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      <title>Summer of the Seventeenth Doll Themes Analysis - Gender by Melanie Rule</title>
      <link>https://padlet.com/mel_rule76/t79q8r52s3yh</link>
      <description>Made with eyes on the prize</description>
      <language>en-us</language>
      <pubDate>2019-09-16 23:27:55 UTC</pubDate>
      <lastBuildDate>2023-08-08 01:38:11 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>&quot;City Men&quot;</title>
         <author>s10184</author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385004985</link>
         <description><![CDATA[<div>Olive quotes Nancy and<br>explains that the men who works in the city are "soft city blokes," <br>and in comparison to Roo and Barney, they look like "a bunch of<br>skinned rabbits." Showing that&nbsp; the location itself is gendered: the<br>bush is masculine, while the city is feminine. the city is for pussys</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-17 00:06:05 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385004985</guid>
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      <item>
         <title>Roo getting a job in the city</title>
         <author>s10184</author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385005769</link>
         <description><![CDATA[<div>When Roo insists on getting a<br>job in the city, his companions struggle to see him as a "real<br>man" because "real men" work in the bush and absolutely do<br>not work during their hard-earned layoff season.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-17 00:10:24 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385005769</guid>
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      <item>
         <title>Not Changing.</title>
         <author>s10184</author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385006505</link>
         <description><![CDATA[<div>The general unhappiness among all<br>the characters at the end of the play suggests that refusing to<br>redefine gender roles doesn't just hurt one gender or the other:<br>everyone suffers.</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-17 00:14:04 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385006505</guid>
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         <title>Act 1, Scene 1, Page 13-14, Line 34-2</title>
         <author></author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385006563</link>
         <description><![CDATA[<div>Olive - "That's what the lay-off is. Not just playing around and spending a lot of money, but a time for livin'. You think I haven't sized that up against what other women have? I laugh at them every time they try to tell me. Even waiting for Roo to get back is more exciting than anything they've got."<br><br>Analysis:&nbsp;<br>When Olive says this she tells Pearl that the time they have during the lay-off is fun and its Barney and Roo's time to have fun and not work. Barney and Roo enjoy the lay-off more than working. So they take the lay-off to enjoy and live life not working. This also shows that men leave their friends and family to do more masculine jobs. Where Women should not work or should perform "soft men labour"<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-17 00:14:21 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385006563</guid>
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      <item>
         <title>Gender Inequality and stereotypes.</title>
         <author>s10184</author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385009917</link>
         <description><![CDATA[<div>Men and women of the 1950s both faced stereotypical expectation on a daily basis.&nbsp;<br><br>Displaying the place of woman in the 1950s and the high expectations to be feminine&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-17 00:28:40 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385009917</guid>
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      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385030381</link>
         <description><![CDATA[]]></description>
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         <pubDate>2019-09-17 01:53:53 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/385030381</guid>
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      <item>
         <title>Olive&#39;s refusal of Roo&#39;s Proposal</title>
         <author></author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386277527</link>
         <description><![CDATA[<div>In act 3, Roo proposes to Olive for marriage but Olive refuses his proposal because Roo's disintegrating&nbsp; masculinity is not what Olive wants.<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-18 22:45:24 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386277527</guid>
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      <item>
         <title>Aesthetic Features</title>
         <author></author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386285435</link>
         <description><![CDATA[<div>stage directions<br>costuming<br>props<br>asides<br>mise ensure<br>figurative devices<br>symbolism<br>dialogue<br>language<br>narrator intervention<br>staging<br>lighting</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-18 23:22:08 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386285435</guid>
      </item>
      <item>
         <title>Stage Directions</title>
         <author></author>
         <link>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386285504</link>
         <description><![CDATA[<div>Barney:<br>he puts his hand on top lf her and, still grining&nbsp; broadly, forces her to meet his eye . Barney&nbsp;owes most&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2019-09-18 23:22:31 UTC</pubDate>
         <guid>https://padlet.com/mel_rule76/t79q8r52s3yh/wish/386285504</guid>
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