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      <title>Digital Age Exam Question by Dr Ann-Marie Hanlon</title>
      <link>https://padlet.com/anniehanlondkit/DigitalAge</link>
      <description>Made with love</description>
      <language>en-us</language>
      <pubDate>2018-04-12 15:13:41 UTC</pubDate>
      <lastBuildDate>2018-04-19 12:23:58 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Critically discuss some of the ways in which has the global network society impacted the way in which the music industry operates.</title>
         <author>anniehanlondkit</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251198869</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:16:30 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251198869</guid>
      </item>
      <item>
         <title>Cian Cowley</title>
         <author>d00184428</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201658</link>
         <description><![CDATA[<div>Synchronization deals<br>- earn a % of money off licencing fee<br>- new media (movies, tv, merchandising etc)<br>- allow artists to earn much more money<br>-&nbsp; distribution and reproduction copyright<br>- streaming copyright (digital)<br><br>Can be applied to</div><ul><li>TV programmes, documentaries, or series.</li><li>Films and trailers</li><li>YouTube clips</li><li>Business Presentations</li><li>Advertisting (TV, cinema, internet)</li><li>Video games (computer games)&nbsp;</li></ul><div><br><br>Spotify/streaming services<br>- can monitor users activity to see trends in popular music<br>- make money off instant, easily accessible music<br>- performers make money per play, albeit not much money unless extremely popular<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:06 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201658</guid>
      </item>
      <item>
         <title>Spike</title>
         <author>d00187550</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201721</link>
         <description><![CDATA[<div>Increased number of niche musical genres.<br><br><br>Allows un-financed musicians a platform for promotion and marketing.<br><br><br>360 deals. Modern day record deal. Artists paid advance $$$. Company takes cut of ALL income, in any media.<br><br><br>The recorded version of the song is still the definitive product. Medium has changed, Youtube, Spotify, etc.<br><br><br>Subscription based music streaming services emerge.<br><br>IMRO royalties</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:13 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201721</guid>
      </item>
      <item>
         <title>Hillzo</title>
         <author>d00182487</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201741</link>
         <description><![CDATA[<div><strong>Promotional impact:</strong></div><ul><li>free easily accessible promotion.&nbsp;</li><li>Easy to reach a bigger audience because access is just as easy for them.</li><li>Algorithms used for listeners suggestions make browsing bland</li><li>People are going to less gigs because someone will have it online</li></ul><div><strong>Financial impact:</strong></div><ul><li>Illegal downloads and rate of this happening had huge financial impact on artists (Metallica V. Napster)</li><li>Streaming leaving artists with next to nothing per play</li><li>Allows artists to be more independent with distributors being affordable and easy to sign up to</li><li>Record labels taking more of musicians income with 360 deals</li><li>Musicians having to pay to play so venues have a sense of security if there isn't good attendance</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:16 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201741</guid>
      </item>
      <item>
         <title>Ronan Lynch</title>
         <author></author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201748</link>
         <description><![CDATA[<div>•Artists are in a worse postion to bargain for a record deal today therfore the big time reocrd companies are in more control<br>•Musicans are spending money for online purposes rather than making it which is putting promoters in a more comfortable postion<br>•The emergence of the 360 deal has changed how labels and musicans deal with eachother<br>•Streaming sites has become more popular replacing illegal pircacy and physical sales for many previous buyers</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:17 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251201748</guid>
      </item>
      <item>
         <title>Aoife Stafford</title>
         <author></author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202030</link>
         <description><![CDATA[<div><br>- Income from sales of recorded music has fallen 40%. <br>- small local groups or genres can become global very quickly. <br>- more musicians will be heard.<br>- IMRO survey 2015, 59% of musicina have to earn money outside of the music industry to survive.<br>- musicians have to pay to play gigs rather then the other way around. <br>- crowd funding- amanda palmer<br>- recording contracts in the digital age-<br>  - 360 deal<br>  - Synchronisation deal<br>- subscriber sites such as spotify and apple music getting most of the money for artist work, free to play music. <br>- music placement. <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:43 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202030</guid>
      </item>
      <item>
         <title>Aileen</title>
         <author></author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202170</link>
         <description><![CDATA[<div>Publicity/advertising is global<br>Social media (promotion)<br>Steaming sites <br>- Less CD/Album sales<br>- Artists get money from these sites<br><br><strong>Please don't copy my answers</strong><br>Artists make money<br>- Gigs/concerts<br>- Patreon<br>- supporting other artists<br>-cover bands, wedding bands<br>- Recording contract<br>- RADIO RADIO RADIO<br>- Royalties<br>-Distributor<br><strong>360 Deals</strong><br>-New form of Record Deal<br>-<em>Examples Include</em>:<br>&nbsp; - Robbie Williams (EMI 2002)<br>&nbsp; - Korn (EMI, Live Nation 2005,2006)<br>&nbsp; - Madonna (Live Nation)<br><em>-Includes:</em><br>- Recording<br>- Publishing<br>- Merchandising<br>- Touring<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:21:58 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202170</guid>
      </item>
      <item>
         <title>Leanne Mullen </title>
         <author></author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202543</link>
         <description><![CDATA[<div> </div><div>·         Online concerts – twitch – up and coming musicians </div><div>·         Patreon for release of exclusive content </div><div>·         Broader audience online </div><div>·         Viral potential </div><div>·         Insta – following people for follow backs – quicker rate of exposure </div><div>·         Podcasts?  <br><br></div><div> <br><br></div><div>·         Rates of Piracy? – limewire -&gt; spotify/itunes </div><div>·         Closure of music stores (hmv) – selling other products to compensate – collectibles </div><div>·   sales of singles rather than albums <br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:22:38 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202543</guid>
      </item>
      <item>
         <title>Shane</title>
         <author>d00185094</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202804</link>
         <description><![CDATA[<div>- Income from sales declining&nbsp;<br>&nbsp; (How that affects the artists<br>&nbsp; &nbsp;and the music industry?)<br><br>- Decline in music career in the<br>&nbsp; digital age (give example - IMRO<br>&nbsp; survey - 59% of respondents earn<br>&nbsp; money from outside the music<br>&nbsp; industry)<br><br>- Another example value of physical<br>&nbsp; recorded music sales in Ireland had<br>&nbsp; fallen by 25% per annum for the &nbsp; years<br>&nbsp; 2010 to 2015 from 72m euros to 33m euros<br><br>- Musicians have to pay money rather than<br>&nbsp; making it (how does this have an affect&nbsp;<br>&nbsp; on the music industry?)<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:23:03 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251202804</guid>
      </item>
      <item>
         <title>Big Themes: </title>
         <author>anniehanlondkit</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251211553</link>
         <description><![CDATA[<div>1) <strong>RECORDING PRACTICES<br>2) DIGITAL DISTRIBUTION</strong><br>3) <strong>LISTENING PRACTICES - CONSUMPTION<br>4) NEW INCOME STREAMS (DIGITAL)/ OLD STREAMS DISAPPEAR OR ARE AFFECTED<br>5) NEW FORMS OF RECORD CONTRACTS &amp; COMPANIES <br>6) PROMOTION<br><br></strong><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:38:03 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251211553</guid>
      </item>
      <item>
         <title>Shane - Theme 6 - PROMOTION</title>
         <author>d00185094</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251219292</link>
         <description><![CDATA[<div>- Sell Band merchandise<br>-&nbsp; Social Media to grow fan base, to launch their own music<br>- Youtube promos<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:51:09 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251219292</guid>
      </item>
      <item>
         <title>SPIKE 1- RECORDING PRACTICES</title>
         <author>d00187550</author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251219827</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:52:05 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251219827</guid>
      </item>
      <item>
         <title>Aileen Theme 4 -INCOME STEAMS</title>
         <author></author>
         <link>https://padlet.com/anniehanlondkit/DigitalAge/wish/251220105</link>
         <description><![CDATA[<div><strong>Examples<br>- </strong>Radio (e.g Tune in)<br>- Steaming sites (e.g Spotify)<br>- TV/ Film/Game/ Trailers<br>- Muzak<br>-Patreon/Kickstarter (online funding campaigns) <br>- Youtube partner programme (monitisation)<br>-&nbsp; Mechanical royalties<br>- IMRO<br>- Online sale of music (CD, sheet music)<br><strong><br></strong><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-04-12 15:52:35 UTC</pubDate>
         <guid>https://padlet.com/anniehanlondkit/DigitalAge/wish/251220105</guid>
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