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      <title>Gothic Revision by Magisha Somasekaran Year 13</title>
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      <language>en-us</language>
      <pubDate>2021-01-12 10:30:49 UTC</pubDate>
      <lastBuildDate>2021-01-12 11:08:47 UTC</lastBuildDate>
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         <author>14magsoma</author>
         <link>https://padlet.com/14magsoma/ttnc83gf47gvkuex/wish/1077926487</link>
         <description><![CDATA[<div>	THE REPROOF OF CURIOSITY:<br>-	Carter repeatedly declared her interest in the myth of woman and the construction of sexuality.<br>-	In 1979, her interest coincided in the publication of two different but related works, The Bloody Chamber and the Sadeian Woman.<br>-	Sade’s attempt to demythologise motherhood and femininity was therefore in her mind as she was revising Perrault’s classic fairytales and he became the model for Bluebeard. <br>-	Since pornography and religion have informed men’s phantasies about women, his work is integral to Carter’s interrogation of the Western imagination in pursuit of mythologising woman.<br>-	Carter rewrote Bluebeard from the point of view of his fourth wife, an impecunious young pianist with a belief in romance. Instead of becoming victim to her husband’s view that all women are whores who should be punished, her brief marriage causes her to see the ideology of romance and the idealisation of the feminine woman, and thereby to take her place in the world as a fully responsible human being.</div>]]></description>
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         <pubDate>2021-01-12 10:48:27 UTC</pubDate>
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         <title></title>
         <author>14magsoma</author>
         <link>https://padlet.com/14magsoma/ttnc83gf47gvkuex/wish/1077939031</link>
         <description><![CDATA[	BRITAIN IN THE 1970s:
-	There were a lot of strikes taking place, such as GPs, factory workers and gravediggers striking.
-	In 1974, employment was in excess of one million- it had been less that 600,000 at the start of the decade.
-	The Winter of Discontent took place during 1978-1979 in the UK. There were widespread strikes, by private, and later public, sector trade unions demanding pay rises greater than the limits PM James Callaghan and his Labour party had been imposing, against Trades Union Congress (TUC) opposition, to control inflation.
-	Some of these industrial disputes caused great public inconvenience, exacerbated by the coldest winter in 16 years, in which severe storms isolated many remote areas of the country.
-	Race was also an issue at the time, and Enoch Powell made a speech called ‘Rivers of Blood’ which had a wide impact on the public.
-	UK Women’s Liberation was a feminist movement which emerged with force in the late 1960s and early 1970s. 
-	Women’s movements had been a force for change since the suffragist and suffragette movements of the late 19th and early 20th centuries. The new wave however, gained great prominence through different forms of direct action andf debate.
-	The movement was built around networks of local women’s groups’ nation conferences, in which representatives from local groups could meet for strategic discussion.
-	The movement established networks for support, analysed women’s roles and relationships in society and defined a set of demands for the social and economic quality of women.
-	Over 27th and 28th Feb and 1 Mar 1970, women’s groups from around the country met at the first National Women’s Liberation Conference at Ruskin College, Oxford to discuss the challenges facing women and liberation movement and to work out a series of demands. 
]]></description>
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         <pubDate>2021-01-12 10:52:57 UTC</pubDate>
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         <title>ORIGINS AND CONVENTIONS OF GOTHIC LITERATURE-</title>
         <author>14magsoma</author>
         <link>https://padlet.com/14magsoma/ttnc83gf47gvkuex/wish/1077953940</link>
         <description><![CDATA[<div>-  <strong><em>ORIGINS AND INITIAL RECEPTION OF GOTHIC LITERATURE-</em></strong> Gothic literature was born out of the Romantic movement.</div><div>* Gothic writers took the concept of revering of the natural world and explored its darker side.</div><div>* The first Gothic novel was Horace Walpole’s ‘The Castle of Otranto’ in 1764.</div><div>* Bram Stoker wrote Dracula. The novel was first published in 1897.</div><div>* Arguably one of the most famous examples of Gothic literature.</div><div>-       As a genre, Gothic literature was initially not taken very seriously.</div><div>* Critic Sue Chaplin suggests that this may have been because Gothic fiction was “perceived to be read by women” and, as such, was considered an “inferior literary mode,” against the “higher intellectual aspirations of the Romantic movement.”</div><div>-       Gothic writing is inspired by Gothic architecture.</div><div>* Antiquated buildings in isolated, rugged locations are a quintessential Gothic feature.</div><div>* Castle Dracula in the Carpathian Mountains is no exception to this rule, as is the ruined abbey at Carfax. <br>*  Count Dracula’s purchase of this property brings Jonathan Harker to Transylvania at the novel’s opening.</div>]]></description>
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         <pubDate>2021-01-12 10:57:49 UTC</pubDate>
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         <title></title>
         <author>14magsoma</author>
         <link>https://padlet.com/14magsoma/ttnc83gf47gvkuex/wish/1077966847</link>
         <description><![CDATA[The Bloody Chamber depends on this interpretation on stories that have shaped Western culture and identity. 
-	The Bluebeard story is of particular interest because it prepares children for their roles in adult life. 
-	It is the story of a young girl’s sexual initiation in courtship and marriage. It involves her sexual awakening as well as Carter’s deconstruction, by means of Gothic excess, of a marriage based on dominance and submission.
-	The young woman’s maturity is no longer defined by her biological role, ion consequence of which she must produce a son and heir for her husband.
-	Fairy tales have historical and cultural significance; allows everyone to participate in the cultural domain, regardless of their status or gender. 
-	It was a democratic art form that was the preserve of women, who could make stories their own in the manner in which they told them.
-	The work of the men who collected them for publication shows how they made changes to reinforce middle class values. 
-	Fairy tales are pre-eminently tales about politics of experience, but their significance for Carter lies in the way they reflect ‘male phantasies about women and sexuality.’ (Zipes)
-	Bluebeard was altered in the process of being written down to meet middle class needs reinforced Christian values because the central protagonist was based on Eve- a woman destined to be punished likewise for the sins of curiosity and disobedience.
-	In Perrault’s version, the desire on the part of the younger of 2 sisters to make a good match is applauded by all her friends, who congratulate her on her good fortune once they perceive her wealth. Any negative consequences that might arise from marriage to an ugly, old, authoritarian man is overlooked. The story hence affirms middle class acquisitiveness whilst, at the same time, warning young females that curiosity comes at a price. 
-	Just as Eve’s punishment was to bring mortality to mankind as well as pain to herself through disobedience, so Bluebeard’s wives face an early demise as punishment for disobeying their husband’s decree.
-	It follows that women should know and accept their place and that their sexual proclivities should be in the control of a male authority figure.
-	Perrault’s story has a seemingly positive ending in which his protagonist survives to marry a better man, though she is saved accidentally by her brothers who arrive just in time to kill her husband before he kills her.
-	She is not instrumental in her release not is she given any consciousness beyond that of fearing death.
-	Carter acknowledges that fairy tale characters are generally abstractions and her young bride is nameless because she is defined by her role as Marquise. 
-	Nevertheless, she is endowed with consciousness; she is permitted to tell the story from her own point of view; her awakening to her own sexuality is a spur to self-consciousness; and she chooses her future life based on discovering her own values rather than accepting them as socially given.
-	She is hence a model for a new way of being which shows that it is possible to be free from the burden of an inherited sexual mythology.]]></description>
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         <pubDate>2021-01-12 11:02:26 UTC</pubDate>
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