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      <title>Research File - Part 3 by Julia Vasconcelos</title>
      <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2018-09-11 13:37:45 UTC</pubDate>
      <lastBuildDate>2025-03-01 04:57:54 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>- POLITICS</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370515</link>
         <description><![CDATA[<div>Carvalho, R., Roio, J. and Sacchetta, V. (2012). <em>Os Cartazes Desta História. </em>São Paulo<em>: </em>ESCRITURAS.<br><br><br>(2015) <em>Revista Politika,</em> 1 (2).<br><br>(2016) <em>Revista Politika, </em>1 (3). <strong>*online publication: &lt;www.fjmangabeira.org.br/revistapolitika&gt; </strong><br><br>(2016) <em>Revista Politika, </em>1 (4).<br><strong>*online publication: &lt;www.fjmangabeira.org.br/revistapolitika&gt; </strong><br><br>(2017) <em>Revista Politika, </em>1 (5).<br><strong>*online publication: &lt;www.fjmangabeira.org.br/revistapolitika&gt; </strong><br><br><br>Scher, P. (2011). <em>MAPS. </em>New York: Princeton Architectural Press, pp.116-123.</div><ul><li>Scher, P. (2004). <em>All The News That Fits.</em> [Colored Pencil on Paper].&nbsp;</li></ul><div><br><br></div><div>Angeli. and Laerte. (2017). <em>Baiacu. </em>São Paulo: Todavia, pp.236-243.</div>]]></description>
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         <pubDate>2018-09-12 14:29:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370515</guid>
      </item>
      <item>
         <title>- ENVIRONMENTAL ISSUES</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370579</link>
         <description><![CDATA[<div>Guerra, A. and Guerra, S. (2001). <em>Impactos Ambientais Urbanos no Brasil.</em> 12th ed. Rio de Janeiro: Bertrand Brasil.<br><br><br>Fraceto, L., Moschini-Carlos, V. and Rosa, A. (2012). <em>Meio Ambiente e Sustentabilidade.</em> Porto Alegre: Bookman.<br><br><br>Santos, M. (2017). <em>Poluição do Meio Ambiente.</em> São Paulo: LTC.<br><br><br>Weisman, A. (2007). <em>The World Without Us.</em> New York:&nbsp;</div><h1>St. Martin's Press.</h1><div><br><br>Diamond, J. (2005). <em>Collapse: How Societies Choose to Fail or Succeed</em>. London:&nbsp; Penguin Books Ltd.</div>]]></description>
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         <pubDate>2018-09-12 14:29:54 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370579</guid>
      </item>
      <item>
         <title>- SOCIAL INEQUALITY</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370908</link>
         <description><![CDATA[<div>Stiglitz, J. (2012). <em>The Price of Inequality: How Today's Divided Society Endangers Our Future.</em> New York: W. W. Norton &amp; Company.<br><br><br>Martin, M. (2007). <em>Social Inequality.</em> Pennsylvania: MCGRAW-HILL PROFESSINAL.&nbsp;<br><br><br>Buarque, C. and Salgado, S. (2005).&nbsp;</div><h1><em>O Berço da Desigualdade. </em>São Paulo: Editora Moderna.</h1><div><br><br>Jakobeit, L. (2013). <em>Social Inequalities in Brazil (German Edition)</em>. GRIN Publishing.</div>]]></description>
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         <pubDate>2018-09-12 14:30:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370908</guid>
      </item>
      <item>
         <title>- FEMINISM</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370966</link>
         <description><![CDATA[<div>Forney, E. (2012).<em> Marbles</em>. London: Little, Brown.<br><br><br>Woolf, V. (1929). <em>A Room of One's Own.</em> London: Hogarth Press.<br><br><br>Gay, R. (2014). <em>Bad Feminist.</em> New York: Harper Perennial.<br><br><br>Adichie, C. (2014). S<em>ejamos Todos Feministas.</em> São Paulo: Companhia Das Letras.<br><br><br>Davis, A. (1981). <em>Mulheres, Raça e Classe.</em> São Paulo: BOITEMPO.<br><br><br>Hooks, B. (2000). <em>Feminism Is for Everybody.</em> London: Pluto Press.<br><br><br>Solnit, R. (2014). <em>Men Explain Things to Me. </em>2nd ed. Chigaco: Haymarket Books.<br><br><br>Penha, M. (2010). Sobrevivi... Posso Contar. 2nd ed. Fortaleza: Armazém da Cultura.<br><br><br>Ribeiro, D. (2018). <em>QUEM TEM MEDO DO FEMINISMO NEGRO?. </em>São Paulo: Companhia das Letras.<br><br><br>Baggentoss, G. (2018). <em>Direito e Feminismos.</em> São Paulo: Lumen Juris.</div>]]></description>
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         <pubDate>2018-09-12 14:30:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280370966</guid>
      </item>
      <item>
         <title>- RACIAL INEQUALITY</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551025</link>
         <description><![CDATA[<div>Fernandes, D. (2011). <em>As Cores da Desigualdade.</em> Belo Horizonte:&nbsp; Fino Traço.<br><br><br>Paixão, M. (2013). <em>500 Anos De Solidão. Ensaios Sobre As Desigualdades Raciais No Brasil.</em> Curitiba: Appris.<br><br><br>Souza, C. (2015). <em>Sim, Somos Racistas. </em>Curitiba: Appris.<br><br><br>Lee, H. (2016). <em>O Sol é Para Todos. </em>12th ed. São Paulo: José Olympio.<br><br><br>Stockett, K (2009). <em>The Help.</em> London: Penguin Books.<br><br><br>Walker, A. (1982). <em>The Color Purple. </em>San Diego: Harcourt.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-12 19:35:26 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551025</guid>
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      <item>
         <title>- ANXIETY/DEPRESSION</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551137</link>
         <description><![CDATA[<div>Cury, A. (2017). <em>Ansiedade - Como Enfrentar o Mal do Século.</em> São Paulo: Saraiva.<br><br><br>Breel, K. and Rocha, D. (2017). <em>Confissões De Um Adolescente Depressivo.</em> São Paulo: SEOMAN.<br><br><br>Borges, M. and Melgosa, J. (2017). <em>O Poder da Esperança</em>. Tatuí: Casa Publicadora Brasileira.</div>]]></description>
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         <pubDate>2018-09-12 19:35:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551137</guid>
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      <item>
         <title>- XENOPHOBIA</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551271</link>
         <description><![CDATA[<div>Jabel, J. (2016). <em>Cairo - Amor, Humor, Solidao, Xenofobia, Medo, Preconceito e Outros Bichos Cabeludos.</em> São Paulo: Kaleidoscopio.<br><br><br>Albuquerque, D. (2016),&nbsp;</div><h1><em>Xenofobia - Medo e Rejeição ao Estrangeiro.</em> São Paulo: Cortez.</h1>]]></description>
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         <pubDate>2018-09-12 19:36:06 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280551271</guid>
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      <item>
         <title>FEMINIST ARTISTS</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280603260</link>
         <description><![CDATA[<div>- Jenny Holzer<br>- Yayoi Kusama<br>- Shirin Neshat<br>- Kara Walker<br>- Judith Bernstein<br>- Lorna Simpson<br>- Frida Khalo<br>- Barbara Kruger<br>- Jenny Saville<br>- Zanele Muholi<br>- Sheena Rose<br>- The Guerrilla Girls<br>- Thandiwe Tshobalada<br>- Teresa Margolles<br>- Billie Zangiwa</div>]]></description>
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         <pubDate>2018-09-12 23:29:50 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280603260</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604650</link>
         <description><![CDATA[<div>"Our Mother Earth is currently facing lot of environmental concerns. The environmental problems like global warming, acid rain, air pollution, urban sprawl, waste disposal, ozone layer depletion, water pollution, climate change and many more affect every human, animal and nation on this planet. Over the last few decades, the exploitation of our planet and degradation of our environment have&nbsp; gone up at an alarming rate. As our actions have been not in favor of protecting this planet, we have seen natural disasters striking us more often in the form of flash floods, tsunamis and cyclones.<br><br></div><div>Different environmental groups around the world play their role in educating people as to how their small actions when combined together can play a big role in in protecting this planet. If you look at the environment around us, you can see that there are a number of issues that come to our attention. Here are 25 of the most important environmental concerns to keep an eye on today." Conserve Energy Future. 2018. <em>What are Top 25 Environmental Concerns? - Conserve Energy Future</em>. [ONLINE] Available at: <a href="https://www.conserve-energy-future.com/top-25-environmental-concerns.php">https://www.conserve-energy-future.com/top-25-environmental-concerns.php</a>. [Accessed 05 October 2018].<br><br><br>Brazil Environmental Issues. 2018. <em>Brazil Environmental Issues</em>. [ONLINE] Available at: <a href="https://www.brazil.org.za/environmental-issues.html">https://www.brazil.org.za/environmental-issues.html</a>. [Accessed 05 October 2018].<br><br><br>Environmental problems. 2018. <em>Environmental problems</em>. [ONLINE] Available at: <a href="https://www.lenntech.com/environmental-problems.htm">https://www.lenntech.com/environmental-problems.htm</a>. [Accessed 05 October 2018].</div>]]></description>
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         <pubDate>2018-09-12 23:39:16 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604650</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604738</link>
         <description><![CDATA[<pre>GEOGRAFIA Newton Almeida: Geografia 7º Ano Ensino Fundamental : Problemas Ambientais : Exercícios com Respostas . 2018. <em>GEOGRAFIA Newton Almeida: Geografia 7º Ano Ensino Fundamental : Problemas Ambientais : Exercícios com Respostas </em>. [ONLINE] Available at: <a href="http://geografianewtonalmeida.blogspot.com/2014/03/geografia-7-ano-ensino-fundamental.html">http://geografianewtonalmeida.blogspot.com/2014/03/geografia-7-ano-ensino-fundamental.html</a>. [Accessed 05 October 2018].</pre>]]></description>
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         <pubDate>2018-09-12 23:39:45 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604738</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604830</link>
         <description><![CDATA[<pre>GEOGRAPHICAE. 2018. <em>Grandes problemas ambientais. | GEOGRAPHICAE</em>. [ONLINE] Available at: <a href="https://geographicae.wordpress.com/2007/05/18/grandes-problemas-ambientais/">https://geographicae.wordpress.com/2007/05/18/grandes-problemas-ambientais/</a>. [Accessed 05 October 2018].</pre>]]></description>
         <enclosure url="http://2.bp.blogspot.com/-JmQTEHcAaTc/VHge2y7NHNI/AAAAAAAACZs/MZZAu03SI3E/s1600/Problemas%2Bambientais.jpg" />
         <pubDate>2018-09-12 23:40:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604830</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604886</link>
         <description><![CDATA[<pre>Todo Estudo. 2018. <em>Desmatamento: o que é, causas e consequências</em>. [ONLINE] Available at: <a href="https://www.todoestudo.com.br/geografia/desmatamento">https://www.todoestudo.com.br/geografia/desmatamento</a>. [Accessed 05 October 2018].</pre>]]></description>
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         <pubDate>2018-09-12 23:40:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280604886</guid>
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      <item>
         <title>BLACK FEMINISM</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838281</link>
         <description><![CDATA[<div><strong>Black feminism is the name given to the women's movement acting both in the sphere of gender discussion and in the anti-racist struggle.<br><br></strong><br>"This movement, in addition to considering sexism, argues that class oppression and racism also affect women. These three forms of oppression make black and poor women face more problems than white and wealthy women. From "black feminism" came the term "white feminism" to highlight the problem of racism and inequality experienced by the black and white population.</div><div>A symbolic example of black feminism was provided by the South African women who joined their voices to sing a protest song composed in honor of the occasion: Wathint'Abafazi Wathint'imbokodo" <a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">amenteemaravilhosa.com.br</a>, (2017). <em>Existem Vários Tipos de Feminismo.</em> [online]. Available at: </div><h1><a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/</a> [Accessed 10 September 2018].</h1><div><br><br><a href="https://www.geledes.org.br/feminismo-negro-sobre-minorias-dentro-da-minoria/">geledes.org.br</a>, (2016). </div><h1><em>Feminismo Negro: Sobre Minorias Dentro da Minoria.</em> [online]. Available at: <a href="https://www.geledes.org.br/feminismo-negro-sobre-minorias-dentro-da-minoria/">https://www.geledes.org.br/feminismo-negro-sobre-minorias-dentro-da-minoria/</a> [Accessed 13 September 2018].</h1><div><br><br><a href="https://www.blackfeminisms.com/black-feminism/">blackfeminisms.com</a>, (2016). A <em>Brief History of Black Feminism. </em>[online]. Available at: <a href="https://www.blackfeminisms.com/black-feminism/">https://www.blackfeminisms.com/black-feminism/</a> [Accessed 13 September 2018].<br><br><br></div><pre><strong><em><mark>*Photo Reference:</mark></em></strong><br>Pinterest. 2018. <em>Womanism: The Black Feminist | The Odyssey Online | Pinterest | Feminism, Feminist movement and Women</em>. [ONLINE] Available at: <a href="https://br.pinterest.com/pin/320951910923235884/">https://br.pinterest.com/pin/320951910923235884/</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 14:02:39 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838281</guid>
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      <item>
         <title>ISLAMIC FEMINISM</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838317</link>
         <description><![CDATA[<div><strong>Islamic feminism is a strand of feminism concerned with the role of women in Islam. This is the struggle for full equality among all Muslims, regardless of sex, in public and private life.<br><br><br>"</strong>This movement claims the role of women within the culture of Islam. It seeks equality between men and women in this cultural framework, without distinction of gender or gender. Education is one of the pillars of this movement that seeks to liberate the spirituality of women. The truth is that women have been a repressed figure in many regions where this culture has predominated, taking on the religious interpretation of men and the role they believe the woman deserves.</div><div>Although there are extremist movements that deny that religion can be compatible with feminism, this movement has been established in many countries. His approach is based on the interpretation of the Quran, the Muslim holy book. The book, open to multiple interpretations, also allows for a feminist interpretation [...]" <a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">amenteemaravilhosa.com.br</a>, (2017). <em>Existem Vários Tipos de Feminismo.</em> [online]. Available at: </div><h1><a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/</a> [Accessed 10 September 2018].</h1><div><br><br><br></div><div>"Unlike the Muslim man, who establishes his domination through the use of space (excluding women from the public area), the Western man manipulates time and light. He states that a woman is beautiful only when she appears to be fourteen years old." -<br>Mernissi, F. (1987).<em> Le Harem Politique : Le Prophète et Les Femmes.</em> Paris: Albin Michel.</div>]]></description>
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         <pubDate>2018-09-13 14:02:43 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838317</guid>
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      <item>
         <title>INDIGENOUS FEMINISM</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838428</link>
         <description><![CDATA[<div><strong>This is one of the types of feminism that is against totalizing movements and is framed in postcolonial thinking.<br><br><br></strong>“In South America, feminism is inspired by other liberation movements, such as liberation theology, the philosophy of liberation, or the pedagogy of the oppressed. The legacy of figures such as Che Guevara or Frida Kahlo is also very present. These movements incorporate into feminism the knowledge that indigenous women have developed over many years” <a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">amenteemaravilhosa.com.br</a>, (2017). <em>Existem Vários Tipos de Feminismo.</em> [online]. Available at: </div><h1><a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/</a> [Accessed 14 September 2018].</h1><div><br><br><a href="https://www.insectashoes.com/blog/conheca-um-pouco-sobre-feminismo-indigena-no-brasil-e-sua-importancia/">insectashoes.com</a>, (2016). <em>Conheça Um Pouco Sobre Feminismo Indígena no Brasil e Sua Importância. </em>[online]. Available at: <a href="https://www.insectashoes.com/blog/conheca-um-pouco-sobre-feminismo-indigena-no-brasil-e-sua-importancia/">https://www.insectashoes.com/blog/conheca-um-pouco-sobre-feminismo-indigena-no-brasil-e-sua-importancia/</a> [Accessed 14 September 2018]<br><br><br><a href="https://www.pensarcontemporaneo.com/379-2/">www.pensarcontemporaneo.com</a>. <em>Feminismo Indígena: A Luta Das Mulheres Dentro e Fora Das Aldeias. </em>[online]. Available at: <a href="https://www.pensarcontemporaneo.com/379-2/">https://www.pensarcontemporaneo.com/379-2/</a> [Accessed 14 September 2018]</div>]]></description>
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         <pubDate>2018-09-13 14:02:54 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280838428</guid>
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         <title>FEMINIST SERIES</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280839209</link>
         <description><![CDATA[<div><em>Hannah Gadsby: Nanette. </em>(2018). [video] Australia: Netflix.</div><pre>Unlike most stand-up comedians, Hannah does not use everyday jokes in her show. She even begins by doing this, but soon turns the show into a place of speech to expose a complicated and traumatized life story because of the sexual abuse she suffered, as well as the prejudices experienced by being homosexual and out of standards.</pre><div><em><br>The Crown. </em>(2016). [video] UK: Netflix.</div><pre>The series traces the life of Queen Elizabeth II of the United Kingdom from her marriage in 1947 to the present day. It is very cool to see the evolution of the protagonist in an era and environment in which sexism reigned. In the first episode, Elizabeth insists that the priest says at the wedding ceremony that she must obey her husband. As time goes on, however, she evolves and looks at all the sexism of the court and also changes her view on marriage.</pre><div><em><br>The Get Down. </em>(2016). [video] New York: Netflix.</div><pre>"The Get Dow" is a musical series that talks about the birth of hip hop and disco music in the Bronx, a poor neighborhood in New York.
Although the protagonism is very masculine, the personage Mylene is also super important. She has her own wills and a lot of courage to run after her dream and face her religious father. The series also earns points by betting on black and Latino characters and addressing sexual diversity.</pre><div><br><em>Chewing Gum.</em> (2015). [video] UK: E4.</div><pre>Series that tells the story of Tracey, a religious family girl who wants to lose her virginity. The creator and protagonist of the series, Michaela Coel, creates a narrative centered on a black peripheral girl who, more than wanting to have sex, is trying to understand and find out who she is. Amid very embarrassing situations, she addresses religious extremism, interracial relationships, and various other issues. Besides the protagonist, the series brings several humanized and hilarious secondary feminine characters.</pre><div><em><br>Insecure. </em>(2016). [video] USA: HBO.</div><pre>In Insecure, Issa Rae is a young woman who works in an NGO to support outlying children and is the only black woman there. Always by her side is her friend Molly, a successful lawyer who is always seeking for a love. Although it seems at first a series about two women seeking romance, in fact Insecure is about being a minority and belonging</pre><div><br><em>&nbsp;She’s Beautiful When She’s Angry. </em>(2014). [video] USA: Netflix.</div><pre>Documentary that presents an inspiring look at the brilliant and courageous women who led the 1960s feminist movement.</pre><div><em><br>Girls.</em> (2012). [video] USA: HBO.</div><pre>'Girls' stars four friends and the city of New York. It is at the end of the first decade of the millennium, but the protagonists instead of successful professionals have undefined jobs, little money and no stability in their relationships. The tone of the series is sarcastic, resorting to the subject of the amorous or sexual relations failed.</pre><div><em><br>Explicando. </em>(2018). [video] USA and UK: Netflix and VOX. ep. 18, <em>Because Women Earn Less</em></div><div><br></div><div><em><br>Transparent.</em> (2014). [video] USA: Amazon Video.<br><br></div><pre>The story revolves around a Los Angeles family and their lives after the discovery that the person they knew as their father Mort is a transgendered woman. The series shows family and love relationships, sexuality and non-standard bodies, without being moralistic, but trying to destroy social stereotypes about these subjects. The feminist theme is then approached by this trans woman (and by the homosexual and bisexual daughters), without any kind of glamor or sarcasm. It is a dry, hard approach whose interest lies in realizing that everything is possible, the paradigm shift; just be available and attentive to see.</pre>]]></description>
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         <pubDate>2018-09-13 14:03:59 UTC</pubDate>
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         <title>WHAT IS FEMINISM?</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280839394</link>
         <description><![CDATA[<div><strong>It is a social and political movement that aims to gain access to equal rights between men and women and that has exists since the nineteenth century. And, contrary to what many people still think, feminism is not the opposite of sexism. While feminism seeks to construct conditions of equality between genders, sexism is behavior that places man in a position of superiority with respect to woman.<br><br>The feminist movement, despite having achieved advances such as the right to vote, the establishment of specialized police stations and the insertion of women in the labor market, still has many challenges to overcome, such as: gender violence (harassment and domestic and sexual violence), isparity in positions and remuneration.</strong></div>]]></description>
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         <pubDate>2018-09-13 14:04:16 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280840465</link>
         <description><![CDATA[<div><strong><em><mark>RESEARCH MEDIA: BOOKS</mark></em></strong></div>]]></description>
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         <pubDate>2018-09-13 14:05:58 UTC</pubDate>
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         <title>OCIDENTAL FEMINISM</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280896998</link>
         <description><![CDATA[<div>“Western or white feminism is not the most developed, but most talked about. Its history is very extensive and there are several movements very different from each other. However, we can salvage some of the most memorable moments of these types of feminism.<br>One of them is the "343 bitch manifesto," in which 343 women who had aborted pleaded guilty. This gesture gave them so much visibility that Charlie Hebdo magazine gave them a "cover photo" under the ironic title: "Who got the 343 sluts on the abortion manifesto?"<br>Although feminism was considered a Western principle, different voices emerged that proclaimed other types of feminism. There were other types of feminism that had not been recognized before. Women realized that the experiences of upper-middle-class white women were not a good representation. Therefore, other feminist movements have become more important, as we will see below.” <a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">amenteemaravilhosa.com.br</a>, (2017). <em>Existem Vários Tipos de Feminismo.</em> [online]. Available at: </div><h1><a href="https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/">https://amenteemaravilhosa.com.br/existem-varios-tipos-de-feminismo/</a> [Accessed 14 September 2018].</h1><div><br><br><a href="http://justificando.cartacapital.com.br/2017/09/14/segunda-onda-feminista-desigualdades-culturais-discriminacao-e-politicas-das-mulheres/">justificando.cartacapital.com.br</a>, (2018). <em>Segunda Onda Feminista: Desigualdade, Discriminação e Política das Mulheres. </em>[online]. Available at: <a href="http://justificando.cartacapital.com.br/2017/09/14/segunda-onda-feminista-desigualdades-culturais-discriminacao-e-politicas-das-mulheres/">http://justificando.cartacapital.com.br/2017/09/14/segunda-onda-feminista-desigualdades-culturais-discriminacao-e-politicas-das-mulheres/</a> [Accessed 14 September 2018]</div>]]></description>
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         <pubDate>2018-09-13 15:31:50 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280966865</link>
         <description><![CDATA[<div>"<strong>Jenny Holzer</strong> is an American Conceptual artist best known for her text-based public art projects. Exploring how language is used both as a form of communication and as a means of concealment and control, Holzer has employed a variety of media throughout her career, including large-scale projections, LED displays, T-shirts, and posters." <a href="http://www.artnet.com/artists/jenny-holzer/">artnet.com</a>. <em>Jenny Holzer.</em> [online]. Available at: <a href="http://www.artnet.com/artists/jenny-holzer/">http://www.artnet.com/artists/jenny-holzer/</a> [Accessed 13 September 2018].<br><br><strong>One of her works that really caught my attention was a series called </strong><strong><em><mark>Truisms</mark></em></strong><strong>, which were short phrases, sometimes contradictory, that she would display publicly in different forms. She created thousands of tiny phrases and anonymously would project them in cities, on theater marquees, LED caution signs, and projected on the sides of buildings. Some of the phrases are inertly feminist, such as  the famous one, “raise boys and girls the same way”, "a man can’t know what it’s like to be a mother", and "everyone's work is equally important".<br>I believe these truisms are meant to evoke a feeling of uncomfort in the viewer and make them question their values. In particular because of the way these are displayed, anonymously and in public areas, there is a question of who these phrases are from and who they are meant to be seen by. By displaying these in the way she does, she shows how messages are constantly being given to us, whether subconsciously or not and subverts this medium to make uncomfortably true statements about sex, gender, and power change the way in which people may think.</strong></div>]]></description>
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         <pubDate>2018-09-13 17:27:37 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/280967054</link>
         <description><![CDATA[<pre>ART GOSSIPS: Conferencia "Arte en el exilio", de la artista Shirin Neshat. 2018. <em>ART GOSSIPS: Conferencia "Arte en el exilio", de la artista Shirin Neshat</em>. [ONLINE] Available at: <a href="http://www.blogartgossips.com/2012/06/conferencia-arte-en-el-exilio-de-la.html">http://www.blogartgossips.com/2012/06/conferencia-arte-en-el-exilio-de-la.html</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 17:27:58 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281074840</link>
         <description><![CDATA[<pre><a href="https://catnormoyle.com/2011/02/02/a-look-at-barbara-kruger-and-jenny-holzers-use-of-typographic-art/">catnormoyle.com</a>, (2011). <em>A look at Barbara Kruger and Jenny Holzer’s use of Typographic Art.</em> [online]. Available at: <a href="https://catnormoyle.com/2011/02/02/a-look-at-barbara-kruger-and-jenny-holzers-use-of-typographic-art/">https://catnormoyle.com/2011/02/02/a-look-at-barbara-kruger-and-jenny-holzers-use-of-typographic-art/</a> [Accessed 13 September 2018]</pre>]]></description>
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         <pubDate>2018-09-13 21:39:01 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281075167</link>
         <description><![CDATA[<pre><a href="http://www.jennyholzer.com/Projections/site/Venice2003/">www.jennyholzer.com</a>, (2003). <em>Venice Sites</em>. [online]. Available at: <a href="http://www.jennyholzer.com/Projections/site/Venice2003/">http://www.jennyholzer.com/Projections/site/Venice2003/</a> [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:40:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281075167</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281076419</link>
         <description><![CDATA[<pre>Performance Art. 2018. <em>Shirin Neshat | Performance Art</em>. [ONLINE] Available at: <a href="https://performanceartebodyart.wordpress.com/2013/07/11/shirin-neshat/">https://performanceartebodyart.wordpress.com/2013/07/11/shirin-neshat/</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:48:05 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281076419</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281076502</link>
         <description><![CDATA[<pre>Shirin Neshat (Iranian, B. 1957) , Unveiling (from the Women of Allah series) | Christie's . 2018. <em>Shirin Neshat (Iranian, B. 1957) , Unveiling (from the Women of Allah series) | Christie's </em>. [ONLINE] Available at: <a href="https://www.christies.com/lotfinder/Lot/shirin-neshat-iranian-b-1957-unveiling-5602558-details.aspx">https://www.christies.com/lotfinder/Lot/shirin-neshat-iranian-b-1957-unveiling-5602558-details.aspx</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:48:38 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281076502</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281076577</link>
         <description><![CDATA[<pre>SEM GANAS: Shirin Neshat. 2018. <em>SEM GANAS: Shirin Neshat</em>. [ONLINE] Available at: <a href="http://semganas.blogspot.com/2007/06/st-women-of-allah-1996-shirin-neshat.html">http://semganas.blogspot.com/2007/06/st-women-of-allah-1996-shirin-neshat.html</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:49:04 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077140</link>
         <description><![CDATA[<pre>Donna D'Arte/Fatto. 2018. <em>Shirin Neshat – femminilità e religione | Donna D'Arte/Fatto</em>. [ONLINE] Available at: <a href="http://donnadartefatto.altervista.org/shirin-neshat-femminilita-religione/">http://donnadartefatto.altervista.org/shirin-neshat-femminilita-religione/</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:52:53 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077140</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077456</link>
         <description><![CDATA[<pre>TIME.com. 2018. <em>Kara Walker - The 2007 TIME 100 - TIME</em>. [ONLINE] Available at: <a href="http://content.time.com/time/specials/2007/time100/article/0,28804,1595326_1595332_1616818,00.html">http://content.time.com/time/specials/2007/time100/article/0,28804,1595326_1595332_1616818,00.html</a>. [Accessed 13 Sepember 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:54:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077456</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077883</link>
         <description><![CDATA[<pre>Women and Art: Kara Walker - Feminist Artist. 2018. <em>Women and Art: Kara Walker - Feminist Artist</em>. [ONLINE] Available at: <a href="http://philandfem.blogspot.com/2010/04/kara-walker-feminist-artist.html">http://philandfem.blogspot.com/2010/04/kara-walker-feminist-artist.html</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:57:42 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281077988</link>
         <description><![CDATA[<pre>Brooklyn Museum. 2018. <em>Brooklyn Museum: Kara Walker</em>. [ONLINE] Available at: <a href="https://www.brooklynmuseum.org/eascfa/feminist_art_base/kara-walker">https://www.brooklynmuseum.org/eascfa/feminist_art_base/kara-walker</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:58:22 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078060</link>
         <description><![CDATA[<pre>american dreamers. 2018. <em>kara walker | american dreamers</em>. [ONLINE] Available at: <a href="https://megsfinalprojectsss.wordpress.com/art/kara-walker/">https://megsfinalprojectsss.wordpress.com/art/kara-walker/</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:58:46 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078189</link>
         <description><![CDATA[<pre>Khan Academy. 2018. <em>Kara Walker, Darkytown Rebellion (article) | Khan Academy</em>. [ONLINE] Available at: <a href="https://www.khanacademy.org/humanities/ap-art-history/global-contemporary/a/kara-walker-darkytown-rebellion">https://www.khanacademy.org/humanities/ap-art-history/global-contemporary/a/kara-walker-darkytown-rebellion</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 21:59:30 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078387</link>
         <description><![CDATA[<pre>Vulture. 2018. <em>Judith Bernstein, an Art Star at Last at 72, Has Never Been Afraid of Dirty Words</em>. [ONLINE] Available at: <a href="https://www.vulture.com/2015/05/judith-bernstein-isnt-afraid-of-dirty-words.html">https://www.vulture.com/2015/05/judith-bernstein-isnt-afraid-of-dirty-words.html</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 22:00:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078387</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078505</link>
         <description><![CDATA[<pre>nss magazine. 2018. <em>Judith Bernstein: "Birth of universe" Artistic feminism | nss magazine</em>. [ONLINE] Available at: <a href="https://www.nssmag.com/en/art-design/4927/judith-bernstein--birth-of-universe">https://www.nssmag.com/en/art-design/4927/judith-bernstein--birth-of-universe</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 22:01:18 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078505</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078588</link>
         <description><![CDATA[<pre>Review: Judith Bernstein Weaves Feminist Messages - The New York Times. 2018. <em>Review: Judith Bernstein Weaves Feminist Messages - The New York Times</em>. [ONLINE] Available at: <a href="https://www.nytimes.com/2015/07/31/arts/design/review-judith-bernstein-weaves-feminist-messages.html">https://www.nytimes.com/2015/07/31/arts/design/review-judith-bernstein-weaves-feminist-messages.html</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 22:01:45 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078622</link>
         <description><![CDATA[<pre>Judith Bernstein | Kunsthall Stavanger | Artsy. 2018. <em>Judith Bernstein | Kunsthall Stavanger | Artsy</em>. [ONLINE] Available at: <a href="https://www.artsy.net/show/kunsthall-stavanger-judith-bernstein">https://www.artsy.net/show/kunsthall-stavanger-judith-bernstein</a>. [Accessed 13 September 2018].</pre>]]></description>
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         <pubDate>2018-09-13 22:02:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078622</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078660</link>
         <description><![CDATA[<pre>Judith Bernstein: solo show | My Art Guides. 2018. <em>Judith Bernstein: solo show | My Art Guides</em>. [ONLINE] Available at: <a href="http://myartguides.com/exhibitions/judith-bernstein/">http://myartguides.com/exhibitions/judith-bernstein/</a>. [Accessed 13 September 2018].</pre>]]></description>
         <enclosure url="http://cdn.artobserved.com/2014/04/Judith-Bernstein-Installation-View-via-Gavin-Browns.png" />
         <pubDate>2018-09-13 22:02:21 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078660</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078697</link>
         <description><![CDATA[<pre>Judith Bernstein. 2018. <em>SOLO EXHIBITIONS — Judith Bernstein</em>. [ONLINE] Available at: <a href="https://www.judithbernstein.com/exhibitions/">https://www.judithbernstein.com/exhibitions/</a>. [Accessed 13 September 2018].</pre>]]></description>
         <enclosure url="http://www.theartgorgeous.com/wp-content/uploads/2018/02/JudithBernstein_theartgorgeous.jpg" />
         <pubDate>2018-09-13 22:02:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281078697</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281081455</link>
         <description><![CDATA[<pre>Calendar of Events : ARTbreak : Video: James Turrell and Jenny Holzer. 2018. <em>Calendar of Events : ARTbreak : Video: James Turrell and Jenny Holzer</em>. [ONLINE] Available at: <a href="https://www.kiarts.org/event.php?page_id=3&amp;calendar_id=1&amp;event_id=1475&amp;view=week&amp;offset=6">https://www.kiarts.org/event.php?page_id=3&amp;calendar_id=1&amp;event_id=1475&amp;view=week&amp;offset=6</a>. [Accessed 13 September 2018].</pre>]]></description>
         <enclosure url="http://2.bp.blogspot.com/-ftHFAyhk_v4/UxHY_x3nWwI/AAAAAAAAAB8/gN8lCVexmWE/s1600/07_Isler_Holzer.jpg" />
         <pubDate>2018-09-13 22:20:47 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281081455</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281082562</link>
         <description><![CDATA[<pre><a href="http://projects.jennyholzer.com/projections/siena-2009/gallery#6">projects.jennyholzer.com</a>, (2009). <em>Projections</em>. [online]. Available at: <a href="http://projects.jennyholzer.com/projections/siena-2009/gallery#6">http://projects.jennyholzer.com/projections/siena-2009/gallery#6</a> [Accessed 13 September 2018]</pre>]]></description>
         <enclosure url="http://sites.psu.edu/unspokenartists/wp-content/uploads/sites/33389/2016/03/7N11_113_09.jpg" />
         <pubDate>2018-09-13 22:28:15 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281082562</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281082927</link>
         <description><![CDATA[<pre>Onion, L. (2018). ‘RAISE BOYS AND GIRLS THE SAME WAY’ – Jenny Holzer. [online] <a href="https://burnthewater.org/2018/09/01/raise-boys-and-girls-the-same-way-jenny-holzer/">burnthewater.org</a>. Available at: <a href="https://burnthewater.org/2018/09/01/raise-boys-and-girls-the-same-way-jenny-holzer/">https://burnthewater.org/2018/09/01/raise-boys-and-girls-the-same-way-jenny-holzer/</a> [Accessed 13 September 2018]</pre>]]></description>
         <enclosure url="https://donshewey.files.wordpress.com/2011/09/marquees-7.jpg" />
         <pubDate>2018-09-13 22:30:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281082927</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281083234</link>
         <description><![CDATA[<pre><a href="https://imageobjecttext.com/2012/03/23/truth-and-the-power-of-words/">imageobjecttext.com</a>, (2012). <em>Truth and The Power of Words.</em> [online]. Available at: <a href="https://imageobjecttext.com/2012/03/23/truth-and-the-power-of-words/">https://imageobjecttext.com/2012/03/23/truth-and-the-power-of-words/</a> [Accessed 13 September 2018]</pre>]]></description>
         <enclosure url="http://mymodernmet.com/wp/wp-content/uploads/2017/06/jenny-holzer-protect-me-from-what-i-want.jpg" />
         <pubDate>2018-09-13 22:33:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281083234</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281085881</link>
         <description><![CDATA[<pre><a href="http://aplaceintheuniverse.blogspot.com/search?updated-max=2010-12-10T11:55:00-08:00&amp;max-results=20&amp;start=99&amp;by-date=false">aplaceintheuniverse.blogspot.com</a>. <em>The Art of Words</em>. [online]. Available at: <a href="http://aplaceintheuniverse.blogspot.com/search?updated-max=2010-12-10T11:55:00-08:00&amp;max-results=20&amp;start=99&amp;by-date=false">http://aplaceintheuniverse.blogspot.com/search?updated-max=2010-12-10T11:55:00-08:00&amp;max-results=20&amp;start=99&amp;by-date=false</a> [Accessed 13 September 2018]</pre>]]></description>
         <enclosure url="http://2.bp.blogspot.com/_Fi2NmF3XCVs/TP79EU2mULI/AAAAAAAADtI/CH8imRb1X5o/s1600/02.jpeg" />
         <pubDate>2018-09-13 22:55:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281085881</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281086844</link>
         <description><![CDATA[<div>Los Angeles Review of Books. 2018. <em>The Feminism of Resilience: Shirin Neshat at the Hirshhorn - Los Angeles Review of Books</em>. [ONLINE] Available at: <a href="https://lareviewofbooks.org/article/the-feminism-of-resilience-shirin-neshat-at-the-hirshhorn/#!">https://lareviewofbooks.org/article/the-feminism-of-resilience-shirin-neshat-at-the-hirshhorn/#!</a>. [Accessed 13 September 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-13 23:03:06 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281086844</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281086976</link>
         <description><![CDATA[<pre>Bird. 2018. <em>Judith Bernstein, artist/feminist — Bird</em>. [ONLINE] Available at: <a href="http://www.wearebird.co/judith-bernstein/">http://www.wearebird.co/judith-bernstein/</a>. [Accessed 13 September 2018].</pre>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-13 23:04:04 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281086976</guid>
      </item>
      <item>
         <title>IN BRASIL:</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281411415</link>
         <description><![CDATA[<div><strong>Social inequality and poverty are social problems that affect most countries today. Poverty exists in all countries, poor or rich, but social inequality is a phenomenon that occurs mainly in undeveloped countries. <br>Although Brasil in recent years has presented a decrease in poverty, the level of social inequality in the country is still notorious.<br>Whether due to its slave-owning past or lack of investment in infrastructure, Brasil still has very large levels between the richest and the poorest.</strong><br><br>"Some of the researchers who study Brazilian social inequality attribute, in part, the persistent Brazilian inequality to factors that go back to Brazil colony, pre 1930 - the media machine, especially television, produces and reproduces the idea of ​​inequality, crediting the " original sin "as the primordial factor of this social scourge, and thus by extension, common sense" buys "this idea already formatted -, stating that there are three" colonial pillars "that support inequality: Iberian influence, titles of ownership of latifundia and slavery.<br><br>It is evident that these variables contributed intensively to the fact that Brazilian inequality remained unacceptable for centuries. However, social inequality in Brazil has been perceived in the last decades, not as a pre-modern inheritance, but as a result of the effective modernization process that took the country from the beginning of the nineteenth century." Brasil Escola. 2018. <em>Desigualdade social - Brasil Escola</em>. [ONLINE] Available at: <a href="https://brasilescola.uol.com.br/sociologia/classes-sociais.htm">https://brasilescola.uol.com.br/sociologia/classes-sociais.htm</a>. [Accessed 20 September 2018].<br><br><br>"For many scholars, social inequality in Brazil goes back to Brazil, before the Empire, when it comes to three pillars that stratify a Brazilian population before making an economic economy: an influence of the settlers, the patterns of possession of purchasing power and slavery.<br>These 3 variables were strongly contributory to a social inequality that became a serious Brazilian problem, persisting with age and with the modernization process due to the modernization process that occurred in Brazil since the Proclamation of the Republic.<br>With growth in Brazil as it grew, poverty levels, social class differences, difficulties in access to education and health, increased income, generated unemployment, increased hunger and poverty reaches today, millions of Brazilians, who can not be relegated in the 21st century." Portal Sua Escola. 2018. <em>Desigualdade Social no Brasil e no Mundo - Resumo 2017</em>. [ONLINE] Available at: <a href="https://portalsuaescola.com.br/desigualdade-social/">https://portalsuaescola.com.br/desigualdade-social/</a>. [Accessed 20 September 2018].<br><br><br>"It is crucial to understand the relationship between poverty, inequality and growth. The high inequalities in Brazil mean that – without change in inequality – Brazil would need even higher growth than China to achieve the same results in poverty reduction. Inequalities implicate the legacy of social exclusion, as they constrain the ability of the poor to participate in economic growth, and also limit their benefits from growth (Ravallion, 2009). Hence, the development of human capital is constrained, and so is growth. On the other hand, growth alone is unlikely to reduce poverty sufficiently (Thomas, 2006). Considering this context, Brazil´s achievement in decreasing its inequality is especially significant, since it enabled the country to reduce its poverty rates even with modest growth.<br><br></div><div>Only considering income measures provide a limited picture of inequalities in Brazil. Besides the significant average income differences between regions, most significantly between the Northeast and the Southeast, there are also inequalities between people with different age, color, and gender (Thomas, 2006). The data of inequality improve when basic public services like basic education or basic health care are included, which have enhanced significantly, though quality is still an issue. Simultaneously, other aspects would worsen the real inequality. For example, poor people are affected dis­pro­­portionally by crime or the impact of environmental degradation (Thomas, 2006). However, monetary distribution remains important, and thus the Gini Index is used here, providing an overview of income inequalities within Brazil." Jakobeit, L., 2013. <em>Social Inequalities in Brazil (German Edition)</em>. GRIN Publishing.</div><div><a href="https://m.grin.com/document/167315">https://m.grin.com/document/167315</a><br><br><br>"Over time, social inequality tends to increase. For those from poorer families, there is less chance of achieving higher levels of education. Having lower levels of schooling, these people are less likely to achieve a better position in society, to have a prestigious profession and to get better pay." Portal Sua Escola. 2018. <em>Desigualdade Social no Brasil e no Mundo - Resumo 2017</em>. [ONLINE] Available at: <a href="https://portalsuaescola.com.br/desigualdade-social/">https://portalsuaescola.com.br/desigualdade-social/</a>. [Accessed 20 September 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-14 16:43:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281411415</guid>
      </item>
      <item>
         <title>IN THE WORLD:</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281411465</link>
         <description><![CDATA[<div>EXAME. 2018. <em>Desigualdades crescem no mundo, principalmente nos Estados Unidos | EXAME</em>. [ONLINE] Available at: <a href="https://exame.abril.com.br/economia/desigualdades-crescem-no-mundo-principalmente-nos-estados-unidos/">https://exame.abril.com.br/economia/desigualdades-crescem-no-mundo-principalmente-nos-estados-unidos/</a>. [Accessed 20 September 2018].<br><br><br>Toda Matéria. 2018. <em>Desigualdade Social - Toda Matéria</em>. [ONLINE] Available at: <a href="https://www.todamateria.com.br/desigualdade-social/">https://www.todamateria.com.br/desigualdade-social/</a>. [Accessed 20 September 2018].<br><br><br>CartaCapital. 2018. <em>Ciência e arte cerram fileiras contra a desigualdade social nos EUA — CartaCapital</em>. [ONLINE] Available at: <a href="https://www.cartacapital.com.br/internacional/ciencia-e-arte-cerram-fileiras-contra-desigualdade-social-nos-eua">https://www.cartacapital.com.br/internacional/ciencia-e-arte-cerram-fileiras-contra-desigualdade-social-nos-eua</a>. [Accessed 20 September 2018].</div>]]></description>
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         <pubDate>2018-09-14 16:43:22 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281411465</guid>
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      <item>
         <title>RELEVANT ARTISTS</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281419907</link>
         <description><![CDATA[<div>TO BE RESEARCHED:<br>- Pawel Kuczynski<br>- Cândido Portinari<br>- Joe Webb<br>- Banksy<br>- Sebastião Salgado<br>- Tuca Vieira&nbsp;<br>- Tales Sabará<br>- Sara Ramos *<br>- Luiz Zerbini, Barrão e Sergio Mekler *</div>]]></description>
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         <pubDate>2018-09-14 16:58:16 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281419907</guid>
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      <item>
         <title>IMPORTANT DATA</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281758323</link>
         <description><![CDATA[<div>O Globo. 2018. <em>Economistas: dados do IBGE mostram que desigualdade ainda é batalha a ser vencida - Jornal O Globo </em>. [ONLINE] Available at: <a href="https://oglobo.globo.com/economia/economistas-dados-do-ibge-mostram-que-desigualdade-ainda-batalha-ser-vencida-22128307">https://oglobo.globo.com/economia/economistas-dados-do-ibge-mostram-que-desigualdade-ainda-batalha-ser-vencida-22128307</a>. [Accessed 20 September 2018].</div>]]></description>
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         <pubDate>2018-09-15 18:33:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/281758323</guid>
      </item>
      <item>
         <title>Troca-Troca</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196201</link>
         <description><![CDATA[<div><br></div><pre><em>Troca-Troca (2002)</em> is a work by <mark>Jarbas Lopes</mark> which is composed of three colored fuscas, with brass exchanged between them. A sound system interconnects the three cars. There are also stickers produced from the archive of
palindromes of the artist Luis Andrade on the windshields of cars.</pre><div><br>Lopes, J. (2002). <em>Troca-Troca</em>. [Sculpture] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/033b0c69a7eb04fb6116c2702a986680/media.jpeg" />
         <pubDate>2018-09-18 23:38:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196201</guid>
      </item>
      <item>
         <title>Vitruvian Figure</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196655</link>
         <description><![CDATA[<pre>Inspired by the Olympic Stadium in Sydney, <mark>Paul Pfeiffer's</mark> <em>Vitruvian Figure (2008) </em>is a large-scale sculpture, about three meters high, with one million seats - the actual capacity of the arena is 80,000 spectators.
Pfeiffer became known for his digital manipulations of images of athletes and celebrities, which the artist uses to explore the common tensions of contemporary culture, highlighting his racial, religious, and technological dimensions.</pre><div><br>Pfeiffer, P. (2008). <em>Vitruvian Figure</em>. [Sculpture]. Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/7f0ae8a095da241d208d8353f66995e2/media.jpeg" />
         <pubDate>2018-09-18 23:41:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196655</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196824</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/bfdf605243a9ba861193f0c877c4076d/media.jpeg" />
         <pubDate>2018-09-18 23:42:32 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283196824</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197000</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/9e2a0b3d9b1366fca2af2818a512fcf5/media.jpeg" />
         <pubDate>2018-09-18 23:43:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197000</guid>
      </item>
      <item>
         <title>Ttéia</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197358</link>
         <description><![CDATA[<pre><em>Ttéia (2002</em>) is a work of the last stage of <mark>Lygia Pape's</mark> career and condenses a series of questions raised in the trajectory of this artist who is one of the main voices in Brazilian art of the second half of the 20th century. The installation is the result of the experiences that Pape began in 1977 with his students from the Visual Arts School of Lage Park, with strands stretched in the middle of nature. Later, in the beginning of the 90s, the artist rehearsed another development of this research, which would be carried out as meshes thrown between buildings and scattered around the city, as a "proposal of solidarity". At the end of this decade, however, the Tteias finally reached the format to which Pape would devote much of his work to that period: large installations with metallic wires linking elements of architecture; in the case of Tethys 1C, from floor to ceiling; in the case of others, two corners of the exhibition space.</pre><div><br>Pape, L. (2002). <em>Ttéia</em>. [Sculpture] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/bc8bc7be161a508f75717235d7882324/media.jpeg" />
         <pubDate>2018-09-18 23:46:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197358</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197548</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/65eb3f52d195c6b21c9e59985380648a/media.jpeg" />
         <pubDate>2018-09-18 23:47:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197548</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197762</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/274dd0b01d7c13a11e05c98f125a3960/media.jpeg" />
         <pubDate>2018-09-18 23:48:10 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197762</guid>
      </item>
      <item>
         <title>Galeria Adriana Varejão</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197973</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/234558f0d1179570c97d1a9d972674a3/media.jpeg" />
         <pubDate>2018-09-18 23:49:33 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283197973</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199136</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/8cdcc64d282e9ce9ffaff86dcd4839e0/media.jpeg" />
         <pubDate>2018-09-18 23:57:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199136</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199339</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-18 23:58:13 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199339</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199720</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 00:00:27 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283199720</guid>
      </item>
      <item>
         <title>Linda do Rosário</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200149</link>
         <description><![CDATA[<pre>The tile, one of the recurring themes of <mark>Adriana Varejão's</mark> work, reappears in Linda do <em>Rosário (2004)</em>, one of the most important works of the series Charques. In this sculpture, architecture is associated with the body, and the matter of construction becomes flesh. The work was inspired by the collapse of the Hotel Linda do Rosário, in the center of Rio de Janeiro in 2002, whose tiled walls fell on a couple in one of the rooms of the building.</pre><div><br>Varejão, A. (2004). <em>Linda do Rosário.</em> [Sculpture] Inhotim, Brumadinho.</div>]]></description>
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         <pubDate>2018-09-19 00:03:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200149</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200340</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/5217e8e0a29333424357850583f0e364/media.jpeg" />
         <pubDate>2018-09-19 00:04:10 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200340</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200443</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/f406b43e3440d8fdd1d2ffea62a5989b/media.jpeg" />
         <pubDate>2018-09-19 00:04:53 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200443</guid>
      </item>
      <item>
         <title>Celacanto Provoca Maremoto</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200511</link>
         <description><![CDATA[<pre><em>Celacanto Provoca Maremoto (2004-2008)</em> uses the baroque and Portuguese tiles as the main historical references, but also of the colonial history itself that unites Portugal and Portugal. Brazil: after all here we are in the domains of the sea, the great element of connection between old and new worlds in the period of great navigations. Placed on the panels forming a grid, the tiles refer to the untidy and casual way in which the broken tiles of the old baroque panels are replaced. Celacanto Provoca Maremoto (2004-2008) uses the baroque and Portuguese tiles as the main historical references, but also of the colonial history itself that unites Portugal and Portugal. Brazil: after all here we are in the domains of the sea, the great element of connection between old and new worlds in the period of great navigations. Placed on the panels forming a grid, the tiles refer to the untidy and casual way in which the broken tiles of the old baroque panels are replaced.</pre><div><br>Varejã, A. (2004-2008). <em>Celacanto Provoca Maremoto</em>. [Painting] Inhotim, Brumadinho.</div>]]></description>
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         <pubDate>2018-09-19 00:05:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200511</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200668</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 00:06:31 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200668</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200771</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/a2f5718923ed276f7cf5492a4ae5efa1/media.jpeg" />
         <pubDate>2018-09-19 00:07:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200771</guid>
      </item>
      <item>
         <title>Forty Part Motet</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200971</link>
         <description><![CDATA[<pre>Thomas Tallis, a 16th-century English composer, composed Spem in Alium nunquam habui for the celebration of Queen Elizabeth's 1st birthday in 1575. The moteto (a type of medieval polyphonic composition) for eight choirs of five voices deals with humility and transcendence, two important themes for the Catholic composer at a time when the Catholic faith was repressed by the sovereign state of England. The piece is known as one of the most complex polyphonic works for choral singing ever composed. Using individual microphones, <mark>Janet Cardiff</mark> recorded each member of the Salisbury Cathedral choir, working on male voices - bass, baritone and tenor - as well as a childlike soprano. At the installation, the artist uses a speaker for each voice, which allows the viewer to hear the different voices and perceive the different combinations and harmonies as they go through the installation. Janet Cardiff is one of the most prolific artists in an art that uses the latest technology. His work employs several expressive means, covering video, installation and sound recording.</pre><div><br>Cardiff, J. (2001). <em>Forty Part Motet</em>. [Sound] Inhotim, Brumadinho.</div>]]></description>
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         <pubDate>2018-09-19 00:08:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283200971</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283201098</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/0dfcbbc0d3edf042a2661737fd5241fc/media.jpeg" />
         <pubDate>2018-09-19 00:09:16 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283201098</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283201272</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/1100f05294e86926bc13aea45fb337cd/forty_part_motet.m4a" />
         <pubDate>2018-09-19 00:10:23 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283201272</guid>
      </item>
      <item>
         <title>I&#39;m Here, But Nothing</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283202177</link>
         <description><![CDATA[<div>Kusama, Y. (2000). <em>I'm Here, But Nothing</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/4dc0aa6bdb145b77ed86fcb1d2040415/media.jpeg" />
         <pubDate>2018-09-19 00:15:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283202177</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283202361</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/d6e10cbf27873d86202740f6157d845a/media.jpeg" />
         <pubDate>2018-09-19 00:16:31 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283202361</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203024</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/5287ffd10b6d0c11733164c8fe5d0065/media.jpeg" />
         <pubDate>2018-09-19 00:20:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203024</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203156</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/e7379bf469cfac8a4a8c796b1826b259/E3E7E1C7_893C_42CF_8BB2_F141EE7C884F.MOV.mov" />
         <pubDate>2018-09-19 00:20:55 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203156</guid>
      </item>
      <item>
         <title>Means of a Sudden Intuitive Realization</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203517</link>
         <description><![CDATA[<div>Eliasson, O. (1996). <em>Means of a Sudden Intuitive Realization</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/a74c1fe19a7b272391213d011fd14434/media.jpeg" />
         <pubDate>2018-09-19 00:22:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203517</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203758</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/32ef9f175e0433a74525264a548b4279/F43BB136_0B2D_4657_B34C_E75D63C61033.MOV.mov" />
         <pubDate>2018-09-19 00:23:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283203758</guid>
      </item>
      <item>
         <title>Fissura</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283213511</link>
         <description><![CDATA[<pre><em>In Fissura (2011)</em>, by <mark>Sara Ramo</mark>, vestiges seem to want to hide from our field of vision, but, paradoxically, they catch our attention and gain prominence: as when we are close to a keyhole and we seek to spy on what happens on the other side of the door. The objects present in the work of the artist can tell both the history of the relations they would have established with their former owners and the tension they create with the exhibition space or white cube. </pre><div><br>Ramos, S. (2011). <em>Fissura.</em> [Installation] Inhotim, Brumadinho.</div>]]></description>
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         <pubDate>2018-09-19 01:18:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283213511</guid>
      </item>
      <item>
         <title>Jungle Jam</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214494</link>
         <description><![CDATA[<pre>Inviting the public to a sensory experience, <em>Jungle Jam, </em><mark>by Chelpa Ferro, </mark>is a kinetic installation made up of dozens of identical pieces arranged horizontally on the walls of a room and spaced apart at regular intervals. Each piece consists of a mixer of portable food (mixer), and an ordinary plastic bag, attached to the end of the pin, replacing the cutting pieces.</pre><div><br>Ferro, C. (2010). <em>Jungle Jam</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
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         <pubDate>2018-09-19 01:23:15 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214494</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214613</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/7111b4b7fd43be4e38b8819833961bf9/media.jpeg" />
         <pubDate>2018-09-19 01:24:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214613</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214735</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/57e6013bbd09b2e927aabc25befa6792/media.jpeg" />
         <pubDate>2018-09-19 01:24:43 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214735</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214853</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/fe27c5d9d9a078b1d774f9c3d07300c8/DB1807B5_4ED3_4B2B_980D_9F3090CE109D.MOV.mov" />
         <pubDate>2018-09-19 01:25:23 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283214853</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215476</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/4951d932018e911ca9320a4229d172fd/out_2018_09_18_22_13_37.mp4" />
         <pubDate>2018-09-19 01:28:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215476</guid>
      </item>
      <item>
         <title>True Rouge</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215822</link>
         <description><![CDATA[<div>Tunga (1997). <em>True Rouge</em>. [Sculpture] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/674800147514e83619c9ce192ab33d37/media.jpeg" />
         <pubDate>2018-09-19 01:29:56 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215822</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215995</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/fb85cef309854de6e3c062564f9a34f8/media.jpeg" />
         <pubDate>2018-09-19 01:30:53 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283215995</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283216127</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/1e0526e2b35f0b4c4c4a6308f52745dc/media.jpeg" />
         <pubDate>2018-09-19 01:31:47 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283216127</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283216315</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/eba649800c8a34e46abebba903b169c4/media.jpeg" />
         <pubDate>2018-09-19 01:32:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283216315</guid>
      </item>
      <item>
         <title>Overground</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283221588</link>
         <description><![CDATA[<div>Marcellvs, L. (2008). <em>Overground</em>. [Video and Sound] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/62a3e46b9e19190cc654558e5f928e81/out_2018_09_18_22_57_42.mp4" />
         <pubDate>2018-09-19 01:59:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283221588</guid>
      </item>
      <item>
         <title>Através</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222092</link>
         <description><![CDATA[<div>Meireles, C. (1983-1989). <em>Atráves</em>. [Mixed Media] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/33a0cea7aec0c9b1f2e19a705cb3c042/media.jpeg" />
         <pubDate>2018-09-19 02:02:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222092</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222252</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/65d58f0918ece0dacf3d987caafcfe4b/media.jpeg" />
         <pubDate>2018-09-19 02:03:58 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222252</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222396</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/0ffecad93cfd5fd5b55959af6e7b703c/media.jpeg" />
         <pubDate>2018-09-19 02:04:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222396</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222587</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/6940d6b0a1043512e3be2cf874bfbe7c/media.jpeg" />
         <pubDate>2018-09-19 02:05:44 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283222587</guid>
      </item>
      <item>
         <title>Sonic Pavilion</title>
         <author>julia_vasconcelos</author>
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      <item>
         <title></title>
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      <item>
         <title></title>
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         <pubDate>2018-09-19 14:07:44 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 14:09:45 UTC</pubDate>
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      <item>
         <title>Galeria Claudia Andujar</title>
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         <pubDate>2018-09-19 14:12:50 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 14:14:04 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 14:14:56 UTC</pubDate>
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      <item>
         <title>A Terra (e a Água)</title>
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         <pubDate>2018-09-19 21:25:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:26:02 UTC</pubDate>
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      <item>
         <title>Amazônia(s)</title>
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         <pubDate>2018-09-19 21:26:36 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 21:27:16 UTC</pubDate>
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      <item>
         <title>YANOMAMI</title>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:29:19 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 21:29:55 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283657901</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:30:31 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 21:35:55 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:36:37 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:37:09 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:37:42 UTC</pubDate>
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      <item>
         <title>Contatos</title>
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         <pubDate>2018-09-19 21:39:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:40:20 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:46:34 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:47:16 UTC</pubDate>
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      <item>
         <title>Marcados Para</title>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:47:52 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:48:29 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:49:04 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283662110</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:49:41 UTC</pubDate>
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      <item>
         <title>Blue Tango</title>
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         <pubDate>2018-09-19 21:53:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 21:58:23 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 22:00:59 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 23:06:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:07:12 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:09:25 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:11:16 UTC</pubDate>
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      <item>
         <title>Galeria Psicoativa</title>
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         <pubDate>2018-09-19 23:12:17 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-19 23:13:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:14:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:16:19 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-09-19 23:17:25 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675320</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/d6d23ae115c715cfe8f6d69926491264/media.jpeg" />
         <pubDate>2018-09-19 23:19:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675320</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675509</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/22094ef0273df38b1c54378dae449928/media.jpeg" />
         <pubDate>2018-09-19 23:20:54 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675509</guid>
      </item>
      <item>
         <title>Ahora Juguemos a Desaparecer</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675612</link>
         <description><![CDATA[<div>Garaicoa, C. (2002). <em>TAhora Juguemos a Desaparecer</em>. [Sculpture with candles] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/815e6cdb8bbdd645b20485f8ade18928/media.jpeg" />
         <pubDate>2018-09-19 23:21:47 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675612</guid>
      </item>
      <item>
         <title>Beam Drop Inhotim</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675716</link>
         <description><![CDATA[<div>Burden, C. (2008). B<em>eam Drop Inhotim</em>. [Sculpture] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/0a349fbe4dbdeb2b23bc676a6d0de7db/media.jpeg" />
         <pubDate>2018-09-19 23:22:31 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675716</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675874</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/28ad2f1c790f87d1420c5a42eb31559d/media.jpeg" />
         <pubDate>2018-09-19 23:23:27 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675874</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675997</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/5284c2650014d4313bbdd04fe346c21f/media.jpeg" />
         <pubDate>2018-09-19 23:24:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283675997</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676463</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/e5749b1a8f959dc86fb4b2fffaf6dbcb/media.jpeg" />
         <pubDate>2018-09-19 23:27:14 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676463</guid>
      </item>
      <item>
         <title>Cosmococa</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676640</link>
         <description><![CDATA[<div>Oiticica, H. (1973). <em>Cosmococa</em>. [Mixed Media] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/260cf45e901a463a270c909e0f5c7abe/media.jpeg" />
         <pubDate>2018-09-19 23:28:31 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676640</guid>
      </item>
      <item>
         <title>Vegetarion Room Inhotim</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676765</link>
         <description><![CDATA[<div>Iglesias, C. (2010-2012). <em>Vegetarion Room Inhotim</em>. [Mixed Media] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/2e8615a07bef69e9a53ea13769aca6a5/media.jpeg" />
         <pubDate>2018-09-19 23:29:22 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283676765</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283677699</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/f156177f5960e9bdf021423d74848ce6/out_2018_09_19_20_33_47.mp4" />
         <pubDate>2018-09-19 23:35:43 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283677699</guid>
      </item>
      <item>
         <title>Folly</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893008</link>
         <description><![CDATA[<div>Soares, V. (2005-2009). <em>Folly</em>. [Video, Sound and Mirrors] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/d2c842a5d362ab91e5d527a6a73f8920/media.jpeg" />
         <pubDate>2018-09-20 13:30:22 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893008</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893450</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/e4205331b842d52e4360857cbbe9efe8/media.jpeg" />
         <pubDate>2018-09-20 13:31:07 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893450</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893935</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/db2d2d438870ff748a3c96a7d6a7a241/media.jpeg" />
         <pubDate>2018-09-20 13:31:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283893935</guid>
      </item>
      <item>
         <title>Viewing Machine </title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283894545</link>
         <description><![CDATA[<div>Eliasson, O. (2001-2008). <em>Viewing Machine</em>. [Telescope made of mirrors] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/dd339505b65535df8059595474a69556/media.jpeg" />
         <pubDate>2018-09-20 13:33:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283894545</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283896637</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/a598a2a6d1301d9870be077f4a6ea0a1/media.jpeg" />
         <pubDate>2018-09-20 13:35:58 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283896637</guid>
      </item>
      <item>
         <title>I Am Not Me, The Horse Is Not Mine</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283897065</link>
         <description><![CDATA[<div>Kentridge, W. (2008). <em>I am Not Me, The Horse Is Not Mine</em>. [Video] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/8f7f84b4d75e59247b34e9ff3912cf4e/media.jpeg" />
         <pubDate>2018-09-20 13:36:34 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283897065</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283897881</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/18974bdb27d10a3a4e6f7d24eaba118a/media.jpeg" />
         <pubDate>2018-09-20 13:37:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283897881</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283902394</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/244c77770b29431c1e04edc9ddbb2160/out_2018_09_20_10_39_57.mp4" />
         <pubDate>2018-09-20 13:43:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/283902394</guid>
      </item>
      <item>
         <title>TYPES OF INEQUALITY</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284115851</link>
         <description><![CDATA[<div>- Inequality of opportunity;<br>- Inequality of education;<br>- Income inequality;<br>- Gender Inequality;<br>- Economic inequality.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-20 19:19:05 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284115851</guid>
      </item>
      <item>
         <title>Glove Trotter</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140373</link>
         <description><![CDATA[<div>Meirelles, C. (1991). <em>Glove Trotter</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/7b1a351c1ae6e27832de4953fde56761/media.jpeg" />
         <pubDate>2018-09-20 20:29:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140373</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140577</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/073f8ca1bc529e65b0dbdd3f9a6a7f03/media.jpeg" />
         <pubDate>2018-09-20 20:29:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140577</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140977</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/79a9344a23bf117d8428cce3cf6ea7dc/media.jpeg" />
         <pubDate>2018-09-20 20:31:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284140977</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284141345</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/546f7b89e26051bda632ccf19174350c/media.jpeg" />
         <pubDate>2018-09-20 20:32:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284141345</guid>
      </item>
      <item>
         <title>Desvio Para o Vermelho</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284141922</link>
         <description><![CDATA[<div>Meirelles, C. (1967-1989). <em>Desvio Para o Vermelho</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/f117810f09e6097d9c78d794d8ac23e2/media.jpeg" />
         <pubDate>2018-09-20 20:34:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284141922</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142124</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/622918e53cb646a4a7dc453ff4b70e7a/media.jpeg" />
         <pubDate>2018-09-20 20:35:38 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142124</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142387</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/987835e957a92aa8e4ab471cafdbc03a/media.jpeg" />
         <pubDate>2018-09-20 20:36:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142387</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142587</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/66c2f49e5f4049adb6157a26719732f5/media.jpeg" />
         <pubDate>2018-09-20 20:37:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284142587</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284143077</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/80cd412582189fa23d1158c3bc5d05e7/out_2018_09_20_17_33_38.mp4" />
         <pubDate>2018-09-20 20:38:49 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284143077</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284143307</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/74ff01902e77327864dcdfcc4d6cc2bb/media.jpeg" />
         <pubDate>2018-09-20 20:39:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284143307</guid>
      </item>
      <item>
         <title>Narcissus Garden Inhotim</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284146559</link>
         <description><![CDATA[<div>Kusama, Y. (2009). <em>Narcissus Garden Inhotim</em>. [Installation] Inhotim, Brumadinho.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/8f4380d649e57b441519ee0fd8006ab6/media.jpeg" />
         <pubDate>2018-09-20 20:50:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284146559</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284146947</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/5596ef1dedddcf6931bae7dfa681ec33/media.jpeg" />
         <pubDate>2018-09-20 20:52:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284146947</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284147801</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/ae5e207318c18b05ceb3bf55abeb10ed/media.jpeg" />
         <pubDate>2018-09-20 20:55:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284147801</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284371775</link>
         <description><![CDATA[<div><strong>Large-format paintings, drawings and engravings, as well as porcelain dishes painted by the New Yorker Jean-Michel Basquiat in honor of artists and friends occupy the exhibition, an unprecedented retrospective in the country and the largest already held in Latin America.<br><br><br></strong>Basquiat, J. (2018). <em>Jean-Michel Basquiat Obras da Coleçã Mugrabi.</em> [Mixed Media] CCBB, Belo Horizonte</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/4546979aa09c0a3dde6ccffeec56ce02/media.jpeg" />
         <pubDate>2018-09-21 13:48:09 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284371775</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284372566</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/2800294b3d4db87c340fd565647687ea/media.jpeg" />
         <pubDate>2018-09-21 13:49:36 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284372566</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284373152</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/feca3a4681a2797e76d1cf05210f0207/media.jpeg" />
         <pubDate>2018-09-21 13:50:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284373152</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284373762</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/5bd7136cf713ced4df587f0630e83b5c/media.jpeg" />
         <pubDate>2018-09-21 13:51:46 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284373762</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284374134</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-23 15:36:02 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-23 15:36:28 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-09-23 15:37:10 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284758044</link>
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         <pubDate>2018-09-23 15:37:30 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284758081</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-09-23 15:37:45 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284758081</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284776764</link>
         <description><![CDATA[<div>"Social inequality is a concept that mainly affects undeveloped and underdeveloped countries, where there is no balance in the standard of living of its inhabitants, be it in the economic, school, professional, gender, among others.<br><br>The phenomenon of social inequality is marked mainly by economic inequality, that is, when income is distributed heterogeneously in society; being holders of many goods, while others live in extreme misery.<br><br>Among the factors that provide social inequality is the poor distribution of income and the lack of investments in social policies." Significados. 2018. <em>Significado de Desigualdade social - O que é, Conceito e Definição</em>. [ONLINE] Available at: <a href="https://www.significados.com.br/desigualdade-social/">https://www.significados.com.br/desigualdade-social/</a>. [Accessed 23 September 2018].</div>]]></description>
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         <pubDate>2018-09-23 17:58:39 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/284776764</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285704451</link>
         <description><![CDATA[<pre>YouTube. 2018. <em>The Data Minute: What is Inequality of Opportunity? - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=-ZzvicG-LHs">https://www.youtube.com/watch?v=-ZzvicG-LHs</a>. [Accessed 21 September 2018].</pre>]]></description>
         <enclosure url="https://youtu.be/-ZzvicG-LHs" />
         <pubDate>2018-09-25 17:58:15 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285704451</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285705814</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/386d7ea11fde960316c4e4828bb94143/transition_report_201617_inequality_of_opportunity.pdf" />
         <pubDate>2018-09-25 18:00:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285705814</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285706269</link>
         <description><![CDATA[<div>"Inequality of opportunity lies at the very heart of discussions about inequality and social welfare. It occurs when people living in the same society do not have access to the same opportunities. High levels of inequality of opportunity mean that people’s circumstances at birth – their gender, the place where they were born, their ethnicity or their parental background –determine to<br>&nbsp;a significant degree the educational qualifications they obtain, the type of job they get and, ultimately, their level of earnings. Inequality of opportunity is thus widely regarded as the unfair part of inequality. Equality of opportunity does not mean eliminating all differences in terms of educational qualifications or levels of income; rather, it means that such differential achievements reflect people’s differing levels of effort, as well as choices freely made by individuals at different stages of their lives."<br><br><br><strong>Inequality of opportunity is inefficient, because it prevents people from making the best use of their skills or realising their entrepreneurial ideas. This may negatively affect economic growth in the long term and trap a country on a path of increasing income and wealth inequality.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-25 18:01:20 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285706269</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285715919</link>
         <description><![CDATA[<div>"Inequality in education plays out in many ways. Disadvantaged students are three times as likely to be among PISA’s poor performers as children from socio-economically advantaged backgrounds. Students from advantaged families are more likely to come from home environments that are conducive to learning, including a quiet place to study and access to the Internet. In addition, their parents are more likely to have the time and ability to help them with their homework and encourage them to study. Students without these opportunities are thus disadvantaged before entering school, and continue to be disadvantaged as they go through the education system.</div><div><br></div><div>It has been said before but it bears repeating: greater equity in education does not come at the expense of excellence. Some of the top performers in PISA 2015 had the highest levels of equity, such as Estonia, Hong Kong (China) and Macao (China). Working to improve the educational opportunities of all students, regardless of background, is an important element in the fight against inequality. </div><div><br></div><div>So what exactly can be done? An important first step is providing access to high quality early childhood education (ECEC) for all children. There is now a wealth of evidence, including longitudinal studies, that investing in ECEC yields high returns in boosting cognitive and non-cognitive skills, as well as later success in the labour market, especially for disadvantaged children." Mind the Gap: Inequality in education. (2018). <em>Mind the Gap: Inequality in education</em>. [ONLINE] Available at: <a href="http://oecdeducationtoday.blogspot.com/2017/02/mind-gap-inequality-in-education.html">http://oecdeducationtoday.blogspot.com/2017/02/mind-gap-inequality-in-education.html</a>. [Accessed 25 September 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-25 18:17:36 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285715919</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285718161</link>
         <description><![CDATA[<div>"Income includes the revenue streams from wages, salaries, interest on a savings account, dividends from shares of stock, rent, and profits from selling something for more than you paid for it. <em>Income inequality</em> refers to the extent to which income is distributed in an uneven manner among a population. " Inequality.org. (2018). <em>Income Inequality - Inequality.org</em>. [ONLINE] Available at: <a href="https://inequality.org/facts/income-inequality/">https://inequality.org/facts/income-inequality/</a>. [Accessed 25 September 2018].<br><br><br>"Income inequality is often associated with the idea of income "fairness." Most people consider it "unfair" if the rich have a disproportionally larger portion of a country's income compared to the general population. The causes of income inequality can vary significantly by region, gender, education and social status. Economists are divided on the implications of income disparity and whether it is ultimately positive or negative.</div><div>Income inequality has become increasingly evident since the 1980s when 30 to 35% of national income went to the top 10% of earners. Since then, the percent of income going to the top 10% has increased to 50% creating a huge disparity between high earners and low earners. The issue has become politically and economically divisive concerning its causes and acceptable solutions. While most economists agree that the growth in disparity is attributable to unequal education, environment and social interactions, economists do not fully agree on the specific mechanisms that are driving the increase." Investopedia. (2018). <em>Income Inequality</em>. [ONLINE] Available at: <a href="https://www.investopedia.com/terms/i/income-inequality.asp">https://www.investopedia.com/terms/i/income-inequality.asp</a>. [Accessed 25 September 2018].<br><br><br></div><pre><strong><em><mark>*Photo Reference:<br></mark></em></strong>Income Inequality | Kingston and the Islands. 2018. <em>Income Inequality | Kingston and the Islands</em>. [ONLINE] Available at: <a href="https://kingston.liberal.ca/public-forum-income-inequality/">https://kingston.liberal.ca/public-forum-income-inequality/</a>. [Accessed 25 September 2018].</pre>]]></description>
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         <pubDate>2018-09-25 18:21:28 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285718161</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285721548</link>
         <description><![CDATA[<div>"The global trend towards extreme wealth and income concentration has dramatically strengthened the economic and political power of those individuals — overwhelmingly male — at the top. In the United States and around the world, women continue to be underrepresented in high-level, highly paid positions and overrepresented in low-paying jobs. Women of color and transgender individuals experience particularly high levels of poverty, unemployment, and other economic hardships. Gender discrimination and sexual harassment in the workplace contribute significantly to these persistent economic divides." Inequality.org. (2018). <em>Gender Inequality - Inequality.org</em>. [ONLINE] Available at: <a href="https://inequality.org/gender-inequality/">https://inequality.org/gender-inequality/</a>. [Accessed 25 September 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-09-25 18:27:10 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/285721548</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286269082</link>
         <description><![CDATA[<div>"Joe Webb (1976) creates collages with a message. Webb reimagines found imagery using simple edits to make politically charged artworks. He examines issues such as climate change, war and inequality - looking at the challenges of living in today's modern world.<br><br>Webb's work has become on online sensation with hundreds of thousands of people sharing his images on the internet. As well as going viral in the virtual world, Joe has exhibited and sold work internationally.  His original collages and prints can be found in the Saatchi Gallery and in the collections of Coldplay, Eric Cantona, The Madden Brothers and Janelle Monae. He supports, with artwork donations, charities such as Peace One Day and the The Big Issue." Joe Webb. 2018. <em>About — Joe Webb</em>. [ONLINE] Available at: <a href="http://www.joewebbart.com/about/">http://www.joewebbart.com/about/</a>. [Accessed 26 September 2018].<br><br><strong>With a very strong approach, the British artist Joe Webb, known for transforming collages into art pieces, made some works to illustrate a harsh critique in relation to the social inequality throughout the world. <br>In many of his collages, Webb demonstrates the tragic reality of our planet, where few show off their luxury while many others die of thirst and hungry.<br><br></strong><br></div><pre><strong><em><mark>*Photo Reference:</mark></em></strong><strong><br></strong>Colagens ilustram desigualdade social no mundo | Revista Circuito. 2018. <em>Colagens ilustram desigualdade social no mundo | Revista Circuito</em>. [ONLINE] Available at: <a href="http://www.revistacircuito.com/arquivos/15532">http://www.revistacircuito.com/arquivos/15532</a>. [Accessed 26 September 2018].</pre>]]></description>
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         <pubDate>2018-09-26 21:11:14 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286269082</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286274857</link>
         <description><![CDATA[<pre>Zofeen T. Ebrahim | Hussain Ali. 2018. <em>50 shades of inequality in Pakistan - Pakistan - DAWN.COM</em>. [ONLINE] Available at: <a href="https://www.dawn.com/news/1178703">https://www.dawn.com/news/1178703</a>. [Accessed 25 September 2018].</pre>]]></description>
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         <pubDate>2018-09-26 21:35:50 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286497245</link>
         <description><![CDATA[<div>WordPress.com. 2018. <em>Instalações sonoras por Zimoun e Pe Lang | </em>. [ONLINE] Available at: <a href="https://axismoveis.wordpress.com/2011/05/20/instalacoes-sonoras-por-zimoun-e-pe-lang/">https://axismoveis.wordpress.com/2011/05/20/instalacoes-sonoras-por-zimoun-e-pe-lang/</a>. [Accessed 25 September 2018].<br><br><br>http://www.dothnews.com.br. 2018. <em>Exposição leva esculturas, pinturas, gravuras e instalações de arte ao Centro Cultural - Portal TOP Mídia News</em>. [ONLINE] Available at: <a href="http://www.topmidianews.com.br/cultura/exposicao-leva-esculturas-pinturas-gravuras-e-instalacoes-de-arte-ao/80731/">http://www.topmidianews.com.br/cultura/exposicao-leva-esculturas-pinturas-gravuras-e-instalacoes-de-arte-ao/80731/</a>. [Accessed 25 September 2018].<br><br><br>Cultura: Dicas Culturais para você se divertir - Criativa - EDT MATERIA IMPRIMIR - Destruição vira arte em hospital. 2018. <em>Cultura: Dicas Culturais para você se divertir - Criativa - EDT MATERIA IMPRIMIR - Destruição vira arte em hospital</em>. [ONLINE] Available at: <a href="http://revistacriativa.globo.com/Revista/Criativa/0,,ERT214902-17357,00.html">http://revistacriativa.globo.com/Revista/Criativa/0,,ERT214902-17357,00.html</a>. [Accessed 25 September 2018].<br><br><br>Incrível instalação de sombras feita com partes de bonecos. 2018. <em>Incrível instalação de sombras feita com partes de bonecos</em>. [ONLINE] Available at: <a href="http://www.tecnoartenews.com/destacadas/incrivel-instalacao-de-sombras-feita-com-partes-de-bonecos/">http://www.tecnoartenews.com/destacadas/incrivel-instalacao-de-sombras-feita-com-partes-de-bonecos/</a>. [Accessed 25 September 2018].<br><br><br>NoBrasil. 2018. <em>Exposição propõe a amplificação do livro de artista para criar amplas instalações | NoBrasilNoBrasil</em>. [ONLINE] Available at: <a href="http://nobrasil.co/exposicao-propoe-amplificacao-livro-de-artista-para-criar-amplas-instalacoes/">http://nobrasil.co/exposicao-propoe-amplificacao-livro-de-artista-para-criar-amplas-instalacoes/</a>. [Accessed 25 September 2018].<br><br><br>Curso de Redação. 2018. <em>CONCEITOS, REFLEXÕES E CITAÇÕES SOBRE ARTE. – Curso de Redação</em>. [ONLINE] Available at: <a href="http://www.cursoderedacao.net/conceitos-reflexoes-e-citacoes-sobre-arte/">http://www.cursoderedacao.net/conceitos-reflexoes-e-citacoes-sobre-arte/</a>. [Accessed 25 September 2018].</div>]]></description>
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         <pubDate>2018-09-27 13:27:39 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286525603</link>
         <description><![CDATA[<pre>Colagens ilustram desigualdade social no mundo | Revista Circuito. 2018. <em>Colagens ilustram desigualdade social no mundo | Revista Circuito</em>. [ONLINE] Available at: <a href="http://www.revistacircuito.com/arquivos/15532">http://www.revistacircuito.com/arquivos/15532</a>. [Accessed 26 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:08:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286525603</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286525823</link>
         <description><![CDATA[<pre>Colagens ilustram desigualdade social no mundo | Revista Circuito. 2018. <em>Colagens ilustram desigualdade social no mundo | Revista Circuito</em>. [ONLINE] Available at: <a href="http://www.revistacircuito.com/arquivos/15532">http://www.revistacircuito.com/arquivos/15532</a>. [Accessed 26 September 2018].</pre>]]></description>
         <enclosure url="https://images.sobadsogood.com/powerful-artworks-will-remind-you-inequalities-injustices-world/Joe-Webb-collages-12.jpg" />
         <pubDate>2018-09-27 14:08:21 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286525823</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286526214</link>
         <description><![CDATA[<pre>PLASTIK 17. 2018. <em>JOE WEBB — PLASTIK 17</em>. [ONLINE] Available at: <a href="http://eli-rezkallah-o4kr.squarespace.com/alex-prager-1/">http://eli-rezkallah-o4kr.squarespace.com/alex-prager-1/</a>. [Accessed 26 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:08:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286526214</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286526995</link>
         <description><![CDATA[<pre>Art People Gallery. 2018. <em>Joe Webb - Hand made collages about today's society - Art People Gallery</em>. [ONLINE] Available at: <a href="https://www.artpeoplegallery.com/joe-webb-hand-made-collages-todays-society/">https://www.artpeoplegallery.com/joe-webb-hand-made-collages-todays-society/</a>. [Accessed 26 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:09:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286526995</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286527671</link>
         <description><![CDATA[<pre>Colagens ilustram desigualdade social no mundo | Revista Circuito. 2018. <em>Colagens ilustram desigualdade social no mundo | Revista Circuito</em>. [ONLINE] Available at: <a href="http://www.revistacircuito.com/arquivos/15532">http://www.revistacircuito.com/arquivos/15532</a>. [Accessed 26 September 2018].</pre>]]></description>
         <enclosure url="https://images.sobadsogood.com/powerful-artworks-will-remind-you-inequalities-injustices-world/Joe-Webb-collages-13.jpg" />
         <pubDate>2018-09-27 14:10:56 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286527671</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286531250</link>
         <description><![CDATA[<div>"Before change must come awareness. Polish cartoonist Pawel Kuczynski has been using his talent for the past decade to do just that. His satirical illustrations evoke grim emotions and cause his viewers to think about the current state of the world. Things are not as they appear and Kuczynski is literally showing the public what they do not know about politics.<br><br></div><div><br>Kuczynski’s drawings expose the irony of everyday occurrences by taking them out of context and juxtaposing these normal events with harsh reality. Topics range from political disillusion, pollution, child labor and income inequality. Kuczynski seems to be asking the public to realize the true nature of their place in the world, not only as puppets of a larger global system but also as players in an unbalanced field." The Borgen Project. 2018. <em>Kuczynski Draws Global Inequality - The Borgen Project</em>. [ONLINE] Available at: <a href="https://borgenproject.org/drawing-global-inequality/">https://borgenproject.org/drawing-global-inequality/</a>. [Accessed 27 September 2018].<br><br><br>"Kuczynski’s images are so powerful because they force us to face some of the worst realities of our times. It’s beautiful – not in a flowers-and-sunlight kind of way, but in a brutally truthful way. He addresses war, political manipulation and hypocrisy, environmental damage, economic disparity and many other ills facing mankind today. The images strike just the right balance between obvious and complicated – just about anyone can get what they mean, but you will have to discover that meaning first.</div><div>The pastel colors and simple shapes and forms of his artwork gives it a sort of timeless look. And, for better or for worse,  so do the messages he displays in his work."Bored Panda. 2018. <em>Thought-Provoking Satirical Illustrations By Pawel Kuczynski | Bored Panda</em>. [ONLINE] Available at: <a href="https://www.boredpanda.com/satirical-illustrations-pawel-kuczynski-2/?utm_source=google&amp;utm_medium=organic&amp;utm_campaign=organic">https://www.boredpanda.com/satirical-illustrations-pawel-kuczynski-2/?utm_source=google&amp;utm_medium=organic&amp;utm_campaign=organic</a>. [Accessed 27 September 2018].<br><br><strong>With a well-defined design, both in the line and in the choice of color, Kuczynski gives treats of political, social and environmental issues and promotes a deep reflection on these themes through images, which make use of the famous saying that "they are worth more than a thousand words". Their illustrations are pregnant with an acid and corrosive humor, reflecting the image of the contemporary world with much fidelity. Kuczynski surpasses the borders of his country creating satirical illustrations that are portraits of the reality of many countries, among them, unfortunately, Brasil.<br><br></strong><br></div><pre><strong><em><mark>*Photo Reference:</mark></em></strong><strong><br></strong>Bored Panda. 2018. <em>25+ More Brutally Honest Illustrations By Pawel Kuczynski Show What’s Wrong With Today’s Society | Bored Panda</em>. [ONLINE] Available at: <a href="https://www.boredpanda.com/satirical-illustrations-polish-pawel-kuczynski/">https://www.boredpanda.com/satirical-illustrations-polish-pawel-kuczynski/</a>. [Accessed 27 September 2018].</pre>]]></description>
         <enclosure url="https://readwj.files.wordpress.com/2017/02/pobreza-kuczynski_pawel_27-m.jpg" />
         <pubDate>2018-09-27 14:15:39 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286531250</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286540109</link>
         <description><![CDATA[<pre>Revista Prosa Verso e Arte. 2018. <em>O sarcasmo e a ironia amarga na crítica social do ilustrador e grafista polonês Pawel Kuczynski - Revista Prosa Verso e Arte</em>. [ONLINE] Available at: <a href="https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/">https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:28:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286540109</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286540289</link>
         <description><![CDATA[<pre>Revista Prosa Verso e Arte. 2018. <em>O sarcasmo e a ironia amarga na crítica social do ilustrador e grafista polonês Pawel Kuczynski - Revista Prosa Verso e Arte</em>. [ONLINE] Available at: <a href="https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/">https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:28:16 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286540289</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286541249</link>
         <description><![CDATA[<pre>Revista Prosa Verso e Arte. 2018. <em>O sarcasmo e a ironia amarga na crítica social do ilustrador e grafista polonês Pawel Kuczynski - Revista Prosa Verso e Arte</em>. [ONLINE] Available at: <a href="https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/">https://www.revistaprosaversoearte.com/o-sarcasmo-e-a-ironia-amarga-na-critica-social-do-ilustrador-e-grafista-polones-pawel-kuczynski/</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:29:33 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286541249</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286543173</link>
         <description><![CDATA[<div>"Art has often served as an instrument for the propagation of ideas and feelings. Cândido Portinari, one of the most renowned Brazilian painters, worked extensively with the theme of social inequalities in his work, trying to portray the pain that exists in the social imbalance that until today characterizes our society." Desníveis Sociais: A obra de Cândido Portinari. 2018. <em>Desníveis Sociais: A obra de Cândido Portinari</em>. [ONLINE] Available at: <a href="http://desniveissociais.blogspot.com/2010/06/obra-de-candido-portinari.html">http://desniveissociais.blogspot.com/2010/06/obra-de-candido-portinari.html</a>. [Accessed 27 September 2018].<br><br><br>"In a country with an exuberant nature and miscegenation of races and cultures, it is natural that Brazilian artistic production be varied, with generations of painters whose works marked the history of national art, so much that many of their works are currently worth real fortunes, being disputed by billionaires at world-renowned art auctions.<br>Perhaps one of the greatest Brazilian painters of all time is Candido Portinari (1903-1962), whose works are world famous, portray the social contrasts of the country, which intrigues and fascinates at the same time, so much that today the name of the painter turned almost a "Griffe" of the national plastic art. [...] <br>Until nowadays, he is considered the most famous and important Brazilian painter, whose works depict much of what still exists today in the country: social inequality, which was so questioned by Portinari in his works, such as: "Retirantes", 1944, Series Retirantes, which portrayed Northeastern migrants in a dark and questioning frame at the same time." Pintores e Obras: Conheça mais Sobre Portinari, um dos Maiores Pintores Brasileiros – Vida e Pinturas | Cultura - Cultura Mix. 2018. <em>Pintores e Obras: Conheça mais Sobre Portinari, um dos Maiores Pintores Brasileiros – Vida e Pinturas | Cultura - Cultura Mix</em>. [ONLINE] Available at: <a href="http://cultura.culturamix.com/arte/pintores-e-obras-conheca-mais-sobre-portinari-um-dos-maiores-pintores-brasileiros">http://cultura.culturamix.com/arte/pintores-e-obras-conheca-mais-sobre-portinari-um-dos-maiores-pintores-brasileiros</a>. [Accessed 27 September 2018].<br><br><strong>The works of Cândido Portinari show the contrasts of Brazil; the focus is on denouncing social inequalities in the vast majority of them. They brought images of the everyday life of the lower classes, especially rural workers and their families. The tendency to use dark tones characterizes the sad and miserable reality of these people. Although they were painted between the 40s and 60s, they still portray the poverty scenario that characterizes a large portion of the population today.<br><br></strong><br></div><pre><strong><mark>*Photo Reference:</mark></strong><strong><br></strong>CELEPAR. 2018. <em>Retirantes-1944 - Cândido Portinari - Disciplina - Sociologia</em>. [ONLINE] Available at: <a href="http://www.sociologia.seed.pr.gov.br/modules/galeria/detalhe.php?foto=862&amp;evento=6">http://www.sociologia.seed.pr.gov.br/modules/galeria/detalhe.php?foto=862&amp;evento=6</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:32:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286543173</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286552726</link>
         <description><![CDATA[<pre>Pintores e Obras: Conheça mais Sobre Portinari, um dos Maiores Pintores Brasileiros – Vida e Pinturas | Cultura - Cultura Mix. 2018. <em>Pintores e Obras: Conheça mais Sobre Portinari, um dos Maiores Pintores Brasileiros – Vida e Pinturas | Cultura - Cultura Mix</em>. [ONLINE] Available at: <a href="http://cultura.culturamix.com/arte/pintores-e-obras-conheca-mais-sobre-portinari-um-dos-maiores-pintores-brasileiros">http://cultura.culturamix.com/arte/pintores-e-obras-conheca-mais-sobre-portinari-um-dos-maiores-pintores-brasileiros</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:46:28 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286552726</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286552871</link>
         <description><![CDATA[<pre>OBVIOUS. 2018. <em>Os temas sociais nas obras de Cândido Portinari</em>. [ONLINE] Available at: <a href="http://obviousmag.org/pintores-brasileiros/candido_portinari/os-temas-sociais-nas-obras-de-candido-portinari.html">http://obviousmag.org/pintores-brasileiros/candido_portinari/os-temas-sociais-nas-obras-de-candido-portinari.html</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:46:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286552871</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286553150</link>
         <description><![CDATA[<pre>CONEXÕES COM A HISTÓRIA 8A/2015: Os Despejados 1934 Candido Portinari Kimberlin e Mikaely . 2018. <em>CONEXÕES COM A HISTÓRIA 8A/2015: Os Despejados 1934 Candido Portinari Kimberlin e Mikaely </em>. [ONLINE] Available at: <a href="http://8ahistoria2014.blogspot.com/2014/09/os-despejados-1934-candido-portinari.html">http://8ahistoria2014.blogspot.com/2014/09/os-despejados-1934-candido-portinari.html</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:47:04 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286553150</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286553956</link>
         <description><![CDATA[<pre>SONS, IMAGENS, PROSA E VERSOS: “Futebol em Brodósqui” – Cândido Portinari. 2018. <em>SONS, IMAGENS, PROSA E VERSOS: “Futebol em Brodósqui” – Cândido Portinari</em>. [ONLINE] Available at: <a href="http://sonsprosaeversos.blogspot.com/2016/07/futebol-em-brodosqui-candido-portinari.html">http://sonsprosaeversos.blogspot.com/2016/07/futebol-em-brodosqui-candido-portinari.html</a>. [Accessed 27 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 14:48:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286553956</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286629006</link>
         <description><![CDATA[<div><strong>PHOTOGRAPHY</strong><br>application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.<br><br><strong>COLLAGE<br></strong>composition made from the use of materials of different textures, or not, superposed or placed side by side, in the creation of a motif or image.<br><br><strong>WOODCUT</strong><br>wood engraving. It is an old technique, of Chinese origin, in which the craftsman uses a piece of wood to carve a drawing, leaving in relief the part that intends to make the reproduction. Then use paint to paint the embossed part of the drawing.<br><br><strong>SCULPTURE</strong><br>art that represents or illustrates plastic images in total or partial relief. There are several techniques of working materials such as chiseling, casting, molding or particle agglomeration for the creation of an object.<br><br><strong>PAINTING<br></strong>technique of applying pigment in a paste, liquid or powder form to a surface in order to color it, giving it shades, tones and textures.<br><br><strong>WALL ART</strong><br><br><strong>POSTERS USING SILK SCREEN<br></strong>printing technique whereby a mesh is used to transfer ink onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One color is printed at a time, so several screens can be used to produce a multicoloured image or design.</div>]]></description>
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         <pubDate>2018-09-27 16:41:06 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286632201</link>
         <description><![CDATA[<pre>Catraca Livre. 2018. <em>Brasil cai 19 posições em ranking de desigualdade social da ONU</em>. [ONLINE] Available at: <a href="https://catracalivre.com.br/cidadania/brasil-cai-19-posicoes-em-ranking-de-desigualdade-social-da-onu/">https://catracalivre.com.br/cidadania/brasil-cai-19-posicoes-em-ranking-de-desigualdade-social-da-onu/</a>. [Accessed 20 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 16:46:35 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286632341</link>
         <description><![CDATA[<pre>Esquerda Online. 2018. <em>2017: Aumenta a desigualdade social no Brasil | Esquerda Online</em>. [ONLINE] Available at: <a href="https://esquerdaonline.com.br/2017/02/19/desigualdadesocial/">https://esquerdaonline.com.br/2017/02/19/desigualdadesocial/</a>. [Accessed 20 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 16:46:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286632341</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286632605</link>
         <description><![CDATA[<pre>Jusbrasil. 2018. <em>A criminalidade e a desigualdade social</em>. [ONLINE] Available at: <a href="https://canalcienciascriminais.jusbrasil.com.br/artigos/328605993/a-criminalidade-e-a-desigualdade-social">https://canalcienciascriminais.jusbrasil.com.br/artigos/328605993/a-criminalidade-e-a-desigualdade-social</a>. [Accessed 20 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 16:47:20 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286677673</link>
         <description><![CDATA[<pre>MintPress News. 2018. <em>The Dow of Inequality: Counting the Casualties of America's Class War</em>. [ONLINE] Available at: <a href="https://www.mintpressnews.com/the-dow-of-inequality-counting-the-casualties-of-americas-class-war/249757/">https://www.mintpressnews.com/the-dow-of-inequality-counting-the-casualties-of-americas-class-war/249757/</a>. [Accessed 05 October 2018].</pre>]]></description>
         <enclosure url="https://www.mintpressnews.com/wp-content/uploads/2018/09/4602804480_78ece120a2_o_edited-1653x900.jpg" />
         <pubDate>2018-09-27 18:06:33 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286678525</link>
         <description><![CDATA[<pre>apictureofpolitics. 2018. <em>‘No Future’ Mural Is Short-Lived | apictureofpolitics</em>. [ONLINE] Available at: <a href="https://apictureofpolitics.wordpress.com/2012/03/08/no-future-mural-is-short-lived/">https://apictureofpolitics.wordpress.com/2012/03/08/no-future-mural-is-short-lived/</a>. [Accessed 05 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:07:10 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286678689</link>
         <description><![CDATA[<div><strong>"Banksy</strong>, is a anonymous British graffiti artist known for his antiauthoritarian art, often done in public places.<br><br></div><div>Though Banksy’s identity was well guarded, he came to notice as a freehand graffiti artist in 1993. Using stencils since 2000 to enhance his speed, he developed a distinctive iconography of highly recognizable images, such as rats and policemen, that communicated his antiauthoritarian message." Encyclopedia Britannica. 2018. <em>Banksy | Biography &amp; Facts | Britannica.com</em>. [ONLINE] Available at: <a href="https://www.britannica.com/biography/Banksy">https://www.britannica.com/biography/Banksy</a>. [Accessed 05 October 2018].<br><br><br>"A legendary and globally famous guerilla street artist, <a href="https://www.widewalls.ch/artist/banksy/">Banksy</a> has been throwing his politically pointed, satirical, clever and often funny pieces all around the world. Using art as <strong>a deadly political weapon</strong>, his works always interact with <strong>global politics</strong> and <strong>global issues</strong>. He once characterized graffiti as a form of underclass ‘revenge’ that allows an individual to take over the power, territory and glory from the privileged. He has dealt with <strong>various political and social themes</strong> such as anti-war, anti-consumerism, anti-fascism, anti-imperialism, anti-authoritarianism or anarchism." Widewalls. 2018. <em>Banksy – The Guerilla Street Artist | Widewalls </em>. [ONLINE] Available at: <a href="https://www.widewalls.ch/protest-art/banksy/">https://www.widewalls.ch/protest-art/banksy/</a>. [Accessed 05 October 2018].<br><br><br>"As for the content of Banksy's works, it is expressed from a social critique of some aspect of injustice, inequality, or oppression in the world. Political activist, social critic, spokesperson against violence and terrorism. Banksy has many roles in the performance of his duties.<br><br>He has been sought by police in several states and countries, but never incriminated. Their guerrilla art is, in fact, a counterattack to the inclemencies of society. Banksy does not become an outlaw; is just a revolted artist who is part of a reactionary movement. Many are with him in this cause.<br><br>The themes addressed by the artist are politics, philosophy, socialism, terrorism, sexuality and other derivatives. In the following 50 works by Banksy, one can note some interesting approaches on these subjects in general." Eduardo Ruano. 2018. <em>Banksy: 50 obras de arte polêmicas e famosas - CONTI outra</em>. [ONLINE] Available at: <a href="https://www.contioutra.com/banksy-50-obras-de-arte-polemicas-e-famosas/">https://www.contioutra.com/banksy-50-obras-de-arte-polemicas-e-famosas/</a>. [Accessed 05 October 2018].<br><br><strong>His work strikes a chord with many, particularly youth, for the blunt usage of messages within an art-form that was often regarded as existent only within the margins of society. Banksy isn’t seen as just an artist, but also as a philosopher and political spokesman against capitalism, war, theism, totalitarianism and fascism. By stirring the youth with broad and direct statements, as well as through his constant subversion of authority, Banksy has managed to develop a large following.<br>The seductive nature of Banksy’s work within the hip-hop community is easy to understand, and can be attributed to two significant factors: 1) the fact that graffiti never had a universal flag-bearer and 2) the ease of his artwork. Graffiti comprises a quarter of the so-called hip-hop culture, but similar to b-boying, it is largely marginalized by emceeing and djing. This isn’t to say it doesn’t earn respect, but few would argue that its stature among the masses is equal to the hip-hop elements centered around music. Although there have been numerous graffiti artists who gained some notoriety prior to Banksy, but none have had a similar universal following.<br><br></strong><br></div><pre><strong><em><mark>*Photo Reference:</mark></em></strong><strong><br></strong>Vostok-Zapad. 2018. <em>Banksy’s Graffiti #8: Social Inequality | Vostok-Zapad</em>. [ONLINE] Available at: <a href="https://vostokzapad.wordpress.com/2015/05/15/banksys-graffiti-8-social-inequality/">https://vostokzapad.wordpress.com/2015/05/15/banksys-graffiti-8-social-inequality/</a>. [Accessed 05 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:07:27 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286678982</link>
         <description><![CDATA[<pre>apictureofpolitics. 2018. <em>Keep Your Coins, I Want Change | apictureofpolitics</em>. [ONLINE] Available at: <a href="https://apictureofpolitics.wordpress.com/2012/02/06/keep-your-coins-i-want-change/">https://apictureofpolitics.wordpress.com/2012/02/06/keep-your-coins-i-want-change/</a>. [Accessed 05 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:07:59 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286680398</link>
         <description><![CDATA[<pre>7º ano C - Colégio Santa Maria [licensed for non-commercial use only] / Desigualdade Social no Brasil. 2018. <em>7º ano C - Colégio Santa Maria [licensed for non-commercial use only] / Desigualdade Social no Brasil</em>. [ONLINE] Available at: <a href="http://csm7anoc.pbworks.com/w/page/32493022/Desigualdade%20Social%20no%20Brasil">http://csm7anoc.pbworks.com/w/page/32493022/Desigualdade%20Social%20no%20Brasil</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:09:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286680398</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286680643</link>
         <description><![CDATA[<pre>EDUCAÇÃO FÍSICA: FOTOS DE SEBASTIÃO SALGADO. 2018. <em>EDUCAÇÃO FÍSICA: FOTOS DE SEBASTIÃO SALGADO</em>. [ONLINE] Available at: <a href="http://blogedu-fisica.blogspot.com/2010/06/fotos-de-sebastiao-salgado.html">http://blogedu-fisica.blogspot.com/2010/06/fotos-de-sebastiao-salgado.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:10:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286680643</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286680795</link>
         <description><![CDATA[<pre>REVISTA CULTURA E CIDADANIA: Mostra "Sebastião Salgado". 2018. <em>REVISTA CULTURA E CIDADANIA: Mostra "Sebastião Salgado"</em>. [ONLINE] Available at: <a href="https://revistaculturacidadania.blogspot.com/2013/05/mostra-sebastiao-salgado.html">https://revistaculturacidadania.blogspot.com/2013/05/mostra-sebastiao-salgado.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:10:16 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286681142</link>
         <description><![CDATA[<pre>Old man photos. 2018. <em>Sebastião Salgado Parte Quatro | Old man photos</em>. [ONLINE] Available at: <a href="https://oldmanphotos.wordpress.com/2009/08/31/sebastiao-salgado-parte-quatro/">https://oldmanphotos.wordpress.com/2009/08/31/sebastiao-salgado-parte-quatro/</a>. [Accessed 25 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:11:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286681142</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286681479</link>
         <description><![CDATA[<div>"Sebastião Salgado carries out its work with mastery and makes his audience think over social classic issues, including social inequality, globalization, and environmental preservation. The water is present in each one of it.</div><div>The intent of Sebastião Salgado has been always to create debate around these issues by exposing them in the clearest possible way in his intense and impactful images.</div><div>His works before 2004 were productions of portraits of the suffering of the world in black and white. Each photograph captured a tragic, dramatic or heroic moment of individual existence.</div><div>In his endeavor culminating in the book “Earth”, Salgado portrayed the living conditions of rural landless laborers, beggars, street children and other socially excluded groups. In ” Workforce”, the focus is the work of men and women in harsh conditions, such as the case of Indian families involved in the construction of dams for irrigation. In “Serra Pelada”, the theme of the photos is the miners." Miss Owl. 2018. <em>Sebastião Salgado and his social issues - Miss Owl</em>. [ONLINE] Available at: <a href="http://missowl.com/sebastiao-salgado-and-his-social-issues/">http://missowl.com/sebastiao-salgado-and-his-social-issues/</a>. [Accessed 19 October 2018].<br><br><br>"Salgado has earned fame for his stark photos of people coping with the effects of poverty, famine, industrialization and political oppression. He has published several books and has received awards for his socially conscious photojournalism. [...] Salgado's photography has often focused on the effects of hardship, poverty and oppression on people of various cultures, and with the effects of industrialization on the natural landscape. Inspired by the photojournalism of Lewis Hine, W. Eugene Smith and Walker Evans, Salgado has tackled subjects like famine, poverty and social inequality in black-and-white photos that are unsparing yet often beautiful.<br><br></div><div>In 1977, Salgado began to photograph the rural peasants of Latin America; this series was published in 1986 as his first book, <em>Other Americas</em>. Around this time, he worked with the humanitarian organization Doctors Without Borders on a project documenting the effects of famine in Africa. He published two books of these photographs, titled <em>Sahel: Man in Distress</em>and <em>Sahel: The End of the Road</em>, and donated proceeds from the sales to Doctors Without Borders.<br><br></div><div>From 1986 to '92, Salgado traveled to 23 countries to visit manual laborers in large-scale industrial and agricultural sites, including oil fields and commercial fisheries. This led to his 1993 book <em>Workers</em>, which revealed the humanity of these individuals even as they toiled under harsh conditions. His series <em>Migrations</em>, begun in 1993 and published as a book in 2000, focused on large groups of people who have immigrated or relocated under duress, especially from rural areas to cities.<br><br>For <em>Genesis</em>, a project begun in 2004 and published in 2013, Salgado turned his attention back to the landscape and wildlife, traveling to the most remote parts of the globe to photograph places where nature remains untouched by human development.<br><br></div><div>Salgado has received numerous awards for his photojournalism and has twice been named Photographer of the Year by the International Center of Photography." Biography. 2014. Sebastião Salgado Biography. [ONLINE] Available at: <a href="https://www.biography.com/people/sebastião-salgado-40046">https://www.biography.com/people/sebastião-salgado-40046</a>. [Accessed 19 October 2018].<br><br><strong>One of the most interesting things I look for about him was that the reason for Sebastião's photographs being black and white refers to an important technique. It is observed that all the work of Salgado is realized in black and white. The absence of color means lack of information, that is, the focus is on the clarity of the situation portrayed. The author of the photo wishes that the one who observes it concentrates on the situation itself, and not on one or more elements of it, what matters is the context, the impact of the moment portrayed.</strong></div>]]></description>
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         <pubDate>2018-09-27 18:11:37 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286681832</link>
         <description><![CDATA[<pre>REVISTA CULTURA E CIDADANIA: Mostra "Sebastião Salgado". 2018. <em>REVISTA CULTURA E CIDADANIA: Mostra "Sebastião Salgado"</em>. [ONLINE] Available at: <a href="https://revistaculturacidadania.blogspot.com/2013/05/mostra-sebastiao-salgado.html">https://revistaculturacidadania.blogspot.com/2013/05/mostra-sebastiao-salgado.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:12:18 UTC</pubDate>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286683044</link>
         <description><![CDATA[<pre>Epicur. 2018. <em>Fissura (da Série Mapas) (2011) – Sara Ramo.Foto- William Gomes | Epicur</em>. [ONLINE] Available at: <a href="http://epicur.pt/mais-epicur-inhotim-o-parque-paraiso/fissura-da-serie-mapas-2011-sara-ramo-foto-william-gomes/">http://epicur.pt/mais-epicur-inhotim-o-parque-paraiso/fissura-da-serie-mapas-2011-sara-ramo-foto-william-gomes/</a>. [Accessed 20 September 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:14:21 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286683044</guid>
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         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286683243</link>
         <description><![CDATA[<div>"Sara Ramo integrates a generation of artists who, influenced by the Brazilian art of the 1960s, explore concepts of the counterculture through a wide variety of media, from installation to sculpture, through photography, video and performance. In establishing relationships that seek to expand the everyday universe, Ramo systematically explores in his work ordinary environments and objects, and the duality between order and disorder of things. In Fissura (2011), vestiges seem to want to hide from our field of vision, but, paradoxically, they catch our attention and gain prominence: as when we are close to a keyhole and we seek to spy on what happens on the other side of the door. The objects present in the work of the artist can tell both the history of the relations they would have established with their former owners and the tension they create with the exhibition space or white cube. For Ramo, this tension refers to the work of neo-creative artists, such as Hélio Oiticica and Lygia Pape, and their more vehement intention to link an aesthetic rigor to everyday life in an incessant movement in which art challenges the world, body and life." Fissura (da série Mapas) : Inhotim. 2018. <em>Fissura (da série Mapas) : Inhotim</em>. [ONLINE] Available at: <a href="http://inhotim.org.br/inhotim/arte-contemporanea/obras/fissura-da-serie-mapas/">http://inhotim.org.br/inhotim/arte-contemporanea/obras/fissura-da-serie-mapas/</a>. [Accessed 20 September 2018].<br><br><strong>This specific work from Sara Ramo is a very strong reference for my project. It is designed to make you explore the environment and project new looks into space.<br>I, personally, when I entered the room, hardly noticed the fissure; I thought it was just a blank environment. However, I forced myself to understand what was going on there and ended up discovering this wonderful and amazing piece of art.<br>And I would very much like to cause this effect with my own project: people will have to pay attention and look/seacrh for the problem.</strong><br><br><br></div><pre><strong><em><mark>*Photo Reference:</mark></em></strong>
Crack » LiMAC. 2018. <em>Crack » LiMAC</em>. [ONLINE] Available at: <a href="http://li-mac.org/collection/limac-collection/sara-ramo/works/crack/">http://li-mac.org/collection/limac-collection/sara-ramo/works/crack/</a>. [Accessed 20 November 2018].</pre>]]></description>
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         <pubDate>2018-09-27 18:14:45 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286695963</link>
         <description><![CDATA[<pre>YouTube. 2018. <em>Drauzio Varella fala sobre desigualdade social - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=o4y-rbzusBQ">https://www.youtube.com/watch?v=o4y-rbzusBQ</a>. [Accessed 20 September 2018].</pre>]]></description>
         <enclosure url="https://youtu.be/o4y-rbzusBQ" />
         <pubDate>2018-09-27 18:37:27 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286695963</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286699054</link>
         <description><![CDATA[<pre>YouTube. 2018. <em>[Criolo] Falta de perspectiva na quebrada - Ponte Jornalismo - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=YFg8ah7eDMM">https://www.youtube.com/watch?v=YFg8ah7eDMM</a>. [Accessed 20 September 2018].</pre>]]></description>
         <enclosure url="https://youtu.be/YFg8ah7eDMM" />
         <pubDate>2018-09-27 18:43:38 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286699054</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286727205</link>
         <description><![CDATA[<div>"Tuca Vieira has been dedicated to photography for 25 years, having worked mainly in the area of ​​photojournalism. Within its diverse production, social and urban themes clearly stand out. Tuca covered demonstrations in the big cities, dispute over indigenous lands, conflicts in the countryside, uncontrolled urbanization, among other themes that illustrate the inequalities of Brazil so well. For example, it is one of the most emblematic photographs of contemporary Brazil - Paraisópolis, 2005 - that portrays the motto of the favela of São Paulo with the district of Morumbi.<br><br>Tuca's look recorded in the photos is found here with the efforts of a Confederation of 20 non-governmental organizations called Oxfam, which operate in 94 countries. Now, the fight against poverty and inequality has a new voice in Brazil, which joins the work of other Brazilian social organizations.<br><br>The exhibition (<em>“Perplexidade: desigualdade social brasileira nas fotos de Tuca Vieira”)</em> is also an opportunity to thank the joint efforts of civil society organizations, social movements, governments, companies around the world who believe, like us, that all people have the right to develop their potential, to live out of poverty and in a less unequal world." Mostra denuncia a desigualdade social brasileira | Programa Cidades Sustentáveis. 2018. <em>Mostra denuncia a desigualdade social brasileira | Programa Cidades Sustentáveis</em>. [ONLINE] Available at: <a href="https://www.cidadessustentaveis.org.br/noticias/mostra-denuncia-desigualdade-social-brasileira">https://www.cidadessustentaveis.org.br/noticias/mostra-denuncia-desigualdade-social-brasileira</a>. [Accessed 19 October 2018].<br><br><br><strong>Tuca's images open up possibilities for us to think and feel some elements of inequality in our country; perhaps the biggest problem in Brazil and Latin America. The unjust and brutal difference between rich and poor, an inheritance of recent slavery, is the source of many other problems: violence, low schooling, prejudice, among many others.</strong></div>]]></description>
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         <pubDate>2018-09-27 19:48:39 UTC</pubDate>
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      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/286728964</link>
         <description><![CDATA[<div>Escola Kids. 2018. <em>Favela. Favela: resultado das desigualdades sociais - Escola Kids </em>. [ONLINE] Available at: <a href="https://escolakids.uol.com.br/favela.htm">https://escolakids.uol.com.br/favela.htm</a>. [Accessed 21 September 2018].</div>]]></description>
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         <pubDate>2018-09-27 19:54:14 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289718875</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-10-05 16:43:06 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289718875</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289719235</link>
         <description><![CDATA[<div>"With positive results from State actions and greater legitimacy of the social struggle, Brazil has significantly reduced unemployment, poverty and inequality. Meanwhile, the national economy is still among the 15 most unequal countries in the world, with absolute poverty beyond what is acceptable and far from the full employment of its labor force." Amorim, R., Castro, D. and Oliveira, M. (2015). <em>Atlas da Exclusão Social no Brasil: Dez Anos Depois.</em> São Paulo: Cortez Editora, pp. 16.<br><br><br>"The dimension of social inequality was the most serious in the set of the Social Exclusion Index for 2010. With the index of 0.5 for social inequality, it was 20.6% worse than the national indicator (0.63) .<br><br>The highest level of social inequality occurred in the Federal District (0.33), followed by Amazonas (0.34) and Roraima (0.36).<br>The lowest inequality was found in Santa Catarina (0.65), Paraná (0.58) and Rio Grande do Sul (0.57).<br>Thus, the difference between the lowest and the highest Exclusion Index for the inequality dimension was 1.97 times in the year 2010." Amorim, R., Castro, D. and Oliveira, M. (2015). <em>Atlas da Exclusão Social no Brasil: Dez Anos Depois. </em>São Paulo: Cortez Editora, pp. 29-30</div>]]></description>
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         <pubDate>2018-10-05 16:43:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289719235</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730300</link>
         <description><![CDATA[<div><mark>"Desprivatizar a Cidade: Políticas e narrativas contra-hegemônicas"</mark><br><br><strong>On Wednesday, October 3rd, I went to Tapera Taperá and participated on a debate about the overwhelming privatization of Brazilian cities. The idea was to unite the political struggles of the collectives</strong> <em><mark>Vigência</mark></em> <strong>and </strong><em><mark>Br Cidades</mark></em><strong><em><mark> </mark></em></strong><strong>in relation to the privatization of the cities, especially the urban policy defended by the former mayor of São Paulo, João Doria. The meeting was attended by Americo Sampaio (Nossa São Paulo), Tatiana Ferraz (Vigencia), Tereza Herling and Celso (BrCidades-NúcleoSP).<br>We were led by a very horizontal conversation, with some initial lines seeking to represent various perspectives on current urban politics.</strong></div>]]></description>
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         <pubDate>2018-10-05 17:03:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730300</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730467</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-10-05 17:03:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730467</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730722</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/04ec68d8b2e32803e19881bc7bcc33e3/media.jpeg" />
         <pubDate>2018-10-05 17:04:20 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289730722</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289731002</link>
         <description><![CDATA[<div><strong>Tapera Taperá works as a library, a bookstore and a cultural space, legally organized as a non-profit association. It is a political-cultural experiment, an attempt, an essay, a sketch under construction.&nbsp; Its purpose is to promote literary and cultural activities that stimulate processes of individual and collective transformation.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-05 17:04:41 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289763268</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-10-05 18:03:52 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289763268</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289763424</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/9839c950d048c7b00d679ad3aaf0a2ed/media.jpeg" />
         <pubDate>2018-10-05 18:04:10 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/289763424</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294950032</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-19 17:55:43 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294950032</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294950496</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-19 17:56:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294950496</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294977339</link>
         <description><![CDATA[<pre>Devin C. Hughes. 2018. <em>Gender Inequality Killing the American Dream | Texas Diversity Magazine</em>. [ONLINE] Available at: <a href="https://www.texasdiversitymagazine.org/gender-inequality-killing-the-american-dream/">https://www.texasdiversitymagazine.org/gender-inequality-killing-the-american-dream/</a>. [Accessed 25 September 2018].</pre>]]></description>
         <enclosure url="http://letstrashtalk.com/file/2015/03/gender-inequality.jpg" />
         <pubDate>2018-10-19 18:52:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294977339</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294977501</link>
         <description><![CDATA[<pre>Gender Inequality, Economic Development and the Knowledge Economy - ppt video online download. 2018. <em>Gender Inequality, Economic Development and the Knowledge Economy - ppt video online download</em>. [ONLINE] Available at: <a href="https://slideplayer.com/slide/8797060/">https://slideplayer.com/slide/8797060/</a>. [Accessed 25 September 2018].</pre>]]></description>
         <enclosure url="http://image.slideserve.com/434303/gender-inequality-in-the-world11-l.jpg" />
         <pubDate>2018-10-19 18:52:22 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/294977501</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413001</link>
         <description><![CDATA[<div>In the field of photographic imaging, a photographic mosaic, also known under the term Photomosaic, a portmanteau of photo and mosaic, is a picture (usually a photograph) that has been divided into (usually equal sized) tiled sections, each of which is replaced with another photograph that matches the target photo. When viewed at low magnifications, the individual pixels appear as the primary image, while close examination reveals that the image is in fact made up of many hundreds or thousands of smaller images. Most of the time they are a computer-created type of montage.<br><br>Photographic mosaic - Wikipedia. 2018. <em>Photographic mosaic - Wikipedia</em>. [ONLINE] Available at: <a href="https://en.wikipedia.org/wiki/Photographic_mosaic">https://en.wikipedia.org/wiki/Photographic_mosaic</a>. [Accessed 22 October 2018].</div>]]></description>
         <enclosure url="https://a.1stdibscdn.com/archivesE/upload/a_181/18_14/afghangirlmosaic/afghangirlmosaic0/Afghangirlmosaic_l.JPG" />
         <pubDate>2018-10-22 12:47:19 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413001</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413105</link>
         <description><![CDATA[<pre>Create something with your photographs! - Photography Classes in NYC. 2018. <em>Create something with your photographs! - Photography Classes in NYC</em>. [ONLINE] Available at: <a href="http://jpteachesphoto.com/create-something-with-your-photographs/">http://jpteachesphoto.com/create-something-with-your-photographs/</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="http://img15.deviantart.net/c4f0/i/2011/134/2/d/marilyn_monroe_mosaic_by_cornejo_sanchez-d3gbng2.jpg" />
         <pubDate>2018-10-22 12:47:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413105</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413391</link>
         <description><![CDATA[<pre>YouTube. 2018. <em>Photoshop Tutorial: How to Create Stunning, Photo Mosaic Portraits - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=Iyh3OVZ560A">https://www.youtube.com/watch?v=Iyh3OVZ560A</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="http://photoshoproadmap.com/wp-content/uploads/2017/09/p142378-youtube-thumbnail.jpg" />
         <pubDate>2018-10-22 12:48:06 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413391</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413537</link>
         <description><![CDATA[<pre>Soubor:Andrej olejnik-albert-hall mosaic 2000.jpg – Wikipedie. 2018. <em>Soubor:Andrej olejnik-albert-hall mosaic 2000.jpg – Wikipedie</em>. [ONLINE] Available at: <a href="https://cs.m.wikipedia.org/wiki/Soubor:Andrej_olejnik-albert-hall_mosaic_2000.jpg">https://cs.m.wikipedia.org/wiki/Soubor:Andrej_olejnik-albert-hall_mosaic_2000.jpg</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="http://www.aolej.com/mosaicx/img/Andrej_olejnik-albert-hall_mosaic_2000.jpg" />
         <pubDate>2018-10-22 12:48:23 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413537</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413936</link>
         <description><![CDATA[<div>- Camera (photography)</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-22 12:49:10 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295413936</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295420898</link>
         <description><![CDATA[<pre>Picture taken by me during the exhibition "Teima", in Casa da Cultura da América Latina, Brasília (17 October 2018).</pre><ul><li><pre>Calzavara, A. (2014). <em>Você pode ver em seus olhos</em>. [xilogravura e impressão em metracrilato] Brasília: Casa da Cultura da América Latina.</pre></li></ul>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/b288dcf4e77d1e330f929c7a5db7e041/media.jpeg" />
         <pubDate>2018-10-22 13:02:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295420898</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295423476</link>
         <description><![CDATA[<pre>Digital Inspiration. 2018. <em>Make a Photo Mosaic Poster from your Friends Pictures</em>. [ONLINE] Available at: <a href="https://www.labnol.org/internet/make-photo-mosaic-online/14322/">https://www.labnol.org/internet/make-photo-mosaic-online/14322/</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="https://img.labnol.org/di/photo-mosaic.jpg" />
         <pubDate>2018-10-22 13:06:44 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295423476</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295423925</link>
         <description><![CDATA[<pre>YouTube. 2018. <em>How To Create A Photo Mosaic In Photoshop - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=9cy2gVm_ztQ">https://www.youtube.com/watch?v=9cy2gVm_ztQ</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="https://i.ytimg.com/vi/9cy2gVm_ztQ/hqdefault.jpg" />
         <pubDate>2018-10-22 13:07:32 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295423925</guid>
      </item>
      <item>
         <title>DAVID HOCKNEY</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438338</link>
         <description><![CDATA[<pre>Tate. 2018. <em>David Hockney – 80 years in 8 works | Tate </em>. [ONLINE] Available at: <a href="https://www.tate.org.uk/whats-on/tate-britain/exhibition/david-hockney/80-years">https://www.tate.org.uk/whats-on/tate-britain/exhibition/david-hockney/80-years</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="http://www.christies.com/media-library/images/features/articles/2017/02/08/hockney/billyaudreywilderlosangelesapril19821982.jpg?w=780" />
         <pubDate>2018-10-22 13:31:49 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438338</guid>
      </item>
      <item>
         <title>CHRISTOPHER KATES</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438471</link>
         <description><![CDATA[<pre>CHRISTOPHER KATES. 2018. <em>CHRISTOPHER KATES</em>. [ONLINE] Available at: <a href="http://www.chriskates.com/">http://www.chriskates.com</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/b0f8e89e63e2ca4f51f07185a0dae4d2/1453400139410.jpeg" />
         <pubDate>2018-10-22 13:32:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438471</guid>
      </item>
      <item>
         <title>PEP VENTOSA</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438559</link>
         <description><![CDATA[<pre>Pinterest. 2018. <em>Reconstructed Works | Foe-toes | Pinterest | Photography, Art and Photo art</em>. [ONLINE] Available at: <a href="https://br.pinterest.com/pin/187462403209342979/">https://br.pinterest.com/pin/187462403209342979/</a>. [Accessed 23 October 2018].</pre>]]></description>
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         <pubDate>2018-10-22 13:32:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295438559</guid>
      </item>
      <item>
         <title>ROBERT SILVERS</title>
         <author>julia_vasconcelos</author>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295986471</link>
         <description><![CDATA[<pre>Viagem e Turismo. 2018. <em>Parque Nacional do Iguaçu (Brasil) | Viagem e Turismo</em>. [ONLINE] Available at: <a href="https://viagemeturismo.abril.com.br/atracao/parque-nacional-do-iguacu-brasil/">https://viagemeturismo.abril.com.br/atracao/parque-nacional-do-iguacu-brasil/</a>. [Accessed 22 October 2018].</pre>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/b4124239c98ed53bd083dee458f62298/images.jpeg" />
         <pubDate>2018-10-23 14:48:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/295986471</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296560792</link>
         <description><![CDATA[<pre>Art-Sheep. 2018. <em>Art-Sheep Features: Albano Afonso - Art-Sheep</em>. [ONLINE] Available at: <a href="https://art-sheep.com/art-sheep-features-albano-afonso-2/">https://art-sheep.com/art-sheep-features-albano-afonso-2/</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://theredlist.com/media/database/fine_arts/artistes-contemporains/bresil_1/albano_afonso/01-albano-alfonso-theredlist.png" />
         <pubDate>2018-10-24 16:49:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296560792</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296560945</link>
         <description><![CDATA[<pre>aboutArt. 2018. <em>Albano Alfonso</em>. [ONLINE] Available at: <a href="http://www.democrart.com.br/aboutart/artista/albano-alfonso/">http://www.democrart.com.br/aboutart/artista/albano-alfonso/</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://3.bp.blogspot.com/-he4zz4wzw_4/UvugX7KuGwI/AAAAAAAAGZc/64pSNJZE8Zg/s1600/albano+s1.JPG" />
         <pubDate>2018-10-24 16:49:32 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296560945</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561093</link>
         <description><![CDATA[<pre>Pinterest. 2018. <em>Albano Afonso, Van goghs s orelha (Van Gogh's ear) | Aula de Arte | Pinterest | Art, Artist and Fine Art</em>. [ONLINE] Available at: <a href="https://www.pinterest.pt/pin/308355905719412052/">https://www.pinterest.pt/pin/308355905719412052/</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://theredlist.com/media/database/fine_arts/artistes-contemporains/bresil_1/albano_afonso/019-albano-alfonso-theredlist.png" />
         <pubDate>2018-10-24 16:49:46 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561093</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561427</link>
         <description><![CDATA[<pre>Marina Rossi. 2018. <em>Berna Reale, a simbiose entre a arte e a perícia criminal: “Não sou de museu, gosto da rua” | Cultura | EL PAÍS Brasil</em>. [ONLINE] Available at: <a href="https://brasil.elpais.com/brasil/2017/07/13/cultura/1499967146_171656.html">https://brasil.elpais.com/brasil/2017/07/13/cultura/1499967146_171656.html</a>. [Accessed 17 October 2018].</pre>]]></description>
         <enclosure url="https://ep01.epimg.net/brasil/imagenes/2017/07/13/cultura/1499967146_171656_1500043230_noticia_normal.jpg" />
         <pubDate>2018-10-24 16:50:21 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561427</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561565</link>
         <description><![CDATA[<pre>NowPlayingUtah.com. 2018. <em>Berna Reale: Singing in the Rain presented by Utah Museum of Contemporary Art | NowPlayingUtah.com</em>. [ONLINE] Available at: <a href="https://www.nowplayingutah.com/event/berna-reale-singing-rain/">https://www.nowplayingutah.com/event/berna-reale-singing-rain/</a>. [Accessed 17 October 2018].</pre>]]></description>
         <enclosure url="http://www.utahmoca.org/wp-content/uploads/2016/07/IMG_7424berna-100x150cm.jpg" />
         <pubDate>2018-10-24 16:50:35 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561565</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561700</link>
         <description><![CDATA[<pre>Tópico Especial Video-arte. 2018. <em>“Vazio de Nós” – breve estudo sobre performance, videoarte e cinema na obra de Berna Reale – Tópico Especial Video-arte</em>. [ONLINE] Available at: <a href="https://topicoespecialvideoarte.wordpress.com/2015/09/28/vazio-de-nos-um-breve-estudo-sobre-performance-videoarte-e-cinema-em-berna-reale/">https://topicoespecialvideoarte.wordpress.com/2015/09/28/vazio-de-nos-um-breve-estudo-sobre-performance-videoarte-e-cinema-em-berna-reale/</a>. [Accessed 17 October 2018].</pre>]]></description>
         <enclosure url="https://78.media.tumblr.com/e5a9db0470fec83cf62d0a64dbe4530e/tumblr_mszg5idvjH1satp5ao4_1280.jpg" />
         <pubDate>2018-10-24 16:50:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561700</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561924</link>
         <description><![CDATA[<pre>Making Art Happen. 2018. <em>Berna Reale , Ordinário, 2013 | Making Art Happen</em>. [ONLINE] Available at: <a href="https://makingarthappen.com/2014/06/19/proximo-futuro-2014/pf2014_bernareal/">https://makingarthappen.com/2014/06/19/proximo-futuro-2014/pf2014_bernareal/</a>. [Accessed 17 October 2018].</pre>]]></description>
         <enclosure url="http://www.pipaprize.com/wp-content/uploads/2016/03/Berna-Reale.jpg" />
         <pubDate>2018-10-24 16:51:16 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296561924</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564008</link>
         <description><![CDATA[<pre>WordPress.com. 2018. <em>lambe-lambe no lavabo | </em>. [ONLINE] Available at: <a href="https://dicasamais.wordpress.com/2012/04/20/lambe-lambe-no-lavabo/">https://dicasamais.wordpress.com/2012/04/20/lambe-lambe-no-lavabo/</a>. [Accessed 30 October 2018].</pre>]]></description>
         <enclosure url="https://dicasamais.files.wordpress.com/2012/04/picture-2.png" />
         <pubDate>2018-10-24 16:54:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564008</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564162</link>
         <description><![CDATA[<pre>Quadrado Brasília. 2018. <em>Quadrado Brasília » Lambe-lambe pra esquentar a relação</em>. [ONLINE] Available at: <a href="https://quadradobrasilia.com.br/eu-acho/lambe-lambe-pra-melhorar-a-relacao/">https://quadradobrasilia.com.br/eu-acho/lambe-lambe-pra-melhorar-a-relacao/</a>. [Accessed 30 October 2018].</pre>]]></description>
         <enclosure url="https://quadradobrasilia.files.wordpress.com/2012/10/lambe.jpg" />
         <pubDate>2018-10-24 16:55:03 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564162</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564488</link>
         <description><![CDATA[<pre>Ação lambe-lambe em Sabará (MG). 2018. <em>Ação lambe-lambe em Sabará (MG)</em>. [ONLINE] Available at: <a href="http://blog.crb6.org.br/artigos-materias-e-entrevistas/acao-lambe-lambe-em-sabara-mg/">http://blog.crb6.org.br/artigos-materias-e-entrevistas/acao-lambe-lambe-em-sabara-mg/</a>. [Accessed 30 October 2018].</pre>]]></description>
         <enclosure url="https://3.bp.blogspot.com/-2bCdL6PYB-0/V47uNBNwCpI/AAAAAAAAH5A/p3GhvLCJsUMVbRiDHquwIDtnuIk6IC_JwCLcB/s1600/Lambe-lambe1.jpg" />
         <pubDate>2018-10-24 16:55:31 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296564488</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296565024</link>
         <description><![CDATA[<pre>CLARABOIA: Sobre desejos e dores no peito. 2018. <em>CLARABOIA: Sobre desejos e dores no peito</em>. [ONLINE] Available at: <a href="https://blogclaraboia.blogspot.com/2017/11/frase-o-que-nao-te-faz-bem-vendo-cola.html">https://blogclaraboia.blogspot.com/2017/11/frase-o-que-nao-te-faz-bem-vendo-cola.html</a>. [Accessed 30 October 2018].</pre>]]></description>
         <enclosure url="https://muitasmidias.files.wordpress.com/2015/06/lambe-lambe-01.jpg" />
         <pubDate>2018-10-24 16:56:07 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296565024</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296565378</link>
         <description><![CDATA[<div>An artistic poster of varied size that is pasted in public spaces. They can be painted individually with latex paint, spray or gouache.<br><br>When done in series your reproduction can be through photo copiers or silk-screen.<br><br>Art of paste posters on the street was born in the late 19th century with the advent of the mass printing industry (press), which made possible the creation of a new medium: poster / poster. Media that enabled the dissemination of information through the city through the collage of the posters, the content of these varied from advertisements, events and even politics. An industry that made great use of this type of media was the circuses because they were traveling shows, so it was necessary to use a vehicle that was quick to disseminate and at a cheap cost.<br><br>Wheatpaste - Wikipedia. 2018. <em>Wheatpaste - Wikipedia</em>. [ONLINE] Available at: <a href="https://en.wikipedia.org/wiki/Wheatpaste">https://en.wikipedia.org/wiki/Wheatpaste</a>. [Accessed 30 October 2018].</div>]]></description>
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         <pubDate>2018-10-24 16:56:36 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296565378</guid>
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      <item>
         <title>BOOK</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296578357</link>
         <description><![CDATA[<div>Some poetic interventions of the Transverse Collective are gathered in the book 'Attention: this can be a poem.' They are interferences in the city landscape like Brasilia, São Paulo, Rio de Janeiro, Barcelona, Lisbon and Berlin.<br><br>[...]<br><br>The Transverso Collective is a group created in 2011 to research, develop and carry out poetic interventions in the public space. Since then he has worked with urban art and poetry, using techniques such as stencil, wheat paste, graphite, projection and performance, among others." Olhar Brasilia. 2018. <em>Atenção: isto pode ser um poema - Olhar Brasilia</em>. [ONLINE] Available at: <a href="http://www.olharbrasilia.com/2018/06/14/atencao-isto-pode-ser-um-poema/">http://www.olharbrasilia.com/2018/06/14/atencao-isto-pode-ser-um-poema/</a>. [Accessed 30 October 2018].<br><br></div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/628c8eea4d0c0321058e8079d2d9f8ed/2018_07_21_17_54_48.jpg" />
         <pubDate>2018-10-24 17:16:13 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296578357</guid>
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      <item>
         <title>RECIPE</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296578762</link>
         <description><![CDATA[<div>Wheatpaste is a very simple glue that will cost you under a buck a gallon to make. It's just flour and water. The main advantage of wheatpaste is not only its cost, but if you need large quantities of glue, you probably already have everything you need in your kitchen. No need to run to the store and buy anything.<br><br><strong><mark>STEP 1:</mark></strong><strong><br></strong>Combine <strong>1 part flour</strong> to <strong>4 parts water</strong> in a large saucepan.<br><strong>Whisk constantly</strong> to prevent chunks from forming.<br><strong>Heat to just below a boil</strong> until it has reached the desired consistency. <br><br>The glue can now be used immediately. If you plan to use your glue when it has cooled, be sure to make the glue a little thinner than you want it, because it will thicken up. Also, glue feels a lot less disgusting on your hands when it's not cold.<br><br>You should use the glue soon, because un-dried glue will start to smell after a couple days if nothing is added to prolong its shelf life.<br><br><strong><mark>STEP 2:<br></mark></strong>Wheatpaste will work completely fine with just flour and water, some say you can achieve better properties in the glue by adding things, but others argue against adding anything to it, therefore I cannot confirm or disprove the flowing, it is simply all the comments from wheatpaste recipes online rolled together:<br><br><strong>Salt:</strong> one spoonful or more of salt per 1/4 gallon will increase the shelf life of unused glue, and dismiss any chance of the glue rotting while drying. People also use it in freezing temperatures to lower their glues freezing point, but some say it but increases dry time exponentially, especially in the cold. Add anytime as long as it dissolves.<br><br><strong>Sugar:</strong> two spoonfuls or more of sugar per 1/4 gallon will make the glue "stickier" when wet, and could increase dry strength due to the crystalline structure of glucose, but most say it is completely unnecessary. I think it slightly caramelizes to help thicken the mixture. Add near end of heating to prevent carmalization.<br><br><strong>Cinnamon/Peppermint extract:</strong> 5 drops per 1/4 gallon will make the unused glue rot slower, allowing it to keep for several weeks. Add any time.<br><br><strong>Alum:</strong> one spoonful per 1/4 gallon will also make the glue rot slower, allowing it to keep for several weeks. Possibly a thickening agent as well. Add near end of heating.<br><br><strong>Vinegar:</strong> one spoonful per 1/4 gallon is also known to make the glue rot slower, allowing it to keep for several weeks. Also known to increase the durability of the dry wheatpaste. Add near end of heating.<br><br><strong>Borax:</strong> two spoonfuls per 1/4 gallon may help reduce the smell while the wheatpaste is wet. May also change consistency for the better. Add near end of heating.<br><br><strong>Glue:</strong> Adding glue or a powdered glue such as wallpaper paste MAY strengthen the glue, but also add to the cost. Wallpaper paste is sometimes know to be weaker than wheatpaste. Don't add too much or the glue will be too thick and wont soak into pores. Add near end of heating.<br><br><strong>Sawdust:</strong> Sawdust added to almost any glue will increase it's gap-filling ability. Could be used to make molds.<br><br><strong><mark>STEP 3:<br></mark></strong>If you don't want to bother cleaning a sticky saucepan, or don't have access to a stove, small batches of wheatpaste (suitable for an entire paper mache project) can be made in the microwave:<br><br>Use <strong>1 part flour</strong> with <strong>4 parts water</strong> in a Mason jar or any other microwave-safe container.<br><strong>Microwave for a minute at a time</strong> until it reaches the right consistency. <br><strong>Whisk the mixture very well</strong> in between minutes to prevent chunkiness.<br><br>Once the glue gets ever so slightly thicker, microwave for less than 30 seconds at a time, because the glue thickens <em>exponentially</em> fast.<br><br><strong><mark>STEP 4:<br></mark></strong>Wheatpaste will glue any porous paper to another with ease and dry to a rock-hard finish. It will also stick to many other porous materials such as concrete and wood. You can apply wheatpaste with a paintbrush, foam brush, roller, or just a piece of cardboard will work fine. Like all glues, apply only a very thin coat to both materials and stick together for best strength. If you are doing anything like paper mache, soaking your pieces in wheatpaste and using them will create help create very rigid structures. The glue will harden fairly quickly (an hour or two), but the paper will still be very wet for at least one day. A fan can speed up the process.</div>]]></description>
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         <pubDate>2018-10-24 17:16:43 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296578762</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296579427</link>
         <description><![CDATA[<div>YouTube. 2018. <em>NRC | Como fazer um lambe-lambe, por O Terno - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=tHeenqVDNMs">https://www.youtube.com/watch?v=tHeenqVDNMs</a>. [Accessed 30 October 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-24 17:17:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296579427</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296579796</link>
         <description><![CDATA[<div>YouTube. 2018. <em>Como aplicar Lambe Lambe - Homens da Casa - YouTube</em>. [ONLINE] Available at: <a href="https://www.youtube.com/watch?v=q4KOOVuJDDA">https://www.youtube.com/watch?v=q4KOOVuJDDA</a>. [Accessed 30 October 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-24 17:18:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296579796</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639302</link>
         <description><![CDATA[<pre>G1 &gt; Edição Rio de Janeiro - NOTÍCIAS - Exposição de Vik Muniz é sucesso de público no Rio. 2018. <em>G1 &gt; Edição Rio de Janeiro - NOTÍCIAS - Exposição de Vik Muniz é sucesso de público no Rio</em>. [ONLINE] Available at: <a href="http://g1.globo.com/Noticias/Rio/0,,MUL1047136-5606,00-EXPOSICAO+DE+VIK+MUNIZ+E+SUCESSO+DE+PUBLICO+NO+RIO.html">http://g1.globo.com/Noticias/Rio/0,,MUL1047136-5606,00-EXPOSICAO+DE+VIK+MUNIZ+E+SUCESSO+DE+PUBLICO+NO+RIO.html</a>.. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://www.boumbang.com/wp-content/uploads/2012/05/Vik-Muniz-21.jpg" />
         <pubDate>2018-10-24 18:51:57 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639302</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639435</link>
         <description><![CDATA[<pre>Obras De Arte De Vik Muniz | Cultura - Cultura Mix. 2018. <em>Obras De Arte De Vik Muniz | Cultura - Cultura Mix</em>. [ONLINE] Available at: <a href="http://cultura.culturamix.com/arte/obras-de-arte-de-vik-muniz">http://cultura.culturamix.com/arte/obras-de-arte-de-vik-muniz</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://1.bp.blogspot.com/-1sf7tpwJw0M/UUi9Tk3JrjI/AAAAAAAADlY/8aPo_L8HowE/s1600/retrato+muniz350.jpg" />
         <pubDate>2018-10-24 18:52:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639435</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639555</link>
         <description><![CDATA[<pre>Alemão Edu: REVISTA: brasileiro faz capa da Time com Barack Obama. 2018. <em>Alemão Edu: REVISTA: brasileiro faz capa da Time com Barack Obama</em>. [ONLINE] Available at: <a href="http://eduardobm1979.blogspot.com/2013/01/revista-brasileiro-faz-capa-da-time-com.html">http://eduardobm1979.blogspot.com/2013/01/revista-brasileiro-faz-capa-da-time-com.html</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://2.bp.blogspot.com/-Y0_NzAXP08s/VC18ncs7YJI/AAAAAAAACMI/2IVJN20mcec/s1600/agsa-illustration-2.jpeg" />
         <pubDate>2018-10-24 18:52:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639555</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639724</link>
         <description><![CDATA[<pre>Galeria Espaço Arte M. Mizrahi. 2018. <em>Espaço Arte M. Mizrahi</em>. [ONLINE] Available at: <a href="http://www.espacoarte.com.br/obras/9695-vik-muniz">http://www.espacoarte.com.br/obras/9695-vik-muniz</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="http://i.f1g.fr/media/ext/1900x1900/madame.lefigaro.fr/sites/default/files/img/2012/01/diaporamaphoto-seu-jorge.jpg" />
         <pubDate>2018-10-24 18:52:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296639724</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296640089</link>
         <description><![CDATA[<pre>codevilla. 2018. <em>codevilla » Arquivo » Vik Muniz recria paisagens e retratos com mais de 300 mil fotos e cartões-postais</em>. [ONLINE] Available at: <a href="http://wp.clicrbs.com.br/codevilla/2015/01/23/vik-muniz-recria-paisagens-e-retratos-com-mais-de-300-mil-fotos-e-cartoes-postais/?topo=69">http://wp.clicrbs.com.br/codevilla/2015/01/23/vik-muniz-recria-paisagens-e-retratos-com-mais-de-300-mil-fotos-e-cartoes-postais/?topo=69</a>. [Accessed 16 October 2018].</pre>]]></description>
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         <pubDate>2018-10-24 18:53:32 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296640089</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296641332</link>
         <description><![CDATA[<pre>Christies. 2018. <em>VIK MUNIZ (B. 1961), Horse (from the Monad series) | Christie’s</em>. [ONLINE] Available at: <a href="https://onlineonly.christies.com/s/first-open-post-war-contemporary-art/vik-muniz-b-1961-459/43333?lid=3&amp;sc_lang=zh">https://onlineonly.christies.com/s/first-open-post-war-contemporary-art/vik-muniz-b-1961-459/43333?lid=3&amp;sc_lang=zh</a>. [Accessed 16 October 2018].</pre>]]></description>
         <enclosure url="https://www.christies.com/img/LotImages/2017/NYR/2017_NYR_15393_0459_000(vik_muniz_horse).jpg?mode=max" />
         <pubDate>2018-10-24 18:55:55 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296641332</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296913372</link>
         <description><![CDATA[<div>"Methacrylate is the process where an image is embedded between two acrylic plates, a transparent thermoplastic that is resistant to breakage when compared to glass. This process dispenses with only one profile on the back, and is therefore ready to hang on the wall.<br><br>The different refraction and penetration of acrylic light added to its resistance to UV rays, give a nearly three-dimensional result to photographs: they gain depth, a liquid aspect, where it allows colors to become more vibrant and isolated from moisture and oxidizing agents, two known risk factors in the longevity of works of art.Metacrilatos - Photoarts Gallery. 2018. <em>Metacrilatos - Photoarts Gallery</em>. [ONLINE] Available at: <a href="http://www.photoarts.com.br/metacrilatos/">http://www.photoarts.com.br/metacrilatos/</a>. [Accessed 25 October 2018].</div>]]></description>
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         <pubDate>2018-10-25 13:14:28 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296913372</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296914906</link>
         <description><![CDATA[<pre>Mwmaterialsworld - blog. 2018. <em>Cómo manipular el metacrilato - Materials World, la tienda de materiales</em>. [ONLINE] Available at: <a href="https://www.mwmaterialsworld.com/blog/como-manipular-el-metacrilato/">https://www.mwmaterialsworld.com/blog/como-manipular-el-metacrilato/</a>. [Accessed 25 October 2018].</pre>]]></description>
         <enclosure url="https://www.mwmaterialsworld.com/blog/wp-content/uploads/2017/06/metacrilato-fluor-colores-color.jpg" />
         <pubDate>2018-10-25 13:17:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296914906</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296916930</link>
         <description><![CDATA[<pre>Photoarts News. 2018. <em>5 motivos para você escolher o Metacrilato - Photoarts News</em>. [ONLINE] Available at: <a href="http://news.photoarts.com.br/5-motivos-para-voce-escolher-o-metacrilato/">http://news.photoarts.com.br/5-motivos-para-voce-escolher-o-metacrilato/</a>. [Accessed 25 October 2018].</pre>]]></description>
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         <pubDate>2018-10-25 13:20:42 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296916930</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296917944</link>
         <description><![CDATA[<div>- "Mistureba" para Lambe- Lambe</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-25 13:22:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296917944</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296918189</link>
         <description><![CDATA[<div>- Steal Wire</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-10-25 13:22:39 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/296918189</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302013736</link>
         <description><![CDATA[<pre>Studio Lab Decor. 2018. <em>Exposição Sinais / Signals, de Mira Schendel, em cartaz no MAM - Studio Lab Decor</em>. [ONLINE] Available at: <a href="http://studiolabdecor.com.br/exposicao-sinais-signals-de-mira-schendel-em-cartaz-no-mam/">http://studiolabdecor.com.br/exposicao-sinais-signals-de-mira-schendel-em-cartaz-no-mam/</a>. [Accessed 17 October 2018].</pre>]]></description>
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         <pubDate>2018-11-08 12:54:30 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302013736</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302013879</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://studiolabdecor.com.br/wp-content/uploads/2018/03/arte-cult-exposicao-Signals-Mira-Schendel-4-1.jpg" />
         <pubDate>2018-11-08 12:54:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302013879</guid>
      </item>
      <item>
         <title>Congresso Nacional</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302014582</link>
         <description><![CDATA[<div>"Constitutional body that exercises, at the federal level, the functions of the legislative power, that is, to elaborate / approve laws and to supervise the Brazilian State (its two typical functions), as well as administer and judge (atypical functions) consisting of 81 senators, representing 27 federal units (the 26 states and the Federal District) and the Chamber of Deputies (made up of 513 federal deputies representing the people)."<br>Visite o Congresso. 2018. <em>O que é? — Visite O Congresso</em>. [ONLINE] Available at: <a href="https://www2.congressonacional.leg.br/visite/o-que-e">https://www2.congressonacional.leg.br/visite/o-que-e</a>. [Accessed 30 October 2018].</div>]]></description>
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         <pubDate>2018-11-08 12:56:34 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302014582</guid>
      </item>
      <item>
         <title>&quot;A Justiça&quot; Sculpture</title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302014651</link>
         <description><![CDATA[<div>"Represents the judiciary as a woman blindfolded and sword, blindfold represents the impartiality of justice and the sword represents the strength, courage, order and rule necessary to enforce the right. which would represent its intention to level the legal treatment of all equally, the balance of the interests of the parties to the dispute "<br>A Justiça (escultura) – Wikipédia, a enciclopédia livre. 2018. <em>A Justiça (escultura) – Wikipédia, a enciclopédia livre</em>. [ONLINE] Available at: <a href="https://pt.wikipedia.org/wiki/A_Justi%C3%A7a_(escultura)">https://pt.wikipedia.org/wiki/A_Justiça_(escultura)</a>. [Accessed 30 October 2018].</div>]]></description>
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         <pubDate>2018-11-08 12:56:47 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302014651</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302015397</link>
         <description><![CDATA[<div>"The canvas is a matte synthetic material of rustic appearance. Some canvas models may look like cotton canvas and others with a canvas paint.<br><br>This product is widely used in visual communication in banner format, stage background, backdrop, reproduction of works of art and other uses.<br><br>The canvas is an intermediate between the fabric and the canvas. It is not very malleable, but it is also not very plastic. The canvas is a closed synthetic fabric, with acrylic coating and usually based on cotton. Its flexibility prevents the print from looking "cracked" if the material is stretched. And it will always have the seam finish and matte look - frostier than matte canvas printing, for example." Printi. 2018. <em>Tudo que você precisa saber sobre o canvas | Printi</em>. [ONLINE] Available at: <a href="https://www.printi.com.br/blog/tudo-que-voce-precisa-saber-sobre-o-canvas">https://www.printi.com.br/blog/tudo-que-voce-precisa-saber-sobre-o-canvas</a>. [Accessed 08 November 2018].</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-08 12:58:58 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302015397</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302016153</link>
         <description><![CDATA[<div>*<em>photos taken by me at Giclê:</em></div>]]></description>
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         <pubDate>2018-11-08 13:00:56 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302016153</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302017059</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-08 13:02:55 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302017059</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302017509</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/6a23624d78990bc29a19600f9e783ac8/media.jpeg" />
         <pubDate>2018-11-08 13:04:05 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302017509</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302020235</link>
         <description><![CDATA[<div><br>"Giclê Fine Art Print was founded in 2008 by photographers Ana Lucia Mariz, Daniel Renault &amp; Marcelo Lerner, the three of them with previous experience in printing, photography and arts.<br><br></div><div><br>Our clients are mostly artists, photographers, galleries and museums. <br><br></div><div><br>Our prints are in accordance with archival standards for permanence and in the widest chromatic scale available. <br><br></div><div><br>We offer our clients costumized support, to deliver the highest quality service." Harry. 2018. <em>Giclê Fine Art Print</em>. [ONLINE] Available at: <a href="http://gicleprint.com.br/">http://gicleprint.com.br</a>. [Accessed 26 October 2018].<br><br></div><pre>*All photos taken by me:</pre>]]></description>
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         <pubDate>2018-11-08 13:09:56 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302020235</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302020953</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-08 13:11:03 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302020953</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302021376</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-08 13:12:00 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302021376</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302021633</link>
         <description><![CDATA[]]></description>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302022185</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-08 13:13:44 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302022185</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302153484</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-08 16:13:18 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302153484</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520763</link>
         <description><![CDATA[<pre>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira. 2018. <em>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira</em>. [ONLINE] Available at: <a href="https://www.oxfam.org.br/perplexidade/fotos.html">https://www.oxfam.org.br/perplexidade/fotos.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:35:13 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520763</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520840</link>
         <description><![CDATA[<pre>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira. 2018. <em>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira</em>. [ONLINE] Available at: <a href="https://www.oxfam.org.br/perplexidade/fotos.html">https://www.oxfam.org.br/perplexidade/fotos.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:35:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520840</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520920</link>
         <description><![CDATA[<pre>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira. 2018. <em>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira</em>. [ONLINE] Available at: <a href="https://www.oxfam.org.br/perplexidade/fotos.html">https://www.oxfam.org.br/perplexidade/fotos.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:35:45 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302520920</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302521001</link>
         <description><![CDATA[<pre>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira. 2018. <em>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira</em>. [ONLINE] Available at: <a href="https://www.oxfam.org.br/perplexidade/fotos.html">https://www.oxfam.org.br/perplexidade/fotos.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:36:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302521001</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302521059</link>
         <description><![CDATA[<pre>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira. 2018. <em>Perplexidade - A desigualdade social brasileira nas fotos de Tuca Vieira</em>. [ONLINE] Available at: <a href="https://www.oxfam.org.br/perplexidade/fotos.html">https://www.oxfam.org.br/perplexidade/fotos.html</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:36:14 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302521059</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/302521117</link>
         <description><![CDATA[<pre>Carta Maior. 2018. <em>Desigualdade no mundo aumenta de forma dramática, segundo a Oxfam - Carta Maior</em>. [ONLINE] Available at: <a href="https://www.cartamaior.com.br/?/Editoria/Pelo-Mundo/Desigualdade-no-mundo-aumenta-de-forma-dramatica-segundo-a-Oxfam/6/35345">https://www.cartamaior.com.br/?/Editoria/Pelo-Mundo/Desigualdade-no-mundo-aumenta-de-forma-dramatica-segundo-a-Oxfam/6/35345</a>. [Accessed 19 October 2018].</pre>]]></description>
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         <pubDate>2018-11-09 12:36:27 UTC</pubDate>
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         <description><![CDATA[<div>- Canvas</div>]]></description>
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         <pubDate>2018-11-09 12:46:45 UTC</pubDate>
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         <description><![CDATA[<div>- Placa de ACM</div>]]></description>
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         <pubDate>2018-11-09 12:46:56 UTC</pubDate>
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         <description><![CDATA[<div>- Metacrilato</div>]]></description>
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         <pubDate>2018-11-09 12:48:04 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-18 23:09:25 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
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         <pubDate>2018-11-18 23:09:59 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-18 23:12:39 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306435561</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-20 16:53:30 UTC</pubDate>
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      <item>
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         <author>julia_vasconcelos</author>
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         <description><![CDATA[<div>"Teima has in common the taste of the artists for the reiteration and experimentation of varied graphic practices. Calzavara brings a set of woodcuts, monotypes and photographs that revolve around the idea of a non-totality: images with minimal mismatches of record, uncoordinated overlaps, discontinuities, absences, fragments.<br><br>Zilbersztejn explores monotypes and drawings on diverse media, images that start from a research on mapping practices as tools to reconstitute the physical world in two-dimensional images, such as topographic maps and navigation charts that are redone through the use of different graphic techniques."<br><br><br>Calzavara, A. (2018). <em>Teima.</em> [Woodcut, Photography and Monotypes] Casa da Cultura da América Latina, Brasília.</div>]]></description>
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         <pubDate>2018-11-20 16:58:54 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 17:00:00 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 17:00:35 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 17:01:06 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 17:02:47 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306440949</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 17:04:07 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306441511</link>
         <description><![CDATA[<div>Zilbersztejn, M. (2018). <em>Teima. </em>[Monotypes and Drawings] Casa da Cultura da América Latina, Brasília.</div>]]></description>
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         <pubDate>2018-11-20 17:05:14 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:34:38 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:37:03 UTC</pubDate>
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         <pubDate>2018-11-20 19:38:14 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:38:46 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306510414</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
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         <pubDate>2018-11-20 19:40:11 UTC</pubDate>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306512209</link>
         <description><![CDATA[<div><strong>The exhibition exposes strength of Latin American Women's art. It is possible to travel through the history of female experimental art with about 280 works of 120 artists on display.<br><br><br></strong>(2018). <em>Mulheres Radicais</em>. [Mixed Media] Pinacoteca, São Paulo.</div>]]></description>
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         <pubDate>2018-11-20 19:44:38 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306512415</link>
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         <pubDate>2018-11-20 19:45:11 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306512626</link>
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         <pubDate>2018-11-20 19:45:45 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:46:15 UTC</pubDate>
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         <pubDate>2018-11-20 19:48:00 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:50:16 UTC</pubDate>
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         <pubDate>2018-11-20 19:50:58 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:56:38 UTC</pubDate>
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         <author>julia_vasconcelos</author>
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         <pubDate>2018-11-20 19:57:08 UTC</pubDate>
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         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 19:58:30 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306517332</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 19:59:02 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306517332</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306517566</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 19:59:47 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306517566</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518032</link>
         <description><![CDATA[<div>"With works by Ana Calzavara, Celina Yamauchi, Márcia Cymbalista and Marco Buti, the "low" show at Galeria Virgílio has the recent production of these artists. They are drawings, engravings, photographs and paintings that share a preference for discreet gesture, for a non-rhetoric, and for a look attentive to the subtlety of small variations and differences." ::: Galeria Virgílio :::. 2018. <em>::: Galeria Virgílio :::</em>. [ONLINE] Available at: <a href="http://www.galeriavirgilio.com.br/">http://www.galeriavirgilio.com.br</a>. [Accessed 13 November 2018].<br><br><br>Calzavara, A. (2018). <em>Baixa.</em> [Photography and Woodcut] Galeria Virgílio, Sã Paulo.</div>]]></description>
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         <pubDate>2018-11-20 20:01:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518032</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518294</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 20:01:54 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518294</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518677</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 20:03:08 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518677</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518970</link>
         <description><![CDATA[<div>Yamauchi, C. (2018). <em>Baixa.</em> [Photography] Galeria Virgílio, Sã Paulo.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/eb3ff014fb9a6a0540280a5be475e538/media.jpeg" />
         <pubDate>2018-11-20 20:04:12 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306518970</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519200</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 20:04:59 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519200</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519386</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-20 20:05:29 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519386</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519487</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/cd642563083609db409edbb9f50d064f/media.jpeg" />
         <pubDate>2018-11-20 20:05:48 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519487</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519654</link>
         <description><![CDATA[<div>Cymbalista, M. (2018). <em>Baixa. </em>[Drawing with metal interventions] Galeria Virgílio, Sã Paulo.</div>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/d8cee839f697e4e5d7149a9c2868b428/media.jpeg" />
         <pubDate>2018-11-20 20:06:24 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306519654</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569049</link>
         <description><![CDATA[<pre>Portal Uai Entretenimento - Notícias. 2018. <em>Inhotim abre festejos pelos 10 anos com programação noturna</em>. [ONLINE] Available at: <a href="https://www.uai.com.br/app/noticia/artes-e-livros/2016/09/05/noticias-artes-e-livros,183841/inhotim-abre-festejos-pelos-10-anos-com-programacao-noturna.shtml">https://www.uai.com.br/app/noticia/artes-e-livros/2016/09/05/noticias-artes-e-livros,183841/inhotim-abre-festejos-pelos-10-anos-com-programacao-noturna.shtml</a>. [Accessed 20 September 2018].</pre>]]></description>
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         <pubDate>2018-11-21 00:27:24 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569049</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569329</link>
         <description><![CDATA[<div>"<em>Todos os Olhos</em>, the first individual of the artist José Bento in the gallery occupies the whole space of Annex Millan and gathers a set of 15 sculptures and two unpublished photographs. Known for his taste and dexterity in working with wood, José Bento presents in this individual a beautiful series of ten beans carved in different types and colors of this material.<br><br>[...]<br><br>The work that gives the title to the exhibition, for example, is a series of ten bean-shaped wood carvings, each one of different weight, density and coloring, positioned in the main room of the Annex. The pieces represent some of the types of beans most consumed by Brazilians, such as black beans, Rioja beans, frost, red and red. If added, the weight of these jobs results in exactly 1283 kg, which, according to IBGE, is the average amount of beans that a Brazilian consumes throughout his life. In the back of the room, behind the beans, a photograph: "Xangô" sees a voodoo priest holding a small "Tree" by José Bento at the foot of a statue of Xangô in Benin, Africa. Like the orixá that gives name to the work, the beans can also be seen as a symbol of justice, equality and strength." José Bento - Exposições - Galeria Millan. 2018. <em>José Bento - Exposições - Galeria Millan</em>. [ONLINE] Available at: <a href="http://www.galeriamillan.com.br/exposicoes/jose-bento/press-release">http://www.galeriamillan.com.br/exposicoes/jose-bento/press-release</a>. [Accessed 10 October 2018].<br><br><br>Bento, J. (2018). <em>Todos os Olhos.</em> [Sculptures and Photography] Galeria Millan, São Paulo.</div>]]></description>
         <enclosure url="https://static.glamurama.uol.com.br/2018/11/anex1-370x280.jpg" />
         <pubDate>2018-11-21 00:29:11 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569329</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569359</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://static.glamurama.uol.com.br/2018/10/jose-bento-370x280.jpeg" />
         <pubDate>2018-11-21 00:29:23 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306569359</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306576538</link>
         <description><![CDATA[<div>&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;&gt;</div>]]></description>
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         <pubDate>2018-11-21 01:17:17 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699049</link>
         <description><![CDATA[<div>* All pictures taken by me</div>]]></description>
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         <pubDate>2018-11-21 11:44:56 UTC</pubDate>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699195</link>
         <description><![CDATA[<div>*All pictures taken by me</div>]]></description>
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         <pubDate>2018-11-21 11:45:20 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699195</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699309</link>
         <description><![CDATA[<div>*All pictures taken by me</div>]]></description>
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         <pubDate>2018-11-21 11:45:37 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699309</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699369</link>
         <description><![CDATA[<div>*All pictures taken by me</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 11:45:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699369</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699414</link>
         <description><![CDATA[<div>*All pictures taken by me</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 11:46:01 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699414</guid>
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         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699527</link>
         <description><![CDATA[<div>*All pictures taken by me</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 11:46:25 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306699527</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306723036</link>
         <description><![CDATA[<div>"Inviting the public to a sensory experience, Jungle Jam is a kinetic installation made up of dozens of identical pieces arranged horizontally on the walls of a room and spaced apart at regular intervals. Each piece consists of a mixer of portable food (mixer), and an ordinary plastic bag, attached to the end of the pin, replacing the cutting pieces.<br>When turned on, the motors make these pins rotate with the bags, which hit the walls and produce syncopated noises. These motors are commanded by a box called 'big head', which creates, through a computer program, random patterns that never repeat themselves, determining which motors work at each moment and which ones stand still. With the unexpected and followed changes and distinct quality of the sounds, the audience is surprised every moment." Holodeck: JUNGLE JAM: A INSTALAÇÃO SONORA DO GRUPO CHELPA FERRO. 2018. <em>Holodeck: JUNGLE JAM: A INSTALAÇÃO SONORA DO GRUPO CHELPA FERRO</em>. [ONLINE] Available at: <a href="http://noholodeck.blogspot.com/2011/12/jungle-jam-instalacao-sonora-do-grupo.html">http://noholodeck.blogspot.com/2011/12/jungle-jam-instalacao-sonora-do-grupo.html</a>. [Accessed 20 September 2018].<br><br><strong>This work really caught my attention and I got amazed by it. <br>I figured out that this art piece can have many possibilities of interpretation, as I talked to some friends about it. But, in my vision, this work can be talking about slavery jobs, since the exposed bags are of known and famous brands, and the motors are from sewing machines. <br>It is definitely a strong reference for my project.<br><br></strong><br></div><pre><em><mark>*Photo Reference:</mark></em>
exhibit-E.com. 2018. <em>chelpa ferro - Sprovieri Gallery</em>. [ONLINE] Available at: <a href="http://www.sprovieri.com/artists/chelpa-ferro/">http://www.sprovieri.com/artists/chelpa-ferro/</a>. [Accessed 20 September 2018].</pre>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/269637632/9a12aedd46afe6a41125bf49559abac2/842d4eb4.jpg" />
         <pubDate>2018-11-21 13:14:36 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306723036</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306735127</link>
         <description><![CDATA[<div>"Vicente José de Oliveira Muniz is a photographer, draftsman, painter and engraver. Since 1988, he has been working on a series of works in which he mainly investigates themes related to the memory, perception and representation of images from the world of the arts and the media. He uses various techniques and frequently uses unusual materials such as sugar, liquid chocolate, dulce de leche, ketchup, hair gel, garbage and dust." Instituto Itaú Cultural. 2018. <em>Vik Muniz | Enciclopédia Itaú Cultural </em>. [ONLINE] Available at: <a href="http://enciclopedia.itaucultural.org.br/pessoa9203/vik-muniz">http://enciclopedia.itaucultural.org.br/pessoa9203/vik-muniz</a>. [Accessed 16 October 2018].<br><br><strong>The artist Vik Muniz works with series of photographs and recreates with diverse materials such as perforated papers, cotton, magazine clippings, liquid chocolate, sugar or dust. It is very interesting to see how his figures are created from so unexpected materials.<br>And his works also give a little mosaic impression (which is what I plan to do for my project).</strong></div>]]></description>
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         <pubDate>2018-11-21 13:52:40 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306735127</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306738038</link>
         <description><![CDATA[<div>"His procedure consists of repeatedly drilling reproductions in digital photography of paintings by masters such as Rugendas (1802-1858) and Thomas Gainsborough (1727-1788), spreading circles leaked over the surface of the work, thus revealing parts of another image put in a second plan. The artist therefore does not deal with any corrosive or abrasive material, but at a distance these surfaces transmit something worn, rusty, or even soiled.<br><br>This false appearance of decomposition triggers an ambiguity of meanings: between a critique of art history and a nostalgia for it. At the same time, there is an inversion in one of the fundamental conceptual pairs of painting - depth and surface. Afonso chooses to reproduce pictorial works that have as central concern the reproduction of the sensation of depth, via resources of perspective.<br><br>However, by interfering with the image of these works by piercing them, Afonso imposes on the viewer's eyes the flat surface of the work, making evident what was denied before, causing the source of the emanation of meanings of the work to be transferred to the concrete surface, abandoning the illusionist intention." Instituto Itaú Cultural. 2018. <em>Albano Afonso | Enciclopédia Itaú Cultural </em>. [ONLINE] Available at: <a href="http://enciclopedia.itaucultural.org.br/pessoa19404/albano-afonso">http://enciclopedia.itaucultural.org.br/pessoa19404/albano-afonso</a>. [Accessed 16 October 2018]</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 14:01:51 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306738038</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306739377</link>
         <description><![CDATA[<div>"Violence has been the focus of attention in recent years. Reale became a criminal expert at the Center for Scientific Expertise in the State of Pará and lives close to the most diverse issues of crime and social conflicts. Their performances are designed with the aim of creating a thought-provoking noise." Catálogo das Artes. 2016. <em>Berna Reale.</em> [ONLINE] Available at: <a href="https://www.catalogodasartes.com.br/artista/Berna%20Reale%20/">https://www.catalogodasartes.com.br/artista/Berna%20Reale%20/</a> [Accessed 17 October 2018].<br><br><strong>Berna's work is a super social criticism and deals with themes that, despite being very heavy, are current and need to be discussed. Her works have the capacity to provoke strong emotions in the spectators.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 14:05:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306739377</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306743007</link>
         <description><![CDATA[<div><strong>In this self portrait, by Ana Calzavara, she uses and mixes two different techniques: woodcut and print in methacrylate. <br>The use of methacrylate here has a very strong meaning and it is very suitable. It is placed in front of the woodcut and the print on it  helps to to highlight some details of the face; such as eyes, nose and mouth.<br><br>As I am thinking of using methacrylate in my project, that is a great reference. </strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 14:15:50 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306743007</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306745848</link>
         <description><![CDATA[<div><strong>I put this work by Mira Schendel, from the exhibition Signals, as a reference because she uses methacrylate and acrylic to hang and expose her works; and I also think about making this type of thing with my work.</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 14:24:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306745848</guid>
      </item>
      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306750522</link>
         <description><![CDATA[<div><strong>While I was having my progress tutorial with Ana, I told her I did not have anything in mind yet of what the main image will look like.<br>As we discussed a lot about it, we ended up thinking together that maybe an beautiful and breathtaking picture of a postcard of some touristic place in Brazil would be a good idea.<br>So here are some references:</strong></div>]]></description>
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         <pubDate>2018-11-21 14:36:41 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306750522</guid>
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      <item>
         <title></title>
         <author>julia_vasconcelos</author>
         <link>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306754702</link>
         <description><![CDATA[<div>"<strong>SOMAR</strong> is a company specialised in the production of projects for contemporary art and design. We develop tailor-made solutions, with the optimisation of technical, human and financial resources through a careful selection of raw materials, suppliers and partners.<br><br></div><div><br>Our current products and services are:<br>-       Production of artisanal and customised frames made of wood, metal, and acrylic.<br>-       Commercialisation of products for the artistic and museum markets.<br>-       Services for framing works of art, site-specific projects, and audio-visual projects.<br>-       Development of expository project, production management and planning, and technical consultancy." somar. 2018. <em>// English — somar</em>. [ONLINE] Available at: <a href="http://www.somar-producao.com/english-version">http://www.somar-producao.com/english-version</a>. [Accessed 08 November 2018].<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-21 14:47:17 UTC</pubDate>
         <guid>https://padlet.com/julia_vasconcelos/vfso6n4gqhgk/wish/306754702</guid>
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