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      <title>Week 7: WEDNESDAY 5.15pm by David</title>
      <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm</link>
      <description>The Cult of the Collector: The Rise of the Private Art Museum</description>
      <language>en-us</language>
      <pubDate>2018-03-22 21:24:43 UTC</pubDate>
      <lastBuildDate>2024-10-02 00:13:38 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>GROUP 1</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/351561756</link>
         <description><![CDATA[<div><br>What are the key characteristics of a private museum?<br>How does this kind of museum differ from larger, more institutionalised examples, such as state and national museums of art?<br><br><strong>Use White Rabbit Gallery as a case study example and compare it with an international one </strong></div>]]></description>
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         <pubDate>2019-04-15 04:57:22 UTC</pubDate>
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         <title>GROUP 2</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/351561962</link>
         <description><![CDATA[<div>What motivates their development as far as the collector is concerned? And what motivates their success (or failure) as far as the public viewing these spaces is concerned?<br><br><strong>Compare Australian examples with international case studies</strong></div>]]></description>
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         <pubDate>2019-04-15 04:58:50 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/351561962</guid>
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      <item>
         <title>GROUP 3</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/351562113</link>
         <description><![CDATA[<div>How do the the case studies differ among themselves in terms of the different ways that they frame their collections and in terms of their presentation of themselves as an institution - in particular, consider the issue of how the image of the presiding spirit of the collector/s is presented in each of the case studies - what do these differences have to tell us about the different orientations / aspirations of these museums? <br><br><strong>Compare the following examples: <br>Isabella Stewart Gardner Museum </strong><a href="https://www.gardnermuseum.org"><strong>https://www.gardnermuseum.org </strong></a><strong><br>The Frick Collection <br></strong><a href="https://www.frick.org"><strong>https://www.frick.org</strong></a><strong><br>White Rabbit Gallery </strong><a href="https://www.jnprojects.net/white-rabbit-gallery/"><strong>https://www.jnprojects.net/white-rabbit-gallery/</strong></a><strong><br>MONA </strong><a href="https://mona.net.au"><strong>https://mona.net.au </strong></a></div>]]></description>
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         <pubDate>2019-04-15 05:00:08 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/351562113</guid>
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      <item>
         <title>Asian Art: Contemporary China, National Gallery of Australia, November 2016-February 2017</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149193</link>
         <description><![CDATA[<div>Works from White Rabbit Gallery and Sherman Foundation</div>]]></description>
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         <pubDate>2019-04-16 22:39:21 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149193</guid>
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         <title>Asian Art: Contemporary China, National Gallery of Australia, November 2016-February 2017, “Play 201301”, by controversial Chinese artist Xu Zhen. </title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149207</link>
         <description><![CDATA[<div>From White Rabbit Gallery</div>]]></description>
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         <pubDate>2019-04-16 22:39:30 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149207</guid>
      </item>
      <item>
         <title>How did an 18-metre-long Buddha get from China to Melbourne?</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149219</link>
         <description><![CDATA[<div><em>Eternity – Buddha in Nirvana</em> has been designed by Xu Zhen<br><a href="https://www.abc.net.au/news/2018-02-06/chinese-artist-xu-zhens-18-metre-buddha/9382614">https://www.sbs.com.au/news/how-did-an-18-metre-long-buddha-get-from-china-to-melbourne</a> </div>]]></description>
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         <pubDate>2019-04-16 22:39:37 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149219</guid>
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      <item>
         <title>White Rabbit Gallery</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149234</link>
         <description><![CDATA[<div>Virtual Tours</div>]]></description>
         <enclosure url="https://www.jnprojects.net/white-rabbit-gallery/virtual-tours/" />
         <pubDate>2019-04-16 22:39:43 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149234</guid>
      </item>
      <item>
         <title>White Rabbit Gallery</title>
         <author>walker_g</author>
         <link>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149318</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.jnprojects.net/white-rabbit-gallery/" />
         <pubDate>2019-04-16 22:40:39 UTC</pubDate>
         <guid>https://padlet.com/challisd/AHIS90005_2018_Wk9_Wed_515pm/wish/352149318</guid>
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