The Geography of Music by https://padlet.com/alison_woodhall_jone/geographyofmusic How can music be a part of geography? Use your knowledge, outline, textbook and the Internet to help you make the connection en-us 2018-07-17 07:30:19 UTC 2025-05-29 06:26:02 UTC hello@padlet.com Jack https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785753 Most ancient instruments were percussion, strings, or some sort of flute or horn, but The twentieth century has brought in advances in popular music. Instruments like the guitar, bass, and piano were electrified and amplified.

The late 20th century brought in digital recording, sampling, and MIDI (Musical Instrument Digital Interface) which effectively did away with the need for instruments.

rock n roll:
originated and evovled in the USA in the 1940s and 1950s.
it spread to regions to in the south and later spread by the migration of former slaves ancestors and their families to bigger cities.
the mixture of black rythym and blues with country and jazz music.


]]> 2018-08-31 01:28:01 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785753 HISTORY OF MUSIC - Eli. https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785760 Music is found in every known culture, past and present, no matter how different or isolated the communities is, in which it originated from. This results in the origin of music varying widely between times and places. Since all people of the world, including the most isolated tribal groups, have a form of music, it may be concluded that music is likely to have been present in the ancestral population or first communities of people prior to the dispersal of humans around the world. 

Consequently, Archaeologist have estimated that music may have been in existence for at least 50,000 years and the first music may have been invented in Africa where the first human communities lived, and then evolved from there to become the fundamental constituent of human life, it is today.]]> 2018-08-31 01:28:08 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785760 Courtney and Isis history of RNB music https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785812 Rhythm and blues, commonly abbreviated as R&B, is a genre of popular music that originated inAfrican American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African American, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular.]]> 2018-08-31 01:28:28 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785812 Al https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785874 Platforms such as Spotify, YouTube and Soundcloud, and others, enables artists and musicians to promote their music around the world.
However, platforms such as YouTube aren't as efficient as Spotify in promoting smaller artists, as they prioritise large artists over small artists and make it harder for smaller artists to be noticed.
Illegal downloads also impact artists as they aren't getting the money for their work and limits their ability to focus on music as their income isn't what it was meant to be.

]]> 2018-08-31 01:29:11 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785874 Goonie https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785943  From CDs  to MP3s, to collecting music from file-sharing sites like Napster or Kazaa, Now primarily occurs online. 
Music technology once aimed to make the listening experience more robust, now it often feels like the ultimate goal is simplification: What’s the most efficient, streamlined, and all-encompassing way to be a music fan, or a musician, or a record label?

Daniel Ek, CEO & Co-Founder of Spotify

The platform incorporated the user-friendliness of iTunes, the wily forward-thinking of Napster, the monetization potential of Pandora, and the social networking of Facebook, all in one package.
Its massive music database for a reasonable fee and provide royalties to the artists themselves.
Instead of working around the major labels, Ek approached the music industry giants directly, getting permission to access their artist’s music after years of persuasion; today Spotify has licensing deals with Warner, Universal, EMI, and Sony—the world’s largest music labels.
 Record labels receive an average of less than a penny per play—that’s just going to the labels, not the artists themselves. Recently, Taylor Swift made headlines when she pulled her discography from Spotify, and she’s not the first: Bands like Coldplay and the Black Keys have banned the service from access to their albums in the past. 
Spotify relies on the compliance of the labels and artists themselves. Still, there’s no question that in 2014, Spotify is synonymous with music streaming; as of May, the service has 40 million users, 10 million of whom are paid subscribers. It remains unseen whether it will be known as the solution to the music industry’s 21st century woes. 

]]> 2018-08-31 01:29:54 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785943 ado https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785987 only 7'900 aussies work as muscisions as there main job

42000000 people watch live music in australias bars and clubs
75% of aussies listen to pop/rock
7% country
4% opers/classic
4% dance

]]> 2018-08-31 01:30:15 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276785987 Eddy https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786119 Most of modern music has evolved out of Chicago blues in the 30s and 40s, because of their race they were rejected by the mainstream in America but in the 60s records from people such as Muddy Waters and Howlin Wolf found their way into the hands of bands like The Rolling Stones, The Beatles, The kinks and Fleetwood Mac. These bands were hugely popular then and still are today]]> 2018-08-31 01:31:44 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786119 Kane https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786214 The creation of music has become a lot more accessible over the last decade and is continuing to become more accessible as new technological advancements are made every day and being put out on the market]]> 2018-08-31 01:32:49 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786214 Mia - pop music https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786243 People will be changing their perspective of pop. They will look back on music trends of previous years and incorporate it into their own music.
The genre popular music originated in its modern form in the 1950s.
Derived from rock and roll.
Some of the most well known names in history such as; The Beatles, Michael Jackson, Therolling Stones, ABBA
Further technological, economicand social changes led to new forms of music in the nineteenth century, including thebrass band, which produced a popular and communal form of classical music.
Popular music began in the US in the 1930s with a lively new music called swing. Bing Crosby and Frank Sinatra sang with big swing bands and later became solo stars. During the 1950s, rock and roll—a louder and more exciting type of pop music—emerged with songs about youthful rebellion and teenage love.


]]> 2018-08-31 01:33:06 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786243 Erin https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786397 Online distribution allows unsigned artists to promote themselves. 
iTunes, Spotify and Sound-cloud are only a few of the many online distributors that do this. 

Advancements in technologies that have influenced the music industry. These include;
-multi-track recording
-auto-tune
-digital software (& streaming)
-iPods & MP3 players
-smartphones & apps
-loop pedals]]> 2018-08-31 01:34:29 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786397 https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786435 https://popmusicifp.files.wordpress.com/2012/03/inbox_charted_territory_181new10.jpg]]> 2018-08-31 01:34:43 UTC https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786435 Miss Woodhall How social media has affected the music industry alison_woodhall_jone https://padlet.com/alison_woodhall_jone/geographyofmusic/wish/276786614 "It’s clear to see that in 2017, the music industry continues to be intensely competitive. More music is being streamed for free or at a low-cost and every day, thousands of podcasts, online radio shows and songs are uploaded to the internet.

In 2016 alone, for every minute of the day, around 38,052 hours of music was listened to on Spotify. Over the course of the year, this totals up to over 20 billion hours of music being listened on Spotify alone.

Due to the increased connectivity of the internet and rise in content distribution options for musicians, there has been a shift in the industry from large record conglomerates, to smaller, independent record labels."

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