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      <title>Literature III -SB by Mariel</title>
      <link>https://padlet.com/mamez2222/lit3sb2019</link>
      <description>Getting started</description>
      <language>en-us</language>
      <pubDate>2019-04-07 23:19:53 UTC</pubDate>
      <lastBuildDate>2023-08-10 20:01:36 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url>https://padlet-assets.s3.amazonaws.com/icons/Templeball.png</url>
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      <item>
         <title>Timeline</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349314182</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/92926/7eaf5d2b022277edeca5083295c37e22/timeline.jpg" />
         <pubDate>2019-04-07 23:21:32 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349314182</guid>
      </item>
      <item>
         <title>Beowulf</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349335102</link>
         <description><![CDATA[<div>Loyalty - Fame - Bravery </div>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/8/84/Stories_of_beowulf_wiglaf_and_beowulf.jpg" />
         <pubDate>2019-04-08 01:45:17 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349335102</guid>
      </item>
      <item>
         <title>Key concepts</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349338005</link>
         <description><![CDATA[<div><strong>Do  you associate these concepts with poetry, drama or narratives like novels and short stories? Use the right colour to include them in the padlet and comment on them.</strong></div><div><br></div><ol><li>Fabula    Macarena</li><li>Well-made play   Agostina </li><li>Sjuzet    Natalia</li><li>Scenery, costumes, lighting, sound  Carolina</li><li>Free indirect style   Agustina</li><li>Tragedy     Carolina</li><li>Interior monologue  Lucia</li><li>Stanza  Brenda</li><li>Comedy     Agustina </li><li>Foot, metre and rhyme   Natalia</li><li>Focalisation   Brenda</li><li>Dramatic irony and comic relief  Lucia</li><li>Unities   Macarena</li><li>Characterisation techniques    Agostina </li></ol>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 02:03:46 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349338005</guid>
      </item>
      <item>
         <title>Poetry</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349338273</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 02:05:21 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349338273</guid>
      </item>
      <item>
         <title>Novel and short story</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349338346</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 02:05:52 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349338346</guid>
      </item>
      <item>
         <title>Drama</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349338421</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 02:06:22 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349338421</guid>
      </item>
      <item>
         <title>Criticism</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349343029</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://www.studentguide.org/the-major-schools-of-literary-theory/" />
         <pubDate>2019-04-08 02:32:12 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349343029</guid>
      </item>
      <item>
         <title>Type the key themes here too</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349360190</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://docs.google.com/document/d/1kbGIKQtvqV_z_Fi7RqpZ5yVrGAjQ8EB5T92BpSDcrKA/edit?usp=sharing" />
         <pubDate>2019-04-08 04:39:20 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349360190</guid>
      </item>
      <item>
         <title>Themes</title>
         <author>mamez2222</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349360387</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://i.imgur.com/lb1VfRr.png" />
         <pubDate>2019-04-08 04:41:04 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349360387</guid>
      </item>
      <item>
         <title>Frankestein</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349726020</link>
         <description><![CDATA[<div>Madness, science, playing God</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 21:56:42 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349726020</guid>
      </item>
      <item>
         <title>The Great Gastby </title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349726145</link>
         <description><![CDATA[<div>Love <br>Money <br>Luxury <br>Tragedy </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 21:57:16 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349726145</guid>
      </item>
      <item>
         <title>Frankenstein</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349726175</link>
         <description><![CDATA[<div>Horror fiction<br>The ethical limits of science <br>The "other" <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 21:57:25 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349726175</guid>
      </item>
      <item>
         <title>Macbeth</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349726709</link>
         <description><![CDATA[<div>Ambition<br>Treason<br>Chain of being</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 22:00:37 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349726709</guid>
      </item>
      <item>
         <title>Romeo &amp; Juliet</title>
         <author>luciacasastrad</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349727527</link>
         <description><![CDATA[<div>Passion<br>Love<br>Death<br>Treason </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 22:05:34 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349727527</guid>
      </item>
      <item>
         <title>1984</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349727709</link>
         <description><![CDATA[<div>Opression<br>Dystopia<br>Class system<br>Love <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 22:06:32 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349727709</guid>
      </item>
      <item>
         <title>Jane Eyre</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349727730</link>
         <description><![CDATA[<div>The role of women<br>The postcolonial other<br>Love<br>Madness <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 22:06:39 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349727730</guid>
      </item>
      <item>
         <title>Poetry</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349728149</link>
         <description><![CDATA[<div>Foot, rhyme and metre</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-08 22:09:01 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349728149</guid>
      </item>
      <item>
         <title>Fabula</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349779914</link>
         <description><![CDATA[<div>Narratives. <br>"<strong>Fabula refers to the chronological sequence of events in a narrative". It is a term "</strong>originating in <a href="https://en.wikipedia.org/wiki/Russian_formalism">Russian formalism</a> and employed in narratology that describes narrative construction. <br>fabula is the chronological order of the events contained in the story. The word was first used in this sense by <a href="https://en.wikipedia.org/wiki/Vladimir_Propp">Vladimir Propp</a> and <a href="https://en.wikipedia.org/wiki/Viktor_Shklovsky">Viktor Shklovsky</a>.The fabula is "the raw material of a story".</div><div><br></div><div><strong><br>Sources: </strong><a href="https://www.cla.purdue.edu/english/theory/narratology/terms/fabula.html">https://www.cla.purdue.edu/english/theory/narratology/terms/fabula.html</a><br><a href="https://en.wikipedia.org/wiki/Fabula_and_syuzhet">https://en.wikipedia.org/wiki/Fabula_and_syuzhet</a><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 03:14:49 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349779914</guid>
      </item>
      <item>
         <title>Unities</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349780957</link>
         <description><![CDATA[<div>"<strong>Unities</strong>, in <a href="https://www.britannica.com/art/dramatic-literature">drama</a>, the three principles derived by French classicists from <a href="https://www.britannica.com/biography/Aristotle">Aristotle</a>’s <a href="https://www.britannica.com/topic/Poetics"><em>Poetics</em></a>; they require a play to have a single action represented as occurring in a single place and within the course of a day. These principles were called, respectively, unity of action, unity of place, and unity of time".<br>Source: <a href="https://www.britannica.com/art/unities">https://www.britannica.com/art/unities</a><br><br></div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 03:21:30 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349780957</guid>
      </item>
      <item>
         <title>Free Indirect Style</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349940040</link>
         <description><![CDATA[<div>Free indirect style (free indirect speech or free indirect discourse) is a narrative style which requires some explanation and unpicking, since it is subtle and sometimes difficult to spot in a work of fiction.<br>Free indirect style is when the voice of a third-person narrator takes on the style and ‘voice’ of one of the characters within the story or novel.<br><br>Source: <a href="https://interestingliterature.com/2018/09/19/a-short-introduction-to-free-indirect-style/">https://interestingliterature.com/2018/09/19/a-short-introduction-to-free-indirect-style/</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 14:02:41 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349940040</guid>
      </item>
      <item>
         <title>Comedy</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/349940734</link>
         <description><![CDATA[<div>Comedy is a literary <a href="https://literarydevices.net/genre/">genre</a> and a type of dramatic work that is amusing and satirical in its <a href="https://literarydevices.net/tone/">tone</a>, mostly having a cheerful ending. The <a href="https://literarydevices.net/motif/">motif</a> of this dramatic work is triumph over unpleasant circumstance by creating comic effects, resulting in a happy or successful <a href="https://literarydevices.net/conclusion/">conclusion</a>. Thus, the purpose of comedy is to amuse the <a href="https://literarydevices.net/audience/">audience</a>.<br>5 types of comedy:<br>- Romantic comedy.<br>- Comedy of humors.<br>- Comedy of manners.<br>- Sentimental comedy.<br>- Tragicomedy.<br><br>Source: <a href="https://literarydevices.net/comedy/">https://literarydevices.net/comedy/</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 14:03:58 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/349940734</guid>
      </item>
      <item>
         <title>Tragedy</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350064112</link>
         <description><![CDATA[<div>As a species of drama tragedy can be defined only in the most general terms, such as Aristotle’s ‘the imitation of an action that is serious . . . withincidents arousing pity and fear’. His Poetics attempts a classification of the elements proper to tragedy but, despite his inductive methodology, few Greek tragedies conform to his model. However, his concept of hamartia, the act of the hero which initiates the fatal process, suggests a basis for a more developed theory of tragedy. This hamartia may be anything from a mistake over identity to deliberate crime or sin, but is always horrifyingly out of proportion to the consequences of pain and destruction. The act of the hero, an individual ‘better than ourselves’, opens a gap in the fragile fabric of morality and civilization through which the primeval forces of anarchy and destruction pour. Tragedy is a dramatization of an individual’s sense of life and society as constantly under threat from the arbitrary chances of fate and humanity’s own innate savagery.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 17:54:53 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350064112</guid>
      </item>
      <item>
         <title>Pride and Prejudice </title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350067706</link>
         <description><![CDATA[<div>-Love<br>-Class<br>-Reputation </div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 18:01:04 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350067706</guid>
      </item>
      <item>
         <title>Scenery, costume, lighting, sound</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350072088</link>
         <description><![CDATA[<div>Scenery, costume, lighting and sound are all major elements of theatres.</div><div><strong>Scenery</strong>: the <a href="https://dictionary.cambridge.org/es/diccionario/ingles/large">large</a> <a href="https://dictionary.cambridge.org/es/diccionario/ingles/paint">painted</a> <a href="https://dictionary.cambridge.org/es/diccionario/ingles/picture">pictures</a> used on a <a href="https://dictionary.cambridge.org/es/diccionario/ingles/theatre">theatre</a> <a href="https://dictionary.cambridge.org/es/diccionario/ingles/stage">stage</a> to <a href="https://dictionary.cambridge.org/es/diccionario/ingles/represent">represent</a> the <a href="https://dictionary.cambridge.org/es/diccionario/ingles/place">place</a> where the <a href="https://dictionary.cambridge.org/es/diccionario/ingles/action">action</a> is.</div><div><strong>Costume</strong>: fancy-dress costume a set of <a href="https://dictionary.cambridge.org/es/diccionario/ingles/clothes">clothes</a> <a href="https://dictionary.cambridge.org/es/diccionario/ingles/worn">worn</a> in <a href="https://dictionary.cambridge.org/es/diccionario/ingles/order">order</a> to <a href="https://dictionary.cambridge.org/es/diccionario/ingles/look">look</a> like someone or something <a href="https://dictionary.cambridge.org/es/diccionario/ingles/else">else</a>, <a href="https://dictionary.cambridge.org/es/diccionario/ingles/especially">especially</a> for a <a href="https://dictionary.cambridge.org/es/diccionario/ingles/party">party</a> or as <a href="https://dictionary.cambridge.org/es/diccionario/ingles/part">part</a> of an <a href="https://dictionary.cambridge.org/es/diccionario/ingles/entertainment">entertainment</a>. </div><div><strong>Lighting</strong>: the <a href="https://dictionary.cambridge.org/es/diccionario/ingles/arrangement">arrangement</a> of <a href="https://dictionary.cambridge.org/es/diccionario/ingles/light">lights</a> used in a <a href="https://dictionary.cambridge.org/es/diccionario/ingles/room">room</a>, <a href="https://dictionary.cambridge.org/es/diccionario/ingles/house">house</a>, <a href="https://dictionary.cambridge.org/es/diccionario/ingles/theatre">theatre</a>, etc.</div><div><strong>Sound</strong>: the <a href="https://dictionary.cambridge.org/es/diccionario/ingles/activity">activity</a> of <a href="https://dictionary.cambridge.org/es/diccionario/ingles/recording">recording</a> and <a href="https://dictionary.cambridge.org/es/diccionario/ingles/broadcast">broadcasting</a> sound such as from a <a href="https://dictionary.cambridge.org/es/diccionario/ingles/performance">performance</a> of <a href="https://dictionary.cambridge.org/es/diccionario/ingles/music">music</a> or for a <a href="https://dictionary.cambridge.org/es/diccionario/ingles/film">film</a>.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 18:08:31 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350072088</guid>
      </item>
      <item>
         <title>Scenery, costume, lighting, sound</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350075057</link>
         <description><![CDATA[<div><strong>Lighting:</strong> the placement, intensity, and color of lights to help communicate environment, mood, or feeling.</div><div><strong>Scenery:</strong> the theatrical equipment, such as curtains, flats, backdrops, or platforms, used in a dramatic production to communicate environment.</div><div><strong>Sound:</strong> the effects an audience hears during a performance to communicate character, context, or environment.</div><div><strong>Sound devices:</strong> in literature, use of repetition and parallel structure, using words or phrases more than once for emphasis.</div><div><strong>Sound elements:</strong> music, sound effects, actors’ voices.</div><div><strong>Costumes:</strong> clothing and accessories worn by actors to portray character and period.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 18:14:05 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350075057</guid>
      </item>
      <item>
         <title>STANZA</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350082608</link>
         <description><![CDATA[<div>A division of a poem consisting of two or more lines arranged together as a unit. More specifically, a stanza usually is a group of lines arranged together in a recurring pattern of metrical lengths and a sequence of rhymes.</div><div><br></div><div>The structure of a stanza (also called a strophe or stave) is determined by the number of lines, the dominant metre, and the rhyme scheme. Thus, a stanza of four lines of iambic pentameter, rhyming abab, could be described as a quatrain.</div><div><br><strong>Source: </strong><a href="https://www.britannica.com/art/stanza">https://www.britannica.com/art/stanza</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 18:28:48 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350082608</guid>
      </item>
      <item>
         <title>FOCALISATION</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350084616</link>
         <description><![CDATA[<div>The term used in modern narratology for ‘point of view’; that is, for the kind of perspective from which the events of a story are witnessed. Events observed by a traditional omniscient narrator are said to be non‐focalized, whereas events witnessed within the story's world from the constrained perspective of a single character are ‘internally focalized’. The nature of a given narrative's focalization is to be distinguished from its narrative ‘voice’, as seeing is from speaking.<br><br>Source:<a href="http://www.oxfordreference.com/view/10.1093/oi/authority.20110803095825880">http://www.oxfordreference.com/view/10.1093/oi/authority.20110803095825880</a></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 18:33:13 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350084616</guid>
      </item>
      <item>
         <title>Interior monologue</title>
         <author>luciacasastrad</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350110525</link>
         <description><![CDATA[<div>It is a narrative technique that exhibits the thoughts, feelings and impressions passing through the mind of a character. It is usually interchanged with “stream of consciousness” although the latter is a more general term. Interior monologues encompass several forms: dramatized inner conflicts, self analysis, imagined dialogue and rationalization.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 19:30:01 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350110525</guid>
      </item>
      <item>
         <title>Dramatic Irony</title>
         <author>luciacasastrad</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350110982</link>
         <description><![CDATA[<div>It takes place when the reader knows something’s that the characters don’t.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 19:31:05 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350110982</guid>
      </item>
      <item>
         <title>Comic Relief</title>
         <author>luciacasastrad</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350111790</link>
         <description><![CDATA[<div>It is the author’s use of Humphrey to give the reader or audience an emotional break from the tension and heavy mood of q serious tragic plot. For example: holy morons characters, clever dialogues and funny scenes.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 19:33:07 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350111790</guid>
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      <item>
         <title>Well-made plays</title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350135850</link>
         <description><![CDATA[<div>The technical formula of the well-made play, developed around 1825 by the French playwright <a href="https://www.britannica.com/biography/Eugene-Scribe">Eugène Scribe</a>, called for complex and highly artificial plotting, a build-up of suspense, a climactic scene in which all problems are resolver and which has a happy ending. <br><br>Source: https://www.britannica.com/art/well-made-play</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 20:53:38 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350135850</guid>
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      <item>
         <title>Characterization techniques </title>
         <author></author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350139916</link>
         <description><![CDATA[<div>Characterization is a literary device that is used step-by-step in literature to highlight and explain the details about a <a href="https://literarydevices.net/character/">character</a> in a story. It is in the initial stage in which the writer introduces the character with noticeable emergence. After introducing the character, the writer often talks about his behavior; then, as the story progresses, the thought-processes of the character.<br>Approaches:<br>Direct and explicit<br>Indirect and implicit<br><br>Source: https://literarydevices.net/characterization/</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 21:12:21 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350139916</guid>
      </item>
      <item>
         <title>1984</title>
         <author>luciacasastrad</author>
         <link>https://padlet.com/mamez2222/lit3sb2019/wish/350149307</link>
         <description><![CDATA[<div>Totalitarianism<br>Identity<br>Language <br>Propaganda<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-04-09 21:57:47 UTC</pubDate>
         <guid>https://padlet.com/mamez2222/lit3sb2019/wish/350149307</guid>
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