Just as the teacher said, typography can be used to describe language work, and the design of text also needs to be legible. How can typography make people understand the meaning of a text intuitively? I think this artist can make people understand the meaning of the words most intuitively by combining the words with the animals they represent, and at the same time it is very interesting

In addition, I think this type of font can be used in the design of packaging or advertising brochures. Besides, it can intuitively see the design concept, and its unique interest can attract readers' attention. In font design, people tend to pay too much attention to overly abstract design methods, but ignore the text itself should have the utility of transmitting information and easy to understand, so such font design is undoubtedly a great innovation and a good attempt

I think is not historical but very experimental

Can't be found every day because it needs an appropriate light.

And I think he did a lot of experimentation and experimentation, he combined patterns and words, and broke the design of more square fonts, so that the text is full of vitality and story.

In the previous image the meaning of the word itself is clear at a glance in Chinese, and he combines graphics to transform the original fonts into patterns (eyes), which are easier to read and understand. So that expressed the typography.

In my opinion, this typography had a lot of experimental, it is informative and we can find it in the everyday. To be the sign of public systems and buildings, there is no doubt that it must be legible.

For instance, you can see the previous image, those are some logos from public buildings in Berlin, typographer combined a light background color, and a clear font that uses the color contrast of the background to let people know the function of those buildings or shops, which are easier for people to read and understand.

There's white space, there's a picture. Not so monotonous, the letters are more simple, and different fonts are used to emphasize the title.

2. The words form a gradual line like a person walking in from a distance.

3. It taught me to combine words and images.

condition and the different types of spina bifida using different letterforms.

Kaleena Sales is a design educator and advocate. Associate professor of graphic design and chair of the department of art and design at Tennessee State University, Kaleena is a co-author of Extra Bold: A Feminist, Inclusive, Anti-Racist, Non-Binary Field Guide for Graphic Designers, and co-hosts a podcast about design and culture with Design Observer. When beginning the book, Kaleena says that “I envisioned a neat and streamlined series of essays, matching in length and format.” Though what instead developed was something that Kaleena describes as “much more organic”.

“When the Unicode Standard does not contain characters (code points for particular characters) in a given language’s orthography, it is not possible for that community to accurately use their language on digital text platforms,” says Kevin King, the type designer and researcher who led the North American Syllabics project. This means that communities can not participate “easily in sharing email”, and it also puts restrictions on who can use Twitter, Instagram and Facebook. With users often forced to switch to a “majority language such as English”, Kevin explains that it “puts that minority language at risk of digital extinction".

With usage by younger generations vital to a language’s survival, enabling ways for users to actively engage with their language on a daily basis was central to the work.

2. experimental:As a result, TwoPoints.Net began to spread the tentacles of its activities further and wider, seeking to communicate with people of different ages and understandings of literature. (3. found in everyday life) above all in graphic design that "associates reading with interesting things" and "establishes a wide range of contacts with different target groups". Based on the Spanish catchphrase "Leer te da vidas extra" (which translates as "Reading gives you extra life"), its visual concept is centred on games, in particular the video game aesthetics of the 80's and 90's, in which games were visually associated with "light-hearted fun", which was then formalised in a flexible typographic system made up of pixels that enabled the studio to able to create many versions of the logo, "monogrammed, horizontal and vertical - so customised typography can be created," the studio says. This customised typeface was then paired with the Times LT Std font as a secondary typeface for displaying the tagline in the phrase "Leer te da Vidas Extra" above. (4.informational)

The campaign launched by the studio portrays reading as more "carefree and playful" and is represented through a variety of visual devices such as tote bags, social media and print. (5. Legible readable)

This poster is from Ador Studio, designed by Hwgyousun. this is a Korean girl's group named Newjeans. The main concept is the "Natural growth process". They are currently in adolescence, their body exudes lively, upward, and sunshine.

The poster is readable, bunnies is the name of the group's fans, we can see that this poster is about a fan meeting notice, and the time is marked at the bottom of the poster. The poster is also experimental, using bright colors and contrasting colors to create a jumpy and lively atmosphere. Some graffiti and collages are used to express the concept of youth.

Through comparison, it can be seen that the posters in Japan are not as colorful as the fan meeting announcements poster in Korea, and there is no strong contrast of color in the Japan poster. It gives me a very lithe feeling. Adding different flourish letters to display the names of the groups will give people a jumping, lively but refreshing feeling. The pink and white gradient is also girly. The color of the laser decoration star on the poster is mainly white, and the decoration placed around the figure does not steal the focus of the figure, while the decorative color will be heavier at the bottom so that the poster does not feel top-heavy. Seeing this poster on the street will not feel heavy color, but feel very light, just in line with the concept of the group.

The fonts of these two posters are historic because it can be seen that the first one is more American style, and American style gives people the feeling of freedom. The first picture is a kind of y2k (year of 2000), which was favored by young people at that time, and posters with y2k decoration would express the feelings of "young people". The group uses cute font letters(Japanese) and some hard American lettering(Korean) to convey the concept of a vibrant, free-spirited group of girls.

The reason for choosing this font: My theme is "Over-packaging", and the content is to demonstrate the drawbacks of over-packaging to people. It is necessary to reflect the meaningless and complex decoration essence of over-packaging in the process. As a font with strong decorative properties that serves brand design, Cako has good readability and is relatively formal. However, unlike other conventional fonts, this type of font adds some decorative curved lines and geometric shapes in the handling of some strokes, and such details can express the concept of "transition" in the theme.

Homework: Start reading  the short book‘ Detail in Typography’ by Jost Hochuli. A PDF will be been provided. It can also be downloaded from this link: https://jarrettfuller.com/Graphic-Design-Readings/PDF/hochuli-Jost-H-Detail-in-Typography%20scribd%20-%2064-page.pdf

The shape of this font is romantic and charming.

Voyage typeface font is very suitable for the title or a short article, and it has delicate thin lines, and the details are very finely processed.

In the beginning of the class, the professor began with the history of characters. As the carrier of human language, character is an important tool to connect human communication and record history. It has been invented, improved and widely used by human beings. Later, when aesthetics was born, people increased their pursuit of art in their cognition and judgment of things, and at the same time, people made great changes in font design. From the beginning, the scribbled text symbols used for recording evolved into a structured, unified and formal font. At the same time, such a standardized font can make people easier to read and understand, thus improving the efficiency of communication and having a better "legibility". However, with the development of The Times, people's concept and understanding of aesthetics are more and more extensive and diverse, which makes more and more people begin to pursue novelty. At this time the concept of typeface design also officially became part of art. People put a lot of experimentation into font design and create a lot of different fonts and use these fonts in different scenarios. However, back to the beginning of the creation of the text, the essence of the text is still a tool for communication, a large number of gorgeous font design let people gradually forget this essence, at the same time, the word "legibility" began to be paid attention to. "Legibility" is the character itself must have some characteristics, human font recognition has a clear range, if a certain type of text design "legibility" is very small, then this set of text design basically has no great use.

In very formal occasions, such as bills, documents, test papers and other places that need very clear handwriting, those "legibility" weak fonts will affect people's understanding and judgment. Therefore, it can be found that "legibility" is the basis for improving people's understanding and processing efficiency of documents, and in all cases that need to have these conditions, very regular fonts are necessary. However, in poster design and advertisement design, the importance of "legibility" is second to artistic, because people will pay more attention to the few distinctive sentences of the font to increase the impression of these advertisements. The "legibility" of different fonts is different, but I think the basic importance of good font design is the "legibility", because in essence, fonts only serve the daily life of human beings, and human beings need to understand things through words.

It's an elegant and serif font, I want to use Medium italic or bold italic because It will be showy as a title. In response to my theme, I'm going to add some lines at the beginning and end of these fonts to make the font more flexible. This can express the girl's lively and the maturity of immediately becoming an adult. This font will make some different designs on some letters, such as "w" and "x". These designs make the font less rigid and more unique. This font also works well on book covers

^{Jiangnan architecture contains the cultural heritage of the present Jiangand Zhejiang region, and the Taihu Lake basin as the center (lower Yangtze River), including Shanghai, southern Jiangsu, Zhejiang and so on.}

^{Jiangnan rainy season, the air is humid, so the structure of Jiangnan buildings is extremely space-saving, pay attention to ventilation and moisture-proof. The building generally adopts the perforated wood structure, the roof structure is thin, the wall is painted white, and the top is stacked by layers of black bricks. And that's what makes me really interesting, is that these blue bricks are arched, stacked on top of each other on the roof. From a distance, the roof of each house is stacked with different shades of tile, which looks like a lot of random lines, echoing each other.}

^{The shape of Jiangnan architecture itself is very similar to plate design, and the concrete is also very similar to constructivism. The design inside itself, such as stone lions, patterns and gardens, is very similar to the combination of text and pictures used in our usual design, which is somewhat similar to the combination of minimalist and extremely complex. So I was wondering whether I could make a three-dimensional book to show the architectural culture of Jiangnan, and the layout and text layout in the book should follow this design, so as to reflect the combination design of cultural architecture and fonts.}