IOC tips by Annette Yan https://padlet.com/annetteyan/u8je0il8lj1z 13FKA's tips for the IOC en-us 2017-10-27 07:22:07 UTC 2017-10-27 07:35:15 UTC hello@padlet.com Iago is hella dishonest y'all! aaronr_wasama https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103493 Supports greatly the theme of manipulation in Act 1. Iago says stuff like "S'blood" meaning God's blood, so his first line in the play is in fact blasphemous, which establishes his dishonesty. Another thing Iago says is "By Janus", which is interesting in two ways. First, he's swearing by the name of a Roman (hence pagan) God which is of course unacceptable in Elizabethan society where God is number one. Secondly, Janus is a two-faced God, which simply solidifies this point of Iago's dishonesty and deceptive nature.]]> 2017-10-27 07:23:49 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103493 Setting FiKamal https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103576 Venice street (night)
The Senate
Conceptually brings in the setting of Cyprus via discussion of the Turkish fleet.]]> 2017-10-27 07:24:14 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103576 https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103635 2017-10-27 07:24:34 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103635 THEMES annetteyan https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103646 link smaller techniques and analyses/quotations to larger themes and main ideas.]]> 2017-10-27 07:24:38 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103646 Othello's character (act1scene1) annetteyan https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103834
  • This is the audience’s first impression of othello and he is presented one through Iago’s monologue, and the audience is expecting him to be a villain (because he is a moor) // and iago mocks him accordingly on stage [scene one], going along with audience
  • Iago's description:
    • Egotistical, vain, proud
    • Iago uses dirty, animal references to othello, horse-supposed lust of the 'moor' plays towards every prejudiced thought in the minds of the audience. 
    • Your daughter, if you have not given her leave, // I say again, hath made a gross revolt; // Tying her duty, beauty, wit and fortunes // In an extravagant and wheeling stranger // Of here and every where.
    • Mild ORIENTALISM : how did othello get desdemona to marry him? “did he use some sort of charm"
    • vain, stubborn, thick lipped, we get the sense that he doesn’t allow anyone to argue with him, a stranger to everywhere who does not belong.
  • TL;DR we think he is deceptive, a lustful animal thta you cannot trust your women around

    • ]]>     2017-10-27 07:25:32 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103834     YOUR DELIVERY https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103898 Make sure you sound:
    - Confident 
    - Clear
    - Enthusiastic 
    - Like you know what you are talking about because YOU DO!]]>     2017-10-27 07:25:56 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103898     Contextual knowledge https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103906 2017-10-27 07:25:59 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103906 Othello Exposition (Act 1) FiKamal https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103974 2017-10-27 07:26:21 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103974 Distinguishing the narrator and the poet::: https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103978 Why did the poet construct the poem to be this way, or the narrator to speak in this way?? n so on ]]> 2017-10-27 07:26:22 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201103978 Metatextuality https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104155 - Expand your knowledge 
    - Cross-reference 
    - MAKE IT BIGGER!!]]>     2017-10-27 07:27:09 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104155     metadrama https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104285 refer to actors or production to illustrate the point]]> 2017-10-27 07:27:56 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104285 Different readings https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104446 Provide different perspectives and understandings of your text ]]> 2017-10-27 07:28:45 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104446 Tragedy Key Terms:::: https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104537 peripeteia
    hamartia::: 'fatal flaw'
    anagnorisis :: moment of insight
    catharsis
    ]]>     2017-10-27 07:29:10 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104537     guys remember the freytag triangle https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104752 EXPOSITION
    RISING ACTION
    COMPLICATION
    CLIMAX
    REVERSAL PERIPETEIA
    FALLING ACTION
    ANAGNORISIS
    FINAL MOMENT OF SURPRISE (CATHARSIS)]]>     2017-10-27 07:30:15 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104752     reception cassie_son https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104772 how would the Elizabethan audience respond differently to the modern audience? ]]> 2017-10-27 07:30:19 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201104772 IAGO'S CHARACTER annetteyan https://padlet.com/annetteyan/u8je0il8lj1z/wish/201105752
  • Elizabethan audiences will immediately recognize him as the trickster. however, we still trust him because we think we are the only ones in on the secret—and he is deceiving everyone else. 
  • eloquently able, very persuasive
  • withholds information-dishonest
  • plays on the idea of being dishonest when we are warned of so
  • “whip me such honest knaves” - tells roderigo he is dishonest, telling the audience of his dishonesty. his duplicity and deceptive nature
  • honesty / his eloquent expression leads us to trust him — and roderigo as well
  • has connections
  • three powerful men went to othello’s to convince him to give iago the role
  • feels as though he has been put out of his place
  • [in the chain of being]
  • hates othello
  • fought on the battlefield alongside othello and feels like there should be trust between tehse two equals on the field, yet othello chooses to appoint cassio instead.
  • gives audience a motive for iago’s hate
  • he hates othello for the chain of being that he stands for
  • audience will sympathize with him. 
  • two faced
  • IRONIC: he is the ensign to othello-flag carrier into battle
  • ensign’s purpose is to show his colors and his loyalty and he subverts this immediately with his character and schemings
  • blasphemous
  • “s’blood”
  • is blasphemy, using God’s name as a curse, his first words in the play
  • “i am not what i am”
  • God as the greatest guarantor of truth and meaning, and his words are “i am what i am”. iago, turning this inside itself, is almost the perfect inversion of God being true/and his duty to fidelity to appearance. moment he breathes 

    • ]]>     2017-10-27 07:35:04 UTC https://padlet.com/annetteyan/u8je0il8lj1z/wish/201105752