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      <title>Western Classical Music by William</title>
      <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0</link>
      <description>Strand I</description>
      <language>en-us</language>
      <pubDate>2017-02-05 14:00:05 UTC</pubDate>
      <lastBuildDate>2023-02-04 14:58:14 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Baroque Orchestral Music</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658946</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:05:19 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658946</guid>
      </item>
      <item>
         <title>Concerto</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658958</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:05:27 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658958</guid>
      </item>
      <item>
         <title>Music for Voices</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658962</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:05:39 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151658962</guid>
      </item>
      <item>
         <title>Chamber Music</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659168</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:09:18 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659168</guid>
      </item>
      <item>
         <title>Sonata</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659170</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:09:21 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659170</guid>
      </item>
      <item>
         <title></title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659186</link>
         <description><![CDATA[<div>- A piece of music written for a solo instrument with piano accompaniment, unless the solo instrument is a piano (i.e. a piano sonata).</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:09:41 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659186</guid>
      </item>
      <item>
         <title></title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659256</link>
         <description><![CDATA[<div>- Chamber music is music composed for a small (or chamber) group of instruments.<br>- There are many different genres within chamber music<br>- The most common form of chamber music is a <strong>string quartet </strong>(two violins, viola and cello).</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:11:05 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151659256</guid>
      </item>
      <item>
         <title></title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660297</link>
         <description><![CDATA[<div>- Vocal music has been an integral part of the Western classical tradition, probably more so than instrumental music.<br>- Music for voices is divided into two sections: <strong>sacred </strong>(music for church services or affiliated with religion) and <strong>secular</strong> (non religious music).<br>- There are normally <strong>four </strong>parts in vocal music: <strong>sopranos </strong>(high female voices), <strong>altos </strong>(low female voices), <strong>tenors </strong>(high male voices) and <strong>basses </strong>(low male voices). If all four parts are being used, the abbreviation for this is <strong>SATB</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:28:46 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660297</guid>
      </item>
      <item>
         <title></title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660324</link>
         <description><![CDATA[<div>- A concerto is a solo piece&nbsp; of music for one instrument. The soloist is accompanied by an orchestra.<br>- The concerto is one of the moist common genres of Western classical music.<br>- Many composers over the centuries have composed concerti for a wide range of instruments.<br>- There are typically three movements in a concerto. Fast: Slow: Fast.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:29:22 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660324</guid>
      </item>
      <item>
         <title>1500          1550          1600          1650          1700          1750          1800         1850          1900</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660653</link>
         <description><![CDATA[<div><strong>Renaissance</strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<strong>Baroque</strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Classical</strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Romantic</strong></div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 14:35:25 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151660653</guid>
      </item>
      <item>
         <title></title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151662647</link>
         <description><![CDATA[<div>- The baroque period saw music composed for small ensembles, known now as the <strong>baroque orchestra</strong>.<br>- These orchestras were not as big as they are today (see graphic on the right). <br>- All pieces would have a <strong>basso continuo</strong>. This is a term used to describe the combination of the <strong>harpsichord </strong>and the <strong>cello </strong>part, both of which would play the <strong>bass </strong>line <strong>all the way through</strong>. Hence the term, basso continuo.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 15:07:16 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151662647</guid>
      </item>
      <item>
         <title>Baroque Orchestra</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151662818</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/prod/95996481/75b82a30561ce7adafce341227cda8b7/large.png" />
         <pubDate>2017-02-05 15:09:09 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151662818</guid>
      </item>
      <item>
         <title>Key Features</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151663239</link>
         <description><![CDATA[<div>- <strong>Diatonic </strong>harmony (i.e. the harmony makes sense, with the melody using notes from the chord).<br>- <strong>Terraced</strong> <strong>dynamics</strong> (sudden changes from <em>forte </em>to <em>piano </em>without a gradual <em>crescendo </em>or <em>diminuendo</em>).<br>- <strong>Ornamentation </strong>of the melody, using <strong>trills</strong>, <strong>turns </strong>and <strong>grace notes</strong>.</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 15:14:49 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151663239</guid>
      </item>
      <item>
         <title>Bach Brandenburg Concerto no. 4 in D.</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151664396</link>
         <description><![CDATA[<div>- J. S. Bach composed a collection of six instrumental works and presented them to Christian Ludwig, Margrave of Brandenburg in 1721.<br>- This is the 4th work, a concerto grosso (meaning there are multiple soloists).<br>- There are two solo recorders, a solo violin and the harpsichord also doubles up as a basso continuo and soloist (there is a massive harpsichord solo at the end of this movement).<br>- Try and pick out the features as detailed above in this recording. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=G6hQvvhqfJo" />
         <pubDate>2017-02-05 15:32:35 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151664396</guid>
      </item>
      <item>
         <title>Haydn Trumpet Concerto</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151664972</link>
         <description><![CDATA[<div>- Third movement here played by one of Hertfordshire's own, Alison Balsom.<br>- Haydn (1732 - 1809) was a composer in the <strong>classical </strong>period. </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=B1eyZAedhY4" />
         <pubDate>2017-02-05 15:40:45 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151664972</guid>
      </item>
      <item>
         <title>Bruch Violin Concerto</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151667229</link>
         <description><![CDATA[<div>- Third movement of Bruch's violin concerto performed by Janine Jansen.<br>- Bruch (1838 - 1920) was a composer in the <strong>romantic </strong>period.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=MmjwwC90sNc" />
         <pubDate>2017-02-05 16:11:18 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151667229</guid>
      </item>
      <item>
         <title>Key Features</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151668694</link>
         <description><![CDATA[<div>- <strong>A cappella </strong>(vocal music sung without instrumental accompaniment).<br>- <strong>Strophic </strong>form is where vocal music has a verse-chorus structure.<br>- Music without a verse-chorus structure is called <strong>through composed</strong>.<br>- <strong>Falsetto </strong>is a vocal technique where the singer uses thin, high voice to reach notes which are not in range of their normal voice.<br>- <strong>Vibrato </strong>is a technique employed by singers to create a thicker, warmer sound by shimmering up and down on one note.<br>- Word painting - music mirroring the lyrics (held note on the word 'calm', music going up in a scale on the word 'ascending' etc.).<br>- <strong>Syllabic </strong>(one syllable for every note).<br>- <strong>Melisma </strong>(using more than one note per syllable).</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 16:28:26 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151668694</guid>
      </item>
      <item>
         <title>Faure &#39;Apres un Reve&#39;</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151670266</link>
         <description><![CDATA[<div>- This is a solo vocal piece for soprano and piano.<br>- The piece is <strong>through composed</strong>, meaning each verse has a slightly different melody (and no melody is repeated).<br>- Listen out for the <strong>vibrato </strong>used by the vocalist...whether it is to your taste or not!</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=BLm3k3XkJTg" />
         <pubDate>2017-02-05 16:50:00 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151670266</guid>
      </item>
      <item>
         <title>Stamford &#39;Te Deum&#39; in B flat</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151671683</link>
         <description><![CDATA[<div>- Charles Villiers Stamford (1852 - 1924) was an Irish composer from the romantic period.<br>- This piece is for four-part choir and organ, though there are moments where the choir sing <strong>a cappella</strong>.<br>- The recording is by St Paul's Cathedral choir, which his traditionally an <strong>all male choir</strong>. The top part is sung by school boys whose voices have not yet broken. These are called <strong>trebles</strong>.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=y6OjdGWKoM0" />
         <pubDate>2017-02-05 17:08:00 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151671683</guid>
      </item>
      <item>
         <title>Form</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151672732</link>
         <description><![CDATA[<div>- <strong>Binary </strong>(a piece of music with <strong>two </strong>sections, labelled 'A' and 'B').<br>- <strong>Ternary </strong>(a piece with of music with <strong>three </strong>sections, where the first and last section are the <strong>same</strong>. This would be labelled 'ABA').<br>- <strong>Rondo</strong> (a piece where the main theme, labelled 'A', returns in between contrasting sections, known as <strong>episodes</strong>. This would be labelled 'ABACADA...etc.).<br>- <strong>Arch </strong>(a piece of music where the sections of the piece are mirrored. If there are three sections, the piece will be labelled 'ABCBA'). </div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 17:21:47 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151672732</guid>
      </item>
      <item>
         <title>Piano Quintet in F minor, Op. 34 by Brahms</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151673497</link>
         <description><![CDATA[<div>- Johannes Brahms (1833 - 1897) was a composer in the <strong>romantic </strong>period.<br>- This is a piano quintet, meaning that the orchestration is piano, 2 violins, viola and cello.<br>- This is the third movement of four, entitled 'Scherzo'.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=qavApS7ykFk" />
         <pubDate>2017-02-05 17:31:09 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151673497</guid>
      </item>
      <item>
         <title>Key Features</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151674500</link>
         <description><![CDATA[<div>- The sonata was pioneered in the <strong>late classical</strong> / <strong>early romantic </strong>periods.<br>- Sonatas can take many forms, but are usually three or four movements.<br>- <strong>Sonata form </strong>(structure of a piece of music in three sections): <strong>Exposition </strong>(opening theme and modulation to the dominant), <strong>Development </strong>(music modulates away from the dominant and through several unrelated keys) and <strong>Recapitulation </strong>(return of the original theme where the piece ends in the <strong>tonic</strong>).</div>]]></description>
         <enclosure url="" />
         <pubDate>2017-02-05 17:44:44 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151674500</guid>
      </item>
      <item>
         <title>Beethoven &#39;Pathetique&#39; Sonata</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151676717</link>
         <description><![CDATA[<div>- Ludwig van Beethoven (1770 - 1827) was a composer in the <strong>late classical </strong>and <strong>early romantic </strong>period. He is widely regarded as the man responsible for this transition in music composition.<br>- Here, Daniel Barenboim performs one of Beethoven's most famous piano sonatas; the 'Pathetique' sonata.<br>- Can you hear&nbsp;<strong>sonata form&nbsp;</strong>in any of the movements? Can you hear how the movements contrast with each other in terms of tempo and tonality? </div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=SrcOcKYQX3c" />
         <pubDate>2017-02-05 18:12:22 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151676717</guid>
      </item>
      <item>
         <title>Puccini &#39;La Boheme&#39;</title>
         <author>william_sarjeant</author>
         <link>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151755384</link>
         <description><![CDATA[<div>- Opera is widely regarded as the 'highest art form', as it encompasses drama and music.<br>- There are many different parts to an opera, including the <strong>overture </strong>(opening piece of music played exclusively by the strings) and the <strong>aria </strong>(a extended solo or duet in which the character(s) involved sing about another character or a feeling/situation).<br>- Giacomo Pucinni (1858 - 1924) was a pioneer of the genre of opera during the <strong>romantic </strong>period.<br>- This is an <strong>aria</strong> from La Boheme 'O Soave Fanciulla' (<em>O lovely maid in the moonlight</em>), in which the two main characters are declaring their love for one another. <br>- Jonas Kaufmann (tenor) is probably the most lyrical tenor and is amongst the most popular in operatic circles. The soprano part is sung by Kristine Opolais.</div>]]></description>
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         <pubDate>2017-02-06 09:43:18 UTC</pubDate>
         <guid>https://padlet.com/william_sarjeant/u1a2xik0xwu0/wish/151755384</guid>
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