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      <title>Linking by Camryn</title>
      <link>https://padlet.com/camryndebeau/ukuh1nye8xf6</link>
      <description>What does music make you feel linked to?</description>
      <language>en-us</language>
      <pubDate>2017-11-25 21:54:59 UTC</pubDate>
      <lastBuildDate>2025-10-06 14:04:23 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Citation</title>
         <author>camryndebeau</author>
         <link>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210080176</link>
         <description><![CDATA[<div>Ratliff, Ben. "On the Waves: Linking." <em>Every Song Ever: Twenty ways to listen in an age of music plenty.</em> Picador, 2017. p. 207-215.</div>]]></description>
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         <pubDate>2017-11-25 22:07:20 UTC</pubDate>
         <guid>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210080176</guid>
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         <title>Gabriel Faure</title>
         <author>camryndebeau</author>
         <link>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210083809</link>
         <description><![CDATA[<div>Faure was a French composer and pianist.&nbsp;In Ratliff's book he talks about his piano playing in his Piano Quintet no.2. In which Faure in linking his last part back to the first. <strong><em>"But the heart-destroying&nbsp;slow third movement  of his Piano Quintet no. 2, touching down in variations on three melodic motifs--- gives the impression of moving forward without circling back to step one, without externally imposed form or square movement." (Page 209)</em></strong></div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=F3DDu6Dngks" />
         <pubDate>2017-11-25 23:06:40 UTC</pubDate>
         <guid>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210083809</guid>
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         <title>Henry Threadgill</title>
         <author>camryndebeau</author>
         <link>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086522</link>
         <description><![CDATA[<div>Threadgill is working with Zooid to make their music connect with the listeners. This is how he reaches out to them to tell them their goals. <strong><em>"... has steered towards a kind of music that moves along surely, while offering few clues about what kind of goals it wants to reach or how it will reach them.... Those gaps bring the listener in. And when the listener is in, he wonders: Do I know my way around?..." (Page 213-214)</em></strong></div>]]></description>
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         <pubDate>2017-11-25 23:52:10 UTC</pubDate>
         <guid>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086522</guid>
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         <title>&quot;Less than you think, Threadgill&#39;s music answers. It is not forbidding. But it takes that power away from you. Put another way, it relieves you of that burden.&quot; (Page 214)</title>
         <author>camryndebeau</author>
         <link>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086715</link>
         <description><![CDATA[<div>I agree with Ratliff that power is taken away from the listeners when listening to music. Some music people don't understand what is going on in it.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-25 23:57:30 UTC</pubDate>
         <guid>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086715</guid>
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         <title>Linking in music</title>
         <author>camryndebeau</author>
         <link>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086847</link>
         <description><![CDATA[<div><strong><em>"We go to work, we chop the onions, we wash the clothes, we pay the bills, we make the deadlines. Repetitive motion brings us to the end of the work, one motion at a time. ... But music doesn't have to be set at right angles. It does not have to be square or symmetrical or neatly sequential." (Page 207)</em></strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-11-26 00:01:05 UTC</pubDate>
         <guid>https://padlet.com/camryndebeau/ukuh1nye8xf6/wish/210086847</guid>
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