• 4 cuillères à soupe de grains de riz long parfumé (non cuit) – pour la poudre de riz grillé
• 75 g de couenne de porc séchée en filaments (à faire tremper – on en trouve dans les magasins d’alimentation asiatique – voir photo)
• 500 g de viande de porc (échine ou palette)
• 2 cuillères à soupe de sauce de poisson en saumure (nuoc mam pur non dilué – j’utilise la marque Phú Quốc)
• 1 cuillère à soupe de sucre cassonade
• 2 gousses d’ail pressé en purée
• Poivre
• Vinaigre

• “intimate distance” (between the closest of people),
•  “personal distance” (in the context of everyday interactions, for example, with colleagues), 
• “social distance” (in interactions with strangers), and
•  “public distance” (in public spaces).

Kraut's team began attempting to quantify and price this incredibly remote, unpredictable risk. If they managed to do that, they would then need to sell part of that risk—to find someone willing to insure the reinsurer. “No one really had tried to do a transaction at a one-in-500-year return period,” Kraut said. His boss gave it a 50–50 chance of success.

 “V'là les accessoires / Pour faire un succès / Un' rue un trottoir / Une môm' bien roulée / Un gars chandail noir / Et cheveux collés / Rengaine qui traîne / Ni triste ni gaie / Voilà les accessoires / Messieurs dames, entrez / La fille et le gars / Se sont rencontrés / Entre deux y'a soudain / Quelque chose qui survient / Dans la nuit les voilà partis”

This cheap production team, because of them i didn't get anything to eat, except dal roti which is very tasty but its 4:30pm and it's all they have left now.
They serve again at 7:30pm but we can't wait till then.
Basically, because of you, i can't say what i feel because there are people around. I have been saying let me eat, let me eat for so long, but you're like no, take this shot, take that shot!

• La direction est donnée comme lors de la danse en faucille : l'angle entre la ligne droite du « 8 » et la verticale est le même que celui entre la direction du soleil et celle de la source.
• La distance est précisée : il existe un lien direct entre la durée du frétillement, lors de chaque ligne droite, et la distance à parcourir. Plus on se trémousse le popotin, plus il faudra voler loin. La relation est presque mathématique, proportionnelle : si la danseuse frétille pendant 0,8 seconde pour coder 200 mètres et 1,2 seconde pour en coder 300, elle frétillera 1,6 seconde pour indiquer 400 mètres, etc.
• La danse fournit enfin une indication sur la richesse de la source : plus on y trouve de quoi se régaler, plus la guide exécute un grand nombre de tours de danse, et plus elle frétille vigoureusement son abdomen lors des passages en ligne droite.

We say we’re really concerned about sex offending and we really don’t want children to be sexually offended and we don’t want adults to be raped, but we don’t do anything to prevent it. We put most of our energy into criminal justice, which means that the offense has already happened and often many offenses have already happened.

A primary interest means a person is sexually focused on children but can also be aroused by those who are more age-appropriate. Exclusive attraction is when someone feels no sexual desire for anyone but prepubescent kids. Letourneau is curious if young pedophiles who show even a slight interest in their peers might respond to treatment that attempts to redirect their attention into that corner. For most people, our age of attraction increases as we mature, suggesting that it is variable. She wonders if pedophilic adolescents can be encouraged to develop acceptable sexual desires, but acknowledges that it wouldn’t be effective for those with exclusive attraction.


Historically, attempts to change sexual impulses have included arousal reconditioning, which involves, essentially, getting men to masturbate to fantasies of their preferred target and then switching to something more socially acceptable right before climax

/A London merchant owes a large sum to a moneylender, and is in danger of being imprisoned for his debts. The moneylender, who has designs on the merchant’s daughter, suggests a bet. He will take two pebbles from his garden path, one black and one white, and place them in an empty money-bag. The young woman will pick out one of the pebbles. Black: she’ll become the moneylender’s wife, and the debt will be cancelled. White: she’ll stay with her father, and the debt will still be cancelled. Reluctantly, father and daughter accept the bet. However, as they stand in the moneylender’s garden, the young woman notices that the two pebbles that he picks up, placing them quickly in the money-bag, are both black. What should the young woman do? How can she think her way out of her predicament?

• the recognition of dominant polarising ideas; 
• the search for different ways of looking at things; 
• a relaxation of the rigid control of vertical thinking;

take
the most abrupt cross-cuts and transitions from one idea to another, 

the most rarefied abstractions and discriminations, 

the most unheard-of combinations of elements,

 the subtlest associations of analogy;