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      <title>Photography Timeline by Lorena Mendez</title>
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      <pubDate>2020-12-02 18:18:34 UTC</pubDate>
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         <title>Edward Steichen (1879-1973)</title>
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         <description><![CDATA[<div>Steichen began his artistic career at the age of 16, working as a design apprentice in a Milwaukee lithographic firm, where he created photographs that were used as models for illustrated advertisements,  he claimed that his “first real effort in photography was to make photographs that were useful,” an approach to which he would return later in his career.</div>]]></description>
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         <pubDate>2020-12-14 18:28:36 UTC</pubDate>
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         <title>The FlatIron , 1904</title>
         <author>lm60352</author>
         <link>https://padlet.com/lm60352/re22t56wfvmuj0rg/wish/1017273015</link>
         <description><![CDATA[<div>Steichen added color to the platinum print that forms the foundation of this photograph by using layers of pigment suspended in a light-sensitive solution of gum arabic and potassium bichromate. Together with two variant prints in other colors,  this picture is a prime example of the conscious effort of photographers in the circle of Alfred Stieglitz to assert the artistic potential of their medium. </div>]]></description>
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         <pubDate>2020-12-14 18:28:49 UTC</pubDate>
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         <title>The Ring Toss, 1915</title>
         <author>lm60352</author>
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         <description><![CDATA[<div>"Ring Toss" by Clarence H White is a vision of youthful feminine energy in a domestic setting. It signals a remove from the modern urban world and demonstrates White's ability to find sentiment even in the commonplace. </div>]]></description>
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         <pubDate>2020-12-14 18:28:56 UTC</pubDate>
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         <title>End Of Pictorialism (1930)</title>
         <author>lm60352</author>
         <link>https://padlet.com/lm60352/re22t56wfvmuj0rg/wish/1017274240</link>
         <description><![CDATA[<div>American Pictorialism became less involved with atmospheric effects and beautiful subject matter, but for some years after world war 1, the older ideals of pictorial beauty were retained by the group called Pictorial Photographers of America. By the late 1920s, as the aesthetics  of Modernism took hold, the term Pictorialism came to describe a tired convention.</div>]]></description>
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         <pubDate>2020-12-14 18:29:06 UTC</pubDate>
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         <title>Family Of Man, Edward Steichen- 1955</title>
         <author>lm60352</author>
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         <description><![CDATA[<div><em>The Family of Man</em> was composed of 503 photographs grouped thematically around subjects pertinent to all cultures, such as love, children, and death. After its initial showing at The Museum of Modern Art in 1955, the exhibition toured the world for eight years, making stops in thirty-seven countries on six continents. In this photograph, Edward Steichen, former Director of the Museum’s Department of Photography, leads a group of visitors through <em>The Family of Man</em> at the Hochschule für Bildende Künste (Academy for Creative Arts) in Berlin in 1955. The photographs included in the exhibition focused on the commonalties that bind people and cultures around the world and the exhibition served as an expression of humanism in the decade following World War II.</div>]]></description>
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         <pubDate>2020-12-14 18:29:12 UTC</pubDate>
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