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      <title>Journal - Typography 1 by Howard Mendoza</title>
      <link>https://padlet.com/101517210/HowardTypography1Journal</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-09-07 19:10:03 UTC</pubDate>
      <lastBuildDate>2024-11-20 01:36:00 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Typography I Like</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3107528315</link>
         <description><![CDATA[<ul><li><p><strong>Clean and Modern Look </strong>- Futura has a simple and modern design with its straight lines and geometric shapes. It looks super sleek and works great for designs that need a fresh, minimal vibe.</p></li><li><p><strong>Versatile and Easy to Read</strong> - You can use Futura almost anywhere—headlines, body text, and even logos. It’s clear and easy to read, which makes it perfect for both print and digital designs.</p></li><li><p><strong>Timeless Style</strong> - Even though Futura was created a long time ago, it still looks cool and never goes out of style. It fits with all kinds of designs, whether you’re going for a classic or modern feel.</p></li></ul>]]></description>
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         <pubDate>2024-09-07 19:14:41 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3107528315</guid>
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         <title>Typography I Don&#39;t Like</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3107529262</link>
         <description><![CDATA[<ul><li><p><strong>Looks Dated and Overused</strong> - Papyrus looks old-fashioned and has been used so much that it’s lost any unique appeal. It feels outdated, and you see it in random places where it doesn’t fit, making it look cheap and unoriginal.</p></li><li><p><strong>Messy and Hard to Read</strong> - The letters in Papyrus are uneven and have weird, rough edges, which makes the text look messy. It’s hard to read, especially in smaller sizes, and doesn’t look clean or polished.</p></li><li><p><strong>Cultural Misuse </strong>- Papyrus is often used to give off a “spiritual” or “ancient” vibe, but it ends up looking cheesy and out of place. It can feel like it’s trying too hard to be something it’s not, making it seem culturally insensitive.</p></li></ul>]]></description>
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         <pubDate>2024-09-07 19:16:21 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3107529262</guid>
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         <title>Sans Serif 1</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3127967892</link>
         <description><![CDATA[<ul><li><p>The typeface has a clean, geometric construction with uniform strokes and precise proportions. This approach creates a modern, minimal aesthetic, making the type easily legible and structured.</p></li><li><p>The heavy stroke weight gives the typeface a bold, commanding presence. This weight helps it stand out, especially in a busy composition, ensuring the text remains the focal point without getting lost.</p></li><li><p>The use of a sans-serif typeface, which lacks serifs or decorative strokes, reinforces a contemporary and clean design. Sans-serif fonts are often associated with clarity and efficiency, making them ideal for modern designs that focus on readability and simplicity.</p></li></ul>]]></description>
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         <pubDate>2024-09-19 14:23:37 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3127967892</guid>
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         <title>Sans Serif 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3127985344</link>
         <description><![CDATA[<ul><li><p>It's really bold with a condensed width, which makes it look strong and powerful while fitting more letters into a tighter space. This condensed structure gives it a vertical emphasis and makes it feel more intense.</p></li><li><p>The letters have a thick stroke weight, which gives the typeface a heavy and authoritative vibe. The lack of serifs makes it feel more modern and clean, focusing on simplicity and impact.</p></li><li><p>The typeface uses tight letterspacing (or tracking), which makes the text look uniform and structured. This consistent spacing helps with readability and creates a smooth flow, even though the design is dense and repetitive.</p></li></ul>]]></description>
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         <pubDate>2024-09-19 14:32:32 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3127985344</guid>
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         <title>Display </title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3127993021</link>
         <description><![CDATA[<ul><li><p>The typeface has soft, rounded letterforms, which give it a fun, approachable feel. This is typical for a display font, where the design is meant to evoke a specific mood, in this case, something youthful and energetic.</p></li><li><p>The typeface features a heavy stroke weight, making the text stand out and ensuring it grabs attention. This is common in display fonts, as they are meant to be eye-catching and used at larger sizes for titles or headlines.</p></li><li><p>Each word in the design uses a different style within the display font category, mixing hand-drawn and geometric elements. This variation gives the design a dynamic, creative feel, reinforcing the playful and vibrant theme of the overall illustration.</p></li></ul>]]></description>
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         <pubDate>2024-09-19 14:36:44 UTC</pubDate>
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         <title>Display 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3128033393</link>
         <description><![CDATA[<ul><li><p>This type uses thick, blocky shapes that make the text stand out and feel dominant. The boldness gives it a powerful and almost aggressive tone, fitting well with the message of violence. The high x-height also makes the letters appear more compact and intense.</p></li><li><p>Many of the letters feature sharp, angular lines, which give the typeface a hard, rigid feel. This geometric style adds to the sense of aggression and intensity in the design, making the text feel striking and serious.</p></li><li><p>The uneven letter sizes and irregular spacing give the typeface a retro, almost psychedelic look, similar to styles from the 1960s and 70s. This adds an element of chaos and rebellion, which matches the theme of "ultra-violence" in the text.</p></li></ul>]]></description>
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         <pubDate>2024-09-19 14:58:42 UTC</pubDate>
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         <title>Serif 1</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3128046888</link>
         <description><![CDATA[<ul><li><p>This serif font give the text a traditional and formal feel, making it look timeless and easy to read.</p><p><br/></p></li><li><p>The letters show a noticeable contrast between thick and thin strokes. This creates a stylish and elegant appearance, giving the text a more refined look while still being bold enough to stand out.</p><p><br/></p></li><li><p>Some of the letters, like "R" and "G," have gentle curves, which add a bit of flow to the typeface. This makes the design feel a little softer and more approachable without losing its formal tone.</p><p><br/></p></li></ul>]]></description>
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         <pubDate>2024-09-19 15:05:43 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3128046888</guid>
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         <title>Serif 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3128063302</link>
         <description><![CDATA[<ul><li><p>The type is presented in a bold weight, creating a sense of emphasis and importance. The large size of the text, coupled with its heavy stroke, commands attention and ensures that this message is the focal point of the composition, drawing the viewer’s eyes directly to it.</p></li><li><p>The typeface used is clearly a serif font, as we can tell by the small lines or "feet" at the ends of the letterforms. These serifs give the type a classic and somewhat formal appearance, which contrasts with the dynamic, energetic illustration in the background. This stylistic choice helps ground the design while still delivering an impactful message.</p></li><li><p>There is a clear typographic hierarchy in the design. The headline utilizes a much larger, bold serif typeface, while the body text beneath it is smaller and lighter, likely in a regular or medium weight. This contrast in size and weight helps distinguish the headline from the supporting text, guiding the reader through the visual narrative in a structured manner.</p></li></ul>]]></description>
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         <pubDate>2024-09-19 15:14:32 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3128063302</guid>
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         <title>Type Weight Difference</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3136536250</link>
         <description><![CDATA[<ul><li><p><strong>Bold and Light Text Contrast - </strong>The bold, thick letters for "MT. JOY" immediately caught my eye, while the thinner font for "2024 European Tour" makes the event details easy to read. I think this creates a clear focus on the important information.</p></li><li><p><strong>Variation in Font Style -</strong> The title "MT. JOY" uses a solid, bold font, while the tour details are presented in a much simpler, thinner font. This change in style makes the design more dynamic and keeps it from feeling repetitive in my opinion.</p></li><li><p><strong>Font Weight for Clarity - </strong>The heavier font for the band name and the lighter font for the tour dates make it easy to read all the details without it feeling too crowded.</p></li></ul>]]></description>
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         <pubDate>2024-09-24 21:08:03 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3136536250</guid>
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         <title>Type Weight Difference</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3136536609</link>
         <description><![CDATA[<ul><li><p><strong>Bold Headline - </strong>The word "SORRY" is in a large, bold font that instantly grabbed my attention. It makes the word stand out and feel a bit sarcastic.</p></li><li><p><strong>Font Contrast - </strong>The phrase "BUT I AM NOT LISTENING" is smaller and thinner compared to "SORRY," but it’s still bold. This contrast helps show the change in tone from apology to ignoring.</p></li><li><p><strong>Hierarchy in Text - </strong>The text is clearly organized. "SORRY" is the main focus, then "BUT I AM NOT LISTENING" stands out next, and the smallest text at the bottom gives extra info without being too noticeable. The different sizes make it easy to follow the message.</p></li></ul>]]></description>
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         <pubDate>2024-09-24 21:08:32 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3136536609</guid>
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         <title>3 Levels of Type Hierarchy </title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3147459129</link>
         <description><![CDATA[<p>1. <strong>Primary Focus: Show Title (KAOS)</strong></p><ul><li><p>The biggest and most eye-catching text on the poster is the word "KAOS." It’s placed right in the center, making it the focal point of the design. The font is bold and in a light, off-white color, which contrasts well with the colorful, chaotic background. The size and positioning immediately draw my attention to the title, which feels fitting given that it's the name of the show.</p></li></ul><p>2. <strong>Secondary Focus: Release Information</strong></p><ul><li><p>Right at the bottom, the release date “29 AUG” and the “ONLY ON NETFLIX” label are in smaller, but still noticeable font. They are aligned neatly, using white text on a darker background to ensure visibility. This information is important but doesn’t compete with the title. The designers have made it easy for me to spot the date and streaming platform without overpowering the main design.</p></li></ul><p>3. <strong>Third Focus: "A Netflix Series"</strong></p><ul><li><p>At the very top, in much smaller text, is the phrase "A NETFLIX SERIES." It’s framed within the decorative arch of the poster, making it clear without being too bold. The small size tells me it’s not the most important part of the design but still provides context that it's a Netflix original. I almost missed it at first glance, which shows how subtle it is compared to the title.</p></li></ul>]]></description>
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         <pubDate>2024-10-01 02:53:25 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3147459129</guid>
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      <item>
         <title>3 Levels of Type Hierarchy</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3147475487</link>
         <description><![CDATA[<p><strong>1.Primary Focus: Movie Title </strong></p><ul><li><p>The title <em>"His Three Daughters"</em> stands out the most. It’s placed right in the center in bold, yellow, all-caps letters, which immediately draws my eyes to it. The size and color make it clear that the title is the main focus of the poster, and the bold font gives it a sense of importance.</p></li></ul><p><strong>2.Secondary Focus: Actor Names</strong></p><ul><li><p>The actor names—“Natasha Lyonne,” “Elizabeth Olsen,” and “Carrie Coon”—are much smaller and placed at the top. The font is simple and white, which makes them noticeable but not overwhelming. Their placement at the top and smaller size tell me that this information is important, but not as much as the title itself.</p></li></ul><p><strong>3.Third Focus: The Release Date and Logo</strong></p><ul><li><p>The release date, “September 20,” and the Netflix logo are at the bottom of the poster. The font is smaller and contrasts with the white and red, which makes it easy to find after I’ve taken in the title and cast. The Netflix logo in red also stands out, but it’s subtle enough that it doesn’t steal focus from the title.</p></li></ul>]]></description>
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         <pubDate>2024-10-01 03:09:38 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3147475487</guid>
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         <title>Example of Tracking</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3161569683</link>
         <description><![CDATA[<ul><li><p>The tracking in the headline makes it super easy to read, especially from far away. It really grabs my attention, which is important for a poster.</p></li><li><p>I noticed that the headline with narrow spacing stands out compared to the smaller text below. It helps me focus on the most important part first before reading the rest.</p></li><li><p>The extra space between the letters makes the design feel clean and balanced. It keeps the poster from looking too crowded, which works well with the simple coffee image.</p></li></ul>]]></description>
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         <pubDate>2024-10-09 17:56:19 UTC</pubDate>
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         <title>Expressive Type 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3171087064</link>
         <description><![CDATA[<ul><li><p>What I like about this design is its minimalistic look. There’s a lot of empty, white space that draws attention to the small amount of text and shapes. It creates a sense of emptiness, which goes with the word “LOST.” </p></li><li><p>I noticed that the missing "O" in the word "LOST" is creatively replaced by a semicolon that drips downward into the "O" shape. It feels like the letter is being “lost” or slipping away, which visually mirrors the concept of the word. The use of the semicolon also adds another layer of meaning, symbolizing something incomplete or ongoing, which ties into the theme of searching or being lost.</p></li><li><p>The small, light text at the bottom adds an emotional and reflective tone. It talks about searching for something, which connects with the large "LOST" at the top. The choice to make the text small forces the viewer to look closer, almost like they’re searching too, which I think is a clever way to engage the viewer.</p></li></ul>]]></description>
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         <pubDate>2024-10-15 23:45:50 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3171087064</guid>
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         <title>Expressive Type 1</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3171368948</link>
         <description><![CDATA[<ul><li><p>I noticed that the letters are shaped like flames, which perfectly connects with the phrase "fired up." It's cool how the type itself visually represents what the words mean. This makes the design feel energetic and gives the message more impact.</p></li><li><p>The bold red letters against the bright yellow background really stand out. The color choices remind me of fire, and it makes the whole design feel intense and powerful. </p></li><li><p>I like how the halftone texture inside the flames gives it a bit of a vintage, screen-printed look. It adds some extra depth and makes the design more interesting. It also gives off a retro feel, which makes it even more eye-catching.</p></li></ul>]]></description>
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         <pubDate>2024-10-16 02:25:08 UTC</pubDate>
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         <title>Example 1</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3201894239</link>
         <description><![CDATA[<ul><li><p>The word "RUN" is repeated in big red letters all over the poster, making it hard to ignore and adding a sense of urgency. The main "RUN" at the bottom is bigger and in white, which really grabs my attention as the main message.</p></li><li><p>The red background text and black running figure lead my eyes across the poster, like I’m following the movement. The white "RUN" at the bottom stands out even more because of this, making it clear that’s what I should focus on.</p></li><li><p>The huge "RUN" at the bottom grabs me right away. The smaller "RUN" text in the background adds depth, almost like it’s echoing. The tagline, "Because your life depends on it," adds to the intensity, showing it’s about more than just running.</p></li></ul>]]></description>
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         <pubDate>2024-11-05 05:48:44 UTC</pubDate>
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         <title>Example 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3201898550</link>
         <description><![CDATA[<ul><li><p>The first thing that grabs my attention is the phrase “Be nice It's free” in this big, fancy cursive typeface paired with a sans serif, It stands out as the main message. The contrast between the two styles makes the message even stronger.</p></li><li><p>My eyes are then drawn down to the image of two people interacting. The bright red and yellow circles really make this part of the design pop, giving the whole thing a warm, inviting feel that connects with the idea of kindness.</p></li><li><p><strong>T</strong>he smaller paragraphs at the bottom add more context, but they’re clearly set apart from the main message. This makes it easy to see that “Be nice. It’s free” is the big takeaway, while the text at the bottom just adds extra depth if I want to read more.</p></li></ul>]]></description>
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         <pubDate>2024-11-05 05:51:55 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3201898550</guid>
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         <title>Typographic Logo Example 1</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3223054530</link>
         <description><![CDATA[<ul><li><p>The typeface features <strong>bold and angular details</strong>, giving it an elegant yet mysterious vibe, which makes it fitting with the show’s dark fantasy tone.</p></li><li><p>The spacing between the letters (kerning) is wide, creating an airy feel that adds to the logo’s cinematic quality.</p></li><li><p>The gold color is my favorite touch because it gives off this fancy, steampunk vibe that matches the show’s style.</p></li></ul><p><br/></p>]]></description>
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         <pubDate>2024-11-18 23:57:14 UTC</pubDate>
         <guid>https://padlet.com/101517210/HowardTypography1Journal/wish/3223054530</guid>
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         <title>Typographic Logo Example 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3223055286</link>
         <description><![CDATA[<ul><li><p>The typeface combines <strong>bold and sleek sans-serif letters</strong>, reflecting a modern yet edgy style that aligns with the group's pop music image.</p></li><li><p>The pink and black color scheme emphasizes the duality in the name, representing femininity (pink) and sophistication or boldness (black).</p></li><li><p>The balance between the letters is precise, giving the logo a symmetrical and polished look, which mirrors the group's high production values.</p></li></ul>]]></description>
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         <pubDate>2024-11-18 23:57:58 UTC</pubDate>
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         <title>Typographic Logo Example 2</title>
         <author>101517210</author>
         <link>https://padlet.com/101517210/HowardTypography1Journal/wish/3223055652</link>
         <description><![CDATA[<ul><li><p>The font in the Twitch logo reminds me of old-school video games because it’s kind of blocky and pixel-like. It’s perfect since Twitch is all about gaming.</p></li><li><p>The letters have clean, bold lines that make the logo super recognizable, even on small screens.</p></li><li><p>The design is super bold and easy to read, which I think is really important since people see it on all kinds of screens, big or small.</p></li></ul>]]></description>
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         <pubDate>2024-11-18 23:58:20 UTC</pubDate>
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