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      <title>Core Techniques  by Charlie Perkins</title>
      <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15</link>
      <description>Digital Portfolio</description>
      <language>en-us</language>
      <pubDate>2017-05-30 01:02:56 UTC</pubDate>
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      <webMaster>hello@padlet.com</webMaster>
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         <title>Personal Development Plan</title>
         <author>smileyguy45671</author>
         <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174318450</link>
         <description><![CDATA[<div><a href="https://docs.google.com/document/d/1pM72nq53D8VwwJc_vTPzkFiqk5-xkWl2QcpdVqXLfpE/edit">https://docs.google.com/document/d/1pM72nq53D8VwwJc_vTPzkFiqk5-xkWl2QcpdVqXLfpE/edit</a></div>]]></description>
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         <pubDate>2017-05-30 01:05:50 UTC</pubDate>
         <guid>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174318450</guid>
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         <title>Lemonade- Danity Kane Commercial Choreography.</title>
         <author>smileyguy45671</author>
         <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174508334</link>
         <description><![CDATA[<div>This is a piece of commercial choreography that was taught at the beginning of the year. My conviction and control was at its lowest at the beginning of the year so I have posted it to see the difference as my training progresses. </div>]]></description>
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         <pubDate>2017-05-30 21:30:04 UTC</pubDate>
         <guid>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174508334</guid>
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         <title>Jazz Port de Bra 1-</title>
         <author>smileyguy45671</author>
         <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174509501</link>
         <description><![CDATA[<div>We learned five different port de bra at the beginning of the academic year. They are consisting of a repeated spring-ball-step sequence across the room while the arms are in different isolation sequences with each spring-ball-step and also different motions with the upper torso and core. This technique is inspired by Matt Mattox repetoire of jazz technique. In the first year of Shockout we are taught Matt Mattox technique mainly.</div>]]></description>
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         <pubDate>2017-05-30 21:38:07 UTC</pubDate>
         <guid>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174509501</guid>
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         <title>Jazz Turning Sequence</title>
         <author>smileyguy45671</author>
         <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174513199</link>
         <description><![CDATA[<div>This is footage from later on in the year where we were executing a turning sequence consisting of par de </div>]]></description>
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         <pubDate>2017-05-30 22:18:33 UTC</pubDate>
         <guid>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174513199</guid>
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         <title>&quot;At the time, Hollywood and Broadway choreographer Jack Cole was developing a style that borrowed elements from modern, East Indian, Latin and Afro-Haitian dance styles—all of which feature isolations. Matt Mattox, one of Cole’s students, helped outline jazz technique. &quot;</title>
         <author>smileyguy45671</author>
         <link>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174513543</link>
         <description><![CDATA[<div><a href="http://www.dancespirit.com/isolation_inspiration-2326058096.html">http://www.dancespirit.com/isolation_inspiration-2326058096.html</a></div>]]></description>
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         <pubDate>2017-05-30 22:22:34 UTC</pubDate>
         <guid>https://padlet.com/smileyguy45671/tbhuvwtjzf15/wish/174513543</guid>
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