include text in my book, this may be kept on a purely informative level, or used as an integrated graphic element within

the work. 

I will explore traditional photographic skills with digital techniques to generate a high quality finished book.

Pages: 95
Place: London
Year: 1978
Publisher: Quartet Books
Size: 20 x 26 cm (approx.)

24-70mm

50mm

85mm

150mm

300mm

200-400mm

Tilt Shift

"The appreciation of Eggleston's work has come a long way since his pioneering 1976 exhibition, William Eggleston's Guide, at New York's Museum of Modern Art. 

Originally published: 1992
Author: William Eggleston
Genre: Exhibition catalogue
Illustrator: William Eggleston

Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England. The photographs depict subjects and objects from everyday life and it is Eggleston's unique ability to find beauty, and striking displays of colour, in ordinary scenes.

Reading and making notes on Sophie Calle’s new publication, I am trying to be attentive, but am distracted with loneliness. Writing and making are difficult. I am living awkwardly with my parents and concerned about money. As Calle put it in a 2007 interview, emotional moments such as these are “banal”; everyone can identify with them, therefore they are hardly the stuff of art. Yet, on its most directly accessible level, Calle’s work has always been about the pain of the everyday. As in my opening gambit, she often operates within the territory of emotion shared, projected publicly between strangers and acquaintances.

Since her early experiments in following strangers around Paris, from 1979 onwards, and photographing friends and visitors sleeping in her bed, documented as The Sleepers (1981), Calle has developed a reputation as a serious conceptual artist, going on to represent France at the Venice Biennale (2007) with an installation processing a recent relationship breakdown curated by her contemporary Daniel Buren. Calle’s status as a respected artist is significant given her attitude to her first works. She claimed in a 2009 interview that The Sleepers became an unintentional work of conceptual art only “when the wife of a critic told him about it. He came along. He said, ‘Is this art?’ and I said, ‘It could be.’” Calle then took notes and photographed the situation, reframing it within critical discourse. Given this tale of stumbling into a prolific performance art practice because she needed “rules”, Calle’s current recognition as a photographer equally strikes a tension between the planned and the surprising.

Oskar Barnack, a development engineer for Leitz, first created his compact 35mm in 1913 in order to use 35mm film for still photography rather than motion picture photography. However, production was delayed due to WWI.

By the time the Leica I was in production, there were several other 35mm cameras available on the market, but the Leica became the most popular by far. The Leica and other 35mm cameras cemented 35mm film as the standard for high-end still photography cameras.

Early Leica camera are now considered to be highly collectible.

Pareidolia is a psychological phenomenon that causes people to see patterns in a random stimulus. This often leads to people assigning human characteristics to objects.