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      <description>Curadoria nas megas exposições</description>
      <language>en-us</language>
      <pubDate>2022-07-11 22:23:49 UTC</pubDate>
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         <title>Bienal de Veneza</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2241283591</link>
         <description><![CDATA[<div>criada em 1895<br>ocorre a cada 2 anos<br>sempre em Veneza - Itália<br><br>Giardini e Arsenale<br>Pavilhões Nacionais<br>Prêmio Leão de Ouro<br><br>2022 - 59° edição "Leite dos Sonhos"<br>curadora Cecilia Alemani<br><br><br></div>]]></description>
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         <pubDate>2022-07-11 22:28:22 UTC</pubDate>
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         <title>Bienal de São Paulo</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2241283622</link>
         <description><![CDATA[<div>criada em 1951<br>ocorre a cada 2 anos<br>sempre em São Paulo - Brasil</div>]]></description>
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         <pubDate>2022-07-11 22:28:30 UTC</pubDate>
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         <title>Documenta</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2241283706</link>
         <description><![CDATA[<div>criada em 1955<br>ocorre de 5 em 5 anos (em média)<br>sempre em Kassel - Alemanha</div>]]></description>
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         <pubDate>2022-07-11 22:28:41 UTC</pubDate>
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         <title>Manifesta</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2241283737</link>
         <description><![CDATA[<div>criada em&nbsp;1996<br>ocorre de 2 em 2 anos<br>mostra itinerante, sempre em cidades diferentes</div>]]></description>
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         <pubDate>2022-07-11 22:28:48 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <pubDate>2022-07-18 20:20:21 UTC</pubDate>
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         <author>thiaragrizilli</author>
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         <pubDate>2022-07-18 20:30:39 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <pubDate>2022-07-18 20:35:24 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-07-18 20:37:15 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-07-18 20:40:51 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <title>Manifesta originated in the early 90’s in response to the political, economic and social changes following the end of the Cold War and the subsequent steps towards European integration. Since that time, Manifesta has developed into traveling platform focusing on the dialogue between art and society in Europe.</title>
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         <pubDate>2022-07-20 21:08:57 UTC</pubDate>
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         <title>http://www.bienal.org.br/post/529</title>
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         <pubDate>2022-07-20 21:32:41 UTC</pubDate>
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         <title>Espaço de discussão</title>
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         <description><![CDATA[<div>Each Manifesta comprises a range of activities extending over a period of two or more years. <strong>This incorporates studies, publications, meetings, discussions and seminars culminating in the final three-month long programme </strong>(or in 2006, an ‘art school’) in the host city or region. In this way, Manifesta aims to create an interface between prevailing international artistic and intellectual debates and the specific qualities and&nbsp; idiosyncrasies of a given location.</div>]]></description>
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         <pubDate>2022-07-20 21:34:45 UTC</pubDate>
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         <title>Manifesta e Vila Sul: diásporas, deslocamentos e migrações através de eventos e programas de arte contemporânea</title>
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         <pubDate>2022-07-20 21:46:29 UTC</pubDate>
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         <title></title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247129962</link>
         <description><![CDATA[<div>pretenção de internacionalização<br>perfil de um curador de bienal<br>achatamento<br>pra quem são feitas as exposições<br>a escala ainda faz sentido?<br>circulação de artistas, pessoas, curadores<br>limites da modernidade<br>cadeia produtiva das artes<br>visibilidade<br><br></div>]]></description>
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         <pubDate>2022-07-20 21:47:02 UTC</pubDate>
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         <title>Hernández Muñoz, A.</title>
         <author></author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247130651</link>
         <description><![CDATA[<div>"A Manifesta (European Biennial of Contemporary Art) é uma bienal nômade de arte contemporânea que acontece cada dois anos em alguma cidade europeia, preferentemente não capital. A proposta emerge da época da queda do Muro de Berlim em 1989, do processo do fim da Guerra Fria com a extinção da URSS em 1991, das mudanças políticas, econômicas e sociais que se seguiram, das redefinições das fronteiras de vários países e da consolidação da União Europeia através do Tratado de Maastricht de 1992."</div>]]></description>
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         <pubDate>2022-07-20 21:49:42 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247132245</link>
         <description><![CDATA[<div>Bienal de Havana<br>Bienal de Sydney<br>Bienal de Shanghai<br>Bienal do Mercosul<br><br></div>]]></description>
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         <pubDate>2022-07-20 21:56:24 UTC</pubDate>
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         <title>I Bienal de Havana e II Bienal de Johannesburgo: considerações para uma metodologia de pesquisa sobre bienais</title>
         <author></author>
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         <pubDate>2022-07-20 22:04:31 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247136054</link>
         <description><![CDATA[<div>Manifesta vs Eurovision</div>]]></description>
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         <pubDate>2022-07-20 22:09:37 UTC</pubDate>
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      <item>
         <title>metáfora olimpica</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247140234</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-07-20 22:26:27 UTC</pubDate>
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      <item>
         <title>bienais são as olimpíadas das artes</title>
         <author></author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247140664</link>
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         <pubDate>2022-07-20 22:28:19 UTC</pubDate>
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         <title></title>
         <author>mayumiemi</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247208135</link>
         <description><![CDATA[<div>Exposition Universelle de 1889</div>]]></description>
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         <pubDate>2022-07-21 00:55:20 UTC</pubDate>
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      <item>
         <title>&quot;[...] o racismo e a misoginia estão impregnados nas decisões que quotidianamente os indivíduos tomam, confirmando os sistemas, estruturas e por consequência as políticas institucionais.&quot;</title>
         <author>mayumiemi</author>
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         <pubDate>2022-07-21 00:58:14 UTC</pubDate>
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         <title>Angélica González Vásquez - La Biennale di Venezia:  perspectivas históricas y coyunturas recientes</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247759649</link>
         <description><![CDATA[<div>https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8665180/26861</div>]]></description>
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         <pubDate>2022-07-21 19:36:44 UTC</pubDate>
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         <title></title>
         <author>academiadecuradoria</author>
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         <author>academiadecuradoria</author>
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         <pubDate>2022-07-21 20:03:51 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2022-07-21 20:30:35 UTC</pubDate>
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         <title></title>
         <author>thiaragrizilli</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247776054</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.e-flux.com/notes/480764/" />
         <pubDate>2022-07-21 20:30:53 UTC</pubDate>
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      <item>
         <title>Espaço das polêmicas</title>
         <author>thiaragrizilli</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247776188</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-07-21 20:31:29 UTC</pubDate>
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      <item>
         <title>Documenta 5 : o curador autor</title>
         <author>thiaragrizilli</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247780109</link>
         <description><![CDATA[<div>"Não acho que ela tenha sido atacada mais&nbsp; do&nbsp; que&nbsp; as&nbsp; outras&nbsp; foram.&nbsp; Pense&nbsp; na&nbsp; documenta&nbsp; 4,&nbsp; também&nbsp; houve&nbsp; tentativas&nbsp; de&nbsp; boicotá-la.&nbsp; Quando&nbsp; ouço&nbsp; que os negociantes de arte alugaram uma casa inteira em&nbsp; Kassel&nbsp; pelo&nbsp; período&nbsp; de&nbsp; duração&nbsp; da&nbsp; documenta,&nbsp; não&nbsp; me&nbsp; preocupo.&nbsp; Do&nbsp; que&nbsp; as&nbsp; pessoas&nbsp; realmente&nbsp; se&nbsp; ressentem é do fato de que alguém esteja no comando.&nbsp;</div><div>No caso, eu."&nbsp;<br>                                           Harald Szeemann</div>]]></description>
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         <pubDate>2022-07-21 20:46:05 UTC</pubDate>
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         <title>Agendas e agentes no mundo da arte: as bienais na sala de aula</title>
         <author>academiadecuradoria</author>
         <link>https://padlet.com/academiadecuradoria/ux2uf0lwocxas9kc/wish/2247781176</link>
         <description><![CDATA[<div>". Ao contrário de filiações automáticas ao modelo veneziano, Ranjit Hoskote nos lembra que muitos desses eventos asiáticos estão associados às exposições<br>coloniais organizadas para percorrer regiões da Índia e da Austrália desde meados dos anos 1850.<br>Evocando Peter H. Hoffenberg (e particularmente a Exposição Internacional de Calcutá de 1883), Hoskote (2021: 81) nos adverte que essas mostras e a Bienal de Veneza possuem uma ancestralidade comum, que visava fortalecer o modelo de comunidade e identidade europeus,<br>utilizando a arte e a ciência. Tal modelo pressupunha uma harmonia preexistente entre aquilo que está exposto e o público “ávido” pelo consumo, o que continua sendo fortemente perigoso nas disputas pela hegemonia de “uma” história da arte global. Este é um perigo que deve nos assombrar constantemente, como forma de não esquecermos a produção artística anterior aos modelos ocidentais, seja qual for a geografia.<br>Não se pode perder de vista que as bienais se multiplicaram e desapareceram produzindo narrativas alternativas, ao mesmo tempo em que reforçavam um modelo ironicamente datado e ultrapassado. Da mesma forma, não se pode subestimar a profícua aliança entre o fenômeno da bienalização e a arte contemporânea. Juntas, elas são capazes de produzir lugares, obras e narrativas a partir de<br>diferentes culturas, regimes políticos, lógicas operacionais ao redor do mundo."<br><br>&nbsp;https://periodicos.sbu.unicamp.br/ojs/index.php/mod/article/view/8665820/26922</div>]]></description>
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         <pubDate>2022-07-21 20:50:58 UTC</pubDate>
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         <title>Nem tudo nesses espaços dizem respeito a arte</title>
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