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      <title>RESEARCH by PIETRA BONATTI</title>
      <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z</link>
      <description>PART 3
</description>
      <language>en-us</language>
      <pubDate>2019-03-27 14:40:13 UTC</pubDate>
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         <title>XANDRA IBARRA - SHE&#39;S ON THE RAG, 2013 -</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/345743283</link>
         <description><![CDATA[<div>She's on the Rag is an ongoing artwork by Mexican artist Xandra Ibarra, also known as "La Chica Boom". The project offered various Rorschach tests made of her own menstrual blood. She began her period one day while working at an artist residency. <br>"I didn’t have a tampon or pad to prevent the bleeding so I folded a paper towel and put it in my underwear while I went to the store to pick up tampons. When I came back, I removed and opened up the folded paper towel and realised it made a beautiful symmetrical print." <br>In addition to selling individual menstrual works of art, the artist offers a psychodynamic consultation that aims to “read" to every buyer via a video consultation and based on these consultations, she deciphers the designs’ potential meanings. According to the artists "“She’s on the Rag” is humorous and manipulates the political economy of sexuality."<br><mark>Anon, (2019). [image] Available at: https://hyperallergic.com/wp-content/uploads/2015/11/Rorschach_Menstrual_Blot_8_2013.jpg [Accessed 28 Mar. 2019].<br>Hyperallergic. (2019). </mark><em><mark>Reading Menstrual Rags Like Rorschach Tests</mark></em><mark>. [online] Available at: https://hyperallergic.com/252940/reading-menstrual-rags-like-rorschach-tests/ [Accessed 28 Mar. 2019].</mark></div>]]></description>
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         <pubDate>2019-03-27 15:07:09 UTC</pubDate>
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      <item>
         <title>MAGDALENA ABAKANOWICZ</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346234498</link>
         <description><![CDATA[<div>Magdalena Abakanowicz was born in Poland in 1930 and began working as an artist in the late 50s. She is best known for her textile sculptures of biomorphic forms. Abakanowicz was particularly influenced by the geometric structures of Constructivist art. By the mid 60s she began to work exclusively with natural fibres like sisal. I think I might be able to incorporate some of her aesthetics aspects in the work I am planning to do. Magdalena's sculptures were often very big, almost 3 meters high. The contrast between the rough material and the delicate forms she creates are some things I am willing to explore in this project. They invite touch and exploration but at the same time are very frightening, this one, <em>Black Garment</em>, almost looks like a monster.<br><mark>Abakanowicz, M. (2019). </mark><em><mark>Magdalena Abakanowicz Biography – Magdalena Abakanowicz on artnet</mark></em><mark>. [online] Artnet.com. Available at: http://www.artnet.com/artists/magdalena-abakanowicz/biography [Accessed 23 Mar. 2019].<br>Reckitt, H. and Phelan, P. (2012). </mark><em><mark>Art and feminism</mark></em><mark>. 1st ed. London: Phaidon.</mark></div>]]></description>
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         <pubDate>2019-03-28 16:35:46 UTC</pubDate>
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         <title>SHE&#39;S BEAUTIFUL WHEN SHE&#39;S ANGRY</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346246720</link>
         <description><![CDATA[<div><em>She's Beautiful when She's Angry</em> is a documentary about the birth of women's liberation movement in the 60s. The film covers a timeline from the period when <em>The Feminine Mystique </em>began taking hold of public consciousness and it ends with showing the major develops of radical feminism in America. The problems that most caught my attention on this film were the issues concerning abortion an child care. Over 50 years ago women started fighting for these rights and today they're still judged as unnecessary matters. None of the activists that take part in the Doc are under the illusion that their work is done. There's still a lot of things to do. It made me think about how women’s rights are being rolled back by modern legislation on the Occident. It's like<em> Simone de Beauvoi</em>r said: "Never forget that a political, economical or religious crisis will be enough to cast doubt on women's rights. These rights will never be vested. You'll have to stay vigilant your whole life."</div><div><mark>Anon, (2019). [image] Available at: https://m.media-amazon.com/images/M/MV5BMTA1ODkwODEyNDBeQTJeQWpwZ15BbWU4MDk1MjY0MDMx._V1_.jpg [Accessed 25 Mar. 2019].<br></mark><em><mark>She's Beautiful When She's Angry</mark></em><mark>. (2014). [film] Directed by M. Dore. Salt Lake City: Netflix. </mark></div>]]></description>
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         <pubDate>2019-03-28 17:01:03 UTC</pubDate>
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         <title>JUDY CHICAGO - RED FLAG, 1971</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346295756</link>
         <description><![CDATA[<div>Red Flag is a photo lithograph work by Judy Chicago that aims on bringing up the reality of women's bodies. It was the first work of art to show a woman removing a tampon. Something so common in every women's lives. It seems to break up the taboo of ladylike purity. Judy commented that a lot of people did not know what the red object was and some thought it was a bloody penis, showing how unwilling people were to perceive the reality of the female body.<br><mark>Reckitt, H. and Phelan, P. (2012). </mark><em><mark>Art and feminism</mark></em><mark>. 1st ed. London: Phaidon.<br>Mum.org. (2019). </mark><em><mark>The Art of Menstruation: Judy Chicago's Red Flag at MUM</mark></em><mark>. [online] Available at: http://www.mum.org/armenjc.htm [Accessed 28 Mar. 2019].</mark></div>]]></description>
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         <pubDate>2019-03-28 18:37:24 UTC</pubDate>
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      <item>
         <title>SHIGEKO KUBOTA</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346338840</link>
         <description><![CDATA[<div>Shigeko Kubota was born in Niigata, Japan, in 1937, and she is most known for her performances, installations and videos. In 1965, Shigeko Kubota performed "Vagina Painting". She laid a large sheet of paper on the floor and with a brush tied to her underwear, painted red strokes on it. Kubota turned her body into a tool, creating the statement that the female body, as an object of art, no longer exists and it is now an instrument of creation of art. "Vagina Painting" addresses issues such as the fertility, creation and roles of women in society at the time.<mark><br>Reckitt, H. and Phelan, P. (2012). </mark><em><mark>Art and feminism</mark></em><mark>. 1st ed. London: Phaidon.</mark></div>]]></description>
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         <pubDate>2019-03-28 20:42:07 UTC</pubDate>
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      <item>
         <title>MISS ME</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346564242</link>
         <description><![CDATA[<div>Miss Me is a feminist art vandal who works anonymously. She lives in Montreal and her work is reclaiming media representations of women by taking powerful images of women to the street. Although her work is basically composed by naked women, the position of these bodies aren't of seduction. It's a matter of owning their own body, sexuality and representation. Miss Me claims that her goal is to help women and specially young women understand that embracing their differences and weirdness as a part of being fully feminine.<br><mark>YouTube. (2019). </mark><em><mark>Meet the Feminist Artful Vandal: Miss Me</mark></em><mark>. [online] Available at: https://www.youtube.com/watch?v=WO1taCi7gFM [Accessed 29 Mar. 2019].</mark></div>]]></description>
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         <pubDate>2019-03-29 14:14:53 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/346564242</guid>
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      <item>
         <title>signature (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348188363</link>
         <description><![CDATA[<ul><li>1530s, a kind of document in Scottish law, from Middle French <em>signature</em> (16c.) or directly from Medieval Latin <em>signatura</em> "signature, a rescript," in classical Latin "the matrix of a seal," from <em>signatus</em>, past participle of <em>signare</em> <strong>"to mark with a stamp, sign".</strong></li><li>Meaning "one's own name written in one's own hand" is from 1570s, replacing <em>sign-manual</em> (early 15c.) in this sense. Musical sense of "signs placed it the beginning of a staff to indicate the key and rhythm" is from 1806. Meaning "a distinguishing mark of any kind" is from 1620s.</li></ul><div><mark>Etymonline.com. (2019). </mark><em><mark>signature | Origin and meaning of signature by Online Etymology Dictionary</mark></em><mark>. [online] Available at: https://www.etymonline.com/word/signature [Accessed 3 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-03 17:13:08 UTC</pubDate>
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      <item>
         <title>sign (v.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348190338</link>
         <description><![CDATA[<ul><li>c. 1300, "to make the sign of the cross," from Old French <em>signier</em> "to make a sign (to someone); to mark," from Latin <em>signare</em> "to set a mark upon, mark out, designate; mark with a stamp; distinguish, adorn;" figuratively "to point out, signify, indicate," from <em>signum</em> "identifying mark, sign" (see sign (n.)). Sense of "to mark, stamp" is attested from mid-14c.; that of "to affix one's name" is from late 15c. Meaning "to communicate by hand signs" is recorded from 1700. Related: <em>Signed</em>; <em>signing</em>.</li></ul><div><mark>Etymonline.com. (2019). </mark><em><mark>sign | Origin and meaning of sign by Online Etymology Dictionary</mark></em><mark>. [online] Available at: https://www.etymonline.com/word/sign [Accessed 3 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-03 17:16:09 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348190338</guid>
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      <item>
         <title>sign (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348191294</link>
         <description><![CDATA[<ul><li>It has ousted native <strong>token</strong>. Meaning "a mark or device having some special importance" is recorded from late 13c.; that of "a miracle" is from c. 1300. Zodiacal sense in English is from mid-14c. Sense of "characteristic device attached to the front of an inn, shop, etc., to distinguish it from others" is first recorded mid-15c. Meaning "token or signal of some condition" (late 13c.) is behind <strong><em>sign of the times</em></strong> (1520s). In some uses, the word probably is a shortening of <strong>ensign</strong>. <strong><em>Sign language</em></strong> is recorded from 1847; earlier <em>hand-language</em> (1670s).</li></ul><div><mark>Etymonline.com. (2019). </mark><em><mark>sign | Origin and meaning of sign by Online Etymology Dictionary</mark></em><mark>. [online] Available at: https://www.etymonline.com/word/sign [Accessed 3 Apr. 2019].</mark></div><div><br></div>]]></description>
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         <pubDate>2019-04-03 17:17:31 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348191294</guid>
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      <item>
         <title>RASGO - RENATO DID</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348570274</link>
         <description><![CDATA[<ul><li><em>wall panel made of fabrics and fake pearls on wood frame.</em></li></ul><div>The layering of different fabrics and the big wound on this work are the things that most catch my attention. I feel like almost all of Renato Dibi's works often remind me of <mark>flesh and movement, due to the red and the organic forms he explores.<br></mark>I think his work, and specifically this one, are a strong reference to me mostly in the aesthetic area because, in this project, wanting to illustrate something that is so fluid and raw, like menstruation, fabric might be one of the best options to achieve the body tissue aesthetic I am looking for.<br><mark>Anon, (2019). [image] Available at: https://www.renatodib.com/sanguinea-ensemble?lightbox=dataItem-inq6ta5k [Accessed 4 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-04 15:11:36 UTC</pubDate>
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      <item>
         <title>NÔ-VÊ-LO - RENATO </title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348572578</link>
         <description><![CDATA[<div>This is another Renato Dibi piece that I found to be a great source of aesthetic exploration to me because of the translucent fabrics on this. It is easy to create interesting images and textures by layering different fabrics. For example, on this one, the red and brown stripes remind me of <mark>GUTS</mark> from inside the human body.<br><mark>Anon, (2019). [image] Available at: https://www.renatodib.com/sanguinea-ensemble?lightbox=dataItem-inq6ptko [Accessed 4 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-04 15:15:45 UTC</pubDate>
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      <item>
         <title>Period. End of Sentence.</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348604821</link>
         <description><![CDATA[<div>This movie is a documentary about a little village in India where women fight the stigma surrounding menstruation and begin manufacturing her own sanitary pads. It starts with the contextualization of the experiences of women in rural areas of India, presenting testimonies that expose that in the region the access to information about the female body is practically non-existent. Almost all women interviewed had no idea why they menstruate and many of them consider menstruation a disease.<br>The most important message in this movie is about the practical and social consequences of precluding menstruation. Female bodies are above all things political bodies and therefore targets to various levels of oppression and violence. <mark>Denying women knowledge about their own bodies is a form of patriarchal control.</mark><br>The documentary even talks about how women may fall ill - one girls said that she uses any type of cloth to contain the flow of blood, something that clearly jeopardizes her health, something that may even kill her; another woman says that she left school because it was very difficult to have to change her clothes every time to keep herself dry. None of them had ever used an intimate absorbent - either because it is too expensive, or because of lack of information - and are forced to leave schools simply because they have an uterus. By menstruating, they are considered incapable of having an education, autonomy, and, consequently, are destined to compulsory marriages that maintain masculine privileges and structures of misogynistic power. Women menstruate, and therefore are considered unfit for public life. <br>When a hygienic absorbent machine is inserted into the film, the previously soaked prospects begin to change. Some women who have never worked before join forces to make low-cost absorbents and convince other women in the community to use them as well. They begin a modest but exciting and promising revolution of collectivity, exchange and female financial autonomy.</div><div><mark>Anon, (2019). [image] Available at: http://time.com/5526055/india-period-end-of-sentence-oscars-2019/ [Accessed 4 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-04 16:17:30 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/348604821</guid>
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      <item>
         <title>LEONILSON: arquivo e memória vivos</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/351517197</link>
         <description><![CDATA[<div>I liked how some of the canvas were displayed in the exhibition, with a little wood square and a thin wire. I guess I could incorporate that idea if I decide to commit to a single panel outcome.</div>]]></description>
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         <pubDate>2019-04-14 22:52:09 UTC</pubDate>
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      <item>
         <title>LEONILSON: arquivo e memória vivos</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/351519087</link>
         <description><![CDATA[<div><em>Linha sobre tela de voile </em>caught<em> </em>my<em> </em>attention<em> </em>as an outcome idea to my project. This work consists in a translucent fabric placed in a wood frame. I liked that I was able to see the frame through the canvas, transforming it in a important part of the final piece. Sometimes, in a paint, is easy to forget about the structure holding it. And I think this also applies to women. Most of the time we try to be like men, act like them and do our best to forget the structure of a woman just to be accepted.</div>]]></description>
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         <pubDate>2019-04-14 23:13:33 UTC</pubDate>
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      <item>
         <title>Organs: Ethereal Textiles by Moriel Dezaldeti</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/354458199</link>
         <description><![CDATA[<div>When thinking about constructing my second piece, this work is aesthetically relatable. I want to represent the <mark>menstrual flux with a fabric sculpture.</mark> I also think it is easier to create a relationship with a liquid atmosphere because fabric is a malleable object and due to that, is easier to get a <mark>FLUX/FLOW</mark> sensation from it.<br><mark>Anon, (2019). [image] Available at: https://design-milk.com/organs-moriel-dezaldeti/ [Accessed 28 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-26 14:05:03 UTC</pubDate>
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      <item>
         <title>flux (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/354466523</link>
         <description><![CDATA[<div>late 14c., "abnormally copious flow," from Old French <em>flus</em> "a flowing, a rolling; <mark>a bleeding</mark>" (Modern French <em>flux</em>), or directly from Latin <em>fluxus</em> (adj.) "flowing, loose, slack," past participle of <em>fluere</em> "to flow". Originally <mark>"excessive flow" (of blood or excrement)</mark>, it also was an early name for "dysentery;" sense of <mark>"continuous succession of changes"</mark> is first recorded 1620s. The verb is early 15c., from the noun.<br><mark>Etymonline.com. (2019). </mark><em><mark>flux | Origin and meaning of flux by Online Etymology Dictionary</mark></em><mark>. [online] Available at: https://www.etymonline.com/word/flux [Accessed 28 Apr. 2019].</mark></div>]]></description>
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         <pubDate>2019-04-26 14:23:56 UTC</pubDate>
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      <item>
         <title></title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/357303713</link>
         <description><![CDATA[<div>This article was a source of Research to decide how to illustrate each phase of the Menstrual Cycle in my work. With the descriptions of each phase I was able to think about a visual way to represent each one of them.</div>]]></description>
         <enclosure url="https://www.yourperiod.ca/normal-periods/menstrual-cycle-basics/" />
         <pubDate>2019-05-06 17:31:47 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/357303713</guid>
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      <item>
         <title></title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/357304026</link>
         <description><![CDATA[<div>This video was useable as a form of Research to understand the emotions the female body goes trough during each phase of the Menstrual Cycle.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=WOi2Bwvp6hw" />
         <pubDate>2019-05-06 17:32:22 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/357304026</guid>
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         <title>menstruation (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363497818</link>
         <description><![CDATA[<div>"the period of menstruation," 1680s, from past-participle stem of Late Latin <em>menstruare</em>, from <em>menstruus</em> "monthly" (from <em>mensis</em> "month;" see <strong>moon</strong> (n.)) + <strong>-ation</strong>. Old English equivalent was <em>monaðblot</em> "month-blood." Middle English had <em>menstrue</em> (n.), late 14c., from Old French <em>menstrue</em>, from Latin <em>menstruum</em>.<br><br></div><blockquote>Etymonline.com. (2019). <em>menstruation | Origin and meaning of menstruation by Online Etymology Dictionary</em>. [online] Available at: https://www.etymonline.com/word/menstruation#etymonline_v_31986 [Accessed 26 May 2019].</blockquote>]]></description>
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         <pubDate>2019-05-26 00:16:56 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363497818</guid>
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      <item>
         <title>menstruate (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363498135</link>
         <description><![CDATA[<div>1680s, "pollute with menstrual blood;" 1752, <strong>"to discharge the menses,"</strong> probably a back-formation from menstruation, or else from Latin <em>menstruatus</em>, past participle of <em>menstruare</em>, from <em>menstruus</em>"monthly," from <em>mensis</em> "month" (see moon (n.)). Related: <em>Menstruated</em>; <em>menstruating</em>.<br><br></div><blockquote>Etymonline.com. (2019). <em>menstruate | Origin and meaning of menstruate by Online Etymology Dictionary</em>. [online] Available at: https://www.etymonline.com/word/menstruate [Accessed 26 May 2019].</blockquote><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-26 00:22:29 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363498135</guid>
      </item>
      <item>
         <title>period (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499230</link>
         <description><![CDATA[<div>Sense of <strong>"repeated cycle of events" </strong>led to that of "interval of time." Meaning "dot marking end of a sentence" first recorded c. 1600, from similar use in Medieval Latin (in late 16c. English it meant "full pause at the end of a sentence"). Sense of "menstruation" dates from 1822. Educational sense of "portion of time set apart for a lesson" is from 1876. Sporting sense attested from 1898. As an adjective from 1905; <em>period piece</em> attested from 1911.</div><blockquote>Etymonline.com. (2019). <em>period | Origin and meaning of period by Online Etymology Dictionary</em>. [online] Available at: https://www.etymonline.com/word/period#etymonline_v_12704 [Accessed 26 May 2019].</blockquote><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-26 00:45:26 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499230</guid>
      </item>
      <item>
         <title>menstrual (adj.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499276</link>
         <description><![CDATA[<div>late 14c., <strong>"pertaining to menses of females,"</strong> from Old French <em>menstruel</em> and directly from Latin <em>menstrualis</em> "monthly," especially <strong>"of or having monthly courses,"</strong> from <em>menstruus</em> "of a month, every month, monthly, pertaining to a month," from <em>mensis</em> "month" (see <strong>moon</strong> (n.)). Occasionally, in astronomy, "monthly" (1590s).</div><blockquote> Etymonline.com. (2019). <em>menstrual | Origin and meaning of menstrual by Online Etymology Dictionary</em>. [online] Available at: https://www.etymonline.com/word/menstrual#etymonline_v_12592 [Accessed 26 May 2019].</blockquote>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-26 00:46:26 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499276</guid>
      </item>
      <item>
         <title>menses (n.)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499611</link>
         <description><![CDATA[<div><strong>"monthly discharge of blood from the uterus,"</strong> 1590s, from Latin <em>menses</em>, plural of <em>mensis</em> "month" (see moon (n.)).<br><br></div><blockquote>Etymonline.com. (2019). <em>menses | Origin and meaning of menses by Online Etymology Dictionary</em>. [online] Available at: https://www.etymonline.com/word/menses [Accessed 26 May 2019].</blockquote><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-26 00:52:30 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363499611</guid>
      </item>
      <item>
         <title>CONSTELLATION - POPPY JACKSON, 2016</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363602006</link>
         <description><![CDATA[<div>In Constellation, artist Poppy Jackson applied blood in dots across her own body and onto the ceiling of a gallery space. She collected menstrual blood from the public and brought them into contact with it.<br>What I find most amusing is that she creates a type of signature with blood when marking her own body with it, almost like an affirmation that we all came from uterine blood. It is also a form of empowerment since women are often ashamed of menstrual blood.<br><br></div><blockquote>Vimeo. (2019). <em>Constellation - Poppy Jackson</em>. [online] Available at: https://vimeo.com/156634572 [Accessed 26 May 2019].</blockquote>]]></description>
         <enclosure url="https://vimeo.com/156634572" />
         <pubDate>2019-05-26 22:58:32 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363602006</guid>
      </item>
      <item>
         <title>LUISA CALLEGARI, PROJETO M(AMA)</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363603146</link>
         <description><![CDATA[<div>I relate Luisa's work to my practice in the sense that she only works with pink. I find myself going trough different shades of pink every time. It is really hard for me to draw, paint or create anything without this colour. I really don't know what lead me into making this decision but every time is only by intuition. <br><strong>What I find most interesting when analysing this work is the use of the body to create mono prints and when talking about concept it really comes to hand since breast are a great symbol of the feminine. They are directly related to motherhood and sexuality.</strong> They are authorised when required for masculine pleasure but often banished when are trying to meet the ends of a woman. They must be shaped to meet the standards. They must be hidden so that they don't act against good morals. They are at the same time, sacred and profane.</div><blockquote>Luisacallegari.com. (2019). [online] Available at: https://www.luisacallegari.com/projetomama [Accessed 28 May 2019].</blockquote>]]></description>
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         <pubDate>2019-05-26 23:10:47 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363603146</guid>
      </item>
      <item>
         <title>LARISSA GUERRERO</title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363603684</link>
         <description><![CDATA[<div>I met Larissa in a Studio that I went with my boyfriend. We went to a gathering to check out a work from one of his friends. Her work caught my attention because she talks about feminism in a more spiritual way. But the crucial moment of that day was when she made the transmission of a film about menstruation, something that made me relate her practice to mine at the exact moment the film started.<br>Although Larissa's practice is much more AudioVisual than anything else, I was able to relate her concept with mine. We both wanted to bring attention to something that is often seem as an enormous taboo in society and is even a difficult thing for women to conquer. She ended up being a strong force of inspiration in a week that I was thinking about giving up from my ideas.<br><br></div><blockquote>Instagram.com. (2019). <em>larissa guerrero (@textogorfo) • Fotos e vídeos do Instagram</em>. [online] Available at: https://www.instagram.com/textogorfo/?hl=pt [Accessed 26 May 2019].</blockquote>]]></description>
         <enclosure url="https://www.instagram.com/textogorfo/?hl=pt" />
         <pubDate>2019-05-26 23:15:59 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363603684</guid>
      </item>
      <item>
         <title></title>
         <author>pietrabonatti</author>
         <link>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363866551</link>
         <description><![CDATA[<div>During this project I read Simone de Beauvoir, Angela Davis and Naomi Wolf. They were much more political subjects to think about than something actually related to Menstruation but they were a great source of information for me, as a young feminist.<br>When reading <em>The Second Sex</em> by Simone de Beauvoir I was able to understand the role of a woman in society and also the things that make me a woman and how they are simply explained by gender roles and patriarchal control. <em>Woman, Race and Class</em> by Angela Davis gave me a different perspective of the feminist movement. Angela makes an intersectional analysis of the feminist theory and she also brings up the big amount of racism that was present during the Suffragette's movement. She talks a lot about how white woman wanted to vote but wouldn't defend the right of black people to do the same. It was important to me, as a white woman, to understand that in certain places and situations, race speaks louder than gender. And reading <em>The beauty myth</em> by Naomi Wolf was the biggest reveal for me. I didn't finish this one yet but finding out how beauty images are used as a form of control was simply too much for me. I learned that today in order to be perfect, woman need to be successful and deal with the stigma of beauty at the same time. I wonder if one day we'll be able to live our lives without trying to fit in some kind of pattern that the only true thing that does to us is kill.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-05-28 02:03:12 UTC</pubDate>
         <guid>https://padlet.com/pietrabonatti/ujb95vrt8b4z/wish/363866551</guid>
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