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      <title>Harlem Renaissance poem by Mariah Casas</title>
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      <pubDate>2024-03-09 16:11:46 UTC</pubDate>
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         <author>mc904</author>
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         <description><![CDATA[<p>f we must die, let it not be like hogs<br><br>Hunted and penned in an inglorious spot,<br><br>While round us bark the mad and hungry dogs,<br><br>Making their mock at our accursèd lot.<br><br>If we must die, O let us nobly die,<br><br>So that our precious blood may not be shed<br><br>In vain; then even the monsters we defy<br><br>Shall be constrained to honor us though dead!<br><br>O kinsmen! we must meet the common foe!<br><br>Though far outnumbered let us show us brave,<br><br>And for their thousand blows deal one death-blow!<br><br>What though before us lies the open grave?<br><br>Like men we’ll face the murderous, cowardly pack,<br><br>Pressed to the wall, dying, but fighting back!</p>]]></description>
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         <pubDate>2024-03-09 16:29:54 UTC</pubDate>
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         <title>jacob Lawrence&#39;s called  &#39;&#39;&#39;Bar and Grill&#39;&#39;  </title>
         <author>mc904</author>
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         <pubDate>2024-03-09 16:32:31 UTC</pubDate>
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         <title> Aaron Douglas - Aspects of Negro Life, 1934</title>
         <author>mc904</author>
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         <pubDate>2024-03-09 16:48:30 UTC</pubDate>
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         <title>Archibald Motley - Stagecoach and Mail, 1937</title>
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         <pubDate>2024-03-09 16:54:28 UTC</pubDate>
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         <title>Hale Woodruff&#39;s Amistad Murals, 1938</title>
         <author>mc904</author>
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         <pubDate>2024-03-09 17:12:29 UTC</pubDate>
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         <title>Charles Alston&#39;s Harlem Hospital Murals, 1936-40</title>
         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912275083</link>
         <description><![CDATA[<p>the artist <strong>designed narrative, celebratory images of Harlem, African-American life, children's fairy tales, and stories for New York's Harlem Hospital representing the African Americans and there dreams of becoming free.</strong></p>]]></description>
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         <pubDate>2024-03-09 17:16:27 UTC</pubDate>
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         <title>jacob Lawrence To Preserve Their Freedom, from Toussain L&#39;Ouverture series, serigraph.</title>
         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912280642</link>
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         <pubDate>2024-03-09 17:26:04 UTC</pubDate>
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         <title>Questions </title>
         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912292945</link>
         <description><![CDATA[<ol><li><p>Why did the Harlem Renaissance use exotic, sensual images to celebrate African-American culture?</p><p><mark>by </mark><strong><mark>taking  control over representations of their own people</mark></strong><mark>, instead of accepting the depictions by white people</mark>.</p></li></ol><ol start="2"><li><p>How did the Harlem Renaissance affect the politics leading to the Civil Rights Movement?</p><p><mark>would </mark><strong><mark>provide a foundation for the Civil Rights Movement of the 1950s and 1960s</mark></strong></p></li></ol><ol start="3"><li><p>With so many economic and cultural hurdles, why was Harlem Renaissance art so optimistic in tone?</p><p><strong><mark>it promotes African American achievements</mark></strong><mark>. By this art, they cans how the world how artistic and talented African American are</mark></p></li></ol><ol start="4"><li><p>What was it about Paris that allowed African-American artists to achieve recognition there?</p><p><mark>Paris was </mark><strong><mark>a place where race didn't matter much</mark></strong><mark>, where felt respected as a person, and was free to develop as an artist.</mark></p></li></ol><ol start="5"><li><p>Why did the Harlem Renaissance end?<mark>due to </mark><strong><mark>the Stock Market Crash of 1929 and resulting Great Depression</mark></strong><mark>, which hurt African American-owned businesses and  made less financial support for them and there needs and for there art.</mark></p><p>'Heidi Anderson, Harlem Renaissance on aBba front. us history, HIST 17B, canvas. 03/9/24</p></li></ol>]]></description>
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         <pubDate>2024-03-09 17:53:39 UTC</pubDate>
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         <title>Archibald Motely, 1891-1981, Nightlife, 1943. Oil on canvas.
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         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912293865</link>
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         <pubDate>2024-03-09 17:55:53 UTC</pubDate>
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         <title>Aaron Douglas, Song of the Towers, from the mural series Aspects of Negro Life, 1934 (not featured in the exhibition)
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         <author>mc904</author>
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         <pubDate>2024-03-09 17:57:21 UTC</pubDate>
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         <title>Charles Henry Alston (1907-1977), Oh Freedom, oil on canvas, Smithsonian Institution</title>
         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912295360</link>
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         <pubDate>2024-03-09 17:59:22 UTC</pubDate>
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         <title>Jacob Lawrence, from The Migration of the Negro, 1941, oil on panel, Philips Collectio</title>
         <author>mc904</author>
         <link>https://padlet.com/mc904/sehawoohwy81pdg1/wish/2912297097</link>
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         <pubDate>2024-03-09 18:01:41 UTC</pubDate>
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         <title>Jacob Lawrence, Toussaint L&#39;Oueverture from Toussaint L&#39;Oueverture series, 1988-1997, serigraph</title>
         <author>mc904</author>
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         <pubDate>2024-03-09 18:03:57 UTC</pubDate>
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