot;In Favor&quot; section. If you think artifacts should stay in the museum, post your response in the &quot;Against&quot; section. Provide a short explanation for why you feel that way. And it&#39;s ok if your opinion doesn&#39;t match exactly one or the other - you can explain in your response! PLEASE INCLUDE YOUR FIRST AND LAST NAME</description>
      <language>en-us</language>
      <pubDate>2024-06-27 18:57:24 UTC</pubDate>
      <lastBuildDate>2025-09-29 04:00:18 UTC</lastBuildDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3583123290</link>
         <description><![CDATA[<p>I feel as though they should be in a museum so people like us see them no matter how old the objects they are. Looted objects should be returned to their country of origin because another place stole it, it is not theirs so they do not have the right to keep it. Especially if it will go in a museum one day, they want to make sure it is the right place. In the article, "Met museum is returning looted ancient art to Cambodia and Thailand," Barco says, "Thirteen of the works are being returned to Cambodia in concert with an investigation from the U.S. Attorney's Office of the Southern District of New York and Homeland Security" (Barco). Returning it to it's rightful place is important. I think preserving objects in museums help protect it because if they do not then it was never there. Some people believe if they do not see something then it was never true to begin with. The people that are in favor for the artifacts being returned to their countries, what do you think? </p><p>-Faith Durden   </p>]]></description>
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         <pubDate>2025-09-13 14:08:29 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3585760847</link>
         <description><![CDATA[<p>Personally, I believe that looted artifacts should be returned to the countries they were taken from. These items are more than just old objects; they represent the history, identity, and culture of the people who created them. When taken out of their original context, they lose their meaning. For example, the Met's decision to return stolen art to Cambodia and Thailand (NPR, 2023) shows that there’s growing recognition that these artifacts rightfully belong to the people of those countries.</p><p>I actually touched on this subject in my art history class, and it sparked a lot of interesting discussions about the ethics of museum collections and repatriation. While museums argue that they preserve these items for the public, it’s important to consider whether it’s fair to hold them in places where they were taken without permission. Instead of keeping everything in Western museums, I think there’s a better way to balance preservation and cultural respect. Artifacts could be loaned to museums for exhibits or displayed in the countries where they belong. That way, people can still learn from them, but the artifacts are in the places they were made, which respects their cultural importance.</p><p>Returning these items isn’t just about rectifying a past mistake; it’s also about giving people back something that is rightfully theirs. This could be an essential step toward healing old wounds and building a fairer and respectful relationship between nations.</p><p>-Jennifer Martinez</p>]]></description>
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         <pubDate>2025-09-15 15:41:42 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3588015436</link>
         <description><![CDATA[<p>In my opinion, I do believe artifacts should be returned to their country of origin, especially if they were taken through looting. I believe artifacts should stay in the country they originated from since they represent a large portion of the historical and cultural significance of that nation. I believe these objects hold a big part of a culture’s identity, and housing them in a different place might cause people to undervalue their true meaning. The Vox video about the British Museum showed how many of its most famous collections, like the Benin Bronzes from Nigeria, were taken by force during colonial invasions. This is completely unfair since it is an injustice that deserves to be corrected. Many of the Nigerian people will never have the opportunity to explore a crucial part of their history. Its important for museums to protect history my promoting shared stewardship instead of ignoring the pleads for stolen artifacts. </p>]]></description>
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         <pubDate>2025-09-16 16:14:49 UTC</pubDate>
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         <author>johnsonbryce394</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3590888875</link>
         <description><![CDATA[<p>I think the countries of origin should own cultural artifacts. While museums preserve history, keeping stolen heritage in Western institutions erases the cultures they came from and denies rightful ownership. According to npr, the Metropolitan Museum of Art agreed to return 16 artifacts to Cambodia and Thailand after investigations revealed they were stolen during periods of civil unrest and trafficked. Those artifacts are more than just art, they are sacred connections to identity of the culture. Looted objects should always be returned to their country of origin because they were taken without consent and often hold deep cultural, spiritual, and historical meaning for the people who created them. Preserving objects in museums can protect history, but when those objects were looted or taken without consent, it can also erase history from the communities they came from. </p><p><br/></p><p>- Bryce Johnson</p>]]></description>
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         <pubDate>2025-09-18 01:38:38 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3592461553</link>
         <description><![CDATA[<p>I think looted cultural artifacts should be returned to their home countries because they’re part of those cultures’ history and identity. The NPR article explained how the Met gave back sculptures to Cambodia and Thailand after realizing they were stolen during war, and that shows how important repatriation is. These objects weren’t just decorations, they were sacred and meaningful to the people who made them. Some people argue that museums protect and preserve artifacts, like the Khan Academy article mentioned, but preserving isn’t the same as respecting ownership. Even if museums can keep objects safe, they shouldn’t hold onto things that were taken unfairly. To me, returning artifacts helps repair past wrongs and shows respect to the communities they belong to. That matters because these cultures are still alive today, and their history shouldn’t be locked away in a foreign museum. -Allison Teschendorf</p>]]></description>
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         <pubDate>2025-09-18 17:41:58 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3592567911</link>
         <description><![CDATA[<p>I feel artifacts should be returned to their countries of origin. If the artifact is part of their culture it should be there. I do think museums preserve artifacts but it's not their home. Artifacts should stay where they belong. The NPR article explained how the Metropolitan Museum of Art gave Cambodia and Thailand artifacts back after finding out they had been stolen. That's how it should be. Artifacts mean a lot to people and their cultures. Any artifacts that have been stolen should be returned.  </p><p>-Marley Rogers</p>]]></description>
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         <pubDate>2025-09-18 19:07:49 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3592695554</link>
         <description><![CDATA[<p>I believe artifacts should be returned to their countries of origin. These artifacts have deep and personal meaning that not everyone can understand sometimes. These items represent where they came from and often hold a story or meaning of the place they originated in. Keeping these objects in their place of origin ensures they will be kept safe in a respectful way, but also gives others the opportunity to be educated about these objects from those who know more about them. The SF Chronicle mentioned how Thailand's efforts to reclaim its stolen artifacts were emotional to the villagers, especially for those who originally discovered them. These artifacts hold great value to their place of origin that no museum can understand or respect as much as the original place of origin. It should be up to the countries how the artifacts are handled and kept, and how they choose to let the rest of the world view them. </p><p>-Emily Purvis</p>]]></description>
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         <pubDate>2025-09-18 21:58:14 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3592752615</link>
         <description><![CDATA[<p>I think artworks that were looted or taken under shady circumstances should be returned to their countries of origin. For example, the Met recently returned looted sculptures to Cambodia and Thailand after evidence showed they were illegally taken during times of conflict. These pieces are more than just beautiful objectsthey carry deep cultural and spiritual meaning for the communities they came from. Keeping them locked up in Western museums feels like continuing the harm.</p><p>At the same time, I get why some argue that big museums protect and showcase art for global audiences. But the Khan Academy reading makes a good point Whose art is it? is a question that isn’t just about ownership it’s about respecting cultural identity and history. If we can repatriate art and still build international partnerships for display or traveling exhibits, we can honor both access and rightful ownership. There is always the concern of returning artwork to countries that are currently in conflict. I think that those specific situations should have a focus on preserving the artifacts as a priority. </p><p>So my stance is that repatriation is the right thing to do, especially when there’s clear proof of theft. But it doesn’t have to mean we lose global access to art it just means we respect where it came from first.</p>]]></description>
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         <pubDate>2025-09-18 23:31:38 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3593073468</link>
         <description><![CDATA[<p>I feel like I take a neutral stance in this debate. Antique crafts can hold a lot of meaning to people so I feel like it being displayed around the world in a different location than its origin is not necessarily wrong but feels more like a spread of culture. However, this is dependent on the conditions. I feel like the fact the objects were looted is part of the artifact’s story and returning it without any request feels less like courtesy and more like they’re trying to erase that. Unless the country wants the item back, I don’t think it should always be returned. If the original country is fighting for or asking to get their artwork back, I think it should be sent back as soon as possible. On the San Francisco Chronicle, in the article titled “San Francisco’s Asian Art Museum to return four ancient Thai sculptures looted in the 1960s” authors Aidin Vaziri and Tony Bravo explain Thailand waited for more than half a century for Four ancient bronze sculptures looted from them to return to home. They expanded on this by saying “Thailand’s efforts to reclaim cultural artifacts and brings emotional closure”. I think that museums are best for protecting art pieces since most times sculptures and art pieces will be carefully put on display, often behind a casing, with a short caption about it. Ownership of artifacts from cultures comes with the responsibility to protect it, preserve it, and display it, so I believe museums should own the cultural artifacts.</p>]]></description>
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         <pubDate>2025-09-19 02:26:53 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3593073468</guid>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3593501386</link>
         <description><![CDATA[<p>Personally, I believe artifacts obtained illegally should be returned to their country of origin. &nbsp;I believe when the artifacts are in other countries the value of the artifact is less because people visit for curiosity instead of any significant personal feelings. &nbsp;Artifacts hold significant meaning and history for people.&nbsp; &nbsp;On the video “The British Museum is full of stolen artifacts,” Professor Chika Okeke-Agulu describes how he felt the first time when he traveled out of his country to see artifacts from his own country. &nbsp;He stated, “Anger. Mixed with a sense of loss at which what could have been if I only had to travel a few hundred miles.”  &nbsp;While I feel artifacts should be returned to their country for people to enjoy and learn. I also think they should be placed in museums for preservation and to be able to tell their history to the population instead of them being hidden from others. &nbsp;&nbsp;</p><p>Kellee Tucker</p>]]></description>
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         <pubDate>2025-09-19 06:49:11 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3593955736</link>
         <description><![CDATA[<p>In my opinion, I think it's fair for artifacts to be returned to their own countries. Afterall, I think there would be more benefit because it would allow the people of that country to be able to appreciate the artifacts created by their own ancestors. Returning these artifacts can help unite and strengthen people as they learn and celebrate their history. The article by San Francisco Chronicle stated that "The long-awaited repatriation marks a milestone in Thailand’s efforts to reclaim cultural artifacts and brings emotional closure for at least one of the villagers who originally discovered them." This shows that there can be emotional ties to these artifacts, proving that it's important for them to be returned to their home country. Preserving artifacts is very important, and museums are great for that. However, if they are going to be in a museum, it should at least be a museum inside the country it's from. </p><p><br/></p><p>-Aaron Higginbotham</p>]]></description>
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         <pubDate>2025-09-19 13:05:37 UTC</pubDate>
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         <title></title>
         <author>ardisan_jaques</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594044420</link>
         <description><![CDATA[<p>I believe that ancient artifacts that are stolen or illegally sold to museums or collectors should be returned to the original country. In the Vox video “<em>The British Museum is full of stolen artifacts,</em>” they told the story of how Great Britain invaded Benin and looted many of their artifacts. This makes all the artifacts from the Benin people stolen and not legally the British. People might try to say that more people can see the artifacts compared to if they were in a museum in their home country. But this comment undermines the fact that these artifacts were not sold off by the Benin people for money but stolen and used to fund the battle against Benin, and now to get the artifacts back to their home country, they can only borrow them. Artifacts that were proven to be stolen or sold off illegally should be returned to their home country so that the people there can learn about their own history without traveling to another.</p>]]></description>
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         <pubDate>2025-09-19 14:04:40 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594191089</link>
         <description><![CDATA[<p>In my opinion, I think countries should own their artifacts. Looted objects should always be returned to their country of origin. In San Francisco's Chronicle, it states, ". . .brings emotional closure for at least one of the villagers who originally discovered them." This phrase is talking about the returning of a couple of artifacts that were looted from Thailand. Though some people may argue that others are able to learn from artifacts in other countries, it defeats the purpose of exploring other countries. The whole point of traveling is to explore other parts of the world that are only read about in textbooks. Preserving artifacts in a museum do protect history, however, the artifacts should be in the museum of the original country. </p>]]></description>
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         <pubDate>2025-09-19 15:47:26 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594272168</link>
         <description><![CDATA[<p>I believe looted cultural artifacts should be returned to their countries of origin because they are part of a community’s living history, not just objects to be displayed. As the <em>Vox</em> video on the British Museum explains, many artifacts were taken during colonization or conflict, often without permission. Keeping them in Western museums might preserve the object itself, but it separates it from its cultural and spiritual meaning. At the same time, museums can help protect and educate people about history, especially when objects are legally acquired or at risk in their home countries. In cases where artifacts that were taken unfairly, like the Khmer sculptures recently returned by the Met, when they were given back it was more of a way to do what’s right and return an important part of history to the people it belongs to and not just moving them from one place to another. This matters because how we handle these artifacts shows whether we respect history as a living part of people’s culture or just as things to display.</p>]]></description>
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         <pubDate>2025-09-19 16:56:37 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594397432</link>
         <description><![CDATA[<p>I think that artifacts should be returned to their original cultures.  This is because returning the artifact would heal what is lost to who originally owned the artifact. Because most of the time, we do not know the importance that those artifacts have on those cultures. People can have a emotional connection to these items of importance. We see this in the San Francisco Chronicle where people showed emotions of happiness when the cultural artifact was returned. Another important thing to note is that you should always give back what was taken. It shows cooperation and mutual respect between the museum and the culture of which the artifact was token from. If we return the artifacts, we could collaborate with the original source of the artifact so that we can better understand the true meaning behind the work and the cultural importance of it. Having the return of these artifacts and learning the full story of them can enhance the museum experience.</p>]]></description>
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         <pubDate>2025-09-19 19:01:08 UTC</pubDate>
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         <author>qtv9h6y755</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594409349</link>
         <description><![CDATA[<p>I believe that the artifacts should be returned to their place of origin. Some of these pieces have been stolen from their place of origin. In the NPR article ‘Met Museum Is Returning Looted Ancient Art to Cambodia and Thailand’ they mention how there was an investigation that some of the art had been “shamelessly stolen” and “smuggled”. It is like kidnapping these pieces of art. It belongs in its home. These pieces of art might teach us more about their culture but it is THEIR culture, not ours. If someone had stolen something of mine and put in on display for their benefit I would be upset. So why shouldn’t they get to keep their art!</p>]]></description>
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         <pubDate>2025-09-19 19:15:30 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594532059</link>
         <description><![CDATA[<p>Hello,</p><p>I believe these artifacts should be returned to their country of origin, especially when the artworks were stolen property. In "The British Museum is Full of Stolen Artifacts" by Vox, the video explains that the British invading Benin was driven by revenge and solidified by the economic enterprise that the wealth of the stolen artifacts would bring. The history being presented in the museum is not only the history of ancient artwork but also the history of the invasion. Whereas, if the artwork had resided in its country of origin, the culture that surrounded it would amplify the experience of such history. It is wrong to claim ownership over something because it is wanted to be seen by the majority. The artist is who should get to decide where the piece should go and if they are no longer around, then it should be surrounded by its roots.</p><p><br/></p><p>-Brianna Roth</p>]]></description>
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         <pubDate>2025-09-19 23:12:38 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3594533395</link>
         <description><![CDATA[<p>Greece wants the <strong>Parthenon Marbles that the British Museum has, as seen in this video, </strong><a rel="noopener noreferrer nofollow" href="https://youtu.be/_q_anSjKpIM?si=WV7Pl41xHDAqPNXJ">https://youtu.be/_q_anSjKpIM?si=WV7Pl41xHDAqPNXJ</a></p><p>I feel the UK should give back the marbles so that the collection that is on display is more complete in the museum that was designed facing the remains of the Parthenon in Greece. But should all artifacts from all over the world be returned to their countries of origin? I would say no. The museums that have protected and displayed art and artifacts from ancient times from all over the world should not be blamed for having these items. These museums have spared history with the local community and travelers. Where I can understand the countries wanting their culture's history and identity back in their homeland, the question that a raises for me is- What if the original country is incapable of preserving the artifacts and keeping them safe on display? If the items are returned to a country that is at war or economic distress the history of those items would be lost. I think if art and artifacts are to be returned there should be rules and regulations to protect them to guarantee the item's safety and view for the public.   </p>]]></description>
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         <pubDate>2025-09-19 23:16:13 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595058735</link>
         <description><![CDATA[<p>Nikkole Smith</p><p><br></p><p>In my opinion, I believe all stolen art should be returned to their countries of origin because it is the right thing to do. These pieces of art mean something to the people of the countries they originated from. The art represents culture and history that the people of the original country can identify with. I do not think they should have to travel across the world to view art that their ancestors created. I think the sense of control the museums are trying to hold over the countries requesting their items back is incredibly wrong. Western museums have the ability to educate people worldwide whether it be online through images of art or creating replicas to display in person. The story of the Benin Bronzes that were looted by the British in 1897 story stood out to me. I think they should be returned to Nigeria immediately. I appreciated that a grandson of one of the British looters returned a few artifacts back to the Nigerian people. I think that alone speaks volumes. Restore humanity and send all stolen art back to its country of origin!</p>]]></description>
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         <pubDate>2025-09-20 14:27:50 UTC</pubDate>
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         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595200011</link>
         <description><![CDATA[<p>I believe that cultural artifacts belong to their country of origin when looted or stolen in the past. Cultural artifacts should be displayed throughout the world so that they can be shared with all people but only if that artifacts origin country wishes that art to be internationally displayed. Looted objects should always be returned to their origin country. In the video "The British Museum is full of stolen artifacts" Professor Chicka Okeke-Agula refers to the stolen artifacts from Nigeria when he says "They told their history" and "its political and social life." This supports the idea that these stolen artifacts are very important aspects of the history of Nigeria before they had written records. Artifacts represent the past for countries that don't have other ways of understanding their past. Museums have a vital role in helping to protect history by preserving objects of the past and allowing the present generations to understand those artifacts. </p>]]></description>
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         <pubDate>2025-09-20 17:17:02 UTC</pubDate>
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         <title></title>
         <author>gavinddaniels</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595207804</link>
         <description><![CDATA[<p><strong>My Position: Cultural Artifacts Should Be Returned When They're Looted or Sacred</strong><br>I think cultural artifacts should belong to their countries of origin especially if they were stolen or hold deep cultural or religious meaning. That said, it depends on the artifact and how important it is to the culture it came from. Looted objects should always be returned, because keeping them is like continuing the harm that started when they were taken. Preserving artifacts in museums can help protect history, but only if it’s done respectfully and not for profit. If artifacts are passed around or sold privately, they lose their cultural meaning and just become something people see as valuable in money, not history. In the NPR article about The Met returning 16 looted artifacts to Cambodia and Thailand, it’s clear these works were stolen during times of war and sold illegally by a dealer running a trafficking network. The Met is now taking steps to return them and improve how they collect art, which shows that repatriation is possible when museums take responsibility. Returning artifacts helps restore trust and gives cultures back part of their identity.</p>]]></description>
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         <pubDate>2025-09-20 17:27:28 UTC</pubDate>
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         <author>jkowalski5192</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595238386</link>
         <description><![CDATA[<p>Cultural artifacts definitely should be returned to their home country if they were looted. The situation with the Benin bronzes and other artifacts that were stolen is heartbreaking. Some of these pieces were “visual archives of the kingdom in a society that did not develop written script” Professor Chicka Okeke-Agulu told Vox in a video called, <em>The British Museum is Full of Stolen Artifacts</em>. The idea that this museum is one of several Institutions that are in possession of Nigerias only copy of their own history feels wrong. These artifacts should be left for the people of that country. Stealing is wrong regardless of when it took place. It is inspiring to see that some of these items have made their way back to their country of origin and there are still people out here doing the right thing.</p>]]></description>
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         <pubDate>2025-09-20 18:11:44 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595238386</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595249655</link>
         <description><![CDATA[<p>I tend to always find myself in a nuanced middle ground. I feel like I am a very unopinionated person. I seldomly see things as black or white. Most of the time I find that I see both sides. Of course, I usually find myself favoring a side, I think that’s only natural.</p><p>Do I think that these pieces should be returned to the countries the artifacts were stolen from? Absolutely. Especially if the country is advocating for their return. In the case of the Prakonchay artifacts in San Francisco, Thailand has been trying to reclaim these pieces.</p><p>On the other hand, visiting these museums is like having an entire world history and cultural lesson. It helps us learn and understand other places, times and cultures. Without those pieces there to see, we may never know about or care to learn about them. It should be kept in mind that if education and knowledge is wanted to continue, then these pieces play vital roles.</p>]]></description>
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         <pubDate>2025-09-20 18:28:35 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595249655</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595356350</link>
         <description><![CDATA[<p>I believe looted cultural artifacts should be returned to their countries of origin because they are more than just historical objects, but they are part of a living culture’s identity. The NPR article about the Met returning Cambodian and Thai artifacts shows how important repatriation is for healing past injustices, since many of those items were stolen during times of colonialism and conflict. While some argue that museums preserve artifacts better, keeping them in Western institutions usually strips them of their cultural meaning and prevents local communities from engaging directly with their heritage. By returning artifacts, we allow history to be told in its rightful context and give nations the chance to reclaim their narratives. This matters because cultural heritage is not just about the past, it shapes how communities understand themselves today and into the future!</p><ul><li><p>Carolynne Owens </p></li></ul>]]></description>
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         <pubDate>2025-09-20 21:56:32 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595356350</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595482906</link>
         <description><![CDATA[<p>Personally, I believe that artifacts should belong to the countries they originated from. These items hold deeper meanings to them than another country would be able to understand. Cultural artifacts help preserve culture of the originated country. In the SF Chronicle, it summarizes that people in countries that the artifact originates from, appreciate and are excited for original artwork and sculpture to return to their homes. Artifacts should be in countries where they originate from and where they were created. When people want to see certain pieces, they should travel to the home lands of that country. To go along with this, there are also many evidences of theft of artifacts. In both articles, it states that artifacts have been stolen from other countries or art museums. With them being stolen, it is only right that they be returned to where they rightfully belong, their home country. </p>]]></description>
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         <pubDate>2025-09-21 04:05:44 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595482906</guid>
      </item>
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         <title></title>
         <author>littia_tucker</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595489723</link>
         <description><![CDATA[<p>I’m in the middle in regard to this debate, I can see both sides of it. I believe they are both important. I believe stolen artifacts should be given back to their country as it would be the right thing to do. The artifact itself is not only a part of history, but where it came from is too. I think as a respect to history, it would be right to bring it back “home”. &nbsp;However, who could say that it won’t get stolen from its origin? On the other hand, I believe museums play an important role as well. The Khan Academy article brought up an interesting point, “If all museums returned objects to their countries of origin, a lot of museums would be nearly empty.” The article also brought up how some countries may not be able to have a safe facility to display them and therefore, they would be safer where they are now. I believe that museums are an important factor to consider. Museums not only display art but also inspire people and teach people about history. What if the artifacts are sent back to their countries, and the museums would be empty, or no longer exist? How would the majority learn about different cultures, history, and their significance? Museums can help keep history alive and not forgotten about. In conclusion, I think both sides are important. It would be respectful to the culture and history to send it back home. On the other hand, Museums help keep history and culture intact, and is an evolving learning opportunity for the public.</p><p>-Littia Tucker</p>]]></description>
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         <pubDate>2025-09-21 04:18:09 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595489723</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595501594</link>
         <description><![CDATA[<p>In my view, cultural artifacts that were taken under colonial rule or through looting should not remain in Western museums. The Vox video about the British Museum explained how thousands of objects were acquired without the consent of the cultures they represent. Leaving them on display in London or New York might protect the physical items, but it risks silencing the people and traditions behind them. Returning artifacts gives countries the chance to tell their own history on their own terms, while museums can still contribute by lending conservation expertise or creating international exhibits. Ultimately, cultural heritage is more than preservation it is about justice, identity and respect for the communities these works come from.</p>]]></description>
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         <pubDate>2025-09-21 04:49:59 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595501594</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595514145</link>
         <description><![CDATA[<p>I strongly believe that looted cultural artifacts should be returned to their countries of origin because they belong to the people and places they came from. In the NPR article about the Met Museum, it talks about how stolen art was finally sent back to Cambodia and Thailand, which helped those countries reconnect with their history. Museums might protect these items, but keeping them without permission is like hiding part of someone else’s story. When artifacts are returned, it shows respect and helps teach history the right way. Museums can still show these items by borrowing them instead of owning them forever.</p>]]></description>
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         <pubDate>2025-09-21 05:21:50 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595514145</guid>
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      <item>
         <title></title>
         <author>nolan_kinkead</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595517508</link>
         <description><![CDATA[<p>I believe under most circumstances, looted artifacts should be returned to their country of origin. As long as it is being returned to people who intend to care for it, there should be no problem. These artifacts are, in many cases, integral to the cultures they originate from. It's only right that they git to enjoy it first and for most before anyone else.  However, what worries me is that you might return these artifacts to a less favorable political/social climate. They might intended to destroy these artifacts to silence it’s cultural meaning if it doesn't align with their current government or the majority's views. In this case, i feel protecting the object is more important then returning it to its original owners.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-09-21 05:30:17 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595517508</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595742845</link>
         <description><![CDATA[<p>I believe that artifacts that were looted from its original place should be returned back.</p><p>These artifacts are more than just history to these countries, They're part of people's culture, identity, and pride. Keeping the artifact in foreign museums takes away the connection that communities have with their own past. A good example is the decision by</p><p>San Francisco's Asian art museum to return four ancient Thai Sculptures that were looted in the 1960s.( SF Chronicles, 2025) .</p><p>Move like this shows respect for the people whose heritage was taken and allow those artifacts to be preserved and appreciated in their original culture. If these artifacts were not sent back to the people from the country of the artifact, they lose more and more knowledge about their cultures history.</p><ul><li><p>Marquis McKnight</p></li></ul>]]></description>
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         <pubDate>2025-09-21 12:25:35 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595742845</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595905536</link>
         <description><![CDATA[<p>I believe cultural artifacts should ultimately belong to their countries of origin, especially when they were looted or acquired under colonial rule. While museums play a vital role in preservation and education, they must also acknowledge the ethical implications of holding objects that were taken without consent. In the video “The Great Return: Should Museums Give Back Looted Art?” from PBS NewsHour, experts highlight how returning artifacts can help restore cultural identity and heal historical wounds. For example, Nigeria’s push to reclaim the Benin Bronzes is not just about ownership but about reclaiming a narrative that was stolen along with the art.</p><p>I recognized the value of shared global access. In some cases, long-term loans or rotating exhibitions could allow both origin countries and international audiences to benefit. But the default should be restitution, especially when the object's removal involved violence or exploitation. Preserving history doesn’t mean erasing it. Museums must evolve from being keepers of culture to collaborators in cultural justice.</p><p>Artifacts are more than just objects; they are symbols of heritage, pride, and resilience. Returning them is not just about giving back to the original birthplace of these artifacts </p>]]></description>
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         <pubDate>2025-09-21 15:28:35 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3595905536</guid>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596040933</link>
         <description><![CDATA[I think that cultural artifacts should be owned by their country of origin. I think countries should have the ability to display them in museums around the world but it should be done under a government contracts, especially if returning  stolen artifacts involves the department of Homeland security. We should always return looted objects, their cultural significance may outweigh their monetary value. I think preserving objects could have both erase or protect history. It depends on where the museum is. This is also why I believe all looted objects should be returned. Displaying it in a different country gives them the opportunity to wash out the original history of the object.]]></description>
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         <pubDate>2025-09-21 17:55:51 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596040933</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596054822</link>
         <description><![CDATA[<p>I would say I have a mixed stance on this antiquities debate. Like many things in my opinion this issue really has two sides that I believe should work together for the best solution. I do agree that any artifacts stolen from a country or even just an individual somewhere else should be returned as soon as possible. “It [art reparation] is morally correct, and reflects basic property laws, that stolen or looted property should be returned to its rightful owner” (Khan Academy, para. 2). This explains well that as a civilization we are morally obligated to return items our ancestors may have stolen to their rightful owner, stealing is illegal for a reason. I feel that countries as a people, not a government, should have the right to any artifact they’ve created. So looted items that were basically stolen 100 percent need to be returned to their country, but if the artifact was bought in a legal and ethical way they have given away their primary rights to it. Though I do feel a country should never lose the right to ask for an antiquity back but if it was bought the new owners have no obligation to return it. I feel like agreements should also be in place for countries whishing for their artifacts to be preserved somewhere else because they don’t have the necessary resources, then I believe the “bought” rules should not apply because the museum is simply holding them, not owning them. I think that preserving artifacts is an amazing way too protect and share history and culture. While I am not 100 percent with either side I do believe that one day a good balance of the two could be achieved for the best of all humanity and culture.</p><p>-Arianna Dutton</p>]]></description>
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         <pubDate>2025-09-21 18:12:25 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596054822</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596111989</link>
         <description><![CDATA[<p>I believe that artifacts should remain in their country of origin, regardless of the political/social climate. To put it simply, it's their culture and history, not ours. While it is excellent to learn about other cultures and the history of them, it is not good if we keep the looted artifacts of other countries. If it's looted, it's stolen. Would you want someone to take something incredibly important to you and your history, and then display it at their own home? No, obviously you would not. This is why we should return stolen artifacts to their countries of origin. However, if a country would give a museum permission to display their artifacts, that is completely okay. Museums can keep artifacts safe and condition them to prevent further wear and tear on them. They usually provide guests with info on each artifact, allowing them to learn. These artifacts are not stolen, and that is the major difference between these ones and looted artifacts. A prime example of this would be The Met containing looted artifacts from Cambodia and Thailand (NPR, 2023). They realized that some of the artifacts they had were stolen, and noted that the provenance of said artifacts is crucial to being able to keep them morally. They returned the looted artifacts, and stated that they are "committed to pursuing partnerships and collaborations with Cambodia and Thailand [...]." They took accountability and ensured that the looted artifacts returned to their country of origin.</p><p><br/></p><p>-Lillian Oesch</p>]]></description>
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         <pubDate>2025-09-21 19:23:33 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596111989</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596113776</link>
         <description><![CDATA[<p><br></p><p>Personally, I am in favor of returning artifacts to the countries of origin. For example, the British Museum is a very controversial institution when it comes to the topic. According to the Video created by Vox titled “ The British Museum is full of stolen artifacts,” they give a specific example with an artifact called the Benin bronzes. They then specify the kinds of artifacts, including engraved ivory tusks, bronze sculptures, and Plaques. They then go more into detail on the history of such artifacts, stating how "a lot of the adorned walls were used for religious rituals,” as well as “They were visual archives of the kingdom. However, as Britain grew, so did its taste for taking and displaying such artifacts. They were able to do this due to the financial exploitation they had over Africa. With that, I think that the very fact that the museum still has these artifacts is truly an insult to Nigeria's culture and history. This is more than sculptures and precious ivory; it is a story of how the Beniem kingdom came to be. Having these artifacts in the British Museum also strips Nigerians of the chance to connect with their culture, which, as we know, is integral to the way people grow and ground themselves. And although there is an argument that these museums are here to preserve such artifacts, we must also understand that they are doing so with a significant gain to their reputations and profits. To conclude, I believe artifacts should be returned to their countries of origin, as it can help restore that sense of culture and unity that is currently fleeting in the modern day.&nbsp;</p>]]></description>
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         <pubDate>2025-09-21 19:26:17 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596113776</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596128372</link>
         <description><![CDATA[<p>I believe that these artifacts should be returned to their country of origin because they play vital roles in cultural identity and history. The NPR article talks about how these items were stolen to be a part of a "trafficking network out of Southeast Asia". When items are stolen, it can deprive communities of the opportunity to connect with their own heritage. These artifacts are very valuable to these cultures. When these artifacts are returned, it restores dignity and a sense of ownership to the people they rightfully belong to. It ensures that the artifacts can be appreciated from their original context rather than being just another display case with a small description in a museum. By returning artifacts, countries can preserve their traditions, correct historical injustices, and teach their future generations. Returning the artifacts is seen as a sign of respect. This act of respect strengthens global relationships and recognizes the importance of social justice.</p><p><br/></p><p>- Jacqueline Methot</p>]]></description>
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         <pubDate>2025-09-21 19:47:24 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596128372</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596129241</link>
         <description><![CDATA[<p>&nbsp;&nbsp;My Stance on this debate is that in most cases cultural artifacts should be in the places they came from. These pieces tell a story for the people that live there today. These pieces tell different ideas and beliefs, both historical and spiritual, that their ancestors had. I think it’s important for people to have access to links of their story of origin, and the culture surrounding them. The NPR article says “The Metropolitan Museum of Art says it will return 16 ancient artifacts back to Cambodia and Thailand. The works, mostly sculptures, had been looted from those countries years ago during decades of civil war and unrest.” (NPR 2023) I think any items that were taken without permission is essentially stealing a piece of history and its wrong. &nbsp;&nbsp;</p><p>&nbsp;Museums are a great way to store, display, and protect these artifacts. I just believe these museums should be in the place where the pieces come from unless gifted to another location by the people of the place of origin. I believe it is very important for the world to access all kinds of artifacts from history and culture. This helps people understand people who are different from them and how we are connected. There are plenty of ways now that people from all over can view these pieces like we did in the collection of the met museum online. But having them in the place of origin might also encourage people to travel to different parts of the world to experience these pieces. This might bring a connection and experience of the culture, how it is in real life, and maybe give an even deeper meaning to these artifacts.</p><p>Citation:</p><p>NPR. (2023, August 8).Met Museum is returning looted ancient art to Cambodia and Thailand. NPR.</p><p><a rel="noopener noreferrer nofollow" href="https://www.npr.org/2023/12/15/1219671492/met-museum-returns-looted-art-cambodia-thailand">https://www.npr.org/2023/12/15/1219671492/met-museum-returns-looted-art-cambodia-thaila</a></p>]]></description>
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         <pubDate>2025-09-21 19:48:53 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596129241</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596163137</link>
         <description><![CDATA[<p>I am NOT in favor of artifacts being returned to their countries of origin regardless of the political/social climate. Being an Iraqi war veteran, I am disgusted by the looting that took place by US soldiers and others in the Baghdad Museum. I would love to see the artifacts returned, but not while Isis was overthrowing the nation. </p><p><br/></p><p>I would be in favor of it completely if it were dependent on the political and social climate. A stable nation that is surrounded by allies such as Nigeria is a wonderful example of one that I would like to see get its artifacts back. The conditions must be mutual, though. The British Museum's reluctance to return the items taken during the Benin Punitive Expedition needs to be overcome by negotiation. The items were not smuggled out by an art thief; they were taken by a nation from another in response to hostile action. I understand that some items may be culturally significant to the people within the country of origin, but not all artifacts are so invaluable to its people.</p><p><br/></p><p>I would love to see every item returned to its nation of origin, but the safety of the item should be the foremost thought. The secondary thought should be what is best for the world. With the counterfeiters this world has, why could we not make exact replicas of the items, mark them subtlety as copies and distribute them to museums worldwide? If done properly, the originals may be returned without losing exhibits or visitors.</p><p><br/></p>]]></description>
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         <pubDate>2025-09-21 20:43:48 UTC</pubDate>
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         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596165762</link>
         <description><![CDATA[<p>Countries of the origin deserve their cultural artifacts. I have read countries refusing to repatriate artifacts that were looted years ago. When a war ends, all looted artifacts should be returned, the hold more worth in the country of origin. If the country request for the looted artifacts to be repatriated then yes, looted items should always be returned. Thankfully, the Met agrees, "The museum takes requests for the return of objects believed to be stolen very seriously". (Vaziri, Bravo) Preserving objects in museums does help protect history. Museums have the responsibility to professionally clean sculptures, paintings, weaponry, etc., these artifacts can easily be ruined and lost with time. On the other hand, keeping multiple delicate treasures creates an easier vulnerable target for looting.</p>]]></description>
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         <pubDate>2025-09-21 20:48:03 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596220686</link>
         <description><![CDATA[<p>I would say I am in favor that artifacts should be returned to their countries of origin. These artifacts are a part of their history and culture. These artifacts have a significant meaning and are sacred to these countries. They have spiritual significance that they foster healing and identity. Two perfect examples is a Dutch museum is sending more than a hundred artifacts back to Nigeria that were looted. As Nigerian diplomat Nick Ohumoibhi said in regard to the artifacts “ It represents national identity and deem it necessary to return those artifacts is something we really cherish. It’s important because it’s like restoration of dignity.” &nbsp;Then you have Met museum returning looted Ancient Art to Thailand and Cambodia. A quote from Max Hollein, the chief executive officer of the Met, said in a statement that the museum is "committed to pursuing partnerships and collaborations with Cambodia and Thailand that will advance the world's understanding and appreciation of Khmer art, and we look forward to embarking on this new chapter together." &nbsp;Both examples showing a perfect example of making a positive step forward. This is another reason I would say that their own countries should own their cultural artifacts. I would say museums may help preserve and protect objects history as long as it’s in the country or origin. I think at the end of the day it’s shouldn’t be looked at as a monetary gain but as the principle it was a stolen item and it should be returned to its origin.&nbsp;</p><p><br/></p><p>Citations:</p><p><a rel="noopener noreferrer nofollow" href="https://youtu.be/hNJyQpTcPFg?si=gUGjsfYK338T8BV3">https://youtu.be/hNJyQpTcPFg?si=gUGjsfYK338T8BV3</a></p><p><br/></p><p><a rel="noopener noreferrer nofollow" href="https://www.npr.org/2023/12/15/1219671492/met-museum-returns-looted-art-cambodia-thailand">https://www.npr.org/2023/12/15/1219671492/met-museum-returns-looted-art-cambodia-thailand</a></p>]]></description>
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         <pubDate>2025-09-21 22:41:22 UTC</pubDate>
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         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596235174</link>
         <description><![CDATA[<p><strong><em>My Position</em></strong></p><p><br/></p><p>I believe that cultural artifacts should, whenever possible be returned to their country of origin, especially in cases where those objects were looted, stolen, or acquired under unjust colonial or coercive conditions. However, I also think there is a role for museums to serve humanity at large but only if they operate transparently, collaboratively, and with respect for the originating cultures. Without this, as well as access to these artifacts, history is bound to continue to repeat itself. </p><p><br/></p><p><br/></p><p><strong><em>Supporting Evidence</em></strong></p><p><br/></p><p>In the NPR article, it’s reported that the Metropolitan Museum of Art returned looted art to Cambodia and Thailand, recognizing that these works were taken under circumstances that did not respect the cultural ownership or heritage rights of those nations. (NPR)</p><p><br/></p><p>The Khan Academy resource on “Repatriating Artworks” argues that repatriation is not just about returning objects. It’s about restoring, cultural dignity, identity, and connections that were severed when artifacts were removed. (Khan Academy)</p><p><br/></p><p>The video of the “British Museum is Full of Stolen Artifacts” highlights how many objects in major museums have questionable provenance, and how continued retention can perpetuate injustices against cultures from which those artifacts came. (Provided YouTube video)</p><p><br/></p><p><br/></p><p><strong><em>Why It Matters</em></strong></p><p><br/></p><p>When artifacts are held far from their origin, their meaning and context can be diminished or even changed based on who obtained them. For example, local communities lose access to their heritage, ancestral narratives, spiritual practices, and identity that these objects embody. Returning looted pieces can help heal historical traumas, strengthen cultural continuity, and ensure that the communities most connected to these works can tell their own stories. Also, museums keeping such artifacts without accountability risk reinforcing colonial patterns or power and erasure.</p><p><br/></p><p>-Killian</p>]]></description>
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         <pubDate>2025-09-21 23:14:37 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596235174</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596266314</link>
         <description><![CDATA[<p>I believe cultural artifacts should primarily belong to their countries of origin, especially when they were looted or taken under unfair circumstances. The NPR article about the Met returning sculptures to Cambodia and Thailand shows the importance of repatriation in restoring cultural identity and addressing historical wrongs. At the same time, museums still play a role in preserving and sharing artifacts, as they often have the resources to protect them and make them accessible to global audiences. Preserving objects in museums can protect history, but when artifacts are displayed without context or acknowledgment of their origins, it risks erasing the deeper meaning. A balanced approach like returning stolen items while fostering partnerships between museums and countries seems like the most ethical path forward.</p>]]></description>
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         <pubDate>2025-09-21 23:53:42 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596266314</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596267530</link>
         <description><![CDATA[<p>To begin, when it comes to who should own cultural artifacts it all depends on the circumstances. For instance, if an artifact was legally sold to a museum or country, they should be able to keep it because it was a one-on-one consensual sale that was done. On the other hand, if an artifact was looted or illegally stolen in the past or present it should then rightfully be returned. For example, in the passage entitled “San Fransicos' Asian Art Museum to return four ancient Thia sculptures looted in the 1960s” the article states that there are four artifacts that were stripped away from the county in Southeast Asia centuries ago, and every sense their people have been fighting to get there property back. The author Aidin Vaziri stated, “The artifacts were allegedly smuggled out of the country in 1964 and later linked to controversial art dealer Douglas Latchford.” (Vaziri) With this being said, artifacts that originated and that were illegally taken from a country should be returned to their rightful origin. Lastly, preserving artifacts in a museum I feel does physically preserve it of course but keeping it from their own countries often erases it from their own society and remembrance. &nbsp;</p>]]></description>
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         <pubDate>2025-09-21 23:55:05 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596281611</link>
         <description><![CDATA[<p>Hello Gillian,</p><p><br/></p><p>I was reading your response and I completely agree when it comes to the importance of returning artifacts to countries it originated from, I took that same exact stance as well. The article that I referred to was "San Francisco's Asian Art Museum to return four ancient Thia sculptures looked in the 1960s" as I was reading this article the biggest thing that stuck out to mean was when the author Aidin Vaziri, mentioned that "The long-awaited repatriation marks a milestone in Thailand’s efforts to reclaim cultural artifacts and brings emotional closure for at least one of the villagers who originally discovered them." (Vaziri) The fact that just the return of the artifacts was an emotional battle and moment for the villagers just goes to show how important and sentimental the artifacts are or may be to a countries identity alone. </p>]]></description>
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         <pubDate>2025-09-22 00:09:47 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596281611</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596406197</link>
         <description><![CDATA[<p>I would say I'm definitely more neutral in this debate. I would say that looted artifacts should be returned to their original country. Most pieces have a story to them, and it's part of their culture. That's like saying your sister or brother took something very important to you and didn't give it back; you'd be pretty upset, right? And in both articles it's stated that museums have already start the process. "“We anticipate the joy of the people of Thailand in welcoming these sculptures back home, and look forward to building collaborative, equitable and generative relations with Thailand in the future,” said Natasha Riechle, the museum’s associate curator of Southeast Asian Art." However, I also believe that having artifacts from different countries in a museum has its benefits. One of the reasons museums are so popular is because you can go learn about the past of not only your own countries but others as well. It teaches us about others' histories and cultures, it helps us learn and be more aware. Museums also help preserve these artifacts and protect the history and what the artifact represents. If we take out most artifacts from museums, we take out the education that comes along with it. These artifacts are also important to young kids who go to museums, it gets them excited to learn about the world and educates them on all the different cultures, not just their own.</p>]]></description>
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         <pubDate>2025-09-22 01:20:07 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596486382</link>
         <description><![CDATA[<p>I believe cultural artifacts should be returned to their countries of origin when they were looted or taken without consent. Keeping these objects in Western museums might protect them physically, but it often erases the cultural and spiritual significance they hold for the people they truly belong to. For example, NPR reported that the Met Museum is returning dozens of looted artifacts to Cambodia and Thailand, showing how museums are starting to recognize their responsibility. While I think museums play an important role in educating the public, I also believe they can do that through partnerships, traveling exhibits, or digital archives, without keeping stolen items. Returning artifacts is about more than ownership; it’s about cultural justice, healing, and respecting the histories of the communities that created them.</p>]]></description>
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         <pubDate>2025-09-22 02:02:59 UTC</pubDate>
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         <title></title>
         <author>ctrexlerxo</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596502231</link>
         <description><![CDATA[<p>I really think artifacts should be returned to their countries of origin because they aren’t just cool museum pieces, they’re part of people’s actual history and culture. It would honestly feel weird knowing something so important to my culture was sitting halfway across the world. For example, the Met recently agreed to send 16 artifacts back to Cambodia and Thailand, including this goddess statue that had been stolen during wartime. That kind of proves the point that if they were taken unfairly, why shouldn’t they go back?</p><p>Even if a country isn’t perfect politically or socially, I feel like it’s still theirs, and they should get to decide what happens to their own stuff. Museums can still share those stories through photos, digital models, or traveling exhibits. Honestly, we live in a time where you can look up anything online or even see 3D versions, so there’s really no excuse to keep holding on to things that don’t belong to us. At the end of the day, artifacts aren’t just pretty decorations, they’re pieces of identity. If it were my culture, I’d definitely want them back.</p><p><br/></p><p>- Christina Laurencin</p>]]></description>
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         <pubDate>2025-09-22 02:10:33 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596502231</guid>
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         <title></title>
         <author>kinyota_may</author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596505484</link>
         <description><![CDATA[<p>Kinyota May</p><p><br></p><p>I believe that looted cultural artifacts should be returned to their countries of origin because they hold deep cultural, spiritual, and historical meaning beyond what can be captured in a museum display. As the NPR article reports, the Metropolitan Museum of Art recently returned looted treasures to Cambodia and Thailand after acknowledging that the objects had been stolen during times of conflict.  These pieces are not just valuable art—they are symbols of identity and resilience that rightfully belong to the communities that created them. While museums argue that they preserve and protect history, holding stolen artifacts can actually erase the voices of the people they were taken from. I think museums should instead focus on collaboration through loans and cultural exchanges, which would allow people around the world to learn from these works without perpetuating injustice.</p>]]></description>
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         <pubDate>2025-09-22 02:11:58 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596583449</link>
         <description><![CDATA[<p>I am fully in favor of artifacts being returned to their countries of origin. not only should they be returned, but being recognized  for their full meaning. All artifacts hold significant meaning for their culture of origin, being considered living beings instead of just objects. There are so many pieces around the world that have been stolen and taken by museums and put up for display. If museums such as the British museum truly want to display other countries' artifacts, they need to ask permission from the rightful owners. In the<strong> "British Museum is full of stolen artifacts" video, </strong>Chika Okeke-Agulu a professor at Princeton University states that "you cannot claim to be an encyclopedic collector of stolen objects" I completely agree with this. Keeping artifacts from their rightful owners and culture origins and holding them in other museums can keep current generations from learning, and connecting with their own heritage. Therefore, repatriation allows for artifacts to be returned, which are necessary for each culture's history, and political identity.</p><p><br></p><p>-Abigail Roman</p><p><br></p>]]></description>
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         <pubDate>2025-09-22 02:50:11 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596666248</link>
         <description><![CDATA[<p>I think artifacts that were stolen should be returned to their home countries because they carry stories and traditions that mean the most to the people who live there. When museums in places like Europe or the United States hold on to objects taken during colonization or conflict it takes away the chance for local communities to connect with their own history. The NPR article about the Met returning pieces to Cambodia and Thailand showed how meaningful it was for people to finally see their heritage come back after being gone for decades. I also believe museums can still have a role by working with countries to loan objects or create traveling exhibits so people around the world can learn from them without keeping them forever. This matters because cultural artifacts are not just art they are part of identity and returning them shows respect and justice for the people who created them. - Hana Wadud</p>]]></description>
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         <pubDate>2025-09-22 03:30:07 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596666248</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596674679</link>
         <description><![CDATA[<p>I think cultural artifacts that were looted should be returned to their countries of origin. While museums like The Met preserve history, returning items taken unethically is a matter of justice and respect. In 2023 the Met announced it would return 16 Khmer sculptures to Cambodia and Thailand, after finding they were linked to art dealer Douglas Latchford and had been looted. These pieces, some dating back to the 9th century, are part of the Angkorian heritage and carry deep cultural meaning for the Cambodian people. The repatriation shows that provenance matters and that museums have a responsibility to act when objects are tied to colonialism or illicit trade. Returning them does not erase history, but restores it to its rightful context. Museums can still play an important role by collaborating with countries of origin, creating loans, and hosting traveling exhibitions that make world heritage accessible to all. Preservation must go hand in hand with cultural justice.</p>]]></description>
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         <pubDate>2025-09-22 03:35:38 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596674679</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596676236</link>
         <description><![CDATA[<p>I believe that cultural artifacts should be returned to their country of origin, even when the political or social situation is difficult. These objects are a part of a community's history and identity. When artifacts are taken, often through colonization, war, or illicit trade. It harms the people whose ancestors made them. Giving these objects back is about respect and restoring something important to those cultures. One good example is from a recent article about the San Francisco Asian Art Museum returning four bronze sculptures to Thailand. These sculptures known as the Prakonchay artifacts, were looted in the 1960s and include Bodhisattva statues and one Buddha image. They're about 1,300 years old. Thailand had bee working for years to document their origin and get them back. Some people say that museums help protect history by having resources to ensure preservation. But I believe that doesn't justify keeping the artifacts that were taken unfairly. Returning the artifacts matters because it acknowledges past wrongs and gives people the opportunity to connect to their heritage. It shows that culture is not just something that can be collected, but part of who the people are. </p><p><br></p><p>Reference: <a rel="noopener noreferrer nofollow" href="https://www.sfchronicle.com/entertainment/article/thai-bronze-sculptures-return-20304805.php">https://www.sfchronicle.com/entertainment/article/thai-bronze-sculptures-return-20304805.php</a></p>]]></description>
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         <pubDate>2025-09-22 03:36:34 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596691415</link>
         <description><![CDATA[<p>Honestly, I’ve been thinking a lot about this because I feel like history and culture should be respected. According to the NPR article, “Met Museum Is Returning Looted Ancient Art to Cambodia and Thailand,” museums are returning artifacts that were taken unfairly, which shows the importance of respecting the country of origin while also protecting history. I think the people and country where the artifacts come from should have the main say because these objects are part of their culture and history. Looted objects should definitely be returned if the country can take care of them properly, but if they don’t have the resources to protect them, it makes sense for museums to keep them safe until they can be returned. Museums do help protect history and let more people see it, but sometimes taking objects far from home can take away some of the meaning behind them. I guess the best solution is balance—respect the culture, return what you can, and use museums to preserve and share artifacts responsibly so the history doesn’t get lost. </p><p>Source: NPR, “Met Museum Is Returning Looted Ancient Art to Cambodia and Thailand”</p><p>-Brianna Rivera</p>]]></description>
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         <pubDate>2025-09-22 03:45:59 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3596691415</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3608368180</link>
         <description><![CDATA[<p>I am in favor of looted artifacts being returned to the country of origin. In many countries, citizens must travel outside their home country to see and appreciate artifacts that should be a driving force for them to witness in person. With laws like the British regulations prohibiting the return of artifacts to their countries of origin, they could partner with other museums to exhibit pieces. This is a slight compromise in the grand scheme of things. I am in favor of countries of origin keeping the artifacts, but with the compromise of lending, allowing other countries to admire and learn from historical pieces. This enables cultures to be shared globally. I have seen artifacts from around the world in traveling exhibits, which is not just a money grab, but it allows the world to share history and possibly bring people closer together.  Not only does it bring people together, but it also enables artifacts to have professional preservation. One country may not have the means or knowledge on how to care for such artifacts, while others may. Sharing knowledge and experience benefits the world. The best quote came from the YouTube video "The British Museum is Full of Stolen Artifacts". They stated, "They don't restitute, but are committed to lending as widely as possible." This suggests that some museums recognize the value of showcasing diverse cultures within a single location for the world to observe. </p>]]></description>
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         <pubDate>2025-09-29 02:55:07 UTC</pubDate>
         <guid>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3608368180</guid>
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         <title></title>
         <author></author>
         <link>https://padlet.com/simoneinfrance/w6xwrqawbqqxsvnw/wish/3608449375</link>
         <description><![CDATA[<p>Cultural artifacts should be owned by their country of origin rather than museums. It is understandable why people should believe that museums have a right to preserve and display artifacts in order to represent different cultures from different countries to someone who will never get to experience it themselves, but it robs said different countries to exhibit said culture and history to their own people. In many cases, historical artifacts and art pieces were acquired through their country’s colonization where many of which have since claimed independence. Returning artifacts should instead be viewed as an opportunity to build international bonds and set a precedent of respect that our future generations can follow. In the San Francisco Chronicle,  San Francisco’s Asian Art Museum is returning looted sculptures back to Thailand and doing so with the intent of “building collaborative, equitable and generative relations with Thailand in the future.” The purpose of history is to learn from it, and we can only do so if we work together and respect the individuality and rights of different cultures.</p><p><br/></p><p>-Bertha Velazquez</p>]]></description>
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         <pubDate>2025-09-29 03:47:00 UTC</pubDate>
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