https://padlet.com/790734120/Bookmarks 心胸开阔之作 en-us 2022-03-21 16:24:46 UTC 2025-12-09 16:36:45 UTC hello@padlet.com 790734120 https://padlet.com/790734120/Bookmarks/wish/2105713161 the authors want to investigate How and why people create and select particular movie-going experiences, and how to understand the interactions and connections between film experiences and audiences. ]]> 2022-03-21 16:26:02 UTC https://padlet.com/790734120/Bookmarks/wish/2105713161 790734120 https://padlet.com/790734120/Bookmarks/wish/2105713521 The article is structured around material from 200 times semi-structured interviews and a survey of 5,071 participators. They notice that semi-structured interviews can be effective in deepening the discussion of topics through the interviewees' explanatory accounts of their film experiences. ]]> 2022-03-21 16:26:14 UTC https://padlet.com/790734120/Bookmarks/wish/2105713521 790734120 https://padlet.com/790734120/Bookmarks/wish/2105714120 The authors have identified that five general patterns of movie-going experience (individualization, special location, group, digital and global) that generate the viewing experience between contemporary film viewing and the audience. They further reveal that it is about to what extent you are immersed in the film, where and with whom they watch them, and that these different choices triggered the five experience modes ]]> 2022-03-21 16:26:32 UTC https://padlet.com/790734120/Bookmarks/wish/2105714120 790734120 https://padlet.com/790734120/Bookmarks/wish/2105714489 The authors argument compelling since these general modes of experience are not only relevant to movie-going experiences but also have positive implications for the film’s marketing; for example, film distributions and promotion strategies. The film industries may be influenced by these modes to create contents that conform audience tastes and habits, while these modes can be applied to experiences in other cultural areas such as music, theatre, and exhibitions, which provide a perspective to discuss the interaction between audiences and multimedia; however, it fails to address the categories of audience, the age of the audience and the education level of the audience. As the social media for instance, audiences may be influenced by their age and educated background to decide which film will they choose to watch ]]> 2022-03-21 16:26:41 UTC https://padlet.com/790734120/Bookmarks/wish/2105714489 790734120 https://padlet.com/790734120/Bookmarks/wish/2105714849 This article is relevant as it studied how people arrange themselves concerning the aspect of watching a film and identifiable viewing patterns. It outlines the changes of cinematic experience from monolithic to diverse in the contemporary context. These models basically have covered the relationship and impact between people and film interaction which is the topic of my research paper. ]]> 2022-03-21 16:26:51 UTC https://padlet.com/790734120/Bookmarks/wish/2105714849 790734120 https://padlet.com/790734120/Bookmarks/wish/2105715177 Styliari, T.C., Kefalidou, G., & Koleva, B. (2018). Cinema-going Trajectories in the Digital Age.

explore
how the contemporary cinema-going experience is shaped in the digital age. Our findings suggest that going to the
movies constitutes a trajectory during which cinemagoers interact with multiple digital platforms. ]]> 2022-03-21 16:27:00 UTC https://padlet.com/790734120/Bookmarks/wish/2105715177 790734120 https://padlet.com/790734120/Bookmarks/wish/2105716172 Being part of an audience: patterns of contemporary film audience experience

Hanchard, M.]]> 2022-03-21 16:27:30 UTC https://padlet.com/790734120/Bookmarks/wish/2105716172