Agnus Dei Concept Analysis by Georgia https://padlet.com/ghewitt8/tdsp5k98n78e Made with ♥ en-us 2017-11-03 01:03:53 UTC 2018-02-14 06:57:52 UTC hello@padlet.com https://padlet-assets.s3.amazonaws.com/icons/Beartoy.png Texture ghewitt8 https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203154432 - Polyphony from A
- Up to A is almost homophonic
- Homophony before F
- predominantly polyphonic with sections of homophony ]]> 2017-11-03 01:11:58 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203154432 Structure mcavanagh https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203154522 - ABA1 rounded binary structure
- 3 to 8 bar phrases
- Elision (overlapping of phrases)
- Imitation and stretto are features of the structure]]> 2017-11-03 01:12:25 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203154522 Pitch ghewitt8 https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203155712 - Melody
- Harmony
- Tonal ambiguity with some tonal centres 
- Modes: C Mixolydian 
- Octatonic movement (tones, semitones) 
- Tritones/Harmonic
- Augmented and Diminished chords/intervals 
- A minor/major (dichotomy/tonal ambiguation)
- Modulation (E -> G major, H -> C Mixolydian vs F major )
- Intervalic movement (small and larger intervals)]]> 2017-11-03 01:20:31 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203155712 Duration mcavanagh https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203155716 - Stretto and imitation impact the duration (length of the phrases)
- Tempo
- Changes in time signature
- Ostinato
- Melody begins on the second beat of the bar (rest at the start of the melody shifts the emphasis of beat)
- Ostinato in timpani]]> 2017-11-03 01:20:33 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203155716 Timbre ghewitt8 https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203157146 - Timpani
- Choir
- Orchestra (no violin, viola or cello)
- Wind lines have clarity, not affected by upper strings 
- harp glissando]]> 2017-11-03 01:31:10 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203157146 Dynamics and Expressive Techniques mcavanagh https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203157538 - Use of crescendos and decrescendos (hairpins), emphasises the change in pitch and harmony
- Pizzicato vs arco (double bass)
- Trill in timpani leads into a climactic point (f dynamics, choir is in rhythmic unison, heightened pitch in flute) in the following bar (D). The trill creates tension.
- Staccato (organ)]]> 2017-11-03 01:34:28 UTC https://padlet.com/ghewitt8/tdsp5k98n78e/wish/203157538