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      <title>Persepolis as Memoir by Samantha Kitson-Evans</title>
      <link>https://padlet.com/samanthakitson1/memoir</link>
      <description>MEMOIR: a historical account or biography written from personal knowledge or special sources</description>
      <language>en-us</language>
      <pubDate>2020-06-04 20:45:40 UTC</pubDate>
      <lastBuildDate>2020-06-05 15:53:34 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Add the most significant example of how Marji&#39;s personal experiences influenced her representation of Iran in the memoir.</title>
         <author>samanthakitson1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/611903974</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-06-04 20:48:50 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/611903974</guid>
      </item>
      <item>
         <title>Add the most significant use of a child’s perspective and evaluate how effective you find this technique.</title>
         <author>samanthakitson1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/611924007</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-06-04 21:04:50 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/611924007</guid>
      </item>
      <item>
         <title>Add the most significant use of indirect experience and comment on how this may affect the memoir’s authenticity.</title>
         <author>samanthakitson1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/611924348</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-06-04 21:05:05 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/611924348</guid>
      </item>
      <item>
         <title>Ian, Mateo &amp; Camille</title>
         <author>camilleprevost1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613128725</link>
         <description><![CDATA[<div>The most significant example of Marji's personal experiences in her representation of Iran, we believe that it's after her mother was verbally harassed by two fundamentalist men. We believe that after this event, Marji and her family took the situation very personal and stood up against the revolution they initially supported. We can see the abrupt change in perspective, foremost they were presented as an avant-garde family, but after the incident previously mentioned, the family's lifestyle had to change which as well lead to the portrayal of their true perspective regaridng the revolution.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:48:40 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613128725</guid>
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      <item>
         <title>Cristina, Isabella, Larissa</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613129576</link>
         <description><![CDATA[<div>As we know, Marji's family is described as being very modern and avant-garde, meaning that even though they believe in the local religion and its implications, they do not necessarily believe in the islamic revolution and the new rules it brought, which changes the whole perspective Marji has towards the countries standards and boundaries. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:49:05 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613129576</guid>
      </item>
      <item>
         <title>P.P, J.G &amp; G.E</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613129731</link>
         <description><![CDATA[<div>Marji's personal experience has influenced her representation of Iran in the memoir by the interactions she has with her family because she is influenced by their high social class believes</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:49:09 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613129731</guid>
      </item>
      <item>
         <title>Arboleda, Cuba, Gemma </title>
         <author>20090024</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613130405</link>
         <description><![CDATA[<div>We think that the most important personal experience Marji had is the influence her family had on her, since her family is known to be very involved in the revolution, the same rebelious personality Marji had emulates her Mom's personality when she was younger. This rebelious influence makes her want to express her ideas no matter what, trying to reach the freedom she always had seeked.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:49:29 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613130405</guid>
      </item>
      <item>
         <title>Antonio, Lucero and Maria Fernanda </title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613132222</link>
         <description><![CDATA[<div>Marji and her family are an open minded and modern Iranian family that lived under the Shah’s reign and the 1979 revolution.Her most important influence was her Mother and her family's beliefs.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:50:16 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613132222</guid>
      </item>
      <item>
         <title>Adriano Ungaro, Rodrigo Ortiz and Mateo Saenz</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613137583</link>
         <description><![CDATA[<div>The most significant example of a personal experience which influenced Marji's representation of Iran is the death of Anoosh, because he was close to her and she saw how he was jailed only for saying what he believed. Of course, being open and saying what you believe is part of Marji, and being jailed and killed only for being yourself really impacted her. This is portrayed in the way she presents the situation with Anoosh before he is going to be killed; sad, melancholic, unfair.</div><div><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:52:43 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613137583</guid>
      </item>
      <item>
         <title>Adriano Ungaro, Rodrigo Ortiz and Mateo Saenz</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613145614</link>
         <description><![CDATA[<div>An example of Marji having an error or perception is at the march, because she wanted to attend to them but she wasn't really conscious about what involved being in a march (violence, oppression of the authorities). Another example is thinking that her maid was part of the family. As a child, she didn't understand that she was in a job. We do believe that Marjane, relying in the audience ability to infer the 'true' meaning of events is effective, because she makes it clear that she was not right (as in the case when she thought that God was the one who allocated kings). She wants a reader who pays attention and who analyzes. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:56:21 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613145614</guid>
      </item>
      <item>
         <title>P.P, J.G &amp; G.E</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613145758</link>
         <description><![CDATA[<div>The child's perspective is abundant in most of the novel but a key example is when Marji wanted to become a prophet and we see here the Child's perspective by seeing the innocence of Marji by wanting to become a prophet. The effect is that readers understand that Marji wanted to change the world even if she is from a diferent race or gender. I think that child's perspective is somewhat effective but the way Satrapi delivers them can be somewhat offensive to some believes.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:56:25 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613145758</guid>
      </item>
      <item>
         <title>Ian, Mateo &amp; Camille</title>
         <author>camilleprevost1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613145883</link>
         <description><![CDATA[<div>An example that shows that the child perspective might affect the authenticity of the memoir is when the two prisioners and gather with Marjane's family where they shared their experiences. This might affect it because child's perspective regarding such an impactful event might be more suceptible towards the extreme violence produced by the source of authority in the regime. We believe that it's not always effective since the prisioners might have had a filter and skip some hard parts due to the presence of a child, however it might be effective in the way that it can be a basis of what really happened during the revolution, it's important not to ignore the experiences being told since she was a prime witness during these political conflicts.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:56:29 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613145883</guid>
      </item>
      <item>
         <title>Arboleda, Cuba, Gemma</title>
         <author>20090024</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613146082</link>
         <description><![CDATA[<div>Marji as a child had a perspective of society that isn't totally acurate but we can see when time passes she starts seeing Iran as how it is in reality, a cruel place where people cannot fully express freedom, in one panel Marji asks another girl where her father is and she answers "on a trip" and Marji responds with a devastating answer saying that when people say someone is on a trip they mean they are dead, this upsets the girl and starts crying, Marji on the other side, doesn't see whats wrong with what she said since as a child she doesn't measure the weight of her words.<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 14:56:36 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613146082</guid>
      </item>
      <item>
         <title>Cristina, Larissa, Isabella</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613166106</link>
         <description><![CDATA[<div>In various locations, the childish perspective of Marji's view, is revealed. It is even shown how it is shaped because of the environment she lives in. In the chapter of "The party", Marji discovers that the father of one of her friends had killed around a million people in the savak so she decides along with her group of friends that they should teach him a lesson by torturing him and hurting him using nails. As she sees violence as a source of response in her surroundings and within the fundamentalist reign, she thinks that it is the right thing to do.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:06:15 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613166106</guid>
      </item>
      <item>
         <title>Antonio, Lucero, Maria Fernanda </title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613168548</link>
         <description><![CDATA[<ul><li>In the chapter 'The F-14's" Marji is trying to comfort her friend after her dad's death. She has this misconception that if her father friend died but fighting for her country then it is justified because he is a national hero.</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:07:23 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613168548</guid>
      </item>
      <item>
         <title>Flavia, Maria, Daniel</title>
         <author>danielshimabukuro1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613171703</link>
         <description><![CDATA[<div>An example of Marji's child perspective is when she tells Lali, Siamak's daughter that her father is dead, due to the fact that he hadn't returned from prison for a long time. Marji has no shame nor remorse for speaking her mind, which leads to crude and tactless opinions based on her beliefs. It is hard for adults to understand children's perspectives as they underestimate them or don't take them seriously because of their lack of experience.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:08:40 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613171703</guid>
      </item>
      <item>
         <title>Arboleda, Cuba, Gemma</title>
         <author>20090024</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613180909</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:13:08 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613180909</guid>
      </item>
      <item>
         <title>Ian, Mateo &amp; Camille</title>
         <author>camilleprevost1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613181215</link>
         <description><![CDATA[<div>The most significant use of indirect experience was when she was told stories by her family, the past of her parents and grandmother might influence the reliablity of her stories. In the chapter Persepolis, her grandmother tells her the story of her grandfather which shows that the story has been transcendent into generations. This might create uncertainity about what really happenned and influence how authentic the memoir really is. Another perspective that might exist on this event is from media (tv and radio) these sources don’t emphasize on what was felt during the event, so it’s not personal hence the authenticity of the memoir isn’t as effective as it could be if she was the one living these experiences.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:13:18 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613181215</guid>
      </item>
      <item>
         <title>Maria, Flavia, Daniel</title>
         <author>danielshimabukuro1</author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613187015</link>
         <description><![CDATA[<div>The most significant use we get out of this is getting other perspectives, as well as keeping the audience engaged with the story, although it is an unreliable method to tell stories, as recalling a memory tends to mess up some details, giving an overall inaccurate depiction. </div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:16:27 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613187015</guid>
      </item>
      <item>
         <title>Adriano Ungaro, Rodrigo Ortiz and Mateo Saenz</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613198119</link>
         <description><![CDATA[<div>In the chapter the 'Water Cell' Marji narrates the story of how the Shah arrives to power, taking her aunt from power. She gets the facts from his father, who learned the story from his father. This oral tradition is transmitted to Marji, who latter on presents the story in major detail to us. Her account is as reliable as a story from a 10 to 14 years old kid. We know that she understands that it was that way that the Shah entered to power, however we cannot have completed trust in that source taking into consideration it is being narrated from her memory of the past. Another perspective of the story might be the perspective of the Shah, who probably knows that he entered to power thanks to Great Britain. Another perspective is the one from the people, who might think that the Shah was chosen by God (as Marji thought at the beginning).</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:22:04 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613198119</guid>
      </item>
      <item>
         <title>P.P, J.G &amp; G.E</title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613200336</link>
         <description><![CDATA[<div>The simple fact that the author said it was not a autobiography already let us question if this representation of Iran is in fact true, we could also say that this novel is biased. For example when she talks to god lets us question that if this really happened in real life.</div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:23:13 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613200336</guid>
      </item>
      <item>
         <title>Lucero, Antonio, Maria Fernanda  </title>
         <author></author>
         <link>https://padlet.com/samanthakitson1/memoir/wish/613209408</link>
         <description><![CDATA[<div>Marji is getting aware of what is happening around her not by her own experience, but by looking at the pictures taken by her father. In those pictures he portrayed the reality of Iran and the war, not what the government wanted people to believe. It wasn't all perfect as they wanted it to look. Taking these pictures was strictly forbidden because if people started to realize that dying at war wasn't honorable then they would stop wanting to fight for their country, and that wasn’t beneficial for the government.This indirect memories affect Satrapi’s authenticity because they are not their absolute interpretation of the historical facts, they are from other sources and she hasn’t seen or experienced them.</div><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2020-06-05 15:27:41 UTC</pubDate>
         <guid>https://padlet.com/samanthakitson1/memoir/wish/613209408</guid>
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