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      <title>Listening as research by </title>
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      <description>November 22nd</description>
      <language>en-us</language>
      <pubDate>2024-11-17 19:24:28 UTC</pubDate>
      <lastBuildDate>2024-11-22 11:50:57 UTC</lastBuildDate>
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         <title>Listening Exercise</title>
         <author>academicsupportevents</author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3222097561</link>
         <description><![CDATA[<p>What can you hear? Put your responses under the relevant column: </p><p>Human</p><p>Animal</p><p>Machine</p><p><br/></p><p><a rel="noopener noreferrer nofollow" href="https://soundcloud.com/ual-academic-support/park-atmos-clip-for-workshop2-mixdown/s-BKBzr005QzA">https://soundcloud.com/ual-academic-support/park-atmos-clip-for-workshop2-mixdown/s-BKBzr005QzA</a></p>]]></description>
         <enclosure url="https://soundcloud.com/ual-academic-support/park-atmos-clip-for-workshop2-mixdown/s-BKBzr005QzA" />
         <pubDate>2024-11-18 12:25:46 UTC</pubDate>
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         <title></title>
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         <pubDate>2024-11-20 16:58:57 UTC</pubDate>
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         <title>Sound Voice Project</title>
         <author>academicsupportevents</author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3226593807</link>
         <description><![CDATA[<p>Review of the installation at Royal Opera House </p><p><br/></p>]]></description>
         <enclosure url="https://www.theguardian.com/culture/2024/nov/15/royal-opera-linbury-the-sound-voice-project" />
         <pubDate>2024-11-20 17:04:03 UTC</pubDate>
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         <title></title>
         <author>gpbarton1</author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3226616085</link>
         <description><![CDATA[]]></description>
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         <pubDate>2024-11-20 17:16:37 UTC</pubDate>
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         <title></title>
         <author>academicsupportevents</author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3226647484</link>
         <description><![CDATA[<p>40 part Motel Janet Cardiff (2017) Each speaker represents one player in a 40-piece orchestra. </p>]]></description>
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         <pubDate>2024-11-20 17:37:32 UTC</pubDate>
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         <title></title>
         <author>academicsupportevents</author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3226650706</link>
         <description><![CDATA[<p>Witness Susan Hill (2011) - small microphones each representing a voice produced an atmospheric cacophony of sounds</p>]]></description>
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         <pubDate>2024-11-20 17:39:53 UTC</pubDate>
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         <title></title>
         <author>academicsupportevents</author>
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         <description><![CDATA[]]></description>
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         <pubDate>2024-11-22 11:13:34 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3229878788</link>
         <description><![CDATA[<p>I'm interested in approaches to intuitive making as a form of listening to self / materials </p>]]></description>
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         <pubDate>2024-11-22 11:43:51 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3229880406</link>
         <description><![CDATA[<p>Moving more into the body to make, and therefore listening to parts of yourself that you might not be able to access through 'conceptual' thinking </p><p><br/></p>]]></description>
         <enclosure url="" />
         <pubDate>2024-11-22 11:45:12 UTC</pubDate>
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         <title></title>
         <author></author>
         <link>https://padlet.com/academicsupportevents/uv2gri8cgw21hewk/wish/3229886625</link>
         <description><![CDATA[<p>Alongside deepening this approach in my own practice and thinking of ways to 'evidence' it, I'm interested in running collage workshops with my art school peers to explore this approach to making. </p><p><br/></p>]]></description>
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         <pubDate>2024-11-22 11:50:56 UTC</pubDate>
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