https://padlet.com/shardin2/udmhymqpozlh Made with joy en-us 2016-10-20 08:55:20 UTC 2025-10-04 03:13:05 UTC hello@padlet.com https://padlet.com/shardin2/udmhymqpozlh/wish/132017350 FRANCESCA: Through the dialogue in this extract, Iago takes misogynistic stands and verbally criticizes women and labels them as smart/stupid or pretty/ugly. Meanwhile, Desdemona seems to take him seriously and proves to be one who isn’t hurt by one’s opinion, and can confront a man without having her husband around. Rhymes are also used by  Iago as he talks about the types of women, giving the impression of humour.]]> 2016-10-20 10:43:43 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017350 https://padlet.com/shardin2/udmhymqpozlh/wish/132017355 Through the dialogue in this extract, both Iago's and Roderigo's motivations are explained. Iago clearly asserts control over Roderigo by leading the conversation and instructing him. Once Roderigo exits, Iago furher characterizes himself by talking about Othello and Desdemona, as his comments showcase his evil character. He then repeats information said in his first soliloquy and giving the audience more information about his hatred for Othello.]]> 2016-10-20 10:43:44 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017355 https://padlet.com/shardin2/udmhymqpozlh/wish/132017383 Othello's speech within this extract in Act I, scene iii, accurately demonstrates his respectful and formal language and the love he holds for Desdemona. Furthermore, it allows Shakespeare to depict Othello as a kind and romantic individual, while demonstrating the effect of Iago's cruel intentions. ]]> 2016-10-20 10:43:59 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017383 https://padlet.com/shardin2/udmhymqpozlh/wish/132017386 Through the dialogue in this extract, both Iago's and and Roderigo's incentives to con Othello are uncovered; however Iago evidently affirms his authority over Roderigo. As the conversation between Iago and Roderigo develops, Iago further characterizes himself and Othello; and establishes a rather uncomfortable relationship with the audience. ]]> 2016-10-20 10:44:00 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017386 https://padlet.com/shardin2/udmhymqpozlh/wish/132017427 In this soliloquy Iago divulges information about his plan to achieve the downfall of Othello, and also his motivations behind the plan, therefore confiding in the audience as in the previous soliloquies, but he also makes an accurate, though probably biased, characterization of Othello and himself. ]]> 2016-10-20 10:44:13 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017427 https://padlet.com/shardin2/udmhymqpozlh/wish/132017468 This excerpt conveys Iago’s cunningness in leading a conversation with Cassio to prove to Othello that Cassio does have an affair with his wife. The main thesis of this passage is the way Iago is able to fool Othello by talking about his wife and making him think, it is Desdemona. The dialogue occurs between Cassio and Iago about Bianca’s love for Cassio, however Othello hidden near by understands they are talking about Desdemona, driving him angry due to the way Cassio talks. ]]> 2016-10-20 10:44:31 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017468 https://padlet.com/shardin2/udmhymqpozlh/wish/132017482 The extract emphasises the characterizations of Iago and Rodrigo, through the effect of the dialogue between Iago and Rodrigo, Iago’s soliloquy that demonstrates his psychological realism, and the language used throughout the extract. ]]> 2016-10-20 10:44:39 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017482 https://padlet.com/shardin2/udmhymqpozlh/wish/132017509 Through this passage, the reader understands the loving relationship between Desdemona and Othello, which is enhanced through the use of romantic imagery and name calling (language) between the two. Furthermore, Othello is characterized in a positive and memorable way through Desdemona’s language, while Iago is characterized in a dramatic way that adds suspense in the scene and foreshadows the rest of the play. ]]> 2016-10-20 10:44:49 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017509 https://padlet.com/shardin2/udmhymqpozlh/wish/132017538 In this passage from Shakespeare's famous Othello, published in the early 1600's, specific presentation and structure are used to emphasize the relationship Barbantio has with his daughter through his worry and being disappointed, while simultaneously displaying the mutual hatred characters have toward Othello in their deceiving actions and their language.]]> 2016-10-20 10:45:05 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017538 https://padlet.com/shardin2/udmhymqpozlh/wish/132017574 This dialogue from act 2, scene 1 accentuates Iago’s devilish intentions for Othello and Cassio, and simultaneously characterizes Othello and his relationship with Desdemona, through the use of emotional language. Furthermore, this text also foreshadows Iago’s diabolic plans through both Othello and Iago’s dialogue. ]]> 2016-10-20 10:45:13 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017574 https://padlet.com/shardin2/udmhymqpozlh/wish/132017678 In this extract of Othello we can see how structure and language can aid in our understanding about Iago's manipulation and abuse of power as well as his insults and double faced personality which contrasts with the emotions showed in the soliloquy. ]]> 2016-10-20 10:45:56 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/132017678 https://padlet.com/shardin2/udmhymqpozlh/wish/261377528 2018-05-16 20:18:19 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/261377528 https://padlet.com/shardin2/udmhymqpozlh/wish/423426409 2019-12-12 17:50:56 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/423426409 https://padlet.com/shardin2/udmhymqpozlh/wish/484714430 2020-03-31 15:24:06 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/484714430 https://padlet.com/shardin2/udmhymqpozlh/wish/581160449 2020-05-18 22:40:05 UTC https://padlet.com/shardin2/udmhymqpozlh/wish/581160449