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      <title>London Literary Salon at Tate Britain  by Sean Forester</title>
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      <pubDate>2023-08-10 23:09:06 UTC</pubDate>
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         <description><![CDATA[<ul><li>What narrative is shown or suggested in the painting?&nbsp;</li><li>Is there symbolism in the painting?&nbsp;</li><li>What is the composition of the painting?</li><li>How is colour used in the painting?&nbsp; What colours/pigments do you think the artist used?</li><li>How is light and shade used in the painting?</li><li>How would you describe the artist's technique? </li><li>How does the artwork depict and illuminate the material on which it is based?</li></ul><div><br></div>]]></description>
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         <pubDate>2023-08-11 02:55:47 UTC</pubDate>
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         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/millais-ophelia-n01506/story-ophelia">https://www.tate.org.uk/art/artworks/millais-ophelia-n01506/story-ophelia</a></div>]]></description>
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         <pubDate>2023-08-12 15:51:10 UTC</pubDate>
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         <pubDate>2023-08-12 15:51:27 UTC</pubDate>
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         <pubDate>2023-08-12 15:52:14 UTC</pubDate>
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         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/waterhouse-the-lady-of-shalott-n01543">https://www.tate.org.uk/art/artworks/waterhouse-the-lady-of-shalott-n01543</a></div>]]></description>
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         <pubDate>2023-08-12 15:54:06 UTC</pubDate>
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         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/john-self-portrait-n05366">https://www.tate.org.uk/art/artworks/john-self-portrait-n05366</a></div>]]></description>
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         <pubDate>2023-08-12 15:54:31 UTC</pubDate>
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         <title>Pictorial Composition by H.R. Poore</title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660666488</link>
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         <pubDate>2023-08-12 15:57:10 UTC</pubDate>
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         <title>Recommended Books on &quot;close looking&quot;</title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660666795</link>
         <description><![CDATA[<div>Mary Acton, Learning to Look at Paintings, 2nd ed, 2009<br><br>Susan Woodford, Looking at Pictures, 1983<br><br>Nadeije Laneyrie-Dagen, How to Read Paintings, 2004</div>]]></description>
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         <pubDate>2023-08-12 15:58:51 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660686357</link>
         <description><![CDATA[<div>Please read the descriptions provided by Tate Britain in the link for each painting.&nbsp; They included background on the literary sources and artistic techniques. &nbsp;The description of Millais' Ophelia is especially worth reading.  </div>]]></description>
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         <pubDate>2023-08-12 17:38:07 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660687256</link>
         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/opie-mary-wollstonecraft-mrs-william-godwin-n01167">https://www.tate.org.uk/art/artworks/opie-mary-wollstonecraft-mrs-william-godwin-n01167</a></div>]]></description>
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         <pubDate>2023-08-12 17:43:37 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
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         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/turner-peace-burial-at-sea-n00528">https://www.tate.org.uk/art/artworks/turner-peace-burial-at-sea-n00528</a></div>]]></description>
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         <pubDate>2023-08-12 17:44:28 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660687524</link>
         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/turner-snow-storm-steam-boat-off-a-harbours-mouth-n00530">https://www.tate.org.uk/art/artworks/turner-snow-storm-steam-boat-off-a-harbours-mouth-n00530</a></div>]]></description>
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         <pubDate>2023-08-12 17:45:06 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660687863</link>
         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/turner-norham-castle-sunrise-n01981">https://www.tate.org.uk/art/artworks/turner-norham-castle-sunrise-n01981</a></div>]]></description>
         <enclosure url="https://www.tate.org.uk/art/artworks/turner-norham-castle-sunrise-n01981" />
         <pubDate>2023-08-12 17:47:41 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660688115</link>
         <description><![CDATA[<div><a href="https://www.tate.org.uk/art/artworks/turner-sun-setting-over-a-lake-n04665">https://www.tate.org.uk/art/artworks/turner-sun-setting-over-a-lake-n04665</a></div>]]></description>
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         <pubDate>2023-08-12 17:49:31 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660688386</link>
         <description><![CDATA[<div>https://www.earlymoderntexts.com/assets/pdfs/wollstonecraft1792.pdf</div>]]></description>
         <enclosure url="https://www.earlymoderntexts.com/assets/pdfs/wollstonecraft1792.pdf" />
         <pubDate>2023-08-12 17:51:41 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660689244</link>
         <description><![CDATA[<div>https://www.tate.org.uk/art/artworks/turner-fishermen-at-sea-t01585</div>]]></description>
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         <pubDate>2023-08-12 17:56:26 UTC</pubDate>
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      <item>
         <title>Books on Iconography and Subject-matter</title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660689696</link>
         <description><![CDATA[<div>Helene Roberts (ed) (1998), Encyclopedia of Comparative Iconography<br><br>Xavier Barral I Altet (ed) (2003), Dictionnaire critique d'iconographie occidentale<br><br>Getty 'Guide to Imagery' series, e.g. Matilde Battistini (2002), Symbols and Allegories in Art&nbsp;<br><br>Flammarion Iconographic Guides, e.g.<br>Duchet-Suchaux (1994) &amp; Pastoreau (eds), The Bible and the Saints &nbsp;<br>Aghion (1996), Barbillon &amp; Lissarrague, Gods and Heroes of Classical Antiquity<br><br>James Hall (1979), Dictionary of Subjects and Symbols in Art</div>]]></description>
         <enclosure url="" />
         <pubDate>2023-08-12 17:59:42 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
         <link>https://padlet.com/seanforester75/vyfgvc71qecdfqan/wish/2660690186</link>
         <description><![CDATA[<div>https://www.poetryfoundation.org/poems/45359/the-lady-of-shalott-1832</div>]]></description>
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         <pubDate>2023-08-12 18:03:00 UTC</pubDate>
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         <title></title>
         <author>seanforester75</author>
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         <description><![CDATA[<div><em>Hamlet</em>, Act 1V, Scene V11<br><br></div><div>Laertes: Drowned! O, where?<br><br></div><div>Queen Gertrude: There is a willow grows askant the brook,<br>That shows his hoar leaves in the glassy stream.<br>Therewith fantastic garlands did she make<br>Of crowflowers, nettles, daisies, and long purples<br>That liberal shepherds give a grosser name,<br>But our cold maids do dead-men’s-fingers call them.<br>There on the pendent boughs her crownet weeds<br>Clambering to hang, an envious sliver broke,<br>When down her weedy trophies and herself<br>Fell in the weeping brook. Her clothes spread wide,<br>And mermaid-like awhile they bore her up;<br>Which time she chanted snatches of old tunes,<br>As one incapable of her own distress,<br>Or like a creature native and indued<br>Unto that element. But long it could not be<br>Till that her garments, heavy with their drink,<br>Pulled the poor wretch from her melodious lay<br>To muddy death.</div>]]></description>
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         <pubDate>2023-08-14 16:41:05 UTC</pubDate>
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