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      <title>Alejandro Rodríguez 27 y Martín Rodriguez 28 2ºE by Alejandro Rodríguez Pérez</title>
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         <description><![CDATA[<div> va decayendo </div>]]></description>
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         <title>clavecín </title>
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         <title>clavicémbalo</title>
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         <description><![CDATA[<div> va decayendo </div>]]></description>
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         <title>Cástor y Pólux</title>
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         <description><![CDATA[<div> J. Ph. Rameau (1683-1764) </div>]]></description>
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         <title>españa</title>
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         <description><![CDATA[<div>Se escribieron óperas de estilo italiano, aunque el público prefería<br>las zarzuelas y las tonadillas</div>]]></description>
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         <title>La serva padrona</title>
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         <description><![CDATA[<div> G. B. Pergolesi (1710-1736) </div>]]></description>
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         <title>Escuela de viena</title>
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         <title>V. Martín y Soler</title>
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         <title>fortepiano</title>
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         <title>El clarinete</title>
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         <pubDate>2019-05-21 09:14:03 UTC</pubDate>
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         <title>G. B. Pergolesi, D. Cimarosa, A. Salieri y L. Cherubini.</title>
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         <title>El arpa</title>
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         <title>La trompeta y la trompa</title>
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         <pubDate>2019-05-21 09:14:12 UTC</pubDate>
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         <title>Flauta travesera</title>
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         <title>Reforma de la ópera</title>
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         <description><![CDATA[<div>Gluck sintetizó en su obra los dos estilos. Dio más importancia a la expresión de los sentimientos que al virtuosismo en el canto, y acortó las arias y los recitativos añadiéndoles música orquestal.</div>]]></description>
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         <title>Conflicto entre el estilo francés y el italiano</title>
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         <title>Ópera cómica frente a la ópera seria</title>
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         <title>Música escénica</title>
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         <description><![CDATA[<div>La música religiosa, como género mixto, pierde el protagonismo a favor de la ópera y sus variantes.</div>]]></description>
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         <title>La música instrumental</title>
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         <description><![CDATA[<div>alcanza más importancia que la vocal.</div>]]></description>
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         <title>Se afianzan la sonata, la sinfonía, el concierto solista y la ópera seria y cómica.</title>
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         <description><![CDATA[<div>desaparecen la suite, el coral, el preludio, el concerto grosso, la<br>cantata, la tocata y la fuga</div>]]></description>
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         <title>Se indican en la partitura todos los elementos expresivos</title>
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         <title>La armonía se basa en los acordes I, IV y V</title>
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         <description><![CDATA[<div>Prevalece el modo mayor y los cambios de tonalidad.</div>]]></description>
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         <title>Se busca la claridad y la simetría en la forma</title>
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         <description><![CDATA[<div>Frases musicales de similar duración. </div>]]></description>
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         <title>Se generaliza la melodía acompañada y la homofonía </title>
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         <description><![CDATA[<div>desaparece el bajo continuo, ya que<br>los acordes suelen escribirse.</div>]]></description>
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         <description><![CDATA[<div>Johann Stamitz (1717-1757) y otros compositores reformaron el estilo instrumental: contrastes rápidos en la expresión,<br>movimiento melódico en el bajo.</div>]]></description>
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         <title>Rococó/Estilo galante</title>
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         <description><![CDATA[<div> Surgió en Francia con obras destinadas a agradar al público,<br>sin complicaciones musicales. Destacan como autores tres hijos de Bach </div>]]></description>
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         <pubDate>2019-05-24 07:54:22 UTC</pubDate>
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         <title>W. A. Mozart</title>
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         <title>Periodización</title>
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         <description><![CDATA[<div>Empieza en el 1750 con la muerte de Bach y termina en el 1827</div>]]></description>
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         <title>Tema 6 El Clacicismo</title>
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         <title>las tonadillas</title>
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         <description><![CDATA[<div> obras de humor y costumbres </div>]]></description>
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         <pubDate>2019-06-04 18:51:18 UTC</pubDate>
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         <title>Hecho por Alejandro Rodriguez nº27 y Martín Rodriguez nº28</title>
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         <description><![CDATA[<div><br><br><br></div>]]></description>
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         <pubDate>2019-06-04 19:05:30 UTC</pubDate>
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         <title>Trabajo de los post-it</title>
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