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      <title>IB English HL Journals by Sophie Chinn</title>
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      <language>en-us</language>
      <pubDate>2021-12-15 16:42:36 UTC</pubDate>
      <lastBuildDate>2021-12-15 18:08:08 UTC</lastBuildDate>
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         <author>sophiechinn11</author>
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         <description><![CDATA[<div>Chen Chen maintains the theme of identity throughout his body of work. Most often, this identity is that of a young gay man coming into his sexuality, with a family who will not accept him for who he is. In poems like “Race to the Tree”, Chen Chen explores his experience as a young teenager, running away from home after telling his mother that he was gay. The poem is a mix of anger at his parents’ ignorance and desire to be in a relationship with a boy at school, poignantly summing up the adolescent jumble of emotions that he felt when coming to terms with his sexuality. Other poems like “I Invite My Parents to a Dinner Party” describe Chen Chen’s continued struggle with his parents as a gay man. Even as an adult, he is in an uphill battle with his parents to get them to accept his identity.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:28:30 UTC</pubDate>
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         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950027697</link>
         <description><![CDATA[<div>57 Bus represents different perspectives on the acceptance of non-cisgender/heterosexual identities of gender and sexuality. Sasha, who is on their own journey of discovering their gender and sexuality identity, is . On the other hand, Sasha’s friends struggle with accepting Sasha’s new identity. They find it difficult to understand where Sasha is coming from and how certain things would work for them from now on. Who are they attracted to? Do they want to have sex? Etc. The perspective of Sasha’s friends is a particularly unique representation to me because these are questions that a lot of cisgendered/heterosexual people have when the people around them are exploring their gender identity or sexuality, because they simply don’t have the first-hand experience to understand, which is part of the learning process.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:28:48 UTC</pubDate>
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         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950028091</link>
         <description><![CDATA[<div>Jane the Virgin is a unique representation of culture in popular television. That is, the way that it represents Latinx culture is quite genuine and complex, which is generally unusual for American television. It embeds the tropes of telenovelas (a prominent component of Latinx culture), and flips it on its head to defy stereotypes, all while maintaining the over-the-top dramatic value of telenovelas. In particular, the show uses stereotypes of women (the sexy temptress, the innocent virgin, the gold digger) to introduce characters, and continues on to develop them into characters with intricate journeys past their initial stereotypes.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:29:00 UTC</pubDate>
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         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950028697</link>
         <description><![CDATA[<div>Cleofilas undergoes a transformation throughout this story. She is initially dependent on telenovela tropes to create a vision for what life should look like. She sees the only purpose in life as being to fall in love with a man. This creates this image of men as romantic heroes and women as uniquely submissive to men. This changes when she marries Juan Pedro because he isn't a handsome or romantic man, unlike the men portrayed in telenovelas. He is abusive and destroys the idea that she has of a passionate love affair between men and women.&nbsp;Her perception of women also changes when she meets Felice, a woman who helps her escape Juan Pedro. Felice is financially independent and doesn't behave like a "proper" woman, let alone a two-dimensional love interest of a woman that is portrayed in telenovelas. </div>]]></description>
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         <pubDate>2021-12-15 17:29:18 UTC</pubDate>
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         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950047806</link>
         <description><![CDATA[<div>In Moonlight, communication is a prevalent theme throughout the film. Chiron doesn’t talk very much, and often does not respond when he is spoken to, especially in situations where he feels uncomfortable. Because he does not have a safe home, he feels constantly guarded, which comes to fruition in his reluctance to speak. Instead, Chiron communicates with others in different ways. When Juan takes him to the beach, they connect through the physical act of Juan holding Chiron in the water, making him feel a sense of safety and security. Another example of an alternate form of communication that Chiron uses is with Terrell. Instead of expressing his anger towards Terrell and Kevin with words, he uses violence to externalize his feelings.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:37:41 UTC</pubDate>
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         <title></title>
         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950079683</link>
         <description><![CDATA[<div>A significant component of “La Virgen de Guadalupe” is the perspective that it presents to its readers. As a Chicana lesbian, Carla Trujillo explains the rejection of queer women in the demographic of people that use the Virgin Guadalupe as an icon. Trujillo makes the point that the Virgin is not only an important symbol in Chicano culture, but represents family and motherhood, which is not something exclusive to heterosexual women. In the writer’s note, Trujillo also includes a controversial take on the Virgin de Guadalupe, from her point of view as a lesbian. She turns the Virgin de Guadalupe into an empowered woman and a lover that she would spoil, in order to end her submission to men.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 17:51:53 UTC</pubDate>
         <guid>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950079683</guid>
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         <title></title>
         <author>sophiechinn11</author>
         <link>https://padlet.com/sophiechinn11/u9jjnwb2v7hsa5ei/wish/1950117326</link>
         <description><![CDATA[<div>The poetry of Adrienne Rich represents a wide variety of women who have been oppressed throughout their lives. This . “Aunt Jennifer’s Tigers” tells the story of a woman who has been in an abusive relationship. Though Aunt Jennifer is an artist and has passions of her own, she remains in her abusive marriage until she dies, forever cementing the memory of her as an oppressed wife. “Power” is a poem about Marie Curie, detailing her untimely death caused by radium poisoning. In this case, other male scientists oppressing Marie Curie led to her dedication to her research- so much so that she dies.&nbsp;</div>]]></description>
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         <pubDate>2021-12-15 18:08:08 UTC</pubDate>
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