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      <title>UAL Level 3 Music: Project by Jakub Czyzyk ec2245143</title>
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      <description></description>
      <language>en-us</language>
      <pubDate>2025-03-10 10:30:20 UTC</pubDate>
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         <title></title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3365281851</link>
         <description><![CDATA[]]></description>
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         <pubDate>2025-03-13 20:44:41 UTC</pubDate>
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      <item>
         <title>Venue Research - The Mash House</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428047094</link>
         <description><![CDATA[<p>I researched The Mash House, looking into its location, accessibility, and overall reputation for hosting live music performances. I checked how easy it is to get there via public transport and parking availability. I also reviewed past events held at the venue and the types of acts they typically host, especially in the indie, pop, and alternative genres. I explored their website, social media pages, and reviews on platforms like Google and Yelp to get a sense of their sound system, stage size, and technical requirements for performances.</p><p><br></p><p>Source: <a rel="noopener noreferrer nofollow" href="https://themashhouse.co.uk">https://themashhouse.co.uk</a></p>]]></description>
         <enclosure url="https://themashhouse.co.uk" />
         <pubDate>2025-04-28 13:19:28 UTC</pubDate>
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      <item>
         <title>Genre Conventions - Pop and Alternative Music</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428055648</link>
         <description><![CDATA[<p>I explored the typical performance expectations for pop music (Super Trouper, Airplanes) and indie/alternative music (Black Sheep, Tek It, Nevermind). I researched common arrangements, vocal techniques, and performance styles for each genre, focusing on how these differ between pop and alternative music. I looked into how musicians in these genres structure their rehearsals and performances, and what elements they often emphasize, such as audience interaction, stage presence, and visuals.</p><p>This is a great article where i found out most of my information: <a rel="noopener noreferrer nofollow" href="https://unlocktheguitar.net/blog/band-rehearsal-how-the-pros-rehearse-for-a-show/#:~:text=Most%20amateur%20bands%20and%20musicians,is%20designed%20to%20reduce%20risk">https://unlocktheguitar.net/blog/band-rehearsal-how-the-pros-rehearse-for-a-show/#:~:text=Most%20amateur%20bands%20and%20musicians,is%20designed%20to%20reduce%20risk</a>.</p>]]></description>
         <enclosure url="https://unlocktheguitar.net/blog/band-rehearsal-how-the-pros-rehearse-for-a-show/#:~:text=Most%20amateur%20bands%20and%20musicians,is%20designed%20to%20reduce%20risk." />
         <pubDate>2025-04-28 13:24:17 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428055648</guid>
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      <item>
         <title>Setlist Development - Song Balance</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428063556</link>
         <description><![CDATA[<p>I researched how to create a balanced setlist by mixing well-known covers (Super Trouper, Airplanes, Black Sheep) with original tracks (Nevermind, Tek It). I considered how the pacing and flow of songs could affect the energy of the performance, balancing fast and slow songs, as well as the different moods. I looked into advice from other musicians about how to keep transitions smooth between different genres and types of songs, and how to keep the audience engaged throughout the set. I learned a lot from an article on view maniac about what makes a good setlist.</p><p><br></p><p>Source: <a rel="noopener noreferrer nofollow" href="https://blog.viewmaniac.com/crafting-the-perfect-cover-band-setlist-a-guide-to-rocking-the-stage/#:~:text=A%20great%20setlist%20has%20a,tempo%20tracks%2C%20and%20dance%20anthems">https://blog.viewmaniac.com/crafting-the-perfect-cover-band-setlist-a-guide-to-rocking-the-stage/#:~:text=A%20great%20setlist%20has%20a,tempo%20tracks%2C%20and%20dance%20anthems</a>.</p>]]></description>
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         <pubDate>2025-04-28 13:28:47 UTC</pubDate>
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      <item>
         <title>Audience Research - Target Market for Your Music</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428084055</link>
         <description><![CDATA[<p>I researched the type of audience that would be interested in my music, taking into account the mix of pop and alternative genres in my setlist. I looked into the demographics of the typical Mash House audience and other similar venues, focusing on factors like age, musical preferences, and how my chosen genres might appeal to them. I achieved this by going onto the mash house instagram page and looking at posts that they are tagged in. I also reviewed data on streaming platforms like Spotify and YouTube to get an idea of where my potential audience might be and how to target them more effectively.</p><p><br></p><p>source:<a rel="noopener noreferrer nofollow" href="https://www.instagram.com/mashhouse/">https://www.instagram.com/mashhouse/</a></p>]]></description>
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         <pubDate>2025-04-28 13:40:33 UTC</pubDate>
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      <item>
         <title>Roles and Responsibilities - Planning and Delivery</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428101012</link>
         <description><![CDATA[<p>I researched the different roles involved in organizing a live music performance. I explored how responsibilities are typically divided among the band members, event coordinators, sound technicians, and other support staff. I looked into the planning and coordination required for rehearsals, soundchecks, and the overall event. By understanding how tasks are split and how each role contributes to a successful performance, I can ensure smooth collaboration and efficiency leading up to the event. </p><p>This article by the ICMP goes into a good amount of detail about this subject:<a rel="noopener noreferrer nofollow" href="https://www.icmp.ac.uk/blog/how-organise-and-promote-live-music-events">https://www.icmp.ac.uk/blog/how-organise-and-promote-live-music-events</a></p>]]></description>
         <enclosure url="https://www.icmp.ac.uk/blog/how-organise-and-promote-live-music-events" />
         <pubDate>2025-04-28 13:50:34 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428101012</guid>
      </item>
      <item>
         <title>Vocal/Instrumental Techniques for Your Set</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428102155</link>
         <description><![CDATA[<p>I researched vocal techniques suitable for performing pop (Airplanes) and alternative music (Tek It, Nevermind). I looked into specific techniques that would help me match the vocal styles of Hayley Williams in Airplanes and replicate the indie-rock feel of Black Sheep. I also researched instrumental techniques, focusing on how to achieve the distinctive sounds in each track. I watched tutorials and breakdowns of these songs to better understand the technicalities behind their performances. This video showed me a good understanding of tek it by cafune: <a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=WiIA-9eOc44">https://www.youtube.com/watch?v=WiIA-9eOc44</a></p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=WiIA-9eOc44" />
         <pubDate>2025-04-28 13:51:12 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428102155</guid>
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      <item>
         <title>Time Management for Rehearsals</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428116133</link>
         <description><![CDATA[<p>I researched effective time management strategies for rehearsals and preparations for my live performance. I looked into how to balance individual practice time with group rehearsals, making sure we have time for each song as well as for general coordination. I found advice on how to efficiently structure rehearsal sessions, prioritize tasks, and ensure that everyone stays on track with their responsibilities, leading up to the event. The website linked below gave us a good understanding of which techniques are useful to ensure that our rehearsals were efficient and frequent.</p><p><a rel="noopener noreferrer nofollow" href="https://onthestage.com/blog/8-tips-for-managing-rehearsals-efficiently/#:~:text=Create%20a%20Detailed%20Schedule,each%20minute%20is%20used%20effectively">https://onthestage.com/blog/8-tips-for-managing-rehearsals-efficiently/#:~:text=Create%20a%20Detailed%20Schedule,each%20minute%20is%20used%20effectively</a>.</p>]]></description>
         <enclosure url="https://onthestage.com/blog/8-tips-for-managing-rehearsals-efficiently/#:~:text=Create%20a%20Detailed%20Schedule,each%20minute%20is%20used%20effectively." />
         <pubDate>2025-04-28 13:59:19 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428116133</guid>
      </item>
      <item>
         <title>Post-Event Work - Evaluating Your Performance</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428117038</link>
         <description><![CDATA[<p>I researched methods of gathering feedback after a live performance. I explored how musicians typically evaluate their shows through audience surveys, social media interactions, and informal conversations. I looked into how to use this feedback to improve future performances, focusing on key areas like audience engagement, song choice, and overall stage presence. I also found examples of how other musicians analyze their live shows to gauge their success.</p><p>Source:<a rel="noopener noreferrer nofollow" href="https://meetings.skift.com/2023/07/01/15-ideas-to-collect-feedback-at-events/">https://meetings.skift.com/2023/07/01/15-ideas-to-collect-feedback-at-events/</a></p>]]></description>
         <enclosure url="https://meetings.skift.com/2023/07/01/15-ideas-to-collect-feedback-at-events/" />
         <pubDate>2025-04-28 13:59:46 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3428117038</guid>
      </item>
      <item>
         <title>Setlist Analysis</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3444015140</link>
         <description><![CDATA[<p>1. <strong>Super Trouper</strong> by ABBA</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=BshxCIjNEjY">https://www.youtube.com/watch?v=BshxCIjNEjY</a><br>Released in 1980, <em>Super Trouper</em> is a classic pop anthem from Swedish group ABBA. With its catchy melody and heartfelt lyrics about the highs and lows of performing, the song became a global hit and remains one of their most iconic tracks.</p><p><br></p><p>2. <strong>Black Sheep</strong> by Metric</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=2w608EMt9mU">https://www.youtube.com/watch?v=2w608EMt9mU</a></p><p><br>Featured in <em>Scott Pilgrim vs. The World</em> (2010), "Black Sheep" by Metric is an upbeat indie rock anthem about rebellion and individuality. Its resonating guitar riffs and Emily Haines’ iconic vocals helped make it one of the band’s most recognizable songs.</p><p><br></p><p>3. <strong>Tek It</strong> by Cafuné</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=1Kcoia22hdg">https://www.youtube.com/watch?v=1Kcoia22hdg</a></p><p><br>"Tek It" (2020) blends indie pop and lo-fi R&amp;B, with smooth beats and introspective lyrics. American indie pop duo Cafuné captures a laid-back yet emotional vibe, making it a standout track for fans of calm yet deeply personal music.</p><p><br></p><p>4. <strong>Airplanes</strong> by Bob</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=v_dJAI_1veM">https://www.youtube.com/watch?v=v_dJAI_1veM</a></p><p><br>Released in 2019, Bob’s <em>Airplanes</em> mixes hip-hop with deep lyrics about escape and freedom. With a mellow, catchy beat, it captures the longing for something more, resonating with listeners who appreciate deep, soulful rap.</p><p><br></p><p>5. <strong>Nevermind</strong> (Original Song)</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=1Zzz2ocBZ0A">https://www.youtube.com/watch?v=1Zzz2ocBZ0A</a></p><p><br></p><p>Nevermind was written by me and my band it draws inspiration from the indie pop genre with meaningful lyrics yet a light and enjoyable sound.</p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=2w608EMt9mU" />
         <pubDate>2025-05-09 20:43:42 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3444015140</guid>
      </item>
      <item>
         <title>Personal Vocal or Instrumental Practice</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446346757</link>
         <description><![CDATA[<p>As the lead guitarist, I focus on refining the more technically demanding parts of the songs we are playing. I typically warm up by running through challenging sections of our original song, Never Mind, and other pieces that require precision and smooth transitions between chords and lead sections. This helps me stay sharp for the intricate solo work and rapid chord changes in our music.</p><p><br/></p><p>Warm-up Routine:</p><p>Running through the lead guitar parts of Never Mind.</p><p>Focus on technique and speed for faster passages.</p><p>Working on phrasing and smooth transitions between chords and solos.</p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=FE5MUwhzfeg">https://www.youtube.com/watch?v=FE5MUwhzfeg</a></p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=FE5MUwhzfeg" />
         <pubDate>2025-05-12 11:11:27 UTC</pubDate>
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      <item>
         <title>Songwriting/Composition</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446347038</link>
         <description><![CDATA[<p>The composition of Never Mind was a collaborative effort within the band. Each member focused on contributing their parts for their respective instruments, ensuring that everyone’s ideas and strengths were represented. I specifically worked on the lead guitar sections, crafting melodies that complement the vocals and rhythms. We also included rap segments in the song, a unique blend that adds depth to the piece.</p><p><br></p><p>Songwriting Process:</p><p>Brainstorming lyrics and music ideas as a group.</p><p>Discussing the structure of the song and how to blend the guitar lines with the rap sections.</p><p>Jamming together to work out the transitions and how each section of the song flows into the next.</p>]]></description>
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         <pubDate>2025-05-12 11:11:42 UTC</pubDate>
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      </item>
      <item>
         <title>Rehearsing with Others</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446350869</link>
         <description><![CDATA[<p>Rehearsing with the band was integral to solidifying the sound and feel of Never Mind. We spent a lot of time fine-tuning our parts, making sure the transitions between guitar and rap sections were seamless. During rehearsals, we focused on cohesion as a group—ensuring our individual parts came together to create a unified, polished performance.</p><p><br/></p><p>Rehearsal Focus:</p><p>Timing and transitions between the rap and instrumental sections.</p><p>Synchronizing with the rhythm guitar (Mathew, Diego, and Brooklyn) and making sure the bass (Theo) and drums (Gillie) supported the lead guitar line.</p><p>Ensuring the vocals (Ed and Theodora) were prominently featured, with my guitar complementing their melody and tone.</p>]]></description>
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         <pubDate>2025-05-12 11:15:10 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446350869</guid>
      </item>
      <item>
         <title>Collaborating with Others</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446351031</link>
         <description><![CDATA[<p>Working with my bandmates has been a collaborative effort, with each member contributing their unique skills and ideas to the project. We meet regularly to discuss logistics, artistic decisions, and how best to present Never Mind both live and in recordings. The creative process has been highly collaborative, with input from everyone on the direction of the song and the performance.</p><p><br/></p><p>Collaboration Notes:</p><p>Brainstorming and contributing ideas for musical sections.</p><p>Discussing the integration of rap into the song and how to make it blend smoothly with the other musical elements.</p><p>Sharing responsibilities for parts of the performance, such as stage setup and live sound.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-12 11:15:22 UTC</pubDate>
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      <item>
         <title>Performing</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446351429</link>
         <description><![CDATA[<p>We are preparing to perform Never Mind as part of our setlist at The Mashhouse on Cowgate. This performance will showcase the song in front of a live audience, where we aim to capture the energy and creative synergy of our band. We’ve worked hard to ensure that the flow of the song, along with the transitions, will be tight and impactful.</p><p><br/></p><p>Performance Details:</p><p>Venue: The Mashhouse, Cowgate.</p><p>Setlist: Includes Never Mind along with other original songs.</p><p>Focus on engaging the audience with both the rap segments and the instrumental portions of the song.</p><p>Our performance video can now be accessed on the <em>Out of the Box Website</em></p><p><a rel="noopener noreferrer nofollow" href="https://www.youtube.com/watch?v=AFbyrWKq5mU">https://www.youtube.com/watch?v=AFbyrWKq5mU</a></p>]]></description>
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         <pubDate>2025-05-12 11:15:36 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446351429</guid>
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      <item>
         <title>Evidence for Practical Skills and Knowledge</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446351781</link>
         <description><![CDATA[<p>Practice Logs:</p><p>I keep detailed logs of my personal practice sessions, noting which techniques I focused on and what areas need more attention.</p><p><br/></p><p>Rehearsal Reviews:</p><p>After rehearsals, I review the recordings and make notes on how we can improve the timing, transitions, and overall cohesion of the song.</p><p>(Notes from rehearsals are listed in the post below)</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-12 11:15:59 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3446351781</guid>
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      <item>
         <title>Minutes of band rehearsals</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457156096</link>
         <description><![CDATA[<p><strong>Band Rehearsal Minutes - March 31, 2025</strong></p><p>Agenda:</p><ul><li><p>Tighten "Tek It" and "Super Trouper"</p></li><li><p>Start “Airplanes”</p></li></ul><p>Progress:</p><ul><li><p><strong>“</strong>Tek It”: Worked out timing on the intro, with Theo's bass locking in with Gillie’s drums. I added some extra flair to the solo, and Mathew adjusted his rhythm part for a cleaner sound.</p></li><li><p>“Super Trouper”: Harmonies from Theodora and Ed sounding much smoother, especially in the chorus. Mathew and Brooklyn tightened up their rhythm work.</p></li><li><p>“Airplanes”: Erin introduced the synth intro, which sounded great. Brooklyn and Mathew made adjustments to their rhythm guitar sections, and we started syncing the drums to the synth.</p></li></ul><p>Challenges:</p><ul><li><p>The synth in “Airplanes” doesn’t quite blend with the rhythm guitar yet—had to pause a few times to adjust.</p></li></ul><p>Goals:</p><ul><li><p>Focus on tightening the synth/guitar sync for next week. Run through “Airplanes” and revisit the transitions.</p></li></ul><p><br></p><p><br></p><p><strong>Band Rehearsal Minutes - April 7, 2025</strong></p><p><br></p><p>Agenda:</p><ul><li><p>Focus on “Airplanes”</p></li><li><p>Run-through of “Black Sheep”</p></li></ul><p>Progress:</p><ul><li><p><strong>“</strong>Airplanes”: Erin’s synth is now matching with the guitar, and the transitions between sections are getting smoother. Theo added a bassline that really complements the synth in the intro.</p></li><li><p>“Black Sheep”: Run-through was solid, with everyone in sync. Your solo section was smooth, and Ed’s harmonies with Theodora were tighter. Gillie nailed the dynamic shifts in the bridge.</p></li></ul><p>Challenges:</p><ul><li><p>Minor tempo syncing issues in “Airplanes” between the synth and rhythm section.</p></li><li><p>“Black Sheep” still has some lingering issues with tempo variations in the verses.</p></li></ul><p>Goals:</p><ul><li><p>Finalize tempo in “Airplanes.” Start thinking about dynamics for the quieter sections of “Black Sheep” and the original song.</p></li></ul><p><br></p><p><br></p><p><strong>Band Rehearsal Minutes - April 14, 2025</strong></p><p><br></p><p>Agenda:</p><ul><li><p>Rehearse “Black Sheep” and original song</p></li><li><p>Adjust dynamics for quieter sections</p></li></ul><p>Progress:</p><ul><li><p>“Black Sheep”: Tempo is improving, especially in the bridge. Your guitar solo is now tighter, and Brooklyn's rhythm section provides a solid foundation. Theodora’s and Ed’s harmonies are really starting to blend well.</p></li><li><p>Original Song: Erin brought in some new chords for the bridge, and Theo worked on a bassline that complements it. Ed's vocal melody is now the main hook. We also refined some of the lyrics for better flow.</p></li></ul><p>Challenges:</p><ul><li><p>Original song still needs work in the structure of the verse sections. Not all parts are flowing as smoothly as they should.</p></li><li><p>Minor dynamic issues in quieter parts of “Black Sheep” where energy dips.</p></li></ul><p>Goals:</p><ul><li><p>Finalize structure and lyrics for the original song. Focus on dynamics and transitions for quieter parts of “Black Sheep.”</p></li></ul><p><br></p><p><br></p><p><strong>Band Rehearsal Minutes - April 21, 2025</strong></p><p><br></p><p>Agenda:</p><ul><li><p>Polish original song</p></li><li><p>Full run-through of the setlist</p></li></ul><p>Progress:</p><ul><li><p>Original Song: The structure is solid now; everyone’s parts fit together. The new bridge added by Mathew and me adds emotional depth. Vocals from Theodora and Ed are flowing well.</p></li><li><p>Setlist Run-through: We did a complete run-through of the setlist. “Tek It” and “Super Trouper” are almost locked in, and “Black Sheep” sounds great now. The original song still needs some fine-tuning in the transitions, but it’s sounding good overall.</p></li></ul><p>Challenges:</p><ul><li><p>The original song needs tighter vocal harmonies in the chorus, as some notes were slightly off.</p></li><li><p>Timing still slightly off in transitions between songs—especially between “Super Trouper” and “Black Sheep.”</p></li></ul><p><strong>Goals:</strong></p><ul><li><p>Smooth out transitions between songs. Focus on tightening the vocal harmonies in the original song.</p></li></ul><p><br></p><p><br></p><p><strong>Band Rehearsal Minutes - April 28, 2025</strong></p><p><br></p><p>Agenda:</p><ul><li><p>Finalize setlist flow</p></li><li><p>Run-through before performance</p></li></ul><p>Progress:</p><ul><li><p>Setlist: Everything is coming together. We adjusted transitions between songs, especially the shift from “Super Trouper” to “Black Sheep.” Each song feels more connected now.</p></li><li><p>Performance Readiness: Vocal harmonies are spot on in “Super Trouper.” You and Theo worked out a smoother intro for “Tek It.” Gillie added some new fills that bring out the energy in “Black Sheep.”</p></li></ul><p>Challenges:</p><ul><li><p>Still need to tighten up “Tek It” during the solo section. Minor sync issues between you and Brooklyn at the start.</p></li><li><p>The original song needs a few more tweaks before it’s fully ready for the stage.</p></li></ul><p>Goals:</p><ul><li><p>Final practice on transitions and solos. Make sure the original song is set for the final run-through next week.</p></li></ul><p><br></p><p><br></p><p><strong>Band Rehearsal Minutes - May 5, 2025</strong></p><p><br></p><p>Agenda:</p><ul><li><p>Final run-through before performance</p></li></ul><p>Progress:</p><ul><li><p>Full Set: Everything is now flowing seamlessly! The transitions between songs are sharp, and everyone knows their cues. The final run-through felt smooth, and we hit every vocal harmony perfectly.</p></li><li><p>Final Details: You nailed the solo in “Tek It.” Ed and Theodora’s vocals in “Super Trouper” are clean, and Gillie’s drum fills add energy to the quiet parts of “Black Sheep.”</p></li></ul><p>Challenges:</p><ul><li><p>Minor solo tweaks on “Tek It” to add a bit more flair. Some final adjustments on stage positioning to ensure smooth transitions.</p></li></ul><p>Goals:</p><ul><li><p>Ready for performance! Feeling confident in the entire set.</p></li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-19 10:44:07 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457156096</guid>
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      <item>
         <title>Live Performance Project – Reflection</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457340075</link>
         <description><![CDATA[<p>For this project, I worked with my band to prepare and perform a live set at The Mash House, a well-known venue in Edinburgh. I began by researching the venue’s accessibility, layout, and reputation for hosting indie and pop acts. This helped us understand the technical setup and the kind of audience we’d be playing to. We created a setlist that mixed well-known covers (<em>Super Trouper</em>, <em>Airplanes</em>, <em>Black Sheep</em>) with originals like <em>Nevermind</em>and <em>Tek It</em>. I studied how to build a setlist with the right energy and flow, balancing moods and tempos to keep the audience engaged. As the lead guitarist, I focused on developing technically demanding parts of songs—especially solos and transitions. I practiced regularly, working on speed, phrasing, and smooth chord changes, especially in our original track <em>Nevermind</em>.</p><p>Rehearsals were key to tightening our sound. We kept minutes from each session, noting what worked and what needed improvement. We worked hard on syncing parts, tightening harmonies, and polishing transitions between songs. I also collaborated closely with the rhythm section and vocalists to ensure a cohesive performance. Alongside the musical work, I researched vocal and instrumental techniques specific to pop and alternative genres. I also explored how musicians promote live events and gather feedback afterward—valuable knowledge for improving future shows. Overall, this project helped me grow as a guitarist and team member. I learned how to plan a live set from start to finish, and how to rehearse, perform, and evaluate our work like professionals.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-19 13:21:01 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457340075</guid>
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      <item>
         <title>What I Would Improve in the Future</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457345456</link>
         <description><![CDATA[<p>In the future, I would focus on improving the timing and tightness of transitions between songs, as well as refining vocal harmonies earlier in the rehearsal process. I’d also like to spend more time on stage presence and audience interaction to create a more engaging performance. Better time management during rehearsals would help us address challenges more efficiently and leave more room for creative experimentation.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-19 13:24:40 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457345456</guid>
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      <item>
         <title>The Day of the Gig</title>
         <author>ec2245143</author>
         <link>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457360561</link>
         <description><![CDATA[<p>On the day of the gig, we kicked things off with a morning rehearsal to tighten everything up. After that, we grabbed some food as a group to keep the vibes high and stay relaxed. Once we got to the venue, we greeted everyone and took in the great atmosphere. We watched the first band perform, which got us even more hyped. When it was our turn, everyone was buzzing with excitement. The performance went really well—everything clicked on stage, and the audience was roaring with energy. Coming off stage to a round of applause was an amazing feeling and a great end to the night.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-05-19 13:35:24 UTC</pubDate>
         <guid>https://padlet.com/ec2245143/rmgok4lrjqtuhi1k/wish/3457360561</guid>
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