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      <title>Archival Mind Space by </title>
      <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg</link>
      <description>White: Curatorial statement 
Yellow: Associations - 
Purple: Situated Knowledge -
Blue: Weekly Essentials -
Green: Assignments -
Red: CRIT of self -



</description>
      <language>en-us</language>
      <pubDate>2020-11-05 22:05:02 UTC</pubDate>
      <lastBuildDate>2025-11-10 10:41:45 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>My initial bias</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903348370</link>
         <description><![CDATA[<div><strong>Major influences</strong><br>· Donna Harraway<br>· Rosi Braidotti <br><br><strong>Previous Written Assignments (With relevance to the course)<br>"</strong>An investigation on posthuman subjectivity - in the light of the ontological alternatives provided by fiction and technology." (2019)<br><br>"The Selfie as Critical Mimesis - An investigation of Adorno's term Mimesis and it's possibility for providing the Selfie with a emancipatory potential." (2019)<br><br>"Global and local perspectives on digital archiving - A discussion concerning Aluka as a decolonial archive." (2020)</div>]]></description>
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         <pubDate>2020-11-09 08:43:48 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903348370</guid>
      </item>
      <item>
         <title>A travel in memories </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903351691</link>
         <description><![CDATA[<div><em>I took a trip to Albania, just in between the corona lockdown periods. The Post Sovjet countries and their cultures has for a longer time been a historical interest of mine - especially because I am reminded how historical narratives are curated, some upscaled, other diminished. The country told stories of identity, cultural memory and the architecture of remembering/forgetting.</em></div>]]></description>
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         <pubDate>2020-11-09 08:45:03 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903351691</guid>
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      <item>
         <title>group assignment</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903352477</link>
         <description><![CDATA[<div>Is it possible to change the way power is structured within taxonomic hierarchies?<br><br>https://docs.google.com/document/d/1mMz3hUqpl-TjAOlaX7cb03ZHy95a0OMNo9KdqX7Z7xg/edit?ts=5f92ae9c</div>]]></description>
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         <pubDate>2020-11-09 08:45:21 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903352477</guid>
      </item>
      <item>
         <title>Inspiration for Bachelor project</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903371205</link>
         <description><![CDATA[<div>How does ideas of form change with the use of generative design in modern construction, and how does it affect our perception of matter and the creative origin? What happens, when form is generated by artificial intelligence instead of human, and how can they influence ideas on subject/object and mind/matter. </div><div><br><strong>Research question:</strong></div><div>How does the science of complexity, the philosophy of emergence and the tools of generative design create the basis for political ideologies in contemporary architecture? Through an investigation of the historical collaboration between biology, computation and architecture I want to discuss its production of different and even contradictory political motivations. </div><div>   </div><div>Discussion:</div><div>-       What are the dangers of translating nature (evolutionary development) into code? Nietzsche --&gt; and the “fittest” </div><div>-       What consequences does it have to use the logics of nature to legitimize the function of form?</div><div>-       Does the sustainability approach actualize itself or is it a smoke veil for the neo-liberal homogenizing processes?</div><div>-       Is it possible to use elements of generative design to actualize multiply and heterogenic agency? </div><div>-       What is the political potential for generative design (Marxism the steam of fish) </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=aR5N2Jl8k14&amp;ab_channel=TED" />
         <pubDate>2020-11-09 08:52:35 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903371205</guid>
      </item>
      <item>
         <title>Mining the Museum - The Architecture of power </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903390116</link>
         <description><![CDATA[<div>In extension of week 4 I found this particular exhibition by Fred Wilson defining for my understanding of critical curatorial practices. The re-arrangement of things can disrupt certain historical narratives and give them entirely new meanings.  </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=T31_hfpSnDc&amp;ab_channel=SanFranciscoMuseumofModernArt" />
         <pubDate>2020-11-09 08:59:52 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903390116</guid>
      </item>
      <item>
         <title>Assignment 1</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903537670</link>
         <description><![CDATA[<div>The digitizing of female facial expressions with the aim of discussion the power of determining and classifying gendered emotions in digital infrastructures.<br><br>https://www.instagram.com/too_emomachine/<br><br><strong>The notes before I got there:</strong></div><ul><li>Scar --&gt; create a digital human and predict when we fall in life and how we get scars (find data from injuries)</li><li>Wrinckles --&gt; find big data on wrickle structure and aging curves and investigate symbolism from reading of wrinckles </li><li><a href="https://www.3dscanstore.com/3d-head-models/female-head-3d-models">https://www.3dscanstore.com/3d-head-models/female-head-3d-models</a></li><li><a href="https://www.3dscanstore.com/3d-head-models/3d-face-models">https://www.3dscanstore.com/3d-head-models/3d-face-models</a></li></ul><div> </div><div>How we perceive the wrinckles --&gt; do they appear from authentic emotions?</div><ul><li>Braitenberg --&gt; how simple machines create complex behaviors </li><li>Alan Turing --&gt; if a person can't tell the difference we should treat the emotions as authentic</li></ul><div> </div><ul><li>The chinese room test (searle) --&gt; that the question Hui proposed whether form or matter has the primat - so he deconstructs the hierarchy between  following instructions and intentionality --&gt; it's interlinked </li><li>Searle means that if the machine doesn't know the meaning behind the symbols or the instructions it is not intelligent </li><li>David cole made a good counterargument </li></ul><div> </div><ul><li>Heidegger, interpersonality --&gt; how do humans respond to artificial psychological behaviour </li><li>Retro projected wrinckles </li><li>Uncanny valley </li></ul><div> </div><ul><li>The machine expressing emotions as a prediction or a recognition </li><li>The machine exploit humans' wish to antropomorphize other things </li><li>The question of whether the emotions are "real" if they create an authentic response in humans brains even though the machine is following simple instructions </li><li>Is that also a question of form and matter --&gt; the sign and the signifier - the symbol and the semantics --&gt; they are interlinked (use Hui article) </li></ul><div> </div><div>· Wrinckles as both a sign of emotions but also a sign of a temporal dimension and organic decay/decomposing --&gt; natural lifespand</div><div><br><br></div>]]></description>
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         <pubDate>2020-11-09 09:59:54 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903537670</guid>
      </item>
      <item>
         <title>The so(ciopolitical)ftware </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903543660</link>
         <description><![CDATA[<div>This article makes it clear how the power structures in technology are both semiotic and somatic. It states that Western modernity gives low priority to technologies closely linked to the body, and gives a great supplement of thought to Barad's new materialism and the my assignment concerning corporal agency. </div>]]></description>
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         <pubDate>2020-11-09 10:02:25 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903543660</guid>
      </item>
      <item>
         <title>Performing gender - a view on the scientific gaze </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903551229</link>
         <description><![CDATA[<div>· This article revisited my mind to show how gender is constructed with the authority from ways of seeing and speaking about what is seen. <br>· The article placed a great gender perspective on week 7 and the discussions on datasets and computervision.</div>]]></description>
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         <pubDate>2020-11-09 10:05:33 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903551229</guid>
      </item>
      <item>
         <title>Blindspots and dead ends:</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903684660</link>
         <description><![CDATA[<div>· Limited technical skills (understanding the infrastructure to interpret them)<br>· Anachronisms --&gt; violent or a tool to work relationally with time and space?<br>· General theory vs. concrete examples <br>· How to intersect disciplines<br>·  How to work on a base of history of science, when working with science/technology?<br>· The luring urge for hierarchies myself<br><br><br></div>]]></description>
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         <pubDate>2020-11-09 11:03:22 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903684660</guid>
      </item>
      <item>
         <title>Week 1</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903692131</link>
         <description><![CDATA[<blockquote><em>Digital objects are new forms of industrial objects</em></blockquote><div>· Data is something abstracted <br>· Everything "known" is curated <br>· non-human curation matters <br>· "Every user of networked technologies is involved in some form of curating"<br>· digital subject/objects <br>· The virtual and real is in a dialectical relationship</div><blockquote>Computational machines are generally describes as "syntactic" rather than semantic machines; syntaxes are derived from forms rather than contents</blockquote>]]></description>
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         <pubDate>2020-11-09 11:06:42 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903692131</guid>
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      <item>
         <title>Week 2 </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903848286</link>
         <description><![CDATA[<div>· (Off-line) computer networks, Free and Open Source software, informal and alternative libraries software and file sharing culture changes the way we experience knowledge distribution <br>·The library is a spacial record of knowledge/power relations <br>· Knowledge how and for whom?<br>· Memory factory <br>· the idea of library is "public" therefore also highly political<br><br>https://curatingdata.stuff2233.club/calibre/ </div>]]></description>
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         <pubDate>2020-11-09 12:24:32 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903848286</guid>
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      <item>
         <title>Week 3 </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903887136</link>
         <description><![CDATA[<div>· Collections and mass Digitization</div><div>· Datafication is quantification of human life<br>· Datafication is a contemporary phenomenon which refers to the quantification of human life through digital information <br>· The creation of computational languages of metadata</div><blockquote>This part argues that instead of approaching mass digitization projects as rationalized and instrumental projects, we should rather acknowledge them as ambivalent spatio-temporal projects of desire and uncertainty.</blockquote>]]></description>
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         <pubDate>2020-11-09 12:40:30 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903887136</guid>
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      <item>
         <title>Week 4 </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903909886</link>
         <description><![CDATA[<blockquote>The question is not whether we can know if we don't give it a name, the question is how we treat the other ontologically </blockquote><div> <br>· Exhibitions as instruments of knowledge and thinking mechanisms<br>· the conceptual art-movement (the concept/immaterial is the format) <br><br></div><blockquote>For example, the software that is coming into general use on all scales is mind incorporated into matter; synthetic products, polymers for example, and all such chemical derivatives, are matters that are a result of knowledge</blockquote><div><br>· The exhibition creates objects by putting them in certain contexts. </div>]]></description>
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         <pubDate>2020-11-09 12:49:41 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903909886</guid>
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      <item>
         <title>Week 5</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912008</link>
         <description><![CDATA[<div>· Collecting data from social media platforms (API/ scraping tools) <br>· The categories might still stay the same - but the categories base is fluid <br>· Categories also change when new labels arise <br>· Measurable types, cybernetics demographics, statistics --&gt; Advertisement = gradual behavioral change<br>· Biopolitics (Michel Foucault/Agamben/Deleuze)</div>]]></description>
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         <pubDate>2020-11-09 12:50:22 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912008</guid>
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      <item>
         <title>Week 6</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912292</link>
         <description><![CDATA[<div>· Performing collection stresses the way obejcts interact and play with each others meanings<br>· How bodies make data and how bodies become data </div><blockquote>What can be called "new materialism" shifts these dualist structures by allowing for the conceptualization of the travelling of the fluxes of nature and culture, matter and mind, and opening up active theory formation.</blockquote><div><br>· Philosophy of entanglement and ethico-onto-epistemological matters.<br>· we construct ourselves as particular subjects but really we are constructed by the world around us<br>· the power in performance --&gt; who dominate the norms, to whom do we perform</div>]]></description>
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         <pubDate>2020-11-09 12:50:28 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912292</guid>
      </item>
      <item>
         <title>Week 7</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912587</link>
         <description><![CDATA[<div>· Machine learning algorithms learn from trainingsets (which presents existing knowledge paradigms)  <br>· Are human articulation idiosyncratic and essential in being "human"?</div><blockquote>What we and knowledge become is not a function of truth. It’s a function of the algorithm’s output that we are told is ‘truth.”</blockquote><div>· The question is whether the human/nonhuman relationship will entangle even more if future technologies cannot distinguish or classify differences between bots or humans? </div><div>· if the labels between human and nonhuman are not made clear then new posthuman taxonomies and categories will more easily emerge </div><div><br></div><blockquote>This leads us to seek the decolonisation of power, whose aim is dismantle harmful power assymmetries and concepts of knowledge, turning us instead towards a "pluriversal epistemology of the the future" that unlike universalisms, acknowledges and supports a wider rage of socio-political, ecological cultural and economic need.</blockquote>]]></description>
         <enclosure url="https://www.masswerk.at/eliza/" />
         <pubDate>2020-11-09 12:50:34 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912587</guid>
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      <item>
         <title>Week 8</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912896</link>
         <description><![CDATA[<ul><li>Can language be an early archival practice of memory --&gt; a collection of virtual signs </li><li>Derrida: The archivists -- the citizens who held and signified political power --&gt; could therefore make law </li><li>Has archives a high entropi???</li><li>The active Archive --&gt; performing knowledge</li></ul><blockquote>The challenge for constructing the contemporary archive is to construct one that is decentralized and remains active in the way that meanings are able to be continually produced rather than fixed in the geopolitics of time and space.</blockquote><ul><li>"Digitization presents us with material structures" </li><li>Storing is writing something into a medium </li></ul><blockquote>The image is not what is shown on the page but what exists between knowledge produced by the different output.</blockquote><div><br></div>]]></description>
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         <pubDate>2020-11-09 12:50:41 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903912896</guid>
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      <item>
         <title>Berlinale 2019 - Digital Archives</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903965433</link>
         <description><![CDATA[<blockquote>Archival artists seek to make historical information, often lost or displaced, physically present </blockquote><div><br><em>At the Berlinale 2019 I heard the most inspiring debate about digital archival practices and their political potential - Didi Cheeka where one of the debators. </em><br><br></div><div>· creation of counter memory and the reclaiming of historical representation <br>· Digital archival practices can change the historical narratives which produce possible futures</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ERVP9DC-gpk&amp;ab_channel=DFFDeutschesFilminstitut%26Filmmuseum" />
         <pubDate>2020-11-09 13:08:50 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/903965433</guid>
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      <item>
         <title>Tetsumi Kudo</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/904050761</link>
         <description><![CDATA[<div>Souvenir of Molt - 1965 Homo Sapiens<br><br></div><blockquote>Humanity is controlled by nature,<br>nature is cultivated by humanity, electronics controls and cultivates humanity, <br>humanity controls electronics and makes it evolve.<br>And nature contains electronics.</blockquote><div><br>Tetsumi Kudo shows how history creates contemporary and ever changing ecosystems where plants, technology, culture, capitalism, animals and radioactivity entangle.</div>]]></description>
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         <pubDate>2020-11-09 13:32:46 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/904050761</guid>
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      <item>
         <title>The Emergence of a Hazardous Concept</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/907185856</link>
         <description><![CDATA[<div>· This technology critique written in the 90's sheds light on the ways we conceptualize technology as inherently objective. When we essentialize technology we are blind to see the socio-political and cultural layers located beneath. <br>I found this text very useful to reflect on, when thinking about the texts for week 3, about datafication and digitization.     </div>]]></description>
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         <pubDate>2020-11-10 05:52:13 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/907185856</guid>
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      <item>
         <title>refiguring the Archive </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/907229818</link>
         <description><![CDATA[<div>This collective work was eyeopening for exploring the possibilities and limits of archival practices. It provided deeper socio-political, cultural, scientific and historical reflections on archives which became a great entrance for the discussions of week 8.</div>]]></description>
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         <pubDate>2020-11-10 06:13:03 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/907229818</guid>
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      <item>
         <title>Research in a time of COVID-19</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908096142</link>
         <description><![CDATA[<div><em>My first meeting with a "pirate" library was in the exam period during the spring 2020 under corona lockdown. While highly dependent on the ability to search and borrow research material, I came across this giant ebook library. It made me aware of how regular archives often comes with a high degree of exclusion and privileged selection both in terms of the collection and the access to it. The meeting made a nice entry to the discussions of week 2--&gt;  </em> </div>]]></description>
         <enclosure url="https://1lib.eu/" />
         <pubDate>2020-11-10 12:03:39 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908096142</guid>
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      <item>
         <title>Assignment 2</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908161572</link>
         <description><![CDATA[<div>How data-selfies are technologically mediated tells us something about modes of power.<br><br>https://padlet.com/merkjaergaard/ix0vv5obbw3jp4f0<br><br>https://padlet.com/merkjaergaard/8yh71n983zrrx6oz<br><br></div><blockquote>Matter feels, converses, suffers, desires, yearns and remembers.</blockquote>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/834554540/256565aef4a16dbc0b2b76528dbf81e2/political_subjects_and_data_selfies.pdf" />
         <pubDate>2020-11-10 12:32:57 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908161572</guid>
      </item>
      <item>
         <title>To be continued </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908199639</link>
         <description><![CDATA[<div>.... <br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/834554540/5efbf5be188fa6af5beb35542054bd00/Sk_rmbillede_2020_11_10_kl__07_36_05.png" />
         <pubDate>2020-11-10 12:46:45 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/908199639</guid>
      </item>
      <item>
         <title>Curatorial Statement</title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/912227826</link>
         <description><![CDATA[<div>This is the entrance to the archive of my mind with reference to the course Curating Data. <br><br>You are invited to take the tour through my learning experience and explore its offsprings. <br><br>Follow the timeline chronologically if you prefer a linear unfolding, or simply jump back and forth among the colours if you prefer a more deconstructivist approach.    <br><br></div><blockquote><em>Every hypertext would imply a jump from one spatiotemporal setting to another</em></blockquote><div><br>Ps. I didn't make references to literature because of limited acces for originals in the mindspace (and a non-negotiation policy with private property rights holders). The quotes are not mine but they are curated and co-created within the context of the surrounding features. In the same way it's possible for people to add, rewrite and comment my story in the padlet.  </div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/834554540/fb7ccfea4017ff8784e8c871cb50e23b/Curatorial_Statement_.pdf" />
         <pubDate>2020-11-11 10:12:36 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/912227826</guid>
      </item>
      <item>
         <title>The Technosphere </title>
         <author>merkjaergaard</author>
         <link>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/912244317</link>
         <description><![CDATA[<div>This article opens up the discussion on knowledge systems and the dialectical relationship between human and technology.</div><blockquote>Stiegler desconstructs it with the concept of the `origional default´... which theorizes humans as beings without origin or essense and thus vitally dependent on technical `compensations´.</blockquote><div>· Form and matter are relational and intertwined --&gt; both relevant for this and Hui text from week 1. </div>]]></description>
         <enclosure url="https://krisis.eu/reframing-the-technosphere-peter-sloterdijk-and-bernard-stieglers-anthropotechnologi-cal-diagnoses-of-the-anthropocene/" />
         <pubDate>2020-11-11 10:19:23 UTC</pubDate>
         <guid>https://padlet.com/merkjaergaard/vx2qbcjmkch9r4zg/wish/912244317</guid>
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